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History
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First page of The first Part of Henry the Sixt from the First Folio (1623).
First page of The first Part of Henry the Sixt from the First Folio (1623).
Frederick and Alfred Heath engraving of Scene in the Temple Garden by John Pettie (1871)
Frederick and Alfred Heath engraving of Scene in the Temple Garden by John Pettie (1871)
H. C. Selous's illustration of Joan's fiends abandoning her in Act 5, Scene 3; from The Plays of William Shakespeare: The Historical Plays, edited by
H. C. Selous's illustration of Joan's fiends abandoning her in Act 5, Scene 3; from The Plays of William Shakespeare: The Historical Plays, edited by Charles Cowden Clarke and Mary Cowden Clarke (1830)
Title page from the 1550 edition of Edward Hall's The Union of the Two Noble and Illustre Families of Lancaster and York.
Title page from the 1550 edition of Edward Hall's The Union of the Two Noble and Illustre Families of Lancaster and York.
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Opening page of the First Folio King John
Opening page of the First Folio King John
'Henry VII crowned at Bosworth', by Richard Caton Woodville Jr.—a key moment in the 'Tudor myth'
'Henry VII crowned at Bosworth', by Richard Caton Woodville Jr.—a key moment in the 'Tudor myth'
'Joan of Arc conjures demons in Shakespeare's Henry VI' (engraving by C. Warren, 1805, after J. Thurston). "Next to her, Talbot is a blundering oaf, w
'Joan of Arc conjures demons in Shakespeare's Henry VI' (engraving by C. Warren, 1805, after J. Thurston). "Next to her, Talbot is a blundering oaf, who furiously attributes her success to sorcery, whereas the audience knows that she has simply outfoxed him by superior military strategy." – H. A. Kelly (1970)
'Falstaff', (Adolfo Hohenstein)—according to Danby, "in every sense, the bigger man" than Hal
'Falstaff', (Adolfo Hohenstein)—according to Danby, "in every sense, the bigger man" than Hal