Vanity Fair (2004 film)

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Vanity Fair
Vanity Fair 2004 poster.jpg
Theatrical release poster
Directed by Mira Nair
Produced by Janette Day
Screenplay by Julian Fellowes
Matthew Faulk
Mark Skeet
Based on Vanity Fair
by William Makepeace Thackeray
Starring Reese Witherspoon
Jonathan Rhys Meyers
James Purefoy
Gabriel Byrne
Eileen Atkins
Bob Hoskins
Romola Garai
Jim Broadbent
Music by Mychael Danna
Cinematography Declan Quinn
Edited by Allyson C. Johnson
Distributed by Focus Features
Release date
September 1, 2004 (2004-09-01) (United States)
January 14, 2005 (2005-01-14) (United Kingdom)
Running time
141 minutes
Country United Kingdom
United States
Language English
Budget $23 million
Box office $19,463,185

Vanity Fair is a 2004 British-American historical drama film directed by Mira Nair and adapted from William Makepeace Thackeray's novel of the same name. The novel has been the subject of numerous television and film adaptations, and Nair's version made notable changes in the development of main character Becky Sharp.

The film was nominated for "Golden Lion" Award in 2004 Venice Film Festival.

Plot[edit]

In 1802 England, Becky Sharp (Reese Witherspoon), the orphaned daughter of an impoverished painter, has just finished her studies at Miss Pinkerton's School for Girls and has been offered a position as governess to the daughters of Sir Pitt Crawley (Bob Hoskins). Before she begins her position she travels to London with her close friend Amelia Sedley (Romola Garai) to stay with the Sedley family. While there she begins a campaign to charm Amelia's awkward and overweight brother "Jos" Sedley (Tony Maudsley), a wealthy trader living in India. Jos grows very smitten with Becky and comes close to proposing marriage to her, but is dissuaded by Amelia's snobbish fiance George Osbourne (Jonathan Rhys Meyers), who reminds him of Becky's low birth and poverty.

Having failed in her efforts to find a rich husband, Becky travels to take up her post, she is horrified by the dilapidated house and her lecherous new employer Sir Pitt, but applies herself diligently to teaching his two young daughters and improving the house in preparation for the visit of Sir Pitt's half-sister Miss Crawley (Eileen Atkins). Accompanying her is Sir Pitt's youngest son, Rawdon Crawley (James Purefoy), a roguish army captain, who immediately takes a fancy to Becky. Becky manages to ingratiate herself to the crotchety Miss Crawley, so much so that she invites Becky to come and live with her as a companion in London.

Meanwhile, Amelia's prospective father-in-law, Mr. Osborne (Jim Broadbent), is trying to arrange a more advantageous marriage for his son George. When George refuses to countenance marrying his father's candidate, Mr. Osborne calls in the debts which Mr. Sedley owes to him, bankrupting the family and obliging George to break the engagement to Amelia. Amelia, now living in squalor with her family, remains hopeful that George will come for her, deluding herself when she receives the gift of a piano from George's loyal friend Dobbin (Rhys Ifans) into thinking that it is from George himself.

Becky seduces Rawdon Crawley and the two marry secretly, though they are soon exposed to Miss Crawley, who expels Becky from her house in anger and disinherits Rawdon. George Osbourne marries Amelia in rebellion against his father, and is soon after deployed with Dobbin and Rawdon to Belgium as part of the Duke of Wellington's army, because Napoleon has escaped Elba and invaded France. Becky and Amelia decide to accompany their husbands, the newly-wedded Osborne has already grown tired of Amelia, and he begins to make romantic assignations to Becky. The lavish ball the group are attending is interrupted by an announcement that Napoleon has attacked, and the army will march in three hours, before he leaves, Rawdon gives Becky all the money he's won at cards and the next day Becky tries to flee the city. However, when she sees Amelia in the fleeing mob, she leaves her carriage to take Amelia back to Brussels, where they wait out the battle.

In the ensuing Battle of Waterloo, George is killed and Rawdon survives. Amelia bears him a posthumous son, who is also named George. Mr. Osborne refuses to acknowledge his grandson. So Amelia returns to live in genteel poverty with her parents. Now-Major William Dobbin, who is young George's godfather, begins to express his love for the widowed Amelia by small kindnesses. Amelia is too much in love with George's memory to return Dobbin's affections. Saddened, he transfers to an army post in India. Meanwhile, Becky also has a son, also named after his father.

Several years pass. Rawdon has been passed over for inheritance by both his aunt and father, and the couple are seeking deep into debt. Amelia herself struggles to raise her son and reluctantly gives him up to be raised by his grandfather Mr. Osborne, because of the fine education and lifestyle he can provide. When bailiffs arrive to repossess the Crawley's household furniture, Becky is saved by her neighbor Lord Steyne (Gabriel Byrne), a man she remembers from the past as a keen buyer of her father's paintings. Lord Steyne becomes her patron, giving her money and introducing her into the exclusive world of London high society.

On the night of her triumphant presentation to the King of England, George IV, Becky receives word that Rawdon has been arrested and thrown into debtors' prison. Lord Steyne insists that she spend the night with him in return for all the services he has rendered her, and Rawdon, after being bailed out by his sister-in-law, walks in on Steyne forcing himself upon Becky, he throws Steyne out and realizes that Becky has been taking money for months in secret without sharing with him. He leaves Becky and entrusts the care of his son to his older brother, the new Sir Pitt (Douglas Hodge) and his wife.

Twelve years later, Becky is working as a card dealer at a casino in Baden-Baden, Germany, it is revealed that Rawdon died from malaria soon after leaving Becky, when he was posted to a tropical island under the malign influence of Lord Steyne. By chance Becky encounters the now grown son of Amelia, George Jr., who invites her to meet his mother for tea. Mr. Osborne finally accepted Amelia at the end of his life and left her and George Jr. a large inheritance. Becky confronts Amelia over her obsession with the late George, showing her a love note given to her many years earlier by him, she urges Amelia to love Dobbin, who has remained her loyal friend for many years. Although at first angered, Amelia realizes her mistake and declares her love to Dobbin.

Alone again in the casino, Becky meets Jos Sedley, who has come to Germany after being informed by Amelia that Becky was there, he invites her to come and live in India with him, and she delightedly accepts. The two depart to make a new life for themselves.

Cast[edit]

Production[edit]

The film adaptation of Vanity Fair had been in development for over 10 years, with writers Matthew Faulk and Mark Skeet working on the screenplay. Mira Nair became attached to the project in 2002 and scrapped most of the initial screenplay. She brought Julian Fellowes in to rewrite the film; he agreed with her that the character of Becky Sharp should be made more sympathetic than in the novel.[4] The ending was also changed, with Becky journeying to India with Joseph Sedley, the film had a budget of $23 million and originally was supposed to be in pre-production for 18 weeks. However, Reese Witherspoon became pregnant so it was necessary to speed up both pre-production and filming. Vanity Fair was shot in Bath, Kent, the Chatham Dockyard,[5] and at Stanway House in Gloucester.[4]

Reception[edit]

Critics gave the film mixed reviews. Metacritic reported the film had an average score of 53 out of 100, based on 41 reviews.[6] Rotten Tomatoes maintains this film with a 51% rating.

Stephen Hunter of The Washington Post gave a positive review, calling the movie "Mira Nair's fine movie version of the 1848 book, in all its glory and scope and wit."[7] In the Charlotte Observer, Lawrence Toppman commented that "The filmmakers have wisely retained the main structure of the book" and that "The cast is uniformly good, even when dealing with sudden mood changes forced by the screenwriters' need to move forward."[8] Meanwhile, Lisa Schwarzbaum, in her review in Entertainment Weekly, rated the film a B-, and added that "The dismaying switcheroo in director Mira Nair’s adaptation ... that Botoxes Thackeray’s riotous, unruly masterpiece, is that this "Vanity Fair" is, indeed, genteel and inoffensive. In fact, it borders on perky – a duller, safer tonal choice for the story of a conniving go-getter whose fall is as precipitous as her rise."[9]

Soundtrack[edit]

Mira Nair, the director of the film, searched for good Indian musicians to compose a song for the album, and finally selected the trio Shankar-Ehsaan-Loy at the last minute, she showed them a rough footage of the situation she wanted them to compose for, which was the last few sequences of the film. The trio used tabla and several other Indian musical instruments for the song, without any synth, to give it an ethnic feel.[10] Nair asked lyricist Javed Akhtar, an old friend, to write the lyrics to convey the idea of a woman who has achieved all that she wanted and found her own voice - as exemplified by Becky when she goes to India, the song is written in the Rajasthani dialect.[11]

The song was sung by Shankar, accompanied by Richa Sharma. Jerry McCulley of Celtic Instruments described the song as "a sprightly duet",[12] while SoundtrackNet said the "aforementioned upbeat vocal number Gori Re" is enjoyable in its own way for one who enjoys Indian musical styles.[13]

Track # Song Artist(s) Music Duration
1 "She Walks in Beauty" Sissel Kyrkjebø Mychael Danna 1:59
2 "Exchange" Nicholas Dodd Mychael Danna 2:10
3 "Becky and Amelia Leave School" Nicholas Dodd Mychael Danna 1:26
4 "The Great Adventurer" Custer Larue Mychael Danna 2:05
5 "Becky Arrives at the Queen's Crawley" Nicholas Dodd Mychael Danna 1:43
6 "Andante" Nicholas Dodd Mychael Danna 1:08
7 "No Lights after Eleven" Nicholas Dodd Mychael Danna 2:48
8 "Adagio" Nicholas Dodd Mychael Danna 1:35
9 "I've Made up My Mind" Nicholas Dodd Mychael Danna 0:28
10 "Ride to London" Nicholas Dodd Mychael Danna 2:03
11 "Becky and Rawdon Kiss" Nicholas Dodd Mychael Danna 2:00
12 "Sir Pitt's Marriage Proposal" Nicholas Dodd Mychael Danna 1:38
13 "I Owe You Nothing" Nicholas Dodd Mychael Danna 1:14
14 "Piano for Amelia/Announcement of Battle" Nicholas Dodd Mychael Danna 3:11
15 "Time to Quit Brussels" Nicholas Dodd Mychael Danna 2:37
16 "Waterloo Battlefield" Nicholas Dodd Mychael Danna 1:28
17 "Amelia Refuses Dobbin/The Move to Mayfair" Nicholas Dodd Mychael Danna 2:03
18 "Now Sleeps the Crimson Petal" Custer Larue Mychael Danna 2:45
19 "Steyne the Pasha" Nicholas Dodd Mychael Danna 1:11
20 "El Salaam" Hakim Mychael Danna 1:33
21 "The Virtue Betrayed" Nicholas Dodd Mychael Danna 0:38
22 "Rawdon's End" Nicholas Dodd Mychael Danna 0:46
23 "Dobbin Leaves Amelia" Nicholas Dodd Mychael Danna 1:06
24 "Vanity's Conqueror" Nicholas Dodd Mychael Danna 1:13
25 "Gori Re (O Fair One)" Richa Sharma, Shankar Mahadevan Shankar-Ehsaan-Loy 4:26

Accolades[edit]

Year Award Category Recipient Result
2004 Venice Film Festival Golden Lion Mira Nair Nominated
2005 Satellite Award Best Art Direction and Production Design Maria Djurkovic and Tatiana Macdonald Nominated
Best Costume Design Beatrix Aruna Pasztor Won
London Critics Circle Film Awards British Supporing Actress of the Year Eileen Atkins Nominated

References[edit]

  1. ^ Cook, Emma (14 January 2005). "Hunter The Fox". London Evening Standard. 
  2. ^ Vena, Jocelyn (April 18, 2011). "Robert Pattinson Says Playing Reese Witherspoon's Love Interest Was 'Bizarre'". MTV. Retrieved July 26, 2011. 
  3. ^ Ryan, Mike (April 22, 2011). "Is Robert Pattinson on Team Jacob in Water for Elephants? (and 24 Other Urgent Questions)". Vanity Fair. Retrieved July 26, 2011. 
  4. ^ a b Muir, John Kenneth (2006). Mercy in Her Eyes: The Films of Mira Nair. Applause. pp. 208–20. ISBN 978-1-55783-649-6. 
  5. ^ Kent Film Office (August 31, 2004). "Kent Film Office Vanity Fair Film Focus". 
  6. ^ "Vanity Fair (2004 film): Reviews". Metacritic. Retrieved 2008-02-21. 
  7. ^ Hunter, Stephen (September 1, 2004). "'Vanity Fair': The Empire, Richly Painted". The Washington Post. Retrieved May 27, 2010. 
  8. ^ Movie: Vanity Fair[dead link]
  9. ^ Frank Connor (September 1, 2004). "Movie Review: Vanity Fair". Entertainment Weekly. 
  10. ^ "The Indian melody in Vanity Fair". Rediff.com. Retrieved 2011-07-01. 
  11. ^ http://archives.digitaltoday.in/indiatoday/20040830/cinema.html
  12. ^ Jerry McCulley (2004-08-31). "Vanity Fair soundtrack review". celtic-instruments.com. Celtic Instruments. Retrieved 2011-07-01. 
  13. ^ Other reviews by Brian McVickar (2004-09-15). "Vanity Fair Soundtrack". Soundtrack.net. SoundtrackNet. Retrieved 2011-07-01. 

External links[edit]