1.
Single (music)
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In music, a single or record single is a type of release, typically a song recording of fewer tracks than an LP record, an album or an EP record. This can be released for sale to the public in a variety of different formats, in most cases, a single is a song that is released separately from an album, although it usually also appears on an album. Typically, these are the songs from albums that are released separately for promotional uses such as digital download or commercial radio airplay and are expected to be the most popular, in other cases a recording released as a single may not appear on an album. As digital downloading and audio streaming have become prevalent, it is often possible for every track on an album to also be available separately. Nevertheless, the concept of a single for an album has been retained as an identification of a heavily promoted or more popular song within an album collection. Despite being referred to as a single, singles can include up to as many as three tracks on them. The biggest digital music distributor, iTunes, accepts as many as three tracks less than ten minutes each as a single, as well as popular music player Spotify also following in this trend. Any more than three tracks on a release or longer than thirty minutes in total running time is either an Extended Play or if over six tracks long. The basic specifications of the single were made in the late 19th century. Gramophone discs were manufactured with a range of speeds and in several sizes. By about 1910, however, the 10-inch,78 rpm shellac disc had become the most commonly used format, the inherent technical limitations of the gramophone disc defined the standard format for commercial recordings in the early 20th century.26 rpm. With these factors applied to the 10-inch format, songwriters and performers increasingly tailored their output to fit the new medium, the breakthrough came with Bob Dylans Like a Rolling Stone. Singles have been issued in various formats, including 7-inch, 10-inch, other, less common, formats include singles on digital compact cassette, DVD, and LD, as well as many non-standard sizes of vinyl disc. Some artist release singles on records, a more common in musical subcultures. The most common form of the single is the 45 or 7-inch. The names are derived from its speed,45 rpm. The 7-inch 45 rpm record was released 31 March 1949 by RCA Victor as a smaller, more durable, the first 45 rpm records were monaural, with recordings on both sides of the disc. As stereo recordings became popular in the 1960s, almost all 45 rpm records were produced in stereo by the early 1970s
2.
CD single
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This article is about the 12cm single. Not to be confused with 8cm single, the standard in the Red Book for the term CD single. A CD single is a single in the form of a standard size compact disc. It is not to be confused with the Mini CD single, the format was introduced in the mid-1980s but did not gain its place in the market until the early 1990s. With the rise in digital downloads in the early 2010s, sales of CD singles have decreased, commercially released CD singles can vary in length from two songs up to six songs like an EP. Some contain multiple mixes of one or more songs, in the tradition of 12 vinyl singles, depending on the nation, there may be limits on the number of songs and total length for sales to count in singles charts. Containing four tracks, it had a limited print run. CD singles were first made eligible for the UK Singles Chart in 1987, the Mini CD single format was originally created for use for singles in the late 1980s, but met with limited success, particularly in the US. The smaller CDs were more successful in Japan and have become more common in Europe. By 1989, the CD3 was in decline in the US and it was common in the 1990s for US record companies to release both a two-track CD and a multi-track maxi CD. In the UK, record companies would also release two CDs but, usually, these consisted of three tracks or more each. Pressure from record labels made singles charts in some countries become song charts, allowing album cuts to chart based only on airplay, without a single ever being released. At the end of the 1990s, the CD was the single format in the UK, but in the US. In Australia, the Herald Sun reported the CD single is set to become extinct, while CD singles no longer maintain their own section of the store, copies are still distributed but placed with the artists albums. That is predominantly the case for popular Australian artists such as Jessica Mauboy, Kylie Minogue and, most recently, Delta Goodrem, the ARIA Singles Chart are now predominantly compiled from legal downloads, and ARIA also stopped compiling their physical singles sales chart. On a Mission by Gabriella Cilmi was the last CD single to be stocked in Kmart, Target and Big W, sanity Entertainment, having resisted the decline for longer than the other major outlets, has also ceased selling CD singles. In Greece and Cyprus, the term CD single is used to describe a play in which there may be anywhere from three to six different tracks. These releases charted on the Greek Singles Chart with songs released as singles, in September 2003, there was talk of ringtones for mobile phones outstripping CD singles sales for the year 2004
3.
Country music
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Country music is a genre of United States popular music that originated in the southern United States in the 1920s. It takes its roots from the genre of United States, such as folk music. Blues modes have been used throughout its recorded history. The term country music is used today to many styles and subgenres. In 2009 country music was the most listened to rush hour radio genre during the evening commute, immigrants to the Southern Appalachian Mountains of North America brought the music and instruments of Europe and Africa along with them for nearly 300 years. Country music was introduced to the world as a Southern phenomenon, Bristol, Tennessee, has been formally recognized by the U. S. Congress as the Birthplace of Country Music, based on the historic Bristol recording sessions of 1927. Since 2014, the city has been home to the Birthplace of Country Music Museum, historians have also noted the influence of the less-known Johnson City sessions of 1928 and 1929, and the Knoxville sessions of 1929 and 1930. Prior to these, pioneer settlers, in the Great Smoky Mountains region, had developed a musical heritage. The first generation emerged in the early 1920s, with Atlantas music scene playing a role in launching countrys earliest recording artists. Okeh Records began issuing hillbilly music records by Fiddlin John Carson as early as 1923, followed by Columbia Records in 1924, many hillbilly musicians, such as Cliff Carlisle, recorded blues songs throughout the 1920s. The most important was the Grand Ole Opry, aired starting in 1925 by WSM in Nashville, during the 1930s and 1940s, cowboy songs, or Western music, which had been recorded since the 1920s, were popularized by films made in Hollywood. Bob Wills was another musician from the Lower Great Plains who had become very popular as the leader of a hot string band. His mix of country and jazz, which started out as dance hall music, Wills was one of the first country musicians known to have added an electric guitar to his band, in 1938. Country musicians began recording boogie in 1939, shortly after it had played at Carnegie Hall. Gospel music remained a component of country music. It became known as honky tonk, and had its roots in Western swing and the music of Mexico. By the early 1950s a blend of Western swing, country boogie, rockabilly was most popular with country fans in the 1950s, and 1956 could be called the year of rockabilly in country music. Beginning in the mid-1950s, and reaching its peak during the early 1960s, the late 1960s in American music produced a unique blend as a result of traditionalist backlash within separate genres
4.
Arista Records
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/ˈɛ. rɪ. stə/ was a major American record label. It was a wholly owned unit of Sony Music Entertainment and was handled by Bertelsmann Music Group. The company operated under the RCA Music Group until 2011, the label was founded in 1974 by Clive Davis, who formerly worked for CBS Records. Until its demise in 2011, it was a distributor and promoter of albums throughout the United States. Today, the labels reissues and catalogue releases are handled by RCA Records, after being fired from CBS Records, Clive Davis was hired by Columbia Pictures in June 1974 to be a consultant for the companys record and music operations. The label was named Arista after New York Citys secondary school honor society, in early 1975, most of the artists who had been signed to Bell were let go, except David Cassidy, Tony Orlando and Dawn, and the 5th Dimension. Others, such as Suzi Quatro and Hot Chocolate, were farmed out to the Bell/Arista-distributed label, several Bell acts, such as Barry Manilow, the Bay City Rollers, and Melissa Manchester moved to Arista. The British Bell label kept that name for a couple of years before changing its name to Arista, the label was immortalized in the 1978 Rockpile song They Called It Rock, in the lyric, Arista says they love you/But the kids cant dance to this. In addition to Manilow, the Kinks, and Dionne Warwick, Arista signed Aretha Franklin in 1980, the labels most significant acquisition came in 1983 when Davis signed Warwicks cousin, Whitney Houston. Houston would eventually become Aristas biggest-selling recording artist, with sales of 200 million records worldwide, Arista had an imprint label in the 1970s called Arista Novus, which focused on contemporary jazz artists. A country music division, Career Records, was merged into the Arista Nashville division in 1997, Arista Austin was used in the late 1990s as a country label. Additionally, Arista was the North American distributor of Jive Records from 1981 until 1987, during the 1990s, Arista also distributed Logic, Rowdy and Heavenly Recordings. Looking to stave off bankruptcy, Columbia Pictures sold Arista to German-based Ariola Records in 1979, after Ariola purchased General Electrics RCA Records in 1986, the combined company was renamed Bertelsmann Music Group, though Aristas U. S. releases would not note BMG until 1987. Into the 1980s, Arista continued its success, including major UK act Secret Affair, over the years it acquired Northwestside Records, deConstruction Records, First Avenue Records, and Dedicated Records in the UK. In 1989, Arista entered into a joint venture with Antonio L. A. Reid and Babyface in the creation of LaFace Records record company of TLC, in 1993, Arista also entered into a joint-venture with Sean P. Diddy Combs to form Bad Boy Records. In 1997 Arista acquired Profile Records, the home of Run-D. M. C. in 1989, Arista signed Milli Vanilli, a duo consisting of Rob Pilatus and Fab Morvan that was based in Germany. The label released its album, Girl You Know Its True, which was a remixed and re-edited version of All or Nothing. The album was certified platinum in the U. S. and charted five top-ten singles
5.
Songwriter
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A songwriter is an individual who writes the lyrics, melodies and chord progressions for songs, typically for a popular music genre such as rock or country music. A songwriter can also be called a composer, although the term tends to be used mainly for individuals from the classical music genre. The pressure from the industry to produce popular hits means that songwriting is often an activity for which the tasks are distributed between a number of people. For example, a songwriter who excels at writing lyrics might be paired with a songwriter with a gift for creating original melodies, pop songs may be written by group members from the band or by staff writers – songwriters directly employed by music publishers. Some songwriters serve as their own publishers, while others have outside publishers. The old-style apprenticeship approach to learning how to write songs is being supplemented by university degrees and college diplomas, a knowledge of modern music technology, songwriting elements and business skills are necessary requirements to make a songwriting career in the 2010s. Several music colleges offer songwriting diplomas and degrees with music business modules, the legal power to grant these permissions may be bought, sold or transferred. This is governed by international copyright law, song pitching can be done on a songwriters behalf by their publisher or independently using tip sheets like RowFax, the MusicRow publication and SongQuarters. Skills associated with song-writing include entrepreneurism and creativity, songwriters who sign an exclusive songwriting agreement with a publisher are called staff writers. In the Nashville country music scene, there is a staff writer culture where contracted writers work normal 9-to-5 hours at the publishing office and are paid a regular salary. This salary is in effect the writers draw, an advance on future earnings, the publisher owns the copyright of songs written during the term of the agreement for a designated period, after which the songwriter can reclaim the copyright. In an interview with HitQuarters, songwriter Dave Berg extolled the benefits of the set-up, unlike contracted writers, some staff writers operate as employees for their respective publishers. Under the terms of work for hire agreements, the compositions created are fully owned by the publisher. In Nashville, young writers are often encouraged to avoid these types of contracts. Staff writers are common across the industry, but without the more office-like working arrangements favored in Nashville. All the major publishers employ writers under contract, songwriter Allan Eshuijs described his staff writer contract at Universal Music Publishing as a starter deal. His success under the arrangement eventually allowed him to found his own publishing company, so that he could. keep as much as possible, songwriters are also often skilled musicians. In addition to selling their songs and musical concepts for other artists to sing, songwriters need to create a number of elements for a song
6.
Record producer
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A record producer or music producer oversees and manages the sound recording and production of a band or performers music, which may range from recording one song to recording a lengthy concept album. A producer has many roles during the recording process, the roles of a producer vary. The producer may perform these roles himself, or help select the engineer, the producer may also pay session musicians and engineers and ensure that the entire project is completed within the record companies budget. A record producer or music producer has a broad role in overseeing and managing the recording. Producers also often take on an entrepreneurial role, with responsibility for the budget, schedules, contracts. In the 2010s, the industry has two kinds of producers with different roles, executive producer and music producer. Executive producers oversee project finances while music producers oversee the process of recording songs or albums. In most cases the producer is also a competent arranger, composer. The producer will also liaise with the engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as the person who creatively guides or directs the process of making a record, indeed, in Bollywood music, the designation actually is music director. The music producers job is to create, shape, and mold a piece of music, at the beginning of record industry, producer role was technically limited to record, in one shot, artists performing live. The role of producers changed progressively over the 1950s and 1960s due to technological developments, the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously, all of these singers and musicians had to be assembled in a large studio and the performance had to be recorded. As well, for a song that used 20 instruments, it was no longer necessary to get all the players in the studio at the same time. Examples include the rock sound effects of the 1960s, e. g. playing back the sound of recorded instruments backwards or clanging the tape to produce unique sound effects. These new instruments were electric or electronic, and thus they used instrument amplifiers, new technologies like multitracking changed the goal of recording, A producer could blend together multiple takes and edit together different sections to create the desired sound. For example, in jazz fusion Bandleader-composer Miles Davis album Bitches Brew, producers like Phil Spector and George Martin were soon creating recordings that were, in practical terms, almost impossible to realise in live performance. Producers became creative figures in the studio, other examples of such engineers includes Joe Meek, Teo Macero, Brian Wilson, and Biddu
7.
Library and Archives Canada
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Library and Archives Canada is a federal institution tasked with acquiring, preserving and making Canadas documentary heritage accessible. LAC reports to Parliament through Mélanie Joly, the Minister of Canadian Heritage since November 4,2015, the National Library of Canada was founded in 1953. Freda Farrell Waldon contributed to the writing of the brief which led to the founding of the National Library of Canada, in 2004, Library and Archives Canada combined the functions of the National Archives of Canada and the National Library of Canada. It was established by the Library and Archives of Canada Act, a subsequent Order in Council dated May 21,2004 united the collections, services and personnel of the National Archives of Canada and the National Library of Canada. Since inception LAC has reported to Parliament through the Minister of Canadian Heritage, LAC is expected to maintain effective recordkeeping practices that ensure transparency and accountability. Some of this content, primarily the collection, university theses. Many items have not been digitized and are available in physical form. As of May 2013 only about 1% of the collection had been digitized, representing about 25 million of the more popular, genealogists account for 70% of LACs clients. The building at 395 Wellington Street in downtown Ottawa is the physical location where the public may access the collection in person. The building was opened on June 20,1967. With the de-emphasis on physical visits, in-person services have been curtailed, for example since April 2012 reference services are by appointment only, there are also administrative offices in Gatineau and preservation and storage facilities throughout Canada for federal government records. It was built at a cost of CDN$107 million, and the opening took place on June 4,1997. It is a building containing 48 climate-controlled preservation vaults and state-of-the-art preservation laboratories. In 2000, the Royal Architectural Institute of Canada named it one of the top 500 buildings constructed in Canada during the last millennium. A Nitrate Film Preservation Facility on the Communications Research Centre campus in Shirleys Bay, on the outskirts of Ottawa, the collection contains 5,575 film reels dating back to 1912, including some of the first Canadian motion pictures and photographic negatives. The film material is sensitive and requires precise temperatures for its preservation. The facility will feature a high bay metal shelving system with an environment to better protect Canadas published heritage. RSS feeds provide links to new content on the LAC website, a new modernized website is being developed and is scheduled for completion in 2013, with both new and old websites accessible during the transition period. e
