1.
Single (music)
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In music, a single or record single is a type of release, typically a song recording of fewer tracks than an LP record, an album or an EP record. This can be released for sale to the public in a variety of different formats, in most cases, a single is a song that is released separately from an album, although it usually also appears on an album. Typically, these are the songs from albums that are released separately for promotional uses such as digital download or commercial radio airplay and are expected to be the most popular, in other cases a recording released as a single may not appear on an album. As digital downloading and audio streaming have become prevalent, it is often possible for every track on an album to also be available separately. Nevertheless, the concept of a single for an album has been retained as an identification of a heavily promoted or more popular song within an album collection. Despite being referred to as a single, singles can include up to as many as three tracks on them. The biggest digital music distributor, iTunes, accepts as many as three tracks less than ten minutes each as a single, as well as popular music player Spotify also following in this trend. Any more than three tracks on a release or longer than thirty minutes in total running time is either an Extended Play or if over six tracks long. The basic specifications of the single were made in the late 19th century. Gramophone discs were manufactured with a range of speeds and in several sizes. By about 1910, however, the 10-inch,78 rpm shellac disc had become the most commonly used format, the inherent technical limitations of the gramophone disc defined the standard format for commercial recordings in the early 20th century.26 rpm. With these factors applied to the 10-inch format, songwriters and performers increasingly tailored their output to fit the new medium, the breakthrough came with Bob Dylans Like a Rolling Stone. Singles have been issued in various formats, including 7-inch, 10-inch, other, less common, formats include singles on digital compact cassette, DVD, and LD, as well as many non-standard sizes of vinyl disc. Some artist release singles on records, a more common in musical subcultures. The most common form of the single is the 45 or 7-inch. The names are derived from its speed,45 rpm. The 7-inch 45 rpm record was released 31 March 1949 by RCA Victor as a smaller, more durable, the first 45 rpm records were monaural, with recordings on both sides of the disc. As stereo recordings became popular in the 1960s, almost all 45 rpm records were produced in stereo by the early 1970s
2.
The 5th Dimension
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The 5th Dimension is an American popular music vocal group, whose repertoire includes pop, R&B, soul, jazz, light opera and Broadway—the melange was coined as Champagne Soul. Formed as The Versatiles in late 1965, the changed its name to the hipper The 5th Dimension by 1966. The five original members were Billy Davis Jr. Florence LaRue, Marilyn McCoo, Lamonte McLemore and they have recorded for several labels over their long careers. Their first work appeared on the Soul City label, which was started by Imperial Records/United Artists Records recording artist Johnny Rivers, the group later recorded for Bell/Arista Records, ABC Records, and Motown Records. Some of the songwriters popularized by the 5th Dimension went on to careers of their own, especially Ashford & Simpson, who wrote California Soul. In the early 1960s, Lamonte McLemore and Marilyn McCoo got together with three friends from Los Angeles — Harry Elston, Lawrence Summers. and Fritz Baskett — to form a group called the Hi-Fis. In 1963, they sang at clubs while taking lessons from a vocal coach. In 1964, they came to the attention of Ray Charles and he produced a single by the group, Lonesome Mood, a jazz-type song that gained local attention. However, internal disagreements caused Elston to go his way, eventually leading to his forming the Friends of Distinction, with latter day Hi-Fis member, McLemore sought to form another group and started looking for members to join him and McCoo. McCoo, who had studied with the vocal coach Eddie Beal, had appeared in high school. His grandmother fostered his career by arranging for private voice and acting lessons as he grew up, in his teens, he toured with Dorothy Dandridge and Nat King Cole, joined the Wings Over Jordan Choir, and played a small part in the film Porgy and Bess. He demonstrated his skill as a classical artist by placing third in the Metropolitan Opera auditions held in St. Louis, after finishing high school, he worked his way through Lincoln University by conducting the school and church choir. After graduating, he organized his own 25-member gospel choir, another of McLemores friends from St. Louis days, Billy Davis Jr. started singing in gospel choirs at an early age. He later saved enough money to buy a cocktail lounge in St. Louis, when asked to join McLemores new group, he agreed, while hoping for a solo contract from Motown. The members began rehearsing as the Versatiles in late 1965 and auditioned for Marc Gordon, who headed Motowns Los Angeles office. Although the groups demo tape was rejected by Motown, Gordon agreed to them and brought them to the attention of Johnny Rivers. Their first Soul City single, Ill Be Lovin You Forever, was a successful single, in 1965 The Mamas & the Papas first single, lead member John Phillips Go Where You Wanna Go, failed to open the foursomes chart career. The budding songwriter Jimmy Webb supplied the group with their hit, Up, Up and Away
3.
A-side and B-side
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The terms A-side and B-side refer to the two sides of 78,45, and 33 1/3 rpm phonograph records, whether singles, extended plays, or long-playing records. Creedence Clearwater Revival had hits with both A-side and B-side releases, others took the opposite approach, producer Phil Spector was in the habit of filling B-sides with on-the-spot instrumentals that no one would confuse with the A-side. With this practice, Spector was assured that airplay was focused on the side he wanted to be the hit side, the earliest 10-inch,78 rpm, shellac records were single sided. Double-sided recordings, with one song on side, were introduced in Europe by Columbia Records. There were no record charts until the 1930s, and radio stations did not play recorded music until the 1950s, in this time, A-sides and B-sides existed, but neither side was considered more important, the side did not convey anything about the content of the record. The term single came into use with the advent of vinyl records in the early 1950s. At first, most record labels would randomly assign which song would be an A-side, under this random system, many artists had so-called double-sided hits, where both songs on a record made one of the national sales charts, or would be featured on jukeboxes in public places. As time wore on, however, the convention for assigning songs to sides of the record changed. By the early sixties, the song on the A-side was the song that the company wanted radio stations to play. It was not until 1968, for instance, that the production of albums on a unit basis finally surpassed that of singles in the United Kingdom. In the late 1960s stereo versions of pop and rock songs began to appear on 45s. The majority of the 45s were played on AM radio stations, by the early 1970s, double-sided hits had become rare. Album sales had increased, and B-sides had become the side of the record where non-album, non-radio-friendly, with the advent of cassette and compact disc singles in the late 1980s, the A-side/B-side differentiation became much less meaningful. With the decline of cassette singles in the 1990s, the A-side/B-side dichotomy became virtually extinct, as the dominant medium. However, the term B-side is still used to refer to the tracks or coupling tracks on a CD single. With the advent of downloading music via the Internet, sales of CD singles and other media have declined. B-side songs may be released on the record as a single to provide extra value for money. There are several types of material released in this way, including a different version, or, in a concept record
4.
1972 in music
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This is a list of notable events in music that took place in the year 1972. January 17 – Highway 51 South in Memphis, Tennessee, USA, is renamed Elvis Presley Boulevard, january 20 – The début of Pink Floyds Dark Side of the Moon at The Dome, Brighton, is halted by technical difficulties. Dark Side of the Moon would be played in its entirety the following night, january 21 – Keith Richards jumps on stage to jam with Chuck Berry at the Hollywood Palladium, but is ordered off for playing too loud. Berry later claims that he did not recognize Keith and would not have booted him if he did, january 29–31 – The first Sunbury Music Festival is held in Sunbury, Victoria. Performers include Billy Thorpe & The Aztecs, Wendy Saddington, Chain, january 31 – Over 40,000 mourners file past Mahalia Jacksons open casket to pay their respects in Chicagos Great Salem Baptist Church. February 9 – Paul McCartneys new band, Wings, make their debut at the University of Nottingham in England. Its McCartneys first public concert since The Beatles 1966 US tour, february 13 – Led Zeppelins concert in Singapore is canceled when government officials will not let them off the airplane because of their long hair. February 14–18 – John Lennon and Yoko Ono co-host an entire week of The Mike Douglas Show, february 15 – The United States gives federal Copyright protection to sound recordings. Prior to this, phonograph records were only protected at state level, february 19 Paul McCartneys single Give Ireland Back to the Irish is banned by the BBC. The controversy caused by the banning only increases the songs popularity, Sammy Davis, Jr. makes a guest appearance on the television show All in the Family. February 23 – Elvis and Priscilla Presley separate, february 29 – John Lennons U. S. immigration visa expires, beginning his three-and-a-half-year fight to remain in the country. L. A. disc jockey Robert W. Morgan plays Donny Osmonds Puppy Love non-stop for 90 minutes, police are called, but no arrests are made. March 21 – Terry Knight announces he is launching a $5 million lawsuit against Grand Funks new manager John Eastman and it triggers a series of suits and counter-suits between Knight and the band throughout the coming months. March 25 – The 17th Eurovision Song Contest, held in the Usher Hall, Edinburgh, Scotland, is won by German-based Greek singer Vicky Leandros, the song is subsequently released around Europe, having been recorded in several languages, including in English as Come What May. March 31 – Official Beatles fan club closes down, april 2 – John Lennon and Yoko Ono hold a press conference in New York. The Lennons discuss their appeal against the US Immigration Departments decision to deport John, april 9 – First solo concert of Valery Leontiev. April 16 – Electric Light Orchestra make their debut at the Fox and Greyhound pub in Park Lane, Croydon. April 29 – New York City mayor John Lindsay announces that he is supporting John Lennon, may 2 – Stone the Crows lead guitarist Les Harvey is electrocuted on stage during a show in Swansea, Wales, by touching a poorly connected microphone
5.
Soul music
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Soul music is a popular music genre that originated in the United States in the late 1950s and early 1960s. It combines elements of African-American gospel music, rhythm and blues, Soul music became popular for dancing and listening in the United States, where record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music, catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and a tense vocal sound. The style also occasionally uses improvisational additions, twirls and auxiliary sounds, Soul music reflected the African-American identity and it stressed the importance of an African-American culture. The new-found African-American consciousness led to new styles of music, which boasted pride in being black, Soul music dominated the U. S. R&B chart in the 1960s, and many recordings crossed over into the pop charts in the U. S. By 1968, the music genre had begun to splinter. Some soul artists developed funk music, while other singers and groups developed slicker, more sophisticated, by the early 1970s, soul music had been influenced by psychedelic rock and other genres, leading to psychedelic soul. The United States saw the development of neo soul around 1994, there are also several other subgenres and offshoots of soul music. The term soul had been used among African-American musicians to emphasize the feeling of being an African-American in the United States, according to another source, Soul music was the result of the urbanization and commercialization of rhythm and blues in the 60s. The phrase soul music itself, referring to music with secular lyrics, is first attested in 1961. The term soul in African-American parlance has connotations of African-American pride, gospel groups in the 1940s and 1950s occasionally used the term as part of their name. The jazz style that derived from gospel came to be called soul jazz, important innovators whose recordings in the 1950s contributed to the emergence of soul music included Clyde McPhatter, Hank Ballard, and Etta James. Ray Charles is often cited as popularizing the genre with his string of hits starting with 1954s I Got a Woman. Singer Bobby Womack said, Ray was the genius and he turned the world onto soul music. Charles was open in acknowledging the influence of Pilgrim Travelers vocalist Jesse Whitaker on his singing style, little Richard and James Brown were equally influential. Sam Cooke and Jackie Wilson are also acknowledged as soul forefathers. Cooke became popular as the singer of gospel group The Soul Stirrers
6.
Bell Records
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This article is about the record label active from the 1950s to the 1970s. For the earlier Bell Records labels, see Bell Records and Bell Records. Bell was also a custom label active in the 1940s for recordings by Benny Bell, a British branch was also active in the 1960s and 1970s. Bell Records was reorganized in November 1974, which was the birth of Arista Records, at its inception in 1952, Bell specialized in budget generic pop music, with the slogan music for the millions. Originally sold on seven-inch 78rpm and 45rpm records for 39 cents, sound-alike cover versions of hit records were also issued on 78rpm as well as 45rpm disks priced at 49 cents. One of these records was by Tom & Jerry who would become known using their real surnames. Most Bell and associated label 45rpm records were similarly injection-molded all the way into the 1970s, in 1960, Amy Records was formed as another subsidiary label, focusing on what became known as northern soul and/or blue-eyed soul acts. The following year, Larry Uttal folded his Madison Records label into Bell after purchasing the label, along with its Amy, in March 1969, Columbia Pictures Industries purchased Bell for $3.5 million, retaining Larry Uttal as label president. Later that year, the Mala, Amy, and Bell labels were merged into a single unit, by mid-1971, the assets of the Columbia Pictures owned, but RCA Records distributed, Colgems Records were integrated into the label. By 1970, the Bell label was successful with pop music singles. After a year of declining revenues, Uttal resigned from Bell at the end May 1974 to begin his own label, Private Stock, financed and distributed by EMI. Uttal was replaced a week later by Clive Davis who was hired as a record and music consultant by Columbia Pictures, daviss real goal was to reorganize and revitalize Columbia Picturess music division. The very last releases utilizing the Bell imprint have the designation Bell Records, Distributed by Arista Records,1776 Broadway, New York, the British branch was established in 1967. Previous British releases of Bell recordings were issued on EMIs Stateside Records, bell/Amy/Malas association with EMI dates back to 1964. Bell Records in London was headed by Dick Leahy and distributed by EMI, artists signed to them included the Bay City Rollers, Gary Glitter, Showaddywaddy, the Glitter Band, and American acts Reparata and the Delrons and the Partridge Family with David Cassidy. Other artists on the label included Barry Blue, Barry Manilow, Terry Jacks, Hello, The Piglets, the Pearls and Harley Quinne, the Drifters and the UK releases of the Box Tops. Showaddywaddy released the last Bell single, Under the Moon of Love, the Bell logo has made occasional appearances on the jackets and labels of Arista UK releases. The former catalog of Bell Records and its related labels is now owned by Sony Music Entertainment, Bell Records had at least five dozen subsidiary labels throughout its existence. Among the most familiar labels are, Other subsidiaries include, Academy, Admiral, AGP, Amos, Aquarian, aurora, Bell Country Series, Big Hill, Brookmont, Canusa, Carnation, Chariot, Creative Funk, Cyclone, D. C. S. A
7.
Songwriter
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A songwriter is an individual who writes the lyrics, melodies and chord progressions for songs, typically for a popular music genre such as rock or country music. A songwriter can also be called a composer, although the term tends to be used mainly for individuals from the classical music genre. The pressure from the industry to produce popular hits means that songwriting is often an activity for which the tasks are distributed between a number of people. For example, a songwriter who excels at writing lyrics might be paired with a songwriter with a gift for creating original melodies, pop songs may be written by group members from the band or by staff writers – songwriters directly employed by music publishers. Some songwriters serve as their own publishers, while others have outside publishers. The old-style apprenticeship approach to learning how to write songs is being supplemented by university degrees and college diplomas, a knowledge of modern music technology, songwriting elements and business skills are necessary requirements to make a songwriting career in the 2010s. Several music colleges offer songwriting diplomas and degrees with music business modules, the legal power to grant these permissions may be bought, sold or transferred. This is governed by international copyright law, song pitching can be done on a songwriters behalf by their publisher or independently using tip sheets like RowFax, the MusicRow publication and SongQuarters. Skills associated with song-writing include entrepreneurism and creativity, songwriters who sign an exclusive songwriting agreement with a publisher are called staff writers. In the Nashville country music scene, there is a staff writer culture where contracted writers work normal 9-to-5 hours at the publishing office and are paid a regular salary. This salary is in effect the writers draw, an advance on future earnings, the publisher owns the copyright of songs written during the term of the agreement for a designated period, after which the songwriter can reclaim the copyright. In an interview with HitQuarters, songwriter Dave Berg extolled the benefits of the set-up, unlike contracted writers, some staff writers operate as employees for their respective publishers. Under the terms of work for hire agreements, the compositions created are fully owned by the publisher. In Nashville, young writers are often encouraged to avoid these types of contracts. Staff writers are common across the industry, but without the more office-like working arrangements favored in Nashville. All the major publishers employ writers under contract, songwriter Allan Eshuijs described his staff writer contract at Universal Music Publishing as a starter deal. His success under the arrangement eventually allowed him to found his own publishing company, so that he could. keep as much as possible, songwriters are also often skilled musicians. In addition to selling their songs and musical concepts for other artists to sing, songwriters need to create a number of elements for a song
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