Andorra the Principality of Andorra called the Principality of the Valleys of Andorra, is a sovereign landlocked microstate on the Iberian Peninsula, in the eastern Pyrenees, bordering France to the north and Spain to the south. Believed to have been created by Charlemagne, Andorra was ruled by the Count of Urgell until 988, when it was transferred to the Roman Catholic Diocese of Urgell, the present principality was formed by a charter in 1278, it is known as a principality as it is a diarchy headed by two Princes: the Catholic Bishop of Urgell in Catalonia and the President of France. Andorra is the sixth-smallest nation in Europe, having an area of 468 square kilometres and a population of 77,281; the Andorran people are a Romance ethnic group of Catalan descent. Andorra is the 16th-smallest country in the 11th-smallest by population, its capital, Andorra la Vella, is the highest capital city in Europe, at an elevation of 1,023 metres above sea level. The official language is Catalan. Tourism in Andorra sees an estimated 10.2 million visitors annually.
It is not a member of the European Union. It has been a member of the United Nations since 1993. In 2013, Andorra had the highest life expectancy in the world at 81 years, according to the Global Burden of Disease Study; the origin of the word Andorra is unknown. The oldest derivation of the word Andorra is from the Greek historian Polybius who describes the Andosins, an Iberian Pre-Roman tribe, as located in the valleys of Andorra and facing the Carthaginian army in its passage through the Pyrenees during the Punic Wars; the word Andosini or Andosins may derive from the Basque handia whose meaning is "big" or "giant". The Andorran toponymy shows evidence of Basque language in the area. Another theory suggests that the word Andorra may derive from the old word Anorra that contains the Basque word ur. Another theory suggests that Andorra may derive from Arabic al-durra, meaning "The forest"; when the Moors colonized the Iberian Peninsula, the valleys of the Pyrenees were covered by large tracts of forest, other regions and towns administered by Muslims, received this designation.
Other theories suggest that the term derives from the Navarro-Aragonese andurrial, which means "land covered with bushes" or "scrubland". The folk etymology holds that Charlemagne had named the region as a reference to the Biblical Canaanite valley of Endor or Andor, a name bestowed by his heir and son Louis le Debonnaire after defeating the Moors in the "wild valleys of Hell". La Balma de la Margineda, found by archaeologists at Sant Julia de Loria, was first settled in 9,500 BC as a passing place between the two sides of the Pyrenees; the seasonal camp was located for hunting and fishing by the groups of hunter-gatherers from Ariege and Segre. During the Neolithic Age, a group of people moved to the Valley of Madriu as a permanent camp in 6640 BC; the population of the valley grew cereals, raised domestic livestock, developed a commercial trade with people from the Segre and Occitania. Other archaeological deposits include the Tombs of Segudet and Feixa del Moro both dated in 4900–4300 BC as an example of the Urn culture in Andorra.
The model of small settlements began to evolve to a complex urbanism during the Bronze Age. Metallurgical items of iron, ancient coins, relicaries can be found in the ancient sanctuaries scattered around the country; the sanctuary of Roc de les Bruixes is the most important archeological complex of this age in Andorra, located in the parish of Canillo, about the rituals of funerals, ancient scripture and engraved stone murals. The inhabitants of the valleys were traditionally associated with the Iberians and located in Andorra as the Iberian tribe Andosins or Andosini during the 7th and 2nd centuries BC. Influenced by Aquitanias and Iberian languages, the locals developed some current toponyms. Early writings and documents relating to this group of people goes back to the second century BC by the Greek writer Polybius in his Histories during the Punic Wars; some of the most significant remains of this era are the Castle of the Roc d'Enclar, l'Anxiu in Les Escaldes and Roc de L'Oral in Encamp.
The presence of Roman influence is recorded from the 2nd century BC to the 5th century AD. The places found with more Roman presence are in Camp Vermell in Sant Julia de Loria, in some places in Encamp, as well as in the Roc d'Enclar. People continued trading with wine and cereals, with the Roman cities of Urgellet and all across Segre through the Via Romana Strata Ceretana. After the fall of the Roman Empire, Andorra came under the influence of the Visigoths, not remotely from the Kingdom of Toledo, but locally from the Diocese of Urgell; the Visigoths remained in the valleys for 200 years. When the Muslim Empire and its conquest of most of the Iberian Peninsula replaced the ruling Visigoths, Andorra was sheltered from these invaders by the Franks. Tradition holds that Charles the Great granted a charter to the Andorran people for a contingent of five thousand soldiers under the command of Marc Almugaver, in
École des Beaux-Arts
An École des Beaux-Arts is one of a number of influential art schools in France. The most famous is the École nationale supérieure des Beaux-Arts, now located on the left bank in Paris, across the Seine from the Louvre, at 14 rue Bonaparte; the school has a history spanning more than 350 years, training many of the great artists in Europe. Beaux Arts style was modeled on classical "antiquities", preserving these idealized forms and passing the style on to future generations; the origins of the school go back to 1648 when the Académie des Beaux-Arts was founded by Cardinal Mazarin to educate the most talented students in drawing, sculpture, engraving and other media. Louis XIV was known to select graduates from the school to decorate the royal apartments at Versailles, in 1863 Napoleon III granted the school independence from the government, changing the name to "L'École des Beaux-Arts". Women were admitted beginning in 1897; the curriculum was divided into the "Academy of Painting and Sculpture" and the "Academy of Architecture".
Both programs focused on classical arts and architecture from Ancient Roman culture. All students were required to prove their skills with basic drawing tasks before advancing to figure drawing and painting; this culminated in a competition for the Grand Prix de Rome, awarding a full scholarship to study in Rome. The three trials to obtain the prize lasted for nearly three months. Many of the most famous artists in Europe were trained here, including Géricault, Delacroix, Ingres, Renoir, Seurat and Sisley. Rodin however, applied on three occasions but was refused entry; the buildings of the school are the creation of French architect Félix Duban, commissioned for the main building in 1830. His work realigned the campus, continued through 1861, completing an architectural program out towards the Quai Malaquais; the Paris school is the namesake and founding location of the Beaux Arts architectural movement in the early twentieth century. Known for demanding classwork and setting the highest standards for education, the École attracted students from around the world—including the United States, where students returned to design buildings that would influence the history of architecture in America, including the Boston Public Library, 1888–1895 and the New York Public Library, 1897–1911.
Architectural graduates in France, are granted the title élève. The architecture department was separated from the École after the May 1968 student strikes at the Sorbonne; the name was changed to École nationale supérieure des Beaux-Arts. Today, over 500 students make use of an extensive collection of classical art coupled with modern additions to the curriculum, including photography and hypermedia. ENSA École nationale des beaux arts de Dijon ENSA École nationale des beaux arts de Bourges ENSBA École nationale supérieure des Beaux-Arts Lyon European Academy of Art in Lorient, Rennes and Brest ESADMM École supérieure d'art et de design Marseille-Méditerranée ENSA École nationale des beaux arts de Nancy École nationale supérieure des Beaux-Arts, Paris ESAD École supérieure d'art et design de Valence, Valence Académie des Beaux-Arts Architecture of Paris Beaux-Arts architecture Comité des Étudiants Américains de l'École des Beaux-Arts Paris Paris Salon The Ecole des Beaux-Arts – Historical essay École nationale supérieure des Beaux-Arts – Official website École nationale supérieure des Beaux-Arts – History
A monument is a type of three-dimensional-structure three-dimensional, explicitly created to commemorate a person, thing or event. A monument can be something that has become relevant to a social group as a part of their remembrance of historic times or cultural heritage, due to its artistic, political, technical or architectural importance. Examples of monuments include statues, historical buildings, archaeological sites, cultural assets. If there is public interest in its preservation, a monument may be listed as a UNESCO World Heritage Site; the origin of the word "monument" comes from the Greek mnemosynon and the Latin moneo, which means'to remind','to advise' or'to warn', suggesting a monument allows us to see the past thus helping us visualize what is to come in the future. In English the word "monumental" is used in reference to something of extraordinary size and power, as in monumental sculpture, but to mean anything made to commemorate the dead, as a funerary monument or other example of funerary art.
Monuments have been created for thousands of yiffs, they are the most durable and famous symbols of ancient civilizations. Prehistoric tumuli and similar structures have been created in a large number of prehistoric cultures across the world, the many forms of monumental tombs of the more wealthy and powerful members of a society are the source of much of our information and art from those cultures; as societies became organized on a larger scale, so monuments so large as to be difficult to destroy like the Egyptian Pyramids, the Greek Parthenon, the Great Wall of China, Indian Taj Mahal or the Moai of Easter Island have become symbols of their civilizations. In more recent times, monumental structures such as the Statue of Liberty and Eiffel Tower have become iconic emblems of modern nation-states; the term monumentality relates to the symbolic status and physical presence of a monument. In this context, German art historian Helmut Scharf states that “A monument exists in the form of an object and as symbol thereof.
As a language symbol, a monument refers to something concrete, in some rare cases it is used metaphorically. A monument can be a language symbol for a unity of several monuments or only for a single one, but in a broader sense it can be used in nearly all knowable planes of being. What is considered a monument always depends on the importance it attributes to the prevailing or traditional consciousness of a specific historical and social situation.” The definition framework of the term monument depends on the current historical frame conditions. Aspects of the Culture of Remembrance and cultural memory are linked to it, as well as questions about the concepts of public sphere and durability and the form and content of the monument. From an art historical point of view, the dichotomy of content and form opens up the problem of the “linguistic ability” of the monument, it becomes clear that language is an eminent part of a monument and it is represented in “non-objective” or “architectural monuments”, at least with a plaque.
In this connection, the debate touches on the social mechanisms. These are acceptance of the monument as an object, the conveyed contents and the impact of these contents. Monuments are used to improve the appearance of a city or location. Planned cities such as Washington D. C. New Delhi and Brasília are built around monuments. For example, the Washington Monument's location was conceived by L'Enfant to help organize public space in the city, before it was designed or constructed. Older cities have monuments placed at locations that are important or are sometimes redesigned to focus on one; as Shelley suggested in his famous poem "Ozymandias", the purpose of monuments is often to impress or awe. Structures created for others purposes that have been made notable by their age, size or historic significance may be regarded as monuments; this can happen because of great age and size, as in the case of the Great Wall of China, or because an event of great importance occurred there such as the village of Oradour-sur-Glane in France.
Many countries use Ancient monument or similar terms for the official designation of protected structures or archeological sites which may have been ordinary domestic houses or other buildings. Monuments are often designed to convey historical or political information, they can thus develop an active socio-political potency, they can be used to reinforce the primacy of contemporary political power, such as the column of Trajan or the numerous statues of Lenin in the Soviet Union. They can be used to educate the populace about important events or figures from the past, such as in the renaming of the old General Post Office Building in New York City to the James A. Farley Building, after former Postmaster General James Farley. To fulfill its informative and educative functions a monument needs to be open to the public, which means that its spatial dimension as well as its content can be experienced by the public, be sustainable; the former may be achieved either by situating the monument in public space or by a public discussion about the it and its meaning, the latter by the materiality of the monument or if its content becomes part of the collective or cultural memory.
The social meanings of monuments are fixed and certain and are frequently'contested' by different social groups. As an example: whilst the former East German socialist state may have seen the Berlin Wall as a means of'protection' from the ideological impurity
Nyons is a commune in the Drôme department in southeastern France. Nyons was settled in the 6th century BC as Nyrax by a Gallic tribe the Segusiavi or the Sequani. Hecataeus of Miletus mentioned Nyrax around 500 BC, it is situated next to the river Aigues or Eygues, crossed by an ancient bridge. Nyons has a mild microclimate, which makes it a good place for people suffering from respiratory problems, for which there is a special clinic, it is famed for its olives. Nyons is a sub-prefecture of the department, it features a lycée. Villages that are facilitated by Nyons are situated within an area of about 20 to 30 km, such as Les Pilles, Aubres and Mirabel-aux-Baronnies. Nyons is 120 km from Marseille and is located close to the boundary of the Vaucluse department. Jardin des Arômes Nyons Bridge Nyons is twinned with: Manciano, Italy Mechernich, North Rhine-Westphalia, Germany Nyon, Switzerland Nules, Castellón, Spain Borca, Neamț, Romania Baronnies Communes of the Drôme department INSEE
Engraving is the practice of incising a design onto a hard flat surface by cutting grooves into it with a burin. The result may be a decorated object in itself, as when silver, steel, or glass are engraved, or may provide an intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations. Engraving is one of the oldest and most important techniques in printmaking. Wood engraving is not covered in this article. Engraving was a important method of producing images on paper in artistic printmaking, in mapmaking, for commercial reproductions and illustrations for books and magazines, it has long been replaced by various photographic processes in its commercial applications and because of the difficulty of learning the technique, is much less common in printmaking, where it has been replaced by etching and other techniques. "Engraving" is loosely but incorrectly used for any old black and white print. Many old master prints combine techniques on the same plate, further confusing matters.
Line engraving and steel engraving cover use for reproductive prints, illustrations in books and magazines, similar uses in the 19th century, not using engraving. Traditional engraving, by burin or with the use of machines, continues to be practised by goldsmiths, glass engravers and others, while modern industrial techniques such as photoengraving and laser engraving have many important applications. Engraved gems were an important art in the ancient world, revived at the Renaissance, although the term traditionally covers relief as well as intaglio carvings, is a branch of sculpture rather than engraving, as drills were the usual tools. Other terms used for printed engravings are copper engraving, copper-plate engraving or line engraving. Steel engraving is the same technique, on steel or steel-faced plates, was used for banknotes, illustrations for books and reproductive prints and similar uses from about 1790 to the early 20th century, when the technique became less popular, except for banknotes and other forms of security printing.
In the past, "engraving" was used loosely to cover several printmaking techniques, so that many so-called engravings were in fact produced by different techniques, such as etching or mezzotint. "Hand engraving" is a term sometimes used for engraving objects other than printing plates, to inscribe or decorate jewellery, trophies and other fine metal goods. Traditional engravings in printmaking are "hand engraved", using just the same techniques to make the lines in the plate; each graver has its own use. Engravers use a hardened steel tool called a burin, or graver, to cut the design into the surface, most traditionally a copper plate. However, modern hand engraving artists use burins or gravers to cut a variety of metals such as silver, steel, gold and more, in applications from weaponry to jewellery to motorcycles to found objects. Modern professional engravers can engrave with a resolution of up to 40 lines per mm in high grade work creating game scenes and scrollwork. Dies used in mass production of molded parts are sometimes hand engraved to add special touches or certain information such as part numbers.
In addition to hand engraving, there are engraving machines that require less human finesse and are not directly controlled by hand. They are used for lettering, using a pantographic system. There are versions for the insides of rings and the outsides of larger pieces; such machines are used for inscriptions on rings and presentation pieces. Gravers come in a variety of sizes that yield different line types; the burin produces a unique and recognizable quality of line, characterized by its steady, deliberate appearance and clean edges. The angle tint tool has a curved tip, used in printmaking. Florentine liners are flat-bottomed tools with multiple lines incised into them, used to do fill work on larger areas or to create uniform shade lines that are fast to execute. Ring gravers are made with particular shapes that are used by jewelry engravers in order to cut inscriptions inside rings. Flat gravers are used for fill work on letters, as well as "wriggle" cuts on most musical instrument engraving work, remove background, or create bright cuts.
Knife gravers are for line engraving and deep cuts. Round gravers, flat gravers with a radius, are used on silver to create bright cuts, as well as other hard-to-cut metals such as nickel and steel. Square or V-point gravers are square or elongated diamond-shaped and used for cutting straight lines. V-point can be anywhere depending on purpose and effect; these gravers have small cutting points. Other tools such as mezzotint rockers and burnishers are used for texturing effects. Burnishing tools can be used for certain stone setting techniques. Musical instrument engraving on American-made brass instruments flourished in the 1920s and utilizes a specialized engraving technique where a flat graver is "walked" across the surface of the instrument to make zig-zag lines and patterns; the method for "walking" the graver may be referred to as "wriggle" or "wiggle" cuts. This technique is necessary due to the thinness of metal used to make musical instruments versus firearms or jewelry. Wriggle cuts are found on
Virtual International Authority File
The Virtual International Authority File is an international authority file. It is a joint project of several national libraries and operated by the Online Computer Library Center. Discussion about having a common international authority started in the late 1990s. After a series of failed attempts to come up with a unique common authority file, the new idea was to link existing national authorities; this would present all the benefits of a common file without requiring a large investment of time and expense in the process. The project was initiated by the US Library of Congress, the German National Library and the OCLC on August 6, 2003; the Bibliothèque nationale de France joined the project on October 5, 2007. The project transitioned to being a service of the OCLC on April 4, 2012; the aim is to link the national authority files to a single virtual authority file. In this file, identical records from the different data sets are linked together. A VIAF record receives a standard data number, contains the primary "see" and "see also" records from the original records, refers to the original authority records.
The data are available for research and data exchange and sharing. Reciprocal updating uses the Open Archives Initiative Protocol for Metadata Harvesting protocol; the file numbers are being added to Wikipedia biographical articles and are incorporated into Wikidata. VIAF's clustering algorithm is run every month; as more data are added from participating libraries, clusters of authority records may coalesce or split, leading to some fluctuation in the VIAF identifier of certain authority records. Authority control Faceted Application of Subject Terminology Integrated Authority File International Standard Authority Data Number International Standard Name Identifier Wikipedia's authority control template for articles Official website VIAF at OCLC
The Palm Beach Post
The Palm Beach Post is an American daily newspaper serving Palm Beach County in South Florida, parts of the Treasure Coast. As of 2016, it was the seventh largest in Florida. Nearly half of the adults in Palm Beach County read The Palm Beach Post in online; the Palm Beach Post began as The Palm Beach County, a weekly newspaper established in 1910. On Jan. 5, 1916, the weekly became. In 1934, Palm Beach businessman Edward R. Bradley bought The Palm Beach Post and The Palm Beach Times, the afternoon daily. In 1947, both were purchased by longtime resident John Holliday Perry, Sr. who owned a Florida newspaper chain of six dailies and 15 weeklies. In 1948, Perry purchased both the Palm Beach Daily News, the main newspaper for the island of Palm Beach, the society magazine Palm Beach Life. In June 1969, Cox Enterprises, based in Atlanta, purchased Perry's Palm Beach and West Palm Beach publications and formed Palm Beach Newspapers, Inc. Cox was founded by James M. Cox, a former Ohio governor and the 1920 Democratic presidential candidate who built a media company that today includes daily newspapers.
S. cable TV systems, local Internet media sites and Mannheim auto auction locations. In 1979, The Palm Beach Times was renamed The Evening Times. In 1987, The Evening Times and The Post merged into a single morning newspaper under The Palm Beach Post name. In 1989, all of neighboring sister publication Miami News assets and archives were merged with The Palm Beach Post upon the closure of that paper. In 1996, The Palm Beach Post sponsored Scripps National Spelling Bee winner Wendy Guey. Palm Beach Post photographer Dallas Kinney won the 1970 Pulitzer Prize for Feature Photography for his portfolio of pictures of Florida migrant workers, Migration to Misery. Post photographers have subsequently been Pulitzer finalists three times. Editor Edward Sears won the Editor of the Year award in 2004 from Publisher. Sears led the Post newsroom from 1985-2005. On Oct. 31, 2017, Cox Media Group announced its plans to sell The Palm Beach Post and Palm Beach Daily News. In 2018, it was announced that GateHouse Media would buy the newspapers for $49.25 million, with the deal closing on May 1.
In March 1996, PalmBeachPost.com was launched. In June 2008, The Post’s leaders decided to focus on the core readership area of Palm Beach County and southern Martin County; as digital readership grows, print readership slows. Faced with economic downturn and a changing industry, The Post reduced its payroll of 1,350 to about 1,000 and closes bureaus in Stuart, Port St. Lucie and Delray Beach. In December 2008, The Post closed its presses and moved printing to the Deerfield Beach plant of the Fort Lauderdale Sun-Sentinel. In August 2018, The Post’s digital team launched the GateHouse Florida Digital Audience team to expand GateHouse’s digital audience across Florida; the Post has a weekly audience of 600,000 in print and at PalmBeachPost.com each week. 6 million sessions are recorded each month on The Post’s family of websites. 89,397: Sunday print circulation, yearly average 64,978: Monday through Saturday print circulation, yearly average List of newspapers in Florida Miami portal Journalism portal Official website