1.
Johann Strauss II
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Johann Strauss II, also known as Johann Strauss Jr. the Younger, the Son, Johann Baptist Strauss, was an Austrian composer of light music, particularly dance music and operettas. He composed over 500 waltzes, polkas, quadrilles, and other types of music, as well as several operettas. In his lifetime, he was known as The Waltz King, Strauss had two younger brothers, Josef and Eduard Strauss, who became composers of light music as well, although they were never as well known as their elder brother. Some of Johann Strauss most famous works include The Blue Danube, Kaiser-Walzer, Tales from the Vienna Woods, among his operettas, Die Fledermaus and Der Zigeunerbaron are the best known. In other words, it is properly Strauss, not Strauß and his family called him Schani, derived from the Italian Gianni, a nickname. Strauss was born in St Ulrich near Vienna, Austria, on October 25,1825 and his paternal great-grandfather was a Hungarian Jew – a fact which the Nazis, who lionised Strausss music as so German, later tried to conceal. His father did not want him to become a musician but rather a banker, nevertheless, Strauss Junior studied the violin secretly as a child with the first violinist of his fathers orchestra, Franz Amon. When his father discovered his son secretly practising on a one day. It seems that rather than trying to avoid a Strauss rivalry and it was only when the father abandoned his family for a mistress, Emilie Trampusch, that the son was able to concentrate fully on a career as a composer with the support of his mother. Strauss studied counterpoint and harmony with theorist Professor Joachim Hoffmann, who owned a music school. His talents were recognized by composer Joseph Drechsler, who taught him exercises in harmony. It was during that time that he composed his only sacred work and his other violin teacher, Anton Kollmann, who was the ballet répétiteur of the Vienna Court Opera, also wrote excellent testimonials for him. Armed with these, he approached the Viennese authorities to apply for a license to perform and he initially formed his small orchestra where he recruited his members at the Zur Stadt Belgrad tavern, where musicians seeking work could be hired easily. Johann Strauss Is influence over the local entertainment establishments meant that many of them were wary of offering the younger Strauss a contract for fear of angering the father. Strauss Jr. was able to persuade the Dommayers Casino in Hietzing, a suburb of Vienna, to allow him to perform. The elder Strauss, in anger at his sons disobedience, and at that of the proprietor, refused to play at the Dommayers Casino again. Strauss made his debut at Dommayers in October 1844, where he performed some of his first works, such as the waltzes Sinngedichte, Op.1 and Gunstwerber, Op.4, critics and the press were unanimous in their praise for Strausss music. Despite the initial fanfare, Strauss found his years as a composer difficult
2.
Vienna
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Vienna is the capital and largest city of Austria and one of the nine states of Austria. Vienna is Austrias primary city, with a population of about 1.8 million, and its cultural, economic and it is the 7th-largest city by population within city limits in the European Union. Today, it has the second largest number of German speakers after Berlin, Vienna is host to many major international organizations, including the United Nations and OPEC. The city is located in the part of Austria and is close to the borders of the Czech Republic, Slovakia. These regions work together in a European Centrope border region, along with nearby Bratislava, Vienna forms a metropolitan region with 3 million inhabitants. In 2001, the city centre was designated a UNESCO World Heritage Site, apart from being regarded as the City of Music because of its musical legacy, Vienna is also said to be The City of Dreams because it was home to the worlds first psycho-analyst – Sigmund Freud. The citys roots lie in early Celtic and Roman settlements that transformed into a Medieval and Baroque city and it is well known for having played an essential role as a leading European music centre, from the great age of Viennese Classicism through the early part of the 20th century. The historic centre of Vienna is rich in architectural ensembles, including Baroque castles and gardens, Vienna is known for its high quality of life. In a 2005 study of 127 world cities, the Economist Intelligence Unit ranked the city first for the worlds most liveable cities, between 2011 and 2015, Vienna was ranked second, behind Melbourne, Australia. Monocles 2015 Quality of Life Survey ranked Vienna second on a list of the top 25 cities in the world to make a base within, the UN-Habitat has classified Vienna as being the most prosperous city in the world in 2012/2013. Vienna regularly hosts urban planning conferences and is used as a case study by urban planners. Between 2005 and 2010, Vienna was the worlds number-one destination for international congresses and it attracts over 3.7 million tourists a year. The English name Vienna is borrowed from the homonymous Italian version of the name or the French Vienne. The etymology of the name is still subject to scholarly dispute. Some claim that the name comes from Vedunia, meaning forest stream, which produced the Old High German Uuenia. A variant of this Celtic name could be preserved in the Czech and Slovak names of the city, the name of the city in Hungarian, Serbo-Croatian and Ottoman Turkish has a different, probably Slavonic origin, and originally referred to an Avar fort in the area. Slovene-speakers call the city Dunaj, which in other Central European Slavic languages means the Danube River, evidence has been found of continuous habitation since 500 BC, when the site of Vienna on the Danube River was settled by the Celts. In 15 BC, the Romans fortified the city they called Vindobona to guard the empire against Germanic tribes to the north
3.
Exposition Universelle (1867)
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The International Exposition of 1867, was the second worlds fair to be held in Paris, from 1 April to 3 November 1867. Forty two nations were represented at the fair, following a decree of Emperor Napoleon III, the exposition was prepared as early as 1864, in the midst of the renovation of Paris, marking the culmination of the Second French Empire. In 1864, Napoleon III decreed that an international exposition should be held in Paris in 1867, a commission was appointed with Prince Jerome Napoleon as president, under whose direction the preliminary work began. In addition to the building, there were nearly 100 smaller buildings on the grounds. There were 50,226 exhibitors, of whom 15,055 were from France and her colonies,6176 from Great Britain and Ireland,703 from the United States and a small contingent from Canada. In the gallery of Labour History Jacques Boucher de Perthes, exposes one of the first prehistoric tools whose authenticity has been recognized with the accuracy of these theories. The exhibition also included two prototypes of the acclaimed and prize-winning hydrochronometer invented in 1867 by Gian Battista Embriaco. Farcot and sculptor Albert-Ernest Carrier-Be Belleuse, farcot exhibited several units, one of them it is currently in the Roosevelt Hotel in New Orleans. Its base, which features the face and inner mechanical movements, is carved from solid onyx marble. Atop the base, a sculpture depicting a robed female figure holds a scepter. Rotating soundlessly from the subjects hand, the scepter provides consistent motion that adds to the clocks sense of grandeur. From its base to the top of the figure stands at nearly 10 feet tall. Carrier de Belleuse was one of the most important and renowned sculptors of the 19th century, the exposition was formally opened on 1 April and closed on 31 October 1867, and was visited by 9,238,967 persons, including exhibitors and employees. This exposition was the greatest up to its time of all international expositions, for the first time Japan presented art pieces to the world in a national pavilion, especially pieces from the Satsuma and Saga clans in Kyushu. The Paris street near Champs de Mars, Rue de LExposition was named in hommage to this 1867 universal exhibition. Jules Verne visited the exhibition in 1867, his take on the newly publicized discovery of electricity inspiring him heavily in his writing of 20,000 Leagues Under the Sea. A famous revival of the ballet Le Corsaire was staged by the Ballet Master Joseph Mazilier in honor of the exhibition at the Théâtre Impérial de l´Opéra on 21 October 1867. The World Rowing Championships were held on the Seine River in July and was won by the underdog Canadian team from Saint John, rejtan This article incorporates text from a publication now in the public domain, Gilman, D. C
4.
Paris
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Paris is the capital and most populous city of France. It has an area of 105 square kilometres and a population of 2,229,621 in 2013 within its administrative limits, the agglomeration has grown well beyond the citys administrative limits. By the 17th century, Paris was one of Europes major centres of finance, commerce, fashion, science, and the arts, and it retains that position still today. The aire urbaine de Paris, a measure of area, spans most of the Île-de-France region and has a population of 12,405,426. It is therefore the second largest metropolitan area in the European Union after London, the Metropole of Grand Paris was created in 2016, combining the commune and its nearest suburbs into a single area for economic and environmental co-operation. Grand Paris covers 814 square kilometres and has a population of 7 million persons, the Paris Region had a GDP of €624 billion in 2012, accounting for 30.0 percent of the GDP of France and ranking it as one of the wealthiest regions in Europe. The city is also a rail, highway, and air-transport hub served by two international airports, Paris-Charles de Gaulle and Paris-Orly. Opened in 1900, the subway system, the Paris Métro. It is the second busiest metro system in Europe after Moscow Metro, notably, Paris Gare du Nord is the busiest railway station in the world outside of Japan, with 262 millions passengers in 2015. In 2015, Paris received 22.2 million visitors, making it one of the top tourist destinations. The association football club Paris Saint-Germain and the rugby union club Stade Français are based in Paris, the 80, 000-seat Stade de France, built for the 1998 FIFA World Cup, is located just north of Paris in the neighbouring commune of Saint-Denis. Paris hosts the annual French Open Grand Slam tennis tournament on the red clay of Roland Garros, Paris hosted the 1900 and 1924 Summer Olympics and is bidding to host the 2024 Summer Olympics. The name Paris is derived from its inhabitants, the Celtic Parisii tribe. Thus, though written the same, the name is not related to the Paris of Greek mythology. In the 1860s, the boulevards and streets of Paris were illuminated by 56,000 gas lamps, since the late 19th century, Paris has also been known as Panam in French slang. Inhabitants are known in English as Parisians and in French as Parisiens and they are also pejoratively called Parigots. The Parisii, a sub-tribe of the Celtic Senones, inhabited the Paris area from around the middle of the 3rd century BC. One of the areas major north-south trade routes crossed the Seine on the île de la Cité, this place of land and water trade routes gradually became a town
5.
Arthur Sullivan
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Sir Arthur Seymour Sullivan MVO was an English composer. He is best known for his series of 14 operatic collaborations with the dramatist W. S. Gilbert, Pinafore, The Pirates of Penzance and The Mikado. The best known of his hymns and songs include Onward Christian Soldiers, the son of a military bandmaster, Sullivan composed his first anthem at age eight. He was selected as soloist in the choir of the Chapel Royal. His graduation piece was a suite of music to Shakespeares The Tempest. When it was performed in London in 1862, it was an immediate sensation, Sullivan began his composing career with a series of ambitious works, interspersed with hymns, parlour ballads and other light pieces. Among his best received early pieces were a ballet, LÎle Enchantée, from 1861 to 1872, he supplemented his income by working as a church organist and music teacher, and writing hymns and songs. In 1866, Sullivan composed a comic opera, Cox and Box. His most successful work, the Overture di Ballo, premiered in 1870. Sullivans talent and native charm earned him friends in musical and social circles, including Queen Victorias son Alfred. In 1871, Sullivan wrote his first opera with W. S. Gilbert, Sullivan then produced his Festival Te Deum, an oratorio, The Light of the World, and incidental music for West End productions of several Shakespeare plays. He also had conducting and academic appointments, in 1875, producer Richard DOyly Carte reunited Gilbert and Sullivan to create a one-act piece, Trial by Jury, which was a surprise hit. Pinafore became a sensation, as did The Pirates of Penzance and Patience. Sullivan never married but had a love affair with an American socialite. After the death of his brother Fred in 1877, Sullivan supported Freds large family financially for the rest of his life, effectively adopting his nephew Bertie. Carte used his profits from the Gilbert and Sullivan partnership to build the Savoy Theatre in 1881, later hits in the series were Iolanthe, The Mikado, The Yeomen of the Guard and The Gondoliers. Sullivan was knighted for his contributions to music in 1883 and his infrequent serious pieces during the 1880s included two cantatas, The Martyr of Antioch and The Golden Legend, his most popular choral work. Sullivans only serious opera, Ivanhoe, though successful in 1891, was little-heard after that
6.
Cox and Box
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Cox and Box, or, The Long-Lost Brothers, is a one-act comic opera with a libretto by F. C. Burnand and music by Arthur Sullivan, based on the 1847 farce Box and Cox by John Maddison Morton and it was Sullivans first successful comic opera. The story concerns a landlord who lets a room to two lodgers, one who works at night and one who works during the day, when one of them has the day off, they meet each other in the room and tempers flare. Sullivan wrote this piece five years before his first opera with W. S. Gilbert, the piece premiered in 1866 and was seen a few times at charity benefits in 1867. Once given a production in 1869, it became popular, running for 264 performances and enjoying many revivals. During the 20th century, it was played by the DOyly Carte Opera Company in an abridged version, as a curtain raiser for the shorter Gilbert. It has been played by professional and amateur companies throughout the world. The Moray Minstrels were a gathering of notable members of London society and the arts, including painters, actors and writers. They would meet for musical evenings at Moray Lodge, in Kensington, the home of Arthur James Lewis, a haberdasher and silk merchant, who married the actress Kate Terry in 1867. The Minstrels would discuss the arts, smoke and sing part-songs and other popular music at monthly gatherings of more than 150 lovers of the arts, Foster, as well as the dramatist F. C. Burnand and many members were friendly with young Arthur Sullivan. On one occasion in early 1865, they heard a performance of Offenbachs short two-man operetta Les deux aveugles, after seeing another operetta at Moray Lodge the following winter, Burnand asked Sullivan to collaborate on a new piece to be performed for the Minstrels. Burnand adapted the libretto for this triumviretta from John Maddison Mortons famous farce, Box and Cox, the text follows Mortons play closely, differing in only two notable respects. First, in the play the protagonists lodge with Mrs Bouncer and this change was necessitated by the intention of performing the piece for the all-male gathering of the Moray Minstrels. Secondly, Burnand wrote original lyrics to be set to music by the 24-year-old Sullivan, the date and venue of the first performance was much disputed, starting in 1890, in duelling letters to The World, with Burnand and Lewis each claiming to have hosted it. Andrew Lamb has concluded that the run-through at Burnands home on 23 May 1866 was a rehearsal and my own recollection of the business is perfectly distinct. The original cast was George du Maurier as Box, Harold Power as Cox, another performance at Moray Lodge took place eleven months later on 26 April 1867. A review in The Times commented that Burnand had adapted Mortons libretto well, the rest of the evenings entertainment included a musicale by the Moray Minstrels, the play A Wolf in Sheeps Clothing and Les deux aveugles
7.
Adelphi Theatre
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The Adelphi Theatre /əˈdɛlfi/ is a London West End theatre, located on the Strand in the City of Westminster. The present building is the fourth on the site, the theatre has specialised in comedy and musical theatre, and today it is a receiving house for a variety of productions, including many musicals. The theatre was Grade II listed for preservation on 1 December 1987. It was founded in 1806 as the Sans Pareil, by merchant John Scott, Jane was a British theatre manager, performer, and playwright. Together, they gathered a company and by 1809 the theatre was licensed for musical entertainments, pantomime. She wrote more than fifty pieces in an array of genres, melodramas, pantomimes, farces, comic operettas, historical dramas. Jane Scott retired to Surrey in 1819, marrying John Davies Middleton, on 18 October 1819, the theatre reopened under its present name, which was adopted from the Adelphi Buildings opposite. In its early years, the theatre was known for melodrama and this is notable for being thought the first Dickens adaption performed. In 1848, The Haunted Man and the Ghost’s Bargain was performed, the new theatre could seat 1,500 people, with standing room for another 500. The interior was lighted by a Strouds Patent Sun Lamp, a brilliant array of gas mantles passed through a chandelier of cut-glass, in the mid-19th century, John Lawrence Toole established his comedic reputation at the Adelphi. Also in the century, the Adelphi hosted a number of French operettas. In 1867, however, the Adelphi gave English comic opera a boost by hosting the first public performance of Arthur Sullivans first opera, Cox and Box. They also built a new enlarged facade and part of this can still be seen today above the Crystal Rooms next door to the present Adelphi Theatre and this is now recorded on a plaque on the wall by the stage door. Outside a neighbouring pub, a sign says that the killer was one of the stage hands. It has been said that Terriss ghost haunts the theatre, Terriss daughter was Ellaline Terriss, a famous actress, and her husband, actor-manager Seymour Hicks managed the Adelphi for some years at the end of the 19th century. The stage door of the current Adelphi is in Maiden Lane, william Terriss would later have a Theatre named after him, the Terriss Theatre in Rotherhithe, later known as the Rotherhithe Hippodrome. The adjacent, numbers 409 and 410 Strand, were built in 1886–87 by the Gatti Brothers as the Adelphi Restaurant, the frontage remains essentially the same, but with plate glass windows, and, like the theatre, is a Grade II listed building. On 11 September 1901, the theatre was opened as the Century Theatre
8.
Edvard Grieg
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Edvard Hagerup Grieg was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, the Edvard Grieg Museum in Troldhaugen is dedicated to his legacy. Edvard Hagerup Grieg was born in Bergen, Norway, on 15 June 1843 and his parents were Alexander Grieg, a merchant and vice-consul in Bergen, and Gesine Judithe Hagerup, a music teacher and daughter of Edvard Hagerup. The family name, originally spelled Greig, has Scottish origins, after the Battle of Culloden in 1746, Griegs great-grandfather, Alexander Greig, traveled widely, settling in Norway about 1770, and establishing business interests in Bergen. Edvard Grieg was raised in a musical milieu and his mother was his first piano teacher and taught him to play at the age of six. Grieg studied in schools, including Tanks Upper School, Tanks School. In the summer of 1858, Grieg met the eminent Norwegian violinist Ole Bull, Bull recognized the 15-year-old boys talent and persuaded his parents to send him to the Leipzig Conservatory, the piano department of which was directed by Ignaz Moscheles. Grieg enrolled in the conservatory, concentrating on the piano, and enjoyed the many concerts and he disliked the discipline of the conservatory course of study. An exception was the organ, which was mandatory for piano students, in the spring of 1860, he survived two life-threatening lung diseases, pleurisy and tuberculosis. Throughout his life, Griegs health was impaired by a left lung. He suffered from respiratory infections, and ultimately developed combined lung. Grieg was admitted many times to spas and sanatoria both in Norway and abroad, several of his doctors became his personal friends. In 1861, Grieg made his debut as a concert pianist in Karlshamn, in 1862, he finished his studies in Leipzig and held his first concert in his home town, where his programme included Beethovens Pathétique sonata. In 1863, Grieg went to Copenhagen, Denmark, and stayed there for three years and he met the Danish composers J. P. E. Hartmann and Niels Gade. He also met his fellow Norwegian composer Rikard Nordraak, who became a good friend, Nordraak died in 1866, and Grieg composed a funeral march in his honor. On 11 June 1867, Grieg married his first cousin, Nina Hagerup, the next year, their only child, Alexandra, was born. Alexandra died in 1869 from meningitis, in the summer of 1868, Grieg wrote his Piano Concerto in A minor while on holiday in Denmark. Edmund Neupert gave the concerto its premiere performance on 3 April 1869 in the Casino Theater in Copenhagen, Grieg himself was unable to be there due to conducting commitments in Christiania
9.
Johannes Brahms
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Johannes Brahms was a German composer and pianist of the Romantic period. Born in Hamburg into a Lutheran family, Brahms spent much of his life in Vienna. Brahms composed for orchestra, chamber ensembles, piano, organ. A virtuoso pianist, he premiered many of his own works and he worked with some of the leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim. Many of his works have become staples of the concert repertoire. An uncompromising perfectionist, Brahms destroyed some of his works and left others unpublished, Brahms has been considered, by his contemporaries and by later writers, as both a traditionalist and an innovator. His music is rooted in the structures and compositional techniques of the Classical masters. While many contemporaries found his music too academic, his contribution and craftsmanship have been admired by subsequent figures as diverse as Arnold Schoenberg, the diligent, highly constructed nature of Brahmss works was a starting point and an inspiration for a generation of composers. Embedded within his meticulous structures, however, are deeply romantic motifs, Brahmss father, Johann Jakob Brahms, was from the town of Heide in Holstein. The family name was sometimes spelt Brahmst or Brams, and derives from Bram. Against the familys will, Johann Jakob pursued a career in music, arriving in Hamburg in 1826, where he work as a jobbing musician. In 1830, he married Johanna Henrika Christiane Nissen, a seamstress 17 years older than he was, in the same year he was appointed as a horn player in the Hamburg militia. Eventually he became a player in the Hamburg Stadttheater and the Hamburg Philharmonic Society. As Johann Jakob prospered, the family moved over the years to better accommodation in Hamburg. Johannes Brahms was born in 1833, his sister Elisabeth had been born in 1831, Fritz also became a pianist, overshadowed by his brother he emigrated to Caracas in 1867, and later returned to Hamburg as a teacher. Johann Jakob gave his son his first musical training, Johannes also learnt to play the violin, from 1840 he studied piano with Otto Friedrich Willibald Cossel. Cossel complained in 1842 that Brahms could be such a good player, at the age of 10, Brahms made his debut as a performer in a private concert including Beethovens quintet for piano and winds Op.16 and a piano quartet by Mozart. He also played as a solo work an étude of Henri Herz, by 1845 he had written a piano sonata in G minor
10.
Alexander Muir
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Alexander Muir was a Canadian songwriter, poet, soldier, and school headmaster. He was the composer of The Maple Leaf Forever, which he wrote in October 1867 to celebrate the Confederation of Canada, Muir immigrated to Toronto, Ontario from Lesmahagow, Scotland, in 1833, where he grew up and he was educated by his father. Muir later studied at Queens College, where he graduated in 1851, during the early 1870s, Alexander Muir was an elementary school teacher in Newmarket. From 1860 to 1870, he was principal of Leslieville School in Toronto and he was later principal of Torontos Alexander Muir/Gladstone Junior and Senior Public School. Muir was a noted Canadian Orangeman and he also served with The Queens Own Rifles of Canada, and fought with them at the Battle of Ridgeway. He wrote The Maple Leaf Forever while he was serving with the regiment, Alexander Muir Memorial Gardens, a formal garden and park, just south of Yonge Street and Lawrence Avenue in the Lawrence Park neighbourhood of Toronto, is named in his honour. Maple Leaf Forever Park is in the rear of Maple Cottage at 62 Laing Street, near Leslie Street, schools which have been named after him are, Alexander Muir/Gladstone Ave Junior and Senior Public School,108 Gladstone Ave. Toronto Alexmuir Junior Public School,95 Alexmuir Blvd, scarborough Alexander Muir Public School,75 Ford Wilson Blvd. Newmarket formerly Alex Muir Public School,188 Kohler St. Sault Ste Marie which has now been repurposed and renamed the Urban Aboriginal Alternative High School, mount Muir in Alberta is named for him. Bibliography Media related to Alexander Muir at Wikimedia Commons The Maple Leaf Forever MP3 The Maple Leaf Forever MIDI File The Maple Leaf Forever Johnson, Edward, 1878-1959
11.
F. C. Burnand
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Sir Francis Cowley Burnand, usually known as F. C. Burnand, was an English comic writer and prolific playwright, best known today as the librettist of Arthur Sullivans opera Cox and Box. From his schooldays he had written plays, and from 1860 until the end of the 19th century, he produced a series of more than 200 Victorian burlesques, farces, pantomimes. His early successes included the burlesques Ixion, or the Man at the Wheel and The Latest Edition of Black-Eyed Susan, or, also in 1866, he adapted the popular farce Box and Cox as a comic opera, Cox and Box, with music by Sullivan. The piece became a favourite and was later frequently used by the DOyly Carte Opera Company as a curtain raiser. By the 1870s, Burnand was generating an output of plays as well as comic pieces. Among his 55-stage works during the decade was another frequently revived hit, for Punch, among other things, he wrote the popular column Happy Thoughts, in which the narrator recorded the difficulties and distractions of everyday life. Also admired were his burlesques of other writers works, Burnand was a contributor to Punch for 45 years and its editor from 1880 until 1906 and is credited with adding much to the popularity and prosperity of the magazine. His editorship of the publication of The Diary of a Nobody by the brothers George. Many of his articles were collected and published in book form and his stage successes in the 1890s included his English-language versions of two Edmond Audran operettas, titled La Cigale and Miss Decima. His last works included collaborations on pantomimes of Cinderella and Aladdin, in other forms of theatre Burnand was outstandingly successful, with his works receiving London runs of up to 550 performances and extensive tours in the British provinces and the US. He published several books and memoirs and was knighted in 1902 for his work on Punch. Burnand was born in central London, the child of Francis Burnand and his first wife Emma, née Cowley. Burnand senior, a stockbroker, was descended from an old Savoyard family, prominent in the trade, his wife a was a descendant of the poet. Burnand was educated at Eton, where, aged fifteen, he wrote a farce, Guy Fawkes Day, played at Cookesleys house, while at Eton, he submitted some illustrations to the comic weekly magazine, Punch, one or two of which were published. Guest and his colleagues refused their consent, but Burnand went ahead without it, the members of the club performed a triple bill under stage names to avoid retribution from the university. The club prospered, Burnand acted and wrote plays under the name Tom Pierce and he enrolled at Cuddesdon theological college, where his studies of divinity led him to leave the Anglican church and become a Roman Catholic. This caused a breach between Burnand and his father, but the estrangement did not last long, to the disappointment of Cardinal Manning, leader of the English Catholics, Burnand announced that his vocation was not for the church but for the theatre
