2.5D musical

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A 2.5 dimensional musical (2.5次元ミュージカル, 2.5 jigen myujikaru) (abbrievated into 2.5D musical), also known as an anime musical, is a type of modern Japanese theatre production based exclusively on popular Japanese anime, manga, or video games. The term "2.5D musical" was coined to describe stories presented in two-dimensional medium being brought to real life.[1]

Approximately 70 2.5D musicals were produced in 2013 and attracted at least 1.6 million people, most of them young women in their teens and 20s. 2.5D musicals are often seen as the starting point of many young actors in Japan.[2]

Definition[edit]

2.5D musicals are defined through make-up and costuming that accurately depicts the actor as the original character, along with exaggerated acting that mimics the original expressions in the original work. It also include special effects and stunts that reenact the setting and tone of the original work. Directors of the musicals are usually the ones who write the lyrics to the songs.[3] With the evolution of technology, some of the modern 2.5D musicals uses projection mapping, in which backgrounds and special effects are projected onto the stage and screens.[4] According to the Japan 2.5-Dimensional Musical Association, the term not only applies to musicals, but also plays, comedies, and dramas.[5]

History[edit]

The first successful manga-based musical production was The Rose of Versailles in 1974 by the Takarazuka Revue.[2] At the time, these plays were simply known as "musicals" or "anime musicals."[6] Around the 1990s, a number of musicals and small stage skits produced were based on anime and manga series aimed at elementary school girls, such as Sailor Moon, Akazukin Chacha, and Hime-chan's Ribbon, which performed moderately well, but were not popular and were known as "musicals for elementary school girls" (女児物, joji mono).[6] However, in 2000, Hunter x Hunter became revolutionary at the time because the voice cast for the original anime series had also played the characters on stage.[6]

Japanese media-based musicals rose to popularity in 2003 with Musical: The Prince of Tennis through word-of-mouth and social media, which soon became a starting point for many up-and-coming actors. The shows attracted more than 2 million people during its run and was notable for using stage effects to simulate a tennis match,[1] and it was popular enough to include its first overseas shows in South Korea and Taiwan in 2008.[6] After its success, many productions based on anime, manga, and video games soon followed, some of the well-documented ones including Naruto, Yowamushi Pedal, Hyper Projection Engeki Haikyu!! among others. Unlike productions featuring the Takarazuka Revue, which are supported by fans of the troupe, these musicals mainly draw anime and manga fans and other audiences that usually do not see plays on a regular basis.[2]

The term "2.5D musicals" was codified in 2014 when the initial director of Musical: The Prince of Tennis, Makoto Matsuda, first established the Japan 2.5-Dimensional Musical Association. At first, despite the success of Musical: The Prince of Tennis, he did not consider it a formal stage production on par with most modern theater performances imported from Western works such as Broadway productions.[6] However, after a group of South Korean musical professionals had acknowledged Black Butler's production value and standards in performing arts, Matsuda decided to bring the genre worldwide. Plays certified by the Japan 2.5-Dimensional Musical Association offer theater glasses that contain subtitles in Chinese and English for people who do not speak Japanese.[5] Starting in 2014, many 2.5D musicals have also been performed abroad in places like China, Taiwan, the United States, and parts of Europe.

In 2018, "2.5D Musical Studies" was added as a program at the Tokyo School of Anime.[7] In April 2018, actor Kenta Suga, who has starred as Gaara in Naruto and Hinata in Hyper Projection Engeki Haikyu!! became appointed as the overseas ambassador by the Japan 2.5-Dimensional Musical Association, succeeding Ryo Kato.[8]

References[edit]

  1. ^ a b Nobuko Tanaka (2015-03-31). "'Tenimyu' 2.5-D shows net over 2 million tickets sold". The Japan Times. Retrieved 2018-08-12. 
  2. ^ a b c "'2.5 - D' Musicals, Based On Manga And Anime, Popular With Young Women". Japan Bullet. 2015-08-13. Retrieved 2018-08-12. 
  3. ^ "Interview with Japanese Music Industry Experts – Comic Fiesta 2017". The Magic Rain. 2018-02-05. Retrieved 2018-08-14. 
  4. ^ "藤原祐規×演出家・キムラ真インタビュー! 舞台『PERSONA3 the Weird Masquerade』完結作を語る". Spice (in Japanese). 2017-01-28. Retrieved 2018-08-09. 
  5. ^ a b ""2.5 Dimensional Musical" Live Theater". Web Japan. Retrieved 2018-08-12. 
  6. ^ a b c d e Norio Kohyama. "Presenter Interview: The vision of Makoto Matsuda, the producer behind the "2.5-D Musicals"". Performing Arts Network Japan. Retrieved 2018-08-12. 
  7. ^ Jennifer Sherman (2017-02-27). "Anime-Focused 2.5D Musical School Opens in Tokyo in 2018". Anime News Network. Retrieved 2018-08-12. 
  8. ^ "須賀健太「2.5Dアンバサダー」就任!白衣姿で2.5次元ミュージカルの魅力を伝える". Enterstage (in Japanese). 2018-04-18. Retrieved 2018-08-12. 

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