1.
Garage rock
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Garage rock is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada. The term derives from the perception that groups were made up of young amateurs who rehearsed in the family garage. The style, a precursor to rock, is characterized by aggressive and unsophisticated lyrics and delivery. In the US and Canada, surf rock—and later the Beatles, hundreds of acts produced regional hits, and some had national hits. Though largely associated with North America, counterparts were present elsewhere as part of the beat boom of the era. As critics of the period began to prescribe a scope for genre, they used the term punk rock. Garage rock has experienced various revivals in the years and continues to influence acts who prefer a back to basics. In the early- to mid-1980s, several garage revival scenes sprung up featuring acts that consciously attempted to replicate the look, in the 2000s, a wave of garage rock revival acts associated with the post-punk revival emerged, and a handful achieved airplay and commercial success. The term garage rock comes from the perception that its performers were young and amateurish, while numerous bands were made up of middle-class teenagers from the suburbs, others were from rural or urban areas or were composed of professional musicians in their twenties. The term garage band often refers to acts in this genre. Garage bands performed in a variety of venues, less-established groups typically played at parties, school dances, and teen clubs. For acts of legal age, bars, nightclubs, and college fraternity socials also provided regular engagements, occasionally, local groups had the opportunity to open at shows for famous touring acts. Some garage rock bands went on tour, particularly better-known acts, groups often competed in battles of the bands, which gave musicians an opportunity to gain exposure and a chance to win a prize, such as free recording time in a local studio. Battles of the bands were held, locally, regionally and nationally, and two of the most prestigious contests were held annually by the Tea Council of the U. S. A. and the Music Circus. Performances often sounded amateurish, naïve or intentionally raw, with typical themes revolving around the traumas of high school life, instrumentation was characterized by electric guitars often distorted through a fuzzbox, teamed with bass and drums. Guitarists sometimes played using aggressive-sounding bar chord riffs, sometimes referred to as power chords, organs such as the Farfisa were commonly used as well as mouth harmonicas or hand-held percussion such as tambourines. Occasionally, the tempo sped up in certain passages, sometimes referred to as raveups, Garage rock acts were diverse in both musical ability and in style, ranging from crude two- and three-chord music to near-studio musician quality. There were also variations in flourishing scenes, such as in California
2.
Psychedelic rock
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Many psychedelic groups differ in style, and the label is often used indiscriminately. Musically, the effects may be represented via novelty studio tricks, electronic or non-Western instrumentation, disjunctive song structures, some of the earlier 1960s psychedelic rock musicians were based in folk, jazz, and the blues, while others showcased an explicit Indian classical influence called raga rock. In the 1960s, there existed two main variants of the genre, the whimsical British pop-psychedelia, and the harder American West Coast acid rock. While acid rock is often deployed interchangeably with the psychedelic rock, it can also refer more specifically to the heavier. The genre bridged the transition from early blues- and folk-based rock to rock and hard rock. Since the late 1970s it has revived in various forms of neo-psychedelia. The term psychedelic was first coined in 1956 by psychiatrist Humphry Osmond as a descriptor for hallucinogenic drugs in the context of psychedelic psychotherapy. As the countercultural scene developed in San Francisco, the acid rock. In the popular music of the early 1960s, it was common for producers, songwriters, and engineers to freely experiment with form, arrangements, unnatural reverb. Some of the best known examples are Phil Spectors Wall of Sound production formula, there was no transition to be made. You go from things like Flying Purple People Eater to I Am the Walrus, music critic Richie Unterberger says that attempts to pin down the first psychedelic record are therefore nearly as elusive as trying to name the first rock & roll record. Some of the far-fetched claims include the instrumental Telstar and the Dave Clark Fives massively reverb-laden Any Way You Want It, the first mention of LSD on a rock record was the Gamblers 1960 surf instrumental LSD25. American folk singer Bob Dylan was an influence on mid 1960s rock music. He led directly to the creation of rock and the psychedelic rock musicians that followed. Molly Longman of mic. com writes that, in terms of bridging the relationship between music and hallucinogens, the Beatles and the Beach Boys were the eras most pivotal acts. The considerable success enjoyed by these two bands allowed them the freedom to experiment with new technology over entire albums. In Unterbergers opinion, the Byrds, emerging from the Californian folk scene, with their ominous minor key melodies, hyperactive instrumental breaks, and use of Gregorian chants. In the songs lyric, the requests, Take me on a trip upon your magic swirling ship
3.
Bay City, Michigan
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Bay City is a city in Bay County, Michigan, located near the base of the Saginaw Bay on Lake Huron. The city, along with nearby Midland and Saginaw, form the Greater Tri-Cities region of Central Michigan, the city is served by MBS International Airport, located in nearby Freeland, and James Clements Municipal Airport. Leon Tromble is regarded as the first settler within the limits of Bay County, in 1831, he built a log cabin on the east bank of the Saginaw river. Bay City was first established in 1837, and was incorporated as a city in 1865, trudell built a log-cabin near the present corner of Seventeenth and Broadway. Bay City became the largest community in the county and the location of the county seat of government, most of the countys agencies and associations are located here. The city shares borders with Essexville and the townships of Bangor, Frankenlust, Hampton, Merritt, Monitor. Bay City was originally known as Lower Saginaw, and fell within the boundaries of Saginaw County On June 4,1846, the community was placed in Bay County, when the county was organized in 1857. It was at time that the name was changed to Bay City. The Post Office changed its name to Bay City on March 22,1858, while Saginaw had the first white settlement in this area in 1819, larger ships had difficulty navigating the shallower water near the Saginaw settlement. Due to this fact, many of the early pioneers moved to Lower Saginaw as it clear its deeper waters made it a better location for the growth of industry which relied on shipping. By 1860, Lower Saginaw had become a community of about 2,000 people with several mills. In 1865, the village of Bay City was incorporated as a city, rapid economic growth took place during this time period, with lumbering, milling, and shipbuilding creating many jobs. The early industrialists in the area used the Saginaw River as a convenient means to lumber to the mills and factories. Many of the mansions built during this era are registered as historical landmarks by the state, fitzhugh dealt on a large scale in wild lands and farms, being an agent for over 25,000 acres of land in Bay County. During this time, Washington Avenue was primarily developed with residential homes, businesses were concentrated along Water Street near the Saginaw River. As time went on, businesses started to expand along Washington Avenue, in 1891, the Fitzhughs sold the land to the City of Bay City for $8,500 to be used for the erection of a City Hall and offices and for no other purposes whatever. Until 1905, the City of Bay City was limited to the east bank of the Saginaw River, when West Bay City was annexed. During the latter half of the 19th century Bay City was the home of several now-closed industries including many sawmills and shipbuilders
4.
Punk rock
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Punk rock is a rock music genre that developed in the early to mid-1970s in the United States, United Kingdom, and Australia. Rooted in 1960s garage rock and other forms of what is now known as proto-punk music, Punk bands typically produced short or fast-paced songs, with hard-edged melodies and singing styles, stripped-down instrumentation, and often political, anti-establishment lyrics. Punk embraces a DIY ethic, many bands self-produce recordings and distribute them through informal channels, the term punk was first used in relation to rock music by some American critics in the early 1970s, to describe garage bands and their devotees. The following year saw punk rock spreading around the world, for the most part, punk took root in local scenes that tended to reject association with the mainstream. An associated punk subculture emerged, expressing youthful rebellion and characterized by distinctive styles of clothing and adornment, by the beginning of the 1980s, faster, more aggressive styles such as hardcore and street punk had become the predominant mode of punk rock. Musicians identifying with or inspired by punk also pursued a range of other variations, giving rise to post-punk. At the end of the 20th century, punk rock had been adopted by the mainstream, as pop punk and punk bands such as Green Day. The first wave of rock was aggressively modern, distancing itself from the bombast. According to Ramones drummer Tommy Ramone, In its initial form, unfortunately, what happens is that people who could not hold a candle to the likes of Hendrix started noodling away. Soon you had endless solos that went nowhere, by 1973, I knew that what was needed was some pure, stripped down, no bullshit rock n roll. In critic Robert Christgaus description, It was also a subculture that rejected the political idealism. Technical accessibility and a DIY spirit are prized in punk rock, in the early days of punk rock, this ethic stood in marked contrast to what those in the scene regarded as the ostentatious musical effects and technological demands of many mainstream rock bands. Musical virtuosity was often looked on with suspicion, according to Holmstrom, punk rock was rock and roll by people who didnt have very many skills as musicians but still felt the need to express themselves through music. In December 1976, the English fanzine Sideburns published an illustration of three chords, captioned This is a chord, this is another, this is a third. The title of a 1980 single by the New York punk band Stimulators, inscribed a catchphrase for punks basic musical approach. The previous year, when the rock revolution began in Great Britain, was to be both a musical and a cultural Year Zero. As a Clash associate describes singer Joe Strummers outlook, Punk rock is meant to be our freedom, were meant to be able to do what we want to do. Scholar Daniel S. Traber argues that attaining authenticity in the identity can be difficult, as the punk scene matured, he observes
5.
Organ (music)
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In music, the organ is a keyboard instrument of one or more pipe divisions, each played with its own keyboard, played either with the hands on a keyboard or with the feet using pedals. The organ is an old musical instrument, dating from the time of Ctesibius of Alexandria. It was played throughout the Ancient Greek and Ancient Roman world, subsequently it re-emerged as a secular and recital instrument in the Classical music tradition. Pipe organs use air moving through pipes to produce sounds, since the 16th century, pipe organs have used various materials for pipes, which can vary widely in timbre and volume. The pipes are divided into ranks and controlled by the use of hand stops, although the keyboard is not expressive as on a piano and does not affect dynamics, some divisions may be enclosed in a swell box, allowing the dynamics to be controlled by shutters. Some organs are enclosed, meaning that all the divisions can be controlled by one set of shutters. Some special registers with free reed pipes are expressive and these instruments vary greatly in size, ranging from a cubic yard to a height reaching five floors, and are built in churches, synagogues, concert halls, and homes. Small organs are called positive or portative, increasingly hybrid organs are appearing in which pipes are augmented with electronic additions. Great economies of space and cost are possible especially when the lowest of the pipes can be replaced, non-piped organs include the reed organ or harmonium, which like the accordion and harmonica use air to excite free reeds. Electronic organs or digital organs, notably the Hammond organ, generate electronically produced sound through one or more loudspeakers, mechanical organs include the barrel organ, water organ, and Orchestrion. These are controlled by means such as pinned barrels or book music. Little barrel organs dispense with the hands of an organist and bigger organs are powered in most cases by a grinder or today by other means such as an electric motor. The pipe organ is the grandest musical instrument in size and scope, along with the clock, it was considered one of the most complex human-made mechanical creations before the Industrial Revolution. Pipe organs range in size from a short keyboard to huge instruments with over 10,000 pipes. A large modern organ typically has three or four keyboards with five each, and a two-and-a-half octave pedal board. Wolfgang Amadeus Mozart called the organ the King of instruments, some of the biggest instruments have 64-foot pipes, and it sounds to an 8 Hz frequency fundamental tone. For instance, the Wanamaker organ, located in Philadelphia, USA, has sonic resources comparable with three simultaneous symphony orchestras, most organs in Europe, the Americas, and Australasia can be found in Christian churches. The introduction of organs is traditionally attributed to Pope Vitalian in the 7th century
6.
Bass guitar
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The bass guitar is a stringed instrument played primarily with the fingers or thumb, by plucking, slapping, popping, strumming, tapping, thumping, or picking with a plectrum, often known as a pick. The bass guitar is similar in appearance and construction to a guitar, but with a longer neck and scale length. The four-string bass, by far the most common, is tuned the same as the double bass. The bass guitar is an instrument, as it is notated in bass clef an octave higher than it sounds to avoid excessive ledger lines. Like the electric guitar, the guitar has pickups and it is plugged into an amplifier and speaker on stage, or into a larger PA system using a DI unit. Since the 1960s, the guitar has largely replaced the double bass in popular music as the bass instrument in the rhythm section. While types of basslines vary widely from one style of music to another, many styles of music utilise the bass guitar, including rock, heavy metal, pop, punk rock, country, reggae, gospel, blues, symphonic rock, and jazz. It is often a solo instrument in jazz, jazz fusion, Latin, funk, progressive rock and other rock, the adoption of a guitar form made the instrument easier to hold and transport than any of the existing stringed bass instruments. The addition of frets enabled bassists to play in more easily than on acoustic or electric upright basses. Around 100 of these instruments were made during this period, around 1947, Tutmarcs son, Bud, began marketing a similar bass under the Serenader brand name, prominently advertised in the nationally distributed L. D. Heater Music Company wholesale jobber catalogue of 1948, however, the Tutmarc family inventions did not achieve market success. In the 1950s, Leo Fender, with the help of his employee George Fullerton and his Fender Precision Bass, which began production in October 1951, became a widely copied industry standard. This split pickup, introduced in 1957, appears to have been two mandolin pickups, the pole pieces and leads of the coils were reversed with respect to each other, producing a humbucking effect. Humbucking is a design that electrically cancels the effect of any AC hum, the Fender Bass was a revolutionary new instrument, which could be easily transported, and which was less prone to feedback when amplified than acoustic bass instruments. Monk Montgomery was the first bass player to tour with the Fender bass guitar, roy Johnson, and Shifty Henry with Louis Jordan & His Tympany Five, were other early Fender bass pioneers. Bill Black, playing with Elvis Presley, switched from bass to the Fender Precision Bass around 1957. The bass guitar was intended to appeal to guitarists as well as upright bass players, following Fenders lead, in 1953, Gibson released the first short scale violin-shaped electric bass with extendable end pin, allowing it to be played upright or horizontally. In 1959 these were followed by the more conventional-looking EB-0 Bass, the EB-0 was very similar to a Gibson SG in appearance
7.
Drum kit
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A drum kit consists of a mix of drums and idiophones most significantly cymbals but also including the woodblock and cowbell. In the 2000s, some also include electronic instruments and both hybrid and entirely electronic kits are used. If some or all of them are replaced by electronic drums, the drum kit is usually played while seated on a drum stool or throne. The drum kit differs from instruments that can be used to produce pitched melodies or chords, even though drums are often placed musically alongside others that do, such as the piano or guitar. The drum kit is part of the rhythm section used in many types of popular and traditional music styles ranging from rock and pop to blues. Other standard instruments used in the section include the electric bass, electric guitar. Many drummers extend their kits from this pattern, adding more drums, more cymbals. Some performers, such as some rockabilly drummers, use small kits that omit elements from the basic setup, some drum kit players may have other roles in the band, such as providing backup vocals, or less commonly, lead vocals. Thus, in an early 1800s orchestra piece, if the called for bass drum, triangle and cymbals. In the 1840s, percussionists began to experiment with foot pedals as a way to them to play more than one instrument. In the 1860s, percussionists started combining multiple drums into a set, the bass drum, snare drum, cymbals, and other percussion instruments were all played using hand-held drum sticks. Double-drumming was developed to one person to play the bass and snare with sticks. With this approach, the drum was usually played on beats one. This resulted in a swing and dance feel. The drum set was referred to as a trap set. By the 1870s, drummers were using an overhang pedal, most drummers in the 1870s preferred to do double drumming without any pedal to play multiple drums, rather than use an overhang pedal. Companies patented their pedal systems such as Dee Dee Chandler of New Orleans 1904–05, liberating the hands for the first time, this evolution saw the bass drum played with the foot of a standing percussionist. The bass drum became the central piece around which every other percussion instrument would later revolve and it was the golden age of drum building for many famous drum companies, with Ludwig introducing
8.
Aretha Franklin
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Aretha Louise Franklin is an American singer, songwriter and musician. Franklin began her career singing gospel at her father, minister C. L. Franklins church as a child, in 1960, at the age of 18, Franklin embarked on a secular career, recording for Columbia Records but only achieving modest success. Following her signing to Atlantic Records in 1967, Franklin achieved commercial acclaim and success with such as Respect, A Natural Woman. These hits and more helped her to gain the title The Queen of Soul by the end of the 1960s decade, in 1998, Franklin won international acclaim for singing the opera aria Nessun dorma, at the Grammys of that year replacing Luciano Pavarotti. Later that same year, she scored her final Top 40 recording with A Rose Is Still a Rose, Franklin has won a total of 18 Grammy Awards and is one of the best-selling artists of all time, having sold over 75 million records worldwide. Franklin has been honored throughout her career including a 1987 induction into the Rock and Roll Hall of Fame and she was inducted to the UK Music Hall of Fame in 2005. In August 2012, Franklin was inducted into the GMA Gospel Music Hall of Fame, Aretha Louise Franklin was born in Memphis, Tennessee, the daughter of Barbara and Clarence LaVaughn Franklin. Her father, who went by the nickname, C. L. was an itinerant preacher originally from Shelby, Mississippi, while her mother was a piano player. Alongside Franklin, her parents had three children while both C. L. and Barbara had children from outside their marriage. The family relocated to Buffalo, New York when Franklin was two, before her fifth birthday, C. L. Franklin permanently relocated the family to Detroit, Michigan where he took over the pastorship of New Bethel Baptist Church. Franklins mother died on March 7,1952, before Franklins tenth birthday, several women, including Franklins grandmother Rachel, and Mahalia Jackson took turns helping with the children at the Franklin home. During this time, Franklin learned how to play piano by ear, Franklins fathers emotionally driven sermons resulted in him being known as the man with the million-dollar voice and earning thousands of dollars for sermons in various churches across the country. Just after her mothers death, Franklin began singing solos at New Bethel, debuting with the hymn, Jesus, Be a Fence Around Me. Four years later, when Franklin was 14, her father began managing her and he helped his daughter get signed to her first recording deal with J. V. B. Records, where her first album, Songs of Faith, was issued in 1956, two singles were released to gospel radio stations including Never Grow Old and Precious Lord, Take My Hand. Franklin sometimes traveled with The Caravans and The Soul Stirrers during this time and developed a crush on Sam Cooke, after turning 18, Franklin confided to her father that she aspired to follow Sam Cooke to record pop music. Serving as her manager, C. L. agreed to the move and helped to produce a demo that soon was brought to the attention of Columbia Records. Franklin was signed as a five-percent artist, during this period, Franklin would be coached by choreographer Cholly Atkins to prepare for her pop performances
9.
Primal Scream
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Primal Scream are a British rock band originally formed in 1982 in Glasgow by Bobby Gillespie and Jim Beattie. The current lineup consists of Gillespie, Andrew Innes, Martin Duffy, Simone Butler, Barrie Cadogan has toured and recorded with the band since 2006 as a replacement after the departure of guitarist Robert Throb Young. The band performed throughout 1982–1984, but their career did not take off until Gillespie left his position as drummer of The Jesus and their 1991 album Screamadelica broke the band into the mainstream. Their latest album Chaosmosis was released on 18 March 2016, Bobby Gillespie moved to Mount Florida, in southeastern Glasgow. There he attended Kings Park Secondary School, where he first met Robert Young, another schoolfriend was Alan McGee, who took Gillespie to his first gig, a Thin Lizzy concert. McGee and Gillespie were heavily influenced by rock, and they joined a local punk band, The Drains. The Drains guitarist was a 15-year-old Andrew Innes, the band was short-lived, and Innes and McGee moved to London while Gillespie chose to remain in Glasgow. After the punk movement ended, Gillespie became disenchanted with mainstream new wave music and he met up with another schoolfriend who shared his outlook, Jim Beattie, and recorded elemental noise tapes, in which Gillespie would bang two dustbin lids together and Beattie played fuzz-guitar. They soon moved on to Velvet Underground and Byrds cover songs before starting to write their own songs, based on Jah Wobble, Gillespie later said that the band didnt really exist, but we did it every night for something to do. They named themselves Primal Scream, a term for a type of cry heard in primal therapy, still essentially a partnership, Primal Scream first played live in 1982. Their first recording session, for McGees independent label Essential Records, was a track entitled The Orchard. Beattie later claimed that they burned the master tape, after the aborted recording, Gillespie joined The Jesus and Mary Chain as their drummer, and alternated between both bands. This lineup was signed to Creation Records, an independent record label founded by Alan McGee, and recorded the debut single, All Fall Down. After the release of the single, Gillespie was told by Mary Chain leaders William, Gillespie chose to remain with Primal Scream. Stuart May was replaced by Paul Harte, and the then released a new single. The b-side, Velocity Girl, was released on the C86 compilation, the band strongly disliked this, with Gillespie saying that they cant play their instruments and they cant write songs. The band toured throughout 1986, and Gillespie became disenchanted with the quality of their performances and he said that there was always something missing, musically or in attitude. The band switched to McGees newly set-up Warner Bros. subsidiary Elevation Records, before the band entered Rockfield Studios in Wales to record their debut album, McGurk was asked to leave the band
10.
CBGB
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CBGB was a New York City music club opened in 1973 by Hilly Kristal in Manhattans East Village. The club was previously a bar and before that was a dive bar. From the early 1980s onward, CBGB was known for hardcore punk, one storefront beside CBGB became the CBGB Record Canteen, a record shop and café. In the late 1980s, CBGB Record Canteen was converted into an art gallery and second performance space, on the other side, CBGB was operating a small cafe and bar in the mid-1990s, which served classic New York pizza, among other items. The club closed upon its final concert, played by Patti Smith, CBGB Radio launched on the iheartradio platform in 2010, and CBGB music festivals began in 2012. In 2013, CBGBs onetime building,315 Bowery, was added to the National Register of Historic Places as part of the National Bowery Historic District. CBGB was founded in December 1973 on the site of Kristals earlier bar, Hillys on the Bowery, initially, Kristal focused on his more profitable East Village nightspot, Hillys, which Kristal closed amid complaints from the bars neighbors. After Hillys closure, Kristal focused on the Bowery club and its full name — CBGB & OMFUG — stands for Country, Bluegrass, Blues and Other Music for Uplifting Gormandizers. Although a gormandizer is usually a ravenous eater of food, what Kristal meant is a voracious eater of, Kristals intended theme of country, bluegrass, and blues music along with poetry readings yielded to the American movement in punk rock. A pioneer in the genre, the Ramones played their first shows at CBGB, in 1973, while the future CBGB was still Hillys, two locals—Bill Page and Rusty McKenna—convinced Kristal to let them book concerts. In February 1974, Hilly booked local band Squeeze to a residency, playing Tuesdays and Wednesdays, Squeeze was led by guitarist Mark Suall, later with CBGBs virtual house band the Revelons, which included Fred Smith of Television and JD Daugherty of the Patti Smith Group. Although these bands did not play punk rock, they helped lay its foundation, the August 1973 collapse of the Mercer Arts Center left unsigned bands little option in New York City to play original music. Mercer refugees—including Suicide, The Fast, Wayne County, and the Magic Tramps—soon played at CBGB, in 1974, on April 14, in the audience of Televisions third gig were Patti Smith and Lenny Kaye, whose Patti Smith Group debuted at CBGB on February 14,1975. Other early performers included the Dina Regine Band, dennis Lepri was lead guitarist as well as the Stillettos which included Deborah Harry on vocals. The newly formed band Angel & the Snake, later renamed Blondie, mink DeVille, Talking Heads, the Shirts, the Heartbreakers, the Fleshtones and other bands soon followed. In April 1977, The Damned played the club, marking the first time a British punk band had played in America. During 1975 and 1976, Metropolis Video recorded some shows on film, starting in 1977, Metropolis Video filmmaker Pat Ivers and partner Emily Armstrong continued to record shows in a project called Advanced TV, later renamed GoNightclubbing. Ivers and Armstrongs films are available at the New York University Fales Library, CBGBs two rules were that a band must move its own equipment and play mostly original songs—that is, no cover bands—although regular bands often played one or two covers in set
