1.
New York Comic Con
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The New York Comic Con is an annual New York City fan convention dedicated to comics, graphic novels, anime, manga, video games, toys, movies, and television. It was first held in 2006, ReedPOP is involved with other events, including Chicago Comic & Entertainment Expo and PAX Dev/PAX East/PAX Prime. ReedPop and New York Comic Con were founded by Greg Topalian, the first con was held in 2006 at the Jacob K. Javits Convention Center. Due to Reed Exhibitions lack of experience with comic conventions, attendance was far more than anticipated, despite crowding on Friday afternoon, tickets continued to be sold due to low pre-reg numbers, and the non-counting of professionals and exhibitors. The main exhibition hall hit capacity Saturday morning and was locked by the marshals until people left. Major guests, including Kevin Smith and Frank Miller, could not enter the main hall, the line to enter the convention wrapped around the building with waits of two hours to enter, and many were turned away. Ticket sales for Sunday were suspended, Reed announced that additional space would be acquired for the 2007 show. The second con was held in 2007, with the convention organizer booking double the floor space than the previous years space, the show on Friday was again only open to industry and press until 4 p. m. when it opened to the public. Due to better planning, advance sales were controlled. Lines started forming at midnight Saturday to enter the convention, and by Saturday morning, crowding was a problem in the Artists Alley, which was off the main convention floor, causing it to be moved to the main floor for 2008. The American Anime Awards, hosted by New York Comic Con, was held on February 24 at the New Yorker Hotel, the third con held in 2008 moved to April, continued to grow, and occupied most of the main level in the Javits Center. Stan Lee was awarded the inaugural New York Comics Legend Award at the Times Square Virgin Megastore before the Comic Con, kids Day programming was added to the convention on Sunday with the help of Kidss Comic Con. The fourth con held in 2009 returned to February and featured a charity art auction to support The Hero Initiative, the New York Anime Festival, previously a separate event created by Reed, was also merged into Comic Con. The main floor of the center was split by a large construction area due to repairs to the Javits Center. Intel Extreme Masters Global Challenge – New York took place in Comic Con 2011 and it featured eSport tournaments for games such as StarCraft II, League of Legends, and Counter-Strike. In 2011, the convention was expanded to four days, the first day of the convention was initially limited to press, professionals, and fans that purchased a four-day pass. This changed in 2013, when single day Thursday passes were put on sale for the first time. With this addition, attendance at New York Comic Con grew to over 130,000, in 2016, it was announced that everyone attending NYCC2016 would be required to complete a Fan Verification profile
2.
Jim Lee
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Jim Lee is a Korean American comic book artist, writer, editor, and publisher. He entered the industry in 1987 as an artist for Marvel Comics, illustrating titles such as Alpha Flight and The Punisher War Journal, before gaining popularity on The Uncanny X-Men. 1, the 1991 spin-off series premiere that Lee penciled and co-wrote with Chris Claremont, remains the best-selling comic book of all time, on February 18,2010, Jim Lee was announced as the new Co-Publisher of DC Comics with Dan DiDio, both replacing Paul Levitz. He has received a Harvey Award, Inkpot Award and three Wizard Fan Awards in recognition for his work, Lee was born on August 11,1964 in Seoul, South Korea. He grew up in St. Louis, Missouri, where he lived a typical middle-class childhood, Lee attended River Bend Elementary School in Chesterfield and later St. Louis Country Day School, where he drew posters for school plays. Having had to learn English when he first came to the U. S. presented the young Lee with the sense of being an outsider, as did the preppy, upper-class atmosphere of Country Day. As a result, on the occasions that his parents bought him comics, Lees favorite characters were the X-Men. His classmates predicted in his senior yearbook that he would found his own book company. Despite this, Lee was resigned to following his fathers career in medicine, attending Princeton University to study psychology and he submitted samples to various publishers, but did not find success. When Lee befriended St. Lees work on the Punisher, War Journal was inspired by such as Frank Miller, David Ross, Kevin Nowlan. During his stint on Uncanny Lee first worked with inker Scott Williams, during his run on the title, Lee co-created the character Gambit with long-time X-Men writer Chris Claremont. Lees artwork quickly gained popularity in the eyes of enthusiastic fans, in 1991, Lee helped launch a second X-Men series simply called X-Men volume 2, as both the artist and as co-writer with Claremont. Lee designed new uniforms for the series, including those worn by Cyclops, Jean Grey, Rogue, Psylocke and Storm. Actor/comedian Taran Killam, who has ventured into writing with The Illegitimates, has cited X-Men No.1 as the book that inspired his interest in comics. Stan Lee interviewed Jim Lee in the documentary series The Comic Book Greats, the other major series of the initial years of Wildstorm, for which Lee either created characters, co-plotted or provided art for, included Stormwatch, Deathblow and Gen¹³. The miniseries would consist of four books, two each produced by the respective companies, plus a prologue and epilogue book. Wildstorm produced Deathmate Black, with Lee himself contributing to the writing and he illustrated the covers for that book, the Deathmate Tourbook and the prologue book, as well as contributing to the prologues interior inks. Lee and Rob Liefeld, another Marvel-illustrator-turned-Image-founder, returned to Marvel in 1996 to participate in a reboot of several classic characters, while Liefeld reworked Captain America and The Avengers, Lee plotted Iron Man and wrote and illustrated Fantastic Four
3.
National Library of Australia
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In 2012–2013, the National Library collection comprised 6,496,772 items, and an additional 15,506 metres of manuscript material. In 1901, a Commonwealth Parliamentary Library was established to serve the newly formed Federal Parliament of Australia, from its inception the Commonwealth Parliamentary Library was driven to development of a truly national collection. The present library building was opened in 1968, the building was designed by the architectural firm of Bunning and Madden. The foyer is decorated in marble, with windows by Leonard French. In 2012–2013 the Library collection comprised 6,496,772 items, the Librarys collections of Australiana have developed into the nations single most important resource of materials recording the Australian cultural heritage. Australian writers, editors and illustrators are actively sought and well represented—whether published in Australia or overseas, approximately 92. 1% of the Librarys collection has been catalogued and is discoverable through the online catalogue. The Library has digitized over 174,000 items from its collection and, the Library is a world leader in digital preservation techniques, and maintains an Internet-accessible archive of selected Australian websites called the Pandora Archive. A core Australiana collection is that of John A. Ferguson, the Library has particular collection strengths in the performing arts, including dance. The Librarys considerable collections of general overseas and rare materials, as well as world-class Asian. The print collections are further supported by extensive microform holdings, the Library also maintains the National Reserve Braille Collection. The Library has acquired a number of important Western and Asian language scholarly collections from researchers, williams Collection The Asian Collections are searchable via the National Librarys catalogue. The National Library holds a collection of pictures and manuscripts. The manuscript collection contains about 26 million separate items, covering in excess of 10,492 meters of shelf space, the collection relates predominantly to Australia, but there are also important holdings relating to Papua New Guinea, New Zealand and the Pacific. The collection also holds a number of European and Asian manuscript collections or single items have received as part of formed book collections. Examples are the papers of Alfred Deakin, Sir John Latham, Sir Keith Murdoch, Sir Hans Heysen, Sir John Monash, Vance Palmer and Nettie Palmer, A. D. Hope, Manning Clark, David Williamson, W. M. The Library has also acquired the records of many national non-governmental organisations and they include the records of the Federal Secretariats of the Liberal party, the A. L. P, the Democrats, the R. S. L. Finally, the Library holds about 37,000 reels of microfilm of manuscripts and archival records, mostly acquired overseas and predominantly of Australian, the National Librarys Pictures collection focuses on Australian people, places and events, from European exploration of the South Pacific to contemporary events. Art works and photographs are acquired primarily for their informational value, media represented in the collection include photographs, drawings, watercolours, oils, lithographs, engravings, etchings and sculpture/busts
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Glossary of comics terminology
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Several attempts have been made to formalise and define the terminology of comics by authors such as Will Eisner, Scott McCloud, R. C. Harvey and Dylan Horrocks. Much of the terminology in English is under dispute, so this page will list and describe the most common terms used in comics. Comics is used in the singular, in the way the politics or economics are, to refer to the medium. Comic as an adjective also has the meaning of funny, or as pertaining to comedians, comic as a singular noun is sometimes used to refer to individual comics periodicals, what are known in North America as comic books. Underground comix is a term first popularized by cartoonists in the underground movement of the 1960s and 1970s in an attempt to move the word away from its etymological origins. Alternative comics is a term covering a range of American comics that have appeared since the 1980s, a panel, frame or box is one drawing on a page, and contains a segment of action. A page may have one or many panels, and panels are frequently, the size, shape and style of a panel, as well as the placement of figures and speech balloons inside it, affect the timing or pacing of a story. Panels are used to break up and encapsulate sequences of events in a narrative, what occurs in a panel may be asynchronous, meaning that not everything that occurs in a single panel necessarily occurs at one time. The gutter is the space between panels, vertical gutters can be made thinner than horizontal gutters in order to encourage the reader to group each row of panels for easier reading. A tier is a row of panels. A splash or splash page is a large, often full-page illustration which opens and it is rarely less than half a page, and occasionally covers two pages. Often designed as a unit, its purpose is to capture the readers attention. A spread is an image that spans more than one page, the two-page spread is the most common, but there are spreads that span more pages, often by making use of a foldout. A speech/word/dialogue balloon or speech/word/dialogue bubble is an indicator, containing the characters dialogue. The indicator from the balloon that points at the speaker is called a pointer or tail, the speech balloon bridges the gap between word and image—the word made image, as expressed by Pierre Fresnault-Druelle. In early renderings, speech balloons were no more than ribbons emanating from their speakers mouths and its shape came to convey meaning as well. A thought balloon contains copy expressing a characters unvoiced thoughts, usually shaped like a cloud, emotions can be expressed by the shape of the balloon—spiked balloons can indicate shouting, and dripping balloons can indicate sarcasm. In a caption, words appear in a box separated from the rest of the panel or page, usually to give voice to a narrator, but sometimes used for the characters thoughts or dialogue
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Harley Quinn
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Harley Quinn is a fictional supervillain appearing in American comic books published by DC Comics. The character was created by Paul Dini and Bruce Timm, and first appeared in Batman and she later appeared in DC Comics Batman comic books, with the characters first comic book appearance in The Batman Adventures #12. Harley Quinn is the Jokers frequent accomplice and lover, whom she met while working as a psychologist at Gotham Citys Arkham Asylum and her name is a play on the name Harlequin, a character which originated in the commedia dellarte. The character was voiced by Arleen Sorkin in various tie-ins to the DC animated universe. Since then, she has also voiced by Hynden Walch. In the Birds of Prey television series, she was portrayed by actress Mia Sara, the character made her live-action cinematic debut in the 2016 film Suicide Squad, portrayed by Margot Robbie. Dini thus created a sidekick for the Joker. Arleen Sorkin, a star of the soap opera Days of Our Lives, appeared in a dream sequence on that series in which she wore a jester costume. Having been friends with Sorkin since college, he incorporated aspects of her personality into the character, Quinn was also inspired by a mutual female friends stormy relationship, according to Timm. The 1994 graphic novel The Batman Adventures, Mad Love recounts the characters origin, written and drawn by Dini and Timm, the comic book is told in the style and continuity of Batman, The Animated Series. It describes Dr. Harleen Frances Quinzel, PhD as an Arkham Asylum psychologist who falls in love with the Joker and becomes his accomplice, the story received wide praise and won the Eisner and Harvey Awards for Best Single Issue Comic of the Year. The New Batman Adventures series adapted Mad Love as the episode of the name in 1999. Harleen becomes fascinated with the Joker while working at Arkham Asylum and she falls hopelessly in love with the Joker during their sessions, and she helps him escape from the asylum more than once. She later befriends Poison Ivy, who injects her with an antitoxin which gives her increased agility, after Batman, The Animated Series and The New Batman Adventures, Harley makes several other animated appearances. She appears as one of the four female characters of the web cartoon Gotham Girls. She also made guest appearances in cartoons in the DC animated universe, appearing in the Justice League episode Wild Cards. In the films climax, Harley ties Graves as a shield to a combat robot set to confront Superman and Batman. The animated movie Batman Beyond, Return of the Joker takes place in the future, long after the events in Batman and it includes a flashback scene with Harley falling down a deep pit during a battle with Batgirl
6.
Alan Moore
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Alan Moore is an English writer primarily known for his work in comic books including Watchmen, V for Vendetta and From Hell. Frequently described as the best graphic novel writer in history, he has been recognised by his peers. Moore started writing for British underground and alternative fanzines in the late 1970s before achieving success publishing comic strips in such magazines as 2000 AD, during that decade, Moore helped to bring about greater social respectability for comics in the United States and United Kingdom. He prefers the term comic to graphic novel, despite his own personal objections, his books have provided the basis for a number of Hollywood films, including From Hell, The League of Extraordinary Gentlemen, V for Vendetta, and Watchmen. Moore has also referenced in popular culture, and has been recognised as an influence on a variety of literary and television figures including Neil Gaiman, Joss Whedon. Moore was born on 18 November 1953, at St Edmonds Hospital in Northampton to a family who he believed had lived in the town for several generations. He grew up in a part of Northampton known as The Boroughs, an area with a lack of facilities and high levels of illiteracy. I didnt know there was anything else. He lived in his house with his parents, brewery worker Ernest Moore and he read omnivorously from the age of five, getting books out of the local library, and subsequently attended Spring Lane Primary School. In the late 1960s Moore began publishing his own poetry and essays in fanzines, eventually setting up his own fanzine, through Embryo, Moore became involved in a group known as the Northampton Arts Lab. The Arts Lab subsequently made significant contributions to the magazine and he began dealing the hallucinogenic LSD at school, being expelled for doing so in 1970 – he later described himself as one of the worlds most inept LSD dealers. Whilst continuing to live in his parents home for a few years, he moved through various jobs, including cleaning toilets. In late 1973, he met and began a relationship with Northampton-born Phyllis Dixon, soon marrying, they moved into a new council estate in the towns eastern district while he worked in an office for a sub-contractor of the local gas board. Moore felt that he was not being fulfilled by this job, abandoning his office job, he decided to instead take up both writing and illustrating his own comics. He had already produced a couple of strips for several alternative fanzines and magazines, mouse for the local paper Anon, and St. Pancras Panda, a parody of Paddington Bear, for the Oxford-based Back Street Bugle. Alongside this, he and Phyllis, with their newborn daughter Leah, not long after this, in 1979 he also began publishing a new comic strip known as Maxwell the Magic Cat in the Northants Post, under the pseudonym of Jill de Ray. Earning a further £10 a week from this, he decided to sign off of social security, to learn more about how to write a successful comic-book script, he asked advice from his friend, comic-book writer Steve Moore, whom he had known since he was fourteen. Interested in writing for 2000AD, one of Britains most prominent comic magazines, Alan Moore then submitted a script for their long running, while the first few were rejected, Grant advised Moore on improvements, and eventually accepted the first of many
