1.
All This Time (Sting album)
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. All This Time is a live album and concert film by Sting, recorded and filmed on 11 September 2001. It was recorded at Stings Villa Il Palagio in Italy in front of an audience drawn from his fan club and features live versions of Stings songs from his Police. The album and video get their name from the song of the name from his album The Soul Cages. As Sting wanted to put together a concert in his home, he enlisted a group of musicians to practice, the group performed the concert as originally intended, although Sting indicates on the DVD documentary the tone of the evening was quite different from how it was originally intended. Additionally, the Desert Rose performance featuring vocalist Cheb Mami was canceled due to the same circumstances, as a result of the tragic events, the concert was dedicated to those who lost their lives that day. Inside the CD booklet, upon the first page, is stated, This album was recorded on September 11,2001, and is respectfully dedicated to all those who lost their lives on that day. Thereafter, the lyrics for the included song Fragile are also transcribed, of the song list comprising the CD. All songs written by Sting, except where noted, Fragile –4,35 A Thousand Years –3,01 Perfect Love. It also includes rehearsals and a documentary of the making of the CD
2.
Single (music)
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In music, a single or record single is a type of release, typically a song recording of fewer tracks than an LP record, an album or an EP record. This can be released for sale to the public in a variety of different formats, in most cases, a single is a song that is released separately from an album, although it usually also appears on an album. Typically, these are the songs from albums that are released separately for promotional uses such as digital download or commercial radio airplay and are expected to be the most popular, in other cases a recording released as a single may not appear on an album. As digital downloading and audio streaming have become prevalent, it is often possible for every track on an album to also be available separately. Nevertheless, the concept of a single for an album has been retained as an identification of a heavily promoted or more popular song within an album collection. Despite being referred to as a single, singles can include up to as many as three tracks on them. The biggest digital music distributor, iTunes, accepts as many as three tracks less than ten minutes each as a single, as well as popular music player Spotify also following in this trend. Any more than three tracks on a release or longer than thirty minutes in total running time is either an Extended Play or if over six tracks long. The basic specifications of the single were made in the late 19th century. Gramophone discs were manufactured with a range of speeds and in several sizes. By about 1910, however, the 10-inch,78 rpm shellac disc had become the most commonly used format, the inherent technical limitations of the gramophone disc defined the standard format for commercial recordings in the early 20th century.26 rpm. With these factors applied to the 10-inch format, songwriters and performers increasingly tailored their output to fit the new medium, the breakthrough came with Bob Dylans Like a Rolling Stone. Singles have been issued in various formats, including 7-inch, 10-inch, other, less common, formats include singles on digital compact cassette, DVD, and LD, as well as many non-standard sizes of vinyl disc. Some artist release singles on records, a more common in musical subcultures. The most common form of the single is the 45 or 7-inch. The names are derived from its speed,45 rpm. The 7-inch 45 rpm record was released 31 March 1949 by RCA Victor as a smaller, more durable, the first 45 rpm records were monaural, with recordings on both sides of the disc. As stereo recordings became popular in the 1960s, almost all 45 rpm records were produced in stereo by the early 1970s
3.
Sting (musician)
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Gordon Matthew Thomas Sumner, CBE, better known by his stage name Sting, is an English musician, singer, songwriter, and actor. He was the songwriter, lead singer, and bassist for the new wave rock band The Police from 1977 to 1984. He has included elements of rock, jazz, reggae, classical, new-age and he was inducted into the Songwriters Hall of Fame in 2002 and the Rock and Roll Hall of Fame as a member of The Police in 2003. In 2000, he received a star on the Hollywood Walk of Fame for recording, in 2003, Sting received a CBE from Elizabeth II at Buckingham Palace for services to music, and was made a Kennedy Center Honoree at the White House in 2014. He was awarded the Polar Music Prize in 2017, with The Police, Sting became one of the worlds best-selling music artists. Solo and with The Police combined, he has sold over 100 million records, in 2006, Paste ranked him 62nd of the 100 best living songwriters. He was 63rd of VH1s 100 greatest artists of rock, and he grew up near Wallsends shipyards, which made an impression on him. At eight or ten years old, he was inspired by the Queen Mother waving at him from a Rolls-Royce to divert from the shipyard prospect towards a more glamorous life. He helped his father deliver milk and by ten was obsessed with an old Spanish guitar left by a friend of his father. He attended St Cuthberts Grammar School in Newcastle upon Tyne and he visited nightclubs such as Club AGogo to see Cream and Manfred Mann, who influenced his music. After being a bus conductor, building labourer and tax officer, he attended Northern Counties College of Education from 1971 to 1974 and he taught at St Pauls First School in Cramlington for two years. Sting performed jazz in the evening, weekends and during breaks from college and he played with the Phoenix Jazzmen, Newcastle Big Band, and Last Exit. He gained his nickname after his habit of wearing a black, bandleader Gordon Solomon thought he looked like a bee, which prompted the name Sting. In the 1985 documentary Bring on the Night a journalist called him Gordon, to which he replied, My children call me Sting, my mother calls me Sting, in Time in 2011 he said, I was never called Gordon. You could shout Gordon in the street and I would just move out of your way, in January 1977, Sting moved from Newcastle to London and joined Stewart Copeland and Henry Padovani to form The Police. From 1978 to 1983 they had five UK chart-topping albums, won six Grammy Awards and their initial sound was punk-inspired, but they switched to reggae rock and minimalist pop. Their final album, Synchronicity, was nominated for five Grammy Awards including Album of the Year and it included their most successful song, Every Breath You Take, written by Sting, in 1983. While never formally breaking up, after Synchronicity the group agreed to concentrate on solo projects, as the years went by, the band members, particularly Sting, dismissed the possibility of reforming
4.
The Soul Cages
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The Soul Cages is the third full-length studio album released by Sting. Released in 1991, it became his second No.1 album in the United Kingdom, the album was dedicated to Stings recently deceased father who died in the late 1980s. The Soul Cages is an album in which the songs are a reflection of his relationship with his father. It spawned four singles, All This Time, Mad About You, Why Should I Cry for You, the title track won Sting the first ever Grammy Award for Best Rock Song in 1992. The Soul Cages is an album focused on the death of Stings father. The first song written for The Soul Cages was Why Should I Cry for You, most of the songs have motifs related to sailing or the seas There are also references to Newcastle, the part of England where Sting grew up. Album opener Island of Souls tells the story of Billy, the first son in a line of riveters. All This Time chronicles Billys desire to bury his father at sea, the middle section of the record focuses mainly on the town Billy lives in and its people, before the highly introspective Why Should I Cry for You. The character of Billy is referred to in the person for the first three songs and in the first person for the last three songs. In an interview with Charlie Rose aired on 10 December 2010, Sting mentioned that he was working on a mood piece, a musical project and book in collaboration with Pulitzer winner Brian Yorkey. The work would be based on an album he released many years ago concerning the loss of his father, growing up in Newcastle and he admitted being scared of the prospect of pulling it all together but expressed confidence in it working out. This project has since been confirmed as the musical The Last Ship At the time this album appeared, Sting, a committed environmentalist, wanted to eliminate the amount of cardboard waste caused by the longbox. The original packaging was a cardboard case that could be modified to look like a longbox. In Germany, the CD was sold in cases as well as longboxes. The cover painting was a work by the Scottish artist Steven Campbell. Until the release of Symphonicities in July 2010, The Soul Cages was the studio album by Sting not to feature a photograph of himself on the cover. Some pressings erroneously list Why Should I Cry for You before Jeremiah Blues
5.
A-side and B-side
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The terms A-side and B-side refer to the two sides of 78,45, and 33 1/3 rpm phonograph records, whether singles, extended plays, or long-playing records. Creedence Clearwater Revival had hits with both A-side and B-side releases, others took the opposite approach, producer Phil Spector was in the habit of filling B-sides with on-the-spot instrumentals that no one would confuse with the A-side. With this practice, Spector was assured that airplay was focused on the side he wanted to be the hit side, the earliest 10-inch,78 rpm, shellac records were single sided. Double-sided recordings, with one song on side, were introduced in Europe by Columbia Records. There were no record charts until the 1930s, and radio stations did not play recorded music until the 1950s, in this time, A-sides and B-sides existed, but neither side was considered more important, the side did not convey anything about the content of the record. The term single came into use with the advent of vinyl records in the early 1950s. At first, most record labels would randomly assign which song would be an A-side, under this random system, many artists had so-called double-sided hits, where both songs on a record made one of the national sales charts, or would be featured on jukeboxes in public places. As time wore on, however, the convention for assigning songs to sides of the record changed. By the early sixties, the song on the A-side was the song that the company wanted radio stations to play. It was not until 1968, for instance, that the production of albums on a unit basis finally surpassed that of singles in the United Kingdom. In the late 1960s stereo versions of pop and rock songs began to appear on 45s. The majority of the 45s were played on AM radio stations, by the early 1970s, double-sided hits had become rare. Album sales had increased, and B-sides had become the side of the record where non-album, non-radio-friendly, with the advent of cassette and compact disc singles in the late 1980s, the A-side/B-side differentiation became much less meaningful. With the decline of cassette singles in the 1990s, the A-side/B-side dichotomy became virtually extinct, as the dominant medium. However, the term B-side is still used to refer to the tracks or coupling tracks on a CD single. With the advent of downloading music via the Internet, sales of CD singles and other media have declined. B-side songs may be released on the record as a single to provide extra value for money. There are several types of material released in this way, including a different version, or, in a concept record
6.
Compact Cassette
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The Compact Cassette or Musicassette, also commonly called cassette tape, audio cassette, or simply tape or cassette, is an analog magnetic tape recording format for audio recording and playback. It was released by Philips in 1962, having developed in Hasselt. Compact cassettes come in two forms, either already containing content as a cassette, or as a fully recordable blank cassette. Its uses ranged from portable audio to home recording to data storage for early microcomputers, the first cassette player designed for use in car dashes was introduced in 1968. Between the early 1970s and the early 2000s, the cassette was one of the two most common formats for prerecorded music, first alongside the LP record and later the compact disc. Compact Cassettes contain two miniature spools, between which a magnetically coated, polyester-type plastic film is passed and wound and these spools and their attendant parts are held inside a protective plastic shell. This reversal is achieved either by flipping the cassette, or by having the machine itself change the direction of tape movement. In 1935, decades before the introduction of the Compact Cassette, AEG released the first reel-to-reel tape recorder and it was based on the invention of the magnetic tape by Fritz Pfleumer, which used similar technology but with open reels. These instruments were expensive and relatively difficult to use and were therefore used mostly by professionals in radio stations. In 1958, following four years of development, RCA Victor introduced the stereo, quarter-inch, reversible, however, it was a large cassette, and offered few pre-recorded tapes. Despite the multiple versions, it failed, consumer use of tape only took off in the early 1960s, after playback machines reached a comfortable, user-friendly design. This was achieved primarily by the introduction of transistors which replaced the bulky, fragile, reel-to-reel tape then became more suitable to household use, but still remained an esoteric product. The team at Philips was led by Lou Ottens in Hasselt, Philips was competing with Telefunken and Grundig in a race to establish its cassette tape as the worldwide standard, and it wanted support from Japanese electronics manufacturers. However, the Philips Compact Cassette became dominant as a result of Philips decision to license the format free of charge, Philips also released the Norelco Carry-Corder 150 recorder/player in the US in November 1964. By 1966 over 250,000 recorders had been sold in the US alone, by 1968,85 manufacturers had sold over 2.4 million players. By the end of the 1960s, the business was worth an estimated 150 million dollars. In the early years sound quality was mediocre, but it improved dramatically by the early 1970s when it caught up with the quality of 8-track tape, the Compact Cassette went on to become a popular alternative to the 12-inch vinyl LP during the late 1970s. The mass production of blank Compact Cassettes began in 1964 in Hanover, prerecorded music cassettes were launched in Europe in late 1965
