Germany the Federal Republic of Germany, is a country in Central and Western Europe, lying between the Baltic and North Seas to the north, the Alps to the south. It borders Denmark to the north and the Czech Republic to the east and Switzerland to the south, France to the southwest, Luxembourg and the Netherlands to the west. Germany includes 16 constituent states, covers an area of 357,386 square kilometres, has a temperate seasonal climate. With 83 million inhabitants, it is the second most populous state of Europe after Russia, the most populous state lying in Europe, as well as the most populous member state of the European Union. Germany is a decentralized country, its capital and largest metropolis is Berlin, while Frankfurt serves as its financial capital and has the country's busiest airport. Germany's largest urban area is the Ruhr, with its main centres of Essen; the country's other major cities are Hamburg, Cologne, Stuttgart, Düsseldorf, Dresden, Bremen and Nuremberg. Various Germanic tribes have inhabited the northern parts of modern Germany since classical antiquity.
A region named Germania was documented before 100 AD. During the Migration Period, the Germanic tribes expanded southward. Beginning in the 10th century, German territories formed a central part of the Holy Roman Empire. During the 16th century, northern German regions became the centre of the Protestant Reformation. After the collapse of the Holy Roman Empire, the German Confederation was formed in 1815; the German revolutions of 1848–49 resulted in the Frankfurt Parliament establishing major democratic rights. In 1871, Germany became a nation state when most of the German states unified into the Prussian-dominated German Empire. After World War I and the revolution of 1918–19, the Empire was replaced by the parliamentary Weimar Republic; the Nazi seizure of power in 1933 led to the establishment of a dictatorship, the annexation of Austria, World War II, the Holocaust. After the end of World War II in Europe and a period of Allied occupation, Austria was re-established as an independent country and two new German states were founded: West Germany, formed from the American and French occupation zones, East Germany, formed from the Soviet occupation zone.
Following the Revolutions of 1989 that ended communist rule in Central and Eastern Europe, the country was reunified on 3 October 1990. Today, the sovereign state of Germany is a federal parliamentary republic led by a chancellor, it is a great power with a strong economy. As a global leader in several industrial and technological sectors, it is both the world's third-largest exporter and importer of goods; as a developed country with a high standard of living, it upholds a social security and universal health care system, environmental protection, a tuition-free university education. The Federal Republic of Germany was a founding member of the European Economic Community in 1957 and the European Union in 1993, it is part of the Schengen Area and became a co-founder of the Eurozone in 1999. Germany is a member of the United Nations, NATO, the G7, the G20, the OECD. Known for its rich cultural history, Germany has been continuously the home of influential and successful artists, musicians, film people, entrepreneurs, scientists and inventors.
Germany has a large number of World Heritage sites and is among the top tourism destinations in the world. The English word Germany derives from the Latin Germania, which came into use after Julius Caesar adopted it for the peoples east of the Rhine; the German term Deutschland diutisciu land is derived from deutsch, descended from Old High German diutisc "popular" used to distinguish the language of the common people from Latin and its Romance descendants. This in turn descends from Proto-Germanic *þiudiskaz "popular", derived from *þeudō, descended from Proto-Indo-European *tewtéh₂- "people", from which the word Teutons originates; the discovery of the Mauer 1 mandible shows that ancient humans were present in Germany at least 600,000 years ago. The oldest complete hunting weapons found anywhere in the world were discovered in a coal mine in Schöningen between 1994 and 1998 where eight 380,000-year-old wooden javelins of 1.82 to 2.25 m length were unearthed. The Neander Valley was the location where the first non-modern human fossil was discovered.
The Neanderthal 1 fossils are known to be 40,000 years old. Evidence of modern humans dated, has been found in caves in the Swabian Jura near Ulm; the finds included 42,000-year-old bird bone and mammoth ivory flutes which are the oldest musical instruments found, the 40,000-year-old Ice Age Lion Man, the oldest uncontested figurative art discovered, the 35,000-year-old Venus of Hohle Fels, the oldest uncontested human figurative art discovered. The Nebra sky disk is a bronze artefact created during the European Bronze Age attributed to a site near Nebra, Saxony-Anhalt, it is part of UNESCO's Memory of the World Programme. The Germanic tribes are thought to date from the Pre-Roman Iron Age. From southern Scandinavia and north Germany, they expanded south and west from the 1st century BC, coming into contact with the Celtic tribes of Gaul as well
Sir Jeffry Wyatville was an English architect and garden designer. Born Jeffry Wyatt into an established dynasty of architects, in 1824 he was allowed by King George IV to change his surname to Wyatville, he is remembered for making alterations and extensions to Chatsworth House and Windsor Castle. Jeffry was born on 3 August 1766 in Burton upon Trent, the first surviving child of Joseph and Myrtilla Wyatt who died shortly after Jeffry's birth, he was educated at the grammar school in Burton upon Trent. Shortly after the death of his father, Wyatville began his architectural training in his uncle Samuel Wyatt's office, he remained with Samuel until 1792 when he moved from the Midlands to his uncle James Wyatt's office in Queen Anne Street, London. He completed the gothic Ashridge in Hertfordshire after his uncle James's death in 1813. Wyatville sent designs to the Royal Academy every year from 1786 to 1822 and less thereafter. There is no evidence that Wyatville undertook foreign travel as part of his education this was because of the Napoleonic Wars.
Wyatville was elected Associate of the Royal Academy on 4 November 1822 on 10 February 1824 was elected a Royal Academician of the Royal Academy, his diploma work being a drawing of the unexecuted design for Brocklesby Hall. His largest commission the remodelling of Windsor Castle begun in 1824, when Parliament voted £300,000 for the purpose; the eventual cost was over £1,000,000. A competition was held between four invited architects, Robert Smirke, John Nash & John Soane, the architects submitted their designs, in June Wyatville was announced as the winner; the foundation stone was laid on 12 August 1824 by King George IV at what would become the George IV gateway. Wyatville took up residence in the Winchester Tower in the castle in 1824 and would use it for the rest of his life; the Upper Ward of the Castle would be reconstructed. It was while at Windsor that he designed Golden Grove, Carmarthenshire for the 1st Earl Cawdor, completed 1834, its'sister house' Lilleshall in Shropshire for George Leveson Gower, completed 1829.
He was knighted by George IV in 1828. He was buried in St. George's Chapel, Windsor Castle on 25 February 1840 following his death on 18 February, his memorial stone is in the north-east corner behind the high altar, bears this inscription: In the vault beneath are deposited the remains of Sir Jeffry Wyatville R. A. under whose direction the new construction and restoration of the ancient and royal castle of Windsor were carried out during the reigns of George the 4th William the 4th and of Her Majesty Queen Victoria he died February 18th A. D. 1840 in the 74th year of his age In 2007 a new residential street in Buxton, Derbyshire was named Wyatville Avenue to commemorate Sir Jeffry Wyatville's impact on the town. His designs include: Gresford Lodge, attributed, new house Sydney, prefabricated hospital demolished Wherstead Lodge, Suffolk, new house Hyde Park, proposal for entrance lodges Bladon Castle, Staffordshire Cottage, Devon Hillfield House, new house Woolley Park, alterations Corsham Court, unspecified work Slane, County Meath, design for a market house Wynnstay, Cenotaph Longleat, new stables, Horningsham Lodge and interior alterations, designs for upper dining room and saloon of the interiors only the Grand Staircase, Green Library and several white marble chimneypieces survived the remodelling of the state rooms by John Dibblee Crace in the 1870s and 1880s Wollaton Hall, house interiors and new lodges and Burley-on-the-Hill, Rutland, design of terrace 24 Hertford Street, alterations demolished 49 Lower Brook Street, London, remodelling, &, this was Wyatville's home and office Nonsuch Park, new house and lodge Greatham Hospital, County Durham, new building Hyde Hall, Hertfordshire and extension of house and new gate lodges Holland House, proposed alterations Browsholme Hall, decoration of new gallery Roche Court, new lodge Rood Ashton House, Wiltshire and remodelling demolished Thurland Castle, Lancashire restoration and additions Badminton House, alterations, including the library, drawing room and conservatory Belton House, alterations, new dairy, orangery and cottages St. George's Church, consulted about problems with tower 29 Grosvenor Square, alterations demolished Hayne Manor, attributed, alterations Design for school house, Milton Abbot, Devon Endsleigh, Devon, a cottage ornés, furniture and estate buildings Lypiatt Park, attributed, alterations Bretby Hall, Derbyshire Bulstrode Park, design for completing the building, not executed Dinton Park, new house renamed Philipps House in 1916 Towneley Park, alterations to house Stubton Hall, Lincolnshire, remodelled house and new conservatory Ashridge, designed by his uncle James Wyatt who died in 1813, he completed the building including the Bridgewater Monument Cassiobury House, Hertfordshire alterations to house (c
Baroque architecture is the building style of the Baroque era, begun in late 16th-century Italy, that took the Roman vocabulary of Renaissance architecture and used it in a new rhetorical and theatrical fashion to express the triumph of the Catholic Church. It was characterized by new explorations of form and shadow, dramatic intensity. Common features of Baroque architecture included gigantism of proportions. Whereas the Renaissance drew on the wealth and power of the Italian courts and was a blend of secular and religious forces, the Baroque was at least, directly linked to the Counter-Reformation, a movement within the Catholic Church to reform itself in response to the Protestant Reformation. Baroque architecture and its embellishments were on the one hand more accessible to the emotions and on the other hand, a visible statement of the wealth and power of the Catholic Church; the new style manifested itself in particular in the context of the new religious orders, like the Theatines and the Jesuits who aimed to improve popular piety.
Lutheran Baroque art, such as the example of Dresden Frauenkirche, developed as a confessional marker of identity, in response to the Great Iconoclasm of Calvinists. The architecture of the High Roman Baroque can be assigned to the papal reigns of Urban VIII, Innocent X and Alexander VII, spanning from 1623 to 1667; the three principal architects of this period were the sculptor Gianlorenzo Bernini, Francesco Borromini and the painter Pietro da Cortona and each evolved his own distinctively individual architectural expression. Dissemination of Baroque architecture to the south of Italy resulted in regional variations such as Sicilian Baroque architecture or that of Naples and Lecce. To the north, the Theatine architect Camillo-Guarino Guarini, Bernardo Vittone and Sicilian born Filippo Juvarra contributed Baroque buildings to the city of Turin and the Piedmont region. A synthesis of Bernini and Cortona's architecture can be seen in the late Baroque architecture of northern Europe, which paved the way for the more decorative Rococo style.
By the middle of the 17th century, the Baroque style had found its secular expression in the form of grand palaces, first in France—with the Château de Maisons near Paris by François Mansart—and throughout Europe. During the 17th century, Baroque architecture spread through Europe and Latin America, where it was promoted by the Jesuits. Michelangelo's late Roman buildings St. Peter's Basilica, may be considered precursors to Baroque architecture, his pupil Giacomo della Porta continued this work in Rome in the façade of the Jesuit church Il Gesù, which leads directly to the most important church façade of the early Baroque, Santa Susanna, by Carlo Maderno. Distinctive features of Baroque architecture can include: in churches, broader naves and sometimes given oval forms fragmentary or deliberately incomplete architectural elements dramatic use of light. Colonialism required the development of centralized and powerful governments with Spain and France, the first to move in this direction. Colonialism brought in huge amounts of wealth, not only in the silver, extracted from the mines in Bolivia and elsewhere, but in the resultant trade in commodities, such as sugar and tobacco.
The need to control trade routes and slavery, which lay in the hands of the French during the 17th century, created an endless cycle of wars between the colonial powers: the French religious wars, the Thirty Years' War, Franco–Spanish War, the Franco-Dutch War, so on. The initial mismanagement of colonial wealth by the Spaniards bankrupted them in the 16th century, recovering only in the following century; this explains why the Baroque style, though enthusiastically developed throughout the Spanish Empire, was to a large extent, in Spain, an architecture of surfaces and façades, unlike in France and Austria, where we see the construction of numerous huge palaces and monasteries. In contrast to Spain, the French, under Jean-Baptiste Colbert, the minister of finance, had begun to industrialize their economy, thus, were able to become at least, the benefactors of the flow of wealth. While this was good for the building in
Franconia is a region in southern Germany, characterised by its culture and language, may be associated with the areas in which the East Franconian dialect group, colloquially referred to as "Franconian", is spoken. Because of this, the region can be associated with the three administrative regions of Lower and Upper Franconia in the state of Bavaria. Part of the cultural region of Franconia are the adjacent Franconian-speaking region of South Thuringia, as well as Heilbronn-Franconia in the state of Baden-Württemberg, small parts of the state of Hesse; the German word Franken refers to the ethnic group of Franconians. They are to be distinguished from the Germanic tribe of the Franks, of whom they are but one descendant; the origins of Franconia as a cultural region begins with the settlement of Franks in the Main river area from the 6th century onwards becoming known as East Francia. In the Middle Ages the region formed much of the eastern part of the Duchy of Franconia and, beginning in 1500, the Franconian Circle.
After the demise of the Holy Roman Empire following the Napoleonic Wars and the subsequent German mediatisation, most of Franconia was placed under administration of the emerging Kingdom of Bavaria. The German name for Franconia, comes from the dative plural form of Franke, a member of the Germanic tribe known as the Franks; the name of the Franks in turn derives from a word meaning "daring, bold", cognate with old Norwegian frakkr, "quick, bold". In the 9th century the realm of the Franks was divided; the German region of Franconia corresponds to the region along the river Main, the original territory of the Ripuarian Franks. English distinguishes between Franks and Franconians in reference to the high medieval stem duchy, following Middle Latin use of Francia for France vs. Franconia for the German duchy, while in German the name Franken is used for both, while the French are called Franzosen, after Old French françois, from Latin franciscus, from Late Latin Francus, from Frank, the Germanic tribe.
The Franconian lands lie principally in Bavaria and south of the sinuous River Main which, together with the left Regnitz tributary, including its Rednitz and Pegnitz headstreams, drains most of Franconia. Other large rivers include the upper Werra in Thuringia and the Tauber, as well as the upper Jagst and Kocher streams in the west, both right tributaries of the Neckar. In southern Middle Franconia, the Altmühl flows towards the Danube; the man-made Franconian Lake District has become a popular destination for day-trippers and tourists. The landscape is characterized by numerous Mittelgebirge ranges of the German Central Uplands; the Western natural border of Franconia is formed by the Spessart and Rhön Mountains, separating it from the former Rhenish Franconian lands around Aschaffenburg, whose inhabitants speak Hessian dialects. To the north rise the Rennsteig ridge of the Thuringian Forest, the Thuringian Highland and the Franconian Forest, the border with the Upper Saxon lands of Thuringia.
The Franconian lands include the present-day South Thuringian districts of Schmalkalden-Meiningen and Sonneberg, the historical Gau of Grabfeld, held by the House of Henneberg from the 11th century and part of the Wettin duchy of Saxe-Meiningen. In the east, the Fichtel Mountains lead to Vogtland, Bohemian Egerland in the Czech Republic, the Bavarian Upper Palatinate; the hills of the Franconian Jura in the south mark the border with the Upper Bavarian region, historical Swabia, the Danube basin. The northern parts of the Upper Bavarian Eichstätt District, territory of the historical Bishopric of Eichstätt, are counted as part of Franconia. In the west, Franconia proper comprises the Tauber Franconia region along the Tauber river, which As of 2014 is part of the Main-Tauber-Kreis in Baden-Württemberg; the state's larger Heilbronn-Franken region includes the adjacent Hohenlohe and Schwäbisch Hall districts. In the city of Heilbronn, beyond the Haller Ebene plateau, South Franconian dialects are spoken.
Furthermore, in those easternmost parts of the Neckar-Odenwald-Kreis which had belonged to the Bishopric of Würzburg, the inhabitants have preserved their Franconian identity. Franconian areas in East Hesse along Spessart and Rhön comprise Ehrenberg; the two largest cities of Franconia are Würzburg. Though located on the southeastern periphery of the area, the Nuremberg metropolitan area is identified as the economic and cultural centre of Franconia. Further cities in Bavarian Franconia include Fürth, Bayreuth, Aschaffenburg, Hof, Coburg and Schwabach; the major Franconian towns in Baden-Württemberg are Schwäbisch Hall on the Kocher — the imperial city declared itself "Swabian" in 1442 — and Crailsheim on the Jagst river. The main towns in Thuringia are Meiningen. Franconia may be distinguished from the regions that surround it by its peculiar historical factors and its cultural and linguistic characteristics, but it is not a political entity with a fixed or defined area; as a result, it is debated.
Pointers to a more precise definition of Franconia's boundaries include: the territories covered by the former Duchy of Franconia and former Franconian Circle, the range of the East Franconian dialect group, the common culture and history of the region and the use of the Franconian Rake on coats of arms and seals. However, a sense of popular consciousness of being Fran
Bishopric of Würzburg
The Prince-Bishopric of Würzburg was an ecclesiastical principality of the Holy Roman Empire located in Lower Franconia west of the Prince-Bishopric of Bamberg. Würzburg had been a diocese since 743; as established by the Concordat of 1448, bishops in Germany were chosen by the canons of the cathedral chapter and their election was confirmed by the pope. Following a common practice in Germany, the prince-bishops of Würzburg were elected to other ecclesiastical principalities as well; the last few prince-bishops resided at the Würzburg Residence, one of the grandest baroque palaces in Europe. As a consequence of the 1801 Treaty of Lunéville, Würzburg, along with the other ecclesiastical states of Germany, was secularized in 1803 and absorbed into the Electorate of Bavaria. In the same year Ferdinand III, former Grand Duke of Tuscany, was compensated with the Electorate of Salzburg. In the 1805 Peace of Pressburg, Ferdinand lost Salzburg to the Austrian Empire, but was compensated with the new Grand Duchy of Würzburg, Bavaria having relinquished the territory in return for the Tyrol.
This new state lasted until 1814. The Roman Catholic Diocese of Würzburg was reestablished in 1821 without temporal power. In 1115, Henry V awarded the territory of Eastern Franconia to his nephew Conrad of Hohenstaufen, who used the title "Duke of Franconia." Franconia remained a Hohenstaufen power base until 1168, when the Bishop of Würzburg was formally ceded the ducal rights in Eastern Franconia. The name "Franconia" fell out of usage, but the bishop revived it in his own favour in 1442 and held it until the reforms of Napoleon Bonaparte abolished it; the charge of the original coat of arms showed the “Rennfähnlein” banner, quarterly argent and gules, on a lance or, in bend, on a blue shield. In the 14th century another coat of arms was created; the coat of arms represents the holism of earth. The three white pikes represent the Trinity of God and the four red pikes, directed to earth, stand for the four points of the compass, representing the whole spread of earth; the red colour represents the blood of Christ.
The Prince-Bishops used both within their personal coat of arms. The Rechen and the Rennfähnlein represented the diocese, while the other fields showed the personal coat of arms of the bishop's family; the coat of arms showed the Rechen in the first and third field, the Rennfähnlein in the second and fourth field. In 741 or 742 the first bishop of Würzburg was consecrated by Saint Boniface. Secular power lost in 1803. Territory ceded to Bavaria until 1805. Würzburg Cathedral – for burial locations of most Würzburg bishops Ebrach Abbey – beginning with the 13th century, the bishops of Würzburg had their hearts brought to Ebrach Abbey. About 30 hearts of bishops, some of, desecrated during the German Peasants' War, are said to have found their final resting place at Ebrach. Prince-Bishop Julius Echter von Mespelbrunn broke with this tradition and had his heart buried in the Neubaukirche at Würzburg. Peter Kolb und Ernst-Günther Krenig: Unterfränkische Geschichte. Würzburg 1989. Alfred Wendehorst: Das Bistum Würzburg Teil 1: Die Bischofsreihe bis 1254.
Germania Sacra, NF 1: Die Bistümer der Kirchenprovinz Mainz, Berlin 1962. Alfred Wendehorst: Das Bistum Würzburg Teil 2 - Die Bischofsreihe von 1254 bis 1455. In: Max-Planck-Institut für Geschichte: Germania Sacra - Neue Folge 4 - Die Bistümer der Kirchenprovinz Mainz. Berlin 1969. ISBN 978-3-11-001291-0. Alfred Wendehorst: Das Bistum Würzburg Teil 3: Die Bischofsreihe von 1455 bis 1617. Germania Sacra, NF 13: Die Bistümer der Kirchenprovinz Mainz, Berlin/New York 1978. Alfred Wendehorst: Das Bistum Würzburg 1803-1957. Würzburg 1965. Wissenschaftliche Vereinigung für den Deutschen Orden e. V. und Historische Deutschorden-Compaigne zu Mergentheim 1760 e. V.: 1300 Jahre Würzburg - Zeichen der Geschichte, Bilder und Siegel der Bischöfe von Würzburg. Heft 23. Lauda-Königshofen 2004
Renaissance Revival architecture
Renaissance Revival architecture is a group of 19th century architectural revival styles which were neither Greek Revival nor Gothic Revival but which instead drew inspiration from a wide range of classicizing Italian modes. Under the broad designation "Renaissance architecture" nineteenth-century architects and critics went beyond the architectural style which began in Florence and central Italy in the early 15th century as an expression of Humanism. Self-applied style designations were rife in the mid- and nineteenth century: "Neo-Renaissance" might be applied by contemporaries to structures that others called "Italianate", or when many French Baroque features are present; the divergent forms of Renaissance architecture in different parts of Europe in France and Italy, has added to the difficulty of defining and recognizing Neo-Renaissance architecture. A comparison between the breadth of its source material, such as the English Wollaton Hall, Italian Palazzo Pitti, the French Château de Chambord, the Russian Palace of Facets—all deemed "Renaissance"—illustrates the variety of appearances the same architectural label can take.
The origin of Renaissance architecture is accredited to Filippo Brunelleschi Brunelleschi and his contemporaries wished to bring greater "order" to architecture, resulting in strong symmetry and careful proportion. The movement grew in particular human anatomy. Neo-Renaissance architecture is formed by not only the original Italian architecture but by the form in which Renaissance architecture developed in France during the 16th century. During the early years of the 16th century the French were involved in wars in northern Italy, bringing back to France not just the Renaissance art treasures as their war booty, but stylistic ideas. In the Loire valley a wave of chateau building was carried out using traditional French Gothic styles but with ornament in the forms of pediments, shallow pilasters and entablatures from the Italian Renaissance. In England the Renaissance tended to manifest itself in large square tall houses such as Longleat House; these buildings had symmetrical towers which hint at the evolution from medieval fortified architecture.
This is evident at Hatfield House built between 1607 and 1611, where medieval towers jostle with a large Italian cupola. This is why so many buildings of the early English Neo-Renaissance style have more of a "castle air" than their European contemporaries, which can add again to the confusion with the Gothic revival style; when in the 19th century Renaissance style architecture came into vogue, it materialized not just in its original form according to geography, but as a hybrid of all its earlier forms according to the whims of architects and patrons rather than geography and culture. If this were not confusing enough, the new Neo-Renaissance frequently borrowed architectural elements from the succeeding Mannerist period, in many cases the later Baroque period. Mannerism and Baroque being two opposing styles of architecture. Mannerism was exemplified by Baroque by the Wurzburg Residenz, thus Italian and Flemish Renaissance coupled with the amount of borrowing from these periods can cause great difficulty and argument in identifying various forms of 19th-century architecture.
Differentiating some forms of French Neo-Renaissance buildings from those of the Gothic revival can at times be tricky, as both styles were popular during the 19th century. John Ruskin's panegyrics to architectural wonders of Venice and Florence contributed to shifting "the attention of scholars and designers, with their awareness heightened by debate and restoration work" from Late Neoclassicism and Gothic Revival to the Italian Renaissance; as a consequence, a self-consciously "Neo-Renaissance" manner first began to appear circa 1840. By 1890 this movement was in decline; the Hague's Peace Palace completed in 1913, in a heavy French Neo-Renaissance manner was one of the last notable buildings in this style. Charles Barry introduced the Neo-Renaissance to England with his design of the Travellers Club, Pall Mall. Other early but typical, domestic examples of the Neo-Renaissance include Mentmore Towers and the Château de Ferrières, both designed in the 1850s by Joseph Paxton for members of the Rothschild banking family.
The style is characterized by original Renaissance motifs, taken from such Quattrocento architects as Alberti. These motifs included rusticated masonry and quoins, windows framed by architraves and doors crowned by pediments and entablatures. If a building were of several floors, the uppermost floor had small square windows representing the minor mezzanine floor of the original Renaissance designs. However, the Neo-renaissance style came to incorporate Romanesque and Baroque features not found in the original Renaissance architecture, more severe in its design. Like all architectural styles, the Neo-Renaissance did not appear overnight formed but evolved slowly. One of the first signs of its emergence was the Würzburg Women's Prison, erected in 1809 designed by Peter Speeth, it included a rusticated ground floor, alleviated by one semicircular arch, with a curious Egyptian style miniature portico above, high above this were a sequence of six tall arched windows and above these just beneath the projecting roof were the small windows of the upper floor.
This building foreshadows similar effects in the work of the American architect Henry Hobson Richardson whose work in the Neo-Renaissance style was popu