Nestor of Gerenia was the wise King of Pylos described in Homer's Odyssey. Excavations from 1939 revealed his palace and excavations have resumed at the site. Nestor was the son of Chloris, his wife was either Anaxibia. In late accounts, Nestor had a daughter Epicaste. Nestor was an Argonaut, helped fight the centaurs, participated in the hunt for the Calydonian Boar, he became the King of Pylos after Heracles killed all of Nestor's siblings. He was from Gerena, he and his sons and Thrasymedes, fought on the side of the Achaeans in the Trojan War. Though Nestor was very old when the war began, he was noted for his bravery and speaking abilities. In the Iliad, he gives advice to the younger warriors and advises Agamemnon and Achilles to reconcile, he is too old to engage in combat himself, but he leads the Pylian troops, riding his chariot, one of his horses is killed by an arrow shot by Paris. He had a solid gold shield. Homer calls him by the epithet "the Gerenian horseman." At the funeral games of Patroclus, Nestor advises Antilochus on.
Antilochus was killed in battle by Memnon. In the Odyssey and those who were part of his army had safely returned to Pylos since they did not take part in the looting of Troy upon the Greeks' victory in the Trojan War. Odysseus's son Telemachus travels to Pylos to inquire about the fate of his father. Nestor receives his friend's son, Telemachus kindly and entertains him lavishly but is unable to furnish any information on his father's fate. Appearing in the Odyssey are Nestor's wife Eurydice and their remaining living sons: Echephron, Aretus and Peisistratus. Nestor had two daughters named Pisidice and Polycaste. Nestor's advice in the Iliad, while always respected by his listeners due to his age and experience, is always tempered with a sub-text of humor at his expense due to his boastfulness, as he is never able to dispense the advice without first spending several paragraphs recounting his own heroic actions in the past when faced with similar circumstances. In the Odyssey, Homer's admiration of Nestor is tempered by some humor at his expense: Telemachus, having returned to Nestor's home from a visit to Helen of Troy and Menelaus, urges Peisistratus to let him board his vessel to return home rather than being subjected to a further dose of Nestor's rather overwhelming sense of hospitality.
Peisistratus agrees, although ruefully stating that his father is bound to be furious when he learns of Telemachus's departure. Nestor's advice in the Iliad has been interpreted to have sinister undertones. For example, when Patroclus comes to Nestor for advice in Book 11, Nestor persuades him that it is urgent for him to disguise himself as Achilles. Karl Reinhardt argues that this is contrary to what Patroclus originally wanted – in fact, he is only there to receive information on behalf of Achilles about the wounded Machaon. Reinhardt notes that an "unimportant errand left behind by an all-important one... Patroclus' role as messenger is crucial and an ironic purpose permeates the encounter."Homer offers contradictory portrayals of Nestor as a source of advice. On one hand, Homer describes him as a wise man, yet at the same time Nestor's advice is ineffective. Some examples include Nestor accepting without question the dream Zeus plants in Agamemnon in Book 2 and urging the Achaeans to battle, instructing the Achaeans in Book 4 to use spear techniques that in actuality would be disastrous, in Book 11 giving advice to Patroclus that leads to his death.
Yet Nestor is never questioned and instead is praised. Hanna Roisman explains that the characters in the Iliad ignore the discrepancy between the quality of Nestor's advice and its outcomes because, in the world of the Iliad, "outcomes are in the hands of the arbitrary and fickle gods... heroes are not viewed as responsible when things go awry." In the Iliad, people are judged not in the modern view of results, but as people. Therefore Nestor should be viewed as a good counselor because of the qualities he possesses as described in his introduction in Book 1 – as a man of "sweet words," a "clear-voiced orator," and whose voice "flows sweeter than honey." These are elements that make up Nestor, they parallel the elements that Homer describes as part of a good counselor at Iliad 3.150–152. Therefore, "the definition tells us that Nestor, as a good advisor, possesses the three features... that it designates." Nestor is a good counselor inherently, the consequences of his advice have no bearing on that, a view that differs from how good counselors are viewed today.
Homer, The Iliad with an English Translation by A. T. Murray, Ph. D. in two volumes. Cambridge, MA. Harvard University Press. Online version at the Perseus Digital Library. Homer, Homeri Opera in five volumes. Oxford, Oxford University Press. 1920. Greek text available at the Perseus Digital Library. Homer, The Odyssey with an English Translation by A. T. Murray, PH. D. in two volumes. Cambridge, MA. Harvard University Press. Online version at the Perseus Digital Library. Greek text available from the same w
Greek mythology is the body of myths told by the ancient Greeks. These stories concern the origin and the nature of the world, the lives and activities of deities and mythological creatures, the origins and significance of the ancient Greeks' own cult and ritual practices. Modern scholars study the myths in an attempt to shed light on the religious and political institutions of ancient Greece and its civilization, to gain understanding of the nature of myth-making itself; the Greek myths were propagated in an oral-poetic tradition most by Minoan and Mycenaean singers starting in the 18th century BC. Two poems by Homer's near contemporary Hesiod, the Theogony and the Works and Days, contain accounts of the genesis of the world, the succession of divine rulers, the succession of human ages, the origin of human woes, the origin of sacrificial practices. Myths are preserved in the Homeric Hymns, in fragments of epic poems of the Epic Cycle, in lyric poems, in the works of the tragedians and comedians of the fifth century BC, in writings of scholars and poets of the Hellenistic Age, in texts from the time of the Roman Empire by writers such as Plutarch and Pausanias.
Aside from this narrative deposit in ancient Greek literature, pictorial representations of gods and mythic episodes featured prominently in ancient vase-paintings and the decoration of votive gifts and many other artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Trojan cycle as well as the adventures of Heracles. In the succeeding Archaic and Hellenistic periods and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an extensive influence on the culture and literature of Western civilization and remains part of Western heritage and language. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes. Greek mythology is known today from Greek literature and representations on visual media dating from the Geometric period from c. 900 BC to c. 800 BC onward. In fact and archaeological sources integrate, sometimes mutually supportive and sometimes in conflict.
Mythical narration plays an important role in nearly every genre of Greek literature. The only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus; this work attempts to reconcile the contradictory tales of the poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens wrote on many of these topics, his writings may have formed the basis for the collection. Among the earliest literary sources are the Iliad and the Odyssey. Other poets completed the "epic cycle", but these and lesser poems now are lost entirely. Despite their traditional name, the "Homeric Hymns" have no direct connection with Homer, they are choral hymns from the earlier part of the so-called Lyric age. Hesiod, a possible contemporary with Homer, offers in his Theogony the fullest account of the earliest Greek myths, dealing with the creation of the world. Hesiod's Works and Days, a didactic poem about farming life includes the myths of Prometheus and the Five Ages.
The poet gives advice on the best way to succeed in a dangerous world, rendered yet more dangerous by its gods. Lyrical poets took their subjects from myth, but their treatment became less narrative and more allusive. Greek lyric poets, including Pindar and Simonides, bucolic poets such as Theocritus and Bion, relate individual mythological incidents. Additionally, myth was central to classical Athenian drama; the tragic playwrights Aeschylus and Euripides took most of their plots from myths of the age of heroes and the Trojan War. Many of the great tragic stories took on their classic form in these tragedies; the comic playwright Aristophanes used myths, in The Birds and The Frogs. Historians Herodotus and Diodorus Siculus, geographers Pausanias and Strabo, who traveled throughout the Greek world and noted the stories they heard, supplied numerous local myths and legends giving little-known alternative versions. Herodotus in particular, searched the various traditions presented him and found the historical or mythological roots in the confrontation between Greece and the East.
Herodotus attempted to reconcile the blending of differing cultural concepts. The poetry of the Hellenistic and Roman ages was composed as a literary rather than cultic exercise, it contains many important details that would otherwise be lost. This category includes the works of: The Roman poets Ovid, Valerius Flaccus and Virgil with Servius's commentary; the Greek poets of the Late Antique period: Nonnus, Antoninus Liberalis, Quintus Smyrnaeus. The Greek poets of the Hellenistic period: Apollonius of Rhodes, Pseudo-Eratosthenes, Parthenius. Prose writers from the same periods who make reference to myths includ
The Iliad is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to Homer. Set during the Trojan War, the ten-year siege of the city of Troy by a coalition of Greek states, it tells of the battles and events during the weeks of a quarrel between King Agamemnon and the warrior Achilles. Although the story covers only a few weeks in the final year of the war, the Iliad mentions or alludes to many of the Greek legends about the siege; the epic narrative takes up events prophesied for the future, such as Achilles' imminent death and the fall of Troy, although the narrative ends before these events take place. However, as these events are prefigured and alluded to more and more vividly, when it reaches an end the poem has told a more or less complete tale of the Trojan War; the Iliad is paired with something of a sequel, the Odyssey attributed to Homer. Along with the Odyssey, the Iliad is among the oldest extant works of Western literature, its written version is dated to around the 8th century BC.
In the modern vulgate, the Iliad contains 15,693 lines. According to Michael N. Nagler, the Iliad is a more complicated epic poem than the Odyssey. Note: Book numbers are in parentheses and come before the synopsis of the book. After an invocation to the Muses, the story launches in medias res towards the end of the Trojan War between the Trojans and the besieging Greeks. Chryses, a Trojan priest of Apollo, offers the Greeks wealth for the return of his daughter Chryseis, held captive of Agamemnon, the Greek leader. Although most of the Greek army is in favour of the offer, Agamemnon refuses. Chryses prays for Apollo's help, Apollo causes a plague to afflict the Greek army. After nine days of plague, the leader of the Myrmidon contingent, calls an assembly to deal with the problem. Under pressure, Agamemnon agrees to return Chryseis to her father, but decides to take Achilles' captive, Briseis, as compensation. Achilles furiously will go home. Odysseus takes a ship and returns Chryseis to her father, whereupon Apollo ends the plague.
In the meantime, Agamemnon's messengers take Briseis away. Achilles becomes upset, sits by the seashore, prays to his mother, Thetis. Achilles asks his mother to ask Zeus to bring the Greeks to the breaking point by the Trojans, so Agamemnon will realize how much the Greeks need Achilles. Thetis does so, Zeus agrees. Zeus sends a dream to Agamemnon. Agamemnon heeds the dream but first decides to test the Greek army's morale, by telling them to go home; the plan backfires, only the intervention of Odysseus, inspired by Athena, stops a rout. Odysseus confronts and beats Thersites, a common soldier who voices discontent about fighting Agamemnon's war. After a meal, the Greeks deploy in companies upon the Trojan plain; the poet takes the opportunity to describe the provenance of each Greek contingent. When news of the Greek deployment reaches King Priam, the Trojans respond in a sortie upon the plain. In a list similar to that for the Greeks, the poet describes their allies; the armies approach each other, but before they meet, Paris offers to end the war by fighting a duel with Menelaus, urged by his brother and head of the Trojan army, Hector.
While Helen tells Priam about the Greek commanders from the walls of Troy, both sides swear a truce and promise to abide by the outcome of the duel. Paris is beaten, but Aphrodite rescues him and leads him to bed with Helen before Menelaus can kill him. Pressured by Hera's hatred of Troy, Zeus arranges for the Trojan Pandaros to break the truce by wounding Menelaus with an arrow. Agamemnon rouses the Greeks, battle is joined. In the fighting, Diomedes kills many Trojans, including Pandaros, defeats Aeneas, whom Aphrodite rescues, but Diomedes attacks and wounds the goddess. Apollo warns him against warring with gods. Many heroes and commanders join in, including Hector, the gods supporting each side try to influence the battle. Emboldened by Athena, Diomedes wounds puts him out of action. Hector prevents a rout. Hector enters the city, urges prayers and sacrifices, incites Paris to battle, bids his wife Andromache and son Astyanax farewell on the city walls, rejoins the battle. Hector duels with Ajax, but nightfall interrupts the fight, both sides retire.
The Greeks agree to burn their dead, build a wall to protect their ships and camp, while the Trojans quarrel about returning Helen. Paris offers to return the treasure he took and give further wealth as compensation, but not Helen, the offer is refused. A day's truce is agreed for burning the dead, during which the Greeks build their wall and a trench; the next morning, Zeus prohibits the gods from interfering, fighting begins anew. The Trojans prevail and force the Greeks back to their wall, while Hera and Athena are forbidden to help. Night falls, they camp in the field to attack at first light, their watchfires light the plain like stars. Meanwhile, the Greeks are desperate. Agamemnon admits his error, sends an embassy composed of Odysseus, Ajax and two heralds to offer Briseis and extensive gifts to Achilles, who has be
Dictionary of Greek and Roman Biography and Mythology
The Dictionary of Greek and Roman Biography and Mythology is an encyclopedia/biographical dictionary. Edited by William Smith, the dictionary spans 3,700 pages, it is a classic work of 19th-century lexicography. The work is a companion to Smith's Dictionary of Greek and Roman Antiquities and Dictionary of Greek and Roman Geography; the work lists thirty-five authors in addition to the editor, an author for some definitions and articles. The authors were classical scholars from Oxford, Rugby School, the University of Bonn, but some were from other institutions. Many of the mythological entries were the work of the German expatriate Leonhard Schmitz, who helped to popularise German classical scholarship in Britain. With respect to biographies, Smith intended to be comprehensive. In the preface, he writes:The biographical articles in this work include the names of all persons of any importance which occur in the Greek and Roman writers, from the earliest times down to the extinction of the Western Empire in the year 476 of our era, to the extinction of the Eastern Empire by the capture of Constantinople by the turks in the year 1453.
Samuel Sharpe thought Edward Bunbury had plagiarised his work, as he wrote of in his diary entry on 3 September 1850: I felt mortified on reading the articles on the Ptolemies in Dr. Smith's "Dictionary of Classical Biography." They were all written by E. H. Bunbury with the help of my "History of Egypt," and with-out any acknowledgment, though he borrowed the volume from my brother Dan for the purpose. Many of the Dictionary's definitions and articles have been referred to in more recent works, Robert Graves has been accused of "lifting his impressive-looking source references straight, unchecked" from it when writing The Greek Myths; the work is now in the public domain, is available in several places on the Internet. While still accurate, much is missing more recent discoveries and epigraphic material. More the context in which ancient evidence is viewed has changed in the intervening century and a half. Dictionary of Greek and Roman Antiquities Dictionary of Greek and Roman Geography Dictionary of Greek and Roman Biography and Mythology.
Vol. I online at University of Michigan Library. Dictionary of Greek and Roman Biography and Mythology. Vol. II online at University of Michigan Library. Dictionary of Greek and Roman Biography and Mythology. Vol. III online at University of Michigan Library; the Internet Archive has a derivative work: Smith, William. A new classical dictionary of biography and geography based on the "Dictionary of Greek and Roman biography and mythology.". London: Murray. Anthon, Charles. A new classical dictionary of Greek and Roman biography and geography: based upon the Dictionary of Greek and Roman biography and mythology by William Smith. New York: Harper and Brothers
Pausanias was a Greek traveler and geographer of the second-century AD, who lived in the time of Roman emperors Hadrian, Antoninus Pius, Marcus Aurelius. He is famous for his Description of Greece, a lengthy work that describes ancient Greece from his first-hand observations; this work provides crucial information for making links between classical literature and modern archaeology. Andrew Stewart assesses him as: A careful, pedestrian writer...interested not only in the grandiose or the exquisite but in unusual sights and obscure ritual. He is careless or makes unwarranted inferences, his guides or his own notes sometimes mislead him, yet his honesty is unquestionable, his value without par. Pausanias was born in 110 AD into a Greek family and was a native of Lydia. Before visiting Greece, he had been to Antioch and Jerusalem, to the banks of the River Jordan. In Egypt, he had seen the pyramids. While at the temple of Ammon, he had been shown the hymn once sent to that shrine by Pindar. In Macedonia, he appears to have seen.
Crossing over to Italy, he had seen something of the wonders of Rome. He was one of the first known to write of seeing the ruins of Troy, Alexandria Troas, Mycenae. Pausanias' Description of Greece is in each dedicated to some portion of Greece, he begins his tour in Attica, where the city of its demes dominate the discussion. Subsequent books describe Corinthia, Messenia, Achaea, Boetia and Ozolian Locris; the project is more than topographical. Pausanias digresses from the description of architectural and artistic objects to review the mythological and historical underpinnings of the society that produced them; as a Greek writing under the auspices of the Roman empire, he was in an awkward cultural space, between the glories of the Greek past he was so keen to describe and the realities of a Greece beholden to Rome as a dominating imperial force. His work bears the marks of his attempt to navigate that space and establish an identity for Roman Greece, he is not a naturalist by any means, although from time to time, he does comment on the physical realities of the Greek landscape.
He notices the pine trees on the sandy coast of Elis, the deer and the wild boars in the oak woods of Phelloe, the crows amid the giant oak trees of Alalcomenae. It is in the last section that Pausanias touches on the products of nature, such as the wild strawberries of Helicon, the date palms of Aulis, the olive oil of Tithorea, as well as the tortoises of Arcadia and the "white blackbirds" of Cyllene. Pausanias is most of Delphi, yet in the most secluded regions of Greece, he is fascinated by all kinds of depictions of deities, holy relics, many other sacred and mysterious objects. At Thebes he views the shields of those who died at the Battle of Leuctra, the ruins of the house of Pindar, the statues of Hesiod, Arion and Orpheus in the grove of the Muses on Helicon, as well as the portraits of Corinna at Tanagra and of Polybius in the cities of Arcadia. Pausanias has the instincts of an antiquary; as his modern editor, Christian Habicht, has said, In general, he prefers the old to the new, the sacred to the profane.
Some magnificent and dominating structures, such as the Stoa of King Attalus in the Athenian Agora or the Exedra of Herodes Atticus at Olympia are not mentioned. Unlike a Baedeker guide, in Periegesis Pausanias stops for a brief excursus on a point of ancient ritual or to tell an apposite myth, in a genre that would not become popular again until the early nineteenth century. In the topographical part of his work, Pausanias is fond of digressions on the wonders of nature, the signs that herald the approach of an earthquake, the phenomena of the tides, the ice-bound seas of the north, the noonday sun that at the summer solstice, casts no shadow at Syene. While he never doubts the existence of the deities and heroes, he sometimes criticizes the myths and legends relating to them, his descriptions of monuments of art are unadorned. They bear the impression of reality, their accuracy is confirmed by the extant remains, he is frank in his confessions of ignorance. When he quotes a book at second hand he takes pains to say so.
The work left faint traces in the known Greek corpus. "It was not read", Habicht relates. The only manuscripts of Pausanias are three fifteenth-century copies, full of errors and lacunae, which all appear to depend on a single manuscript that survived to be copied. Niccolò Niccoli had this archetype in Florence in 1418. At his death in 1437, it went to the library of San Marco, Florence it disappeared after 1500; until twentieth-century archaeologists concluded that Pausanias was a reliable guide to the sites they were excavating, Pausanias was la
Eustathius of Thessalonica
Eustathius of Thessalonica was a Byzantine Greek scholar and Archbishop of Thessalonica. He is most noted for his contemporary account of the sack of Thessalonica by the Normans in 1185, for his orations and for his commentaries on Homer, which incorporate many remarks by much earlier researchers, he was canonized on June 10, 1988, his feast day is on September 20. A pupil of Nicholas Kataphloron, Eustathius was appointed to the offices of superintendent of petitions, professor of rhetoric, was ordained a deacon in Constantinople, he was ordained bishop of Myra. Around the year 1178, he was appointed to the archbishopric of Thessalonica, where he remained until his death around 1195/1196. Accounts of his life and work are given in the funeral orations by Michael Choniates. Niketas Choniates praised him as the most learned man of his age, a judgment, difficult to dispute, he wrote commentaries on ancient Greek poets, theological treatises, letters, an important account of the sack of Thessalonica by William II of Sicily in 1185.
Of his works, his commentaries on Homer are the most referred to: they display an extensive knowledge of Greek literature from the earliest to the latest times. Other works exhibit impressive character, oratorical power, which earned him the esteem of the Komnenoi emperors. Politically, Eustathios was a supporter of emperor Manuel I. An original thinker, Eustathios sometimes praised such secular values as military prowess, he decried slavery, believed in the concept of historical progress of civilization from a primitive to a more advanced state. His most important works are the following: On the Capture of Thessalonica, an eye-witness account of the siege of 1185 and subsequent sufferings of the people of Thessalonica. In early sections of this memoir Eustathios describes political events at Constantinople from the death of emperor Manuel I through the short reign of Alexios II to the usurpation of Andronikos I, with sharp comments on the activities of all involved; the Greek text was edited with an Italian translation by V. Rotolo.
A number of orations, some of which have been edited by P. Wirth. In 2013 a translation of six of the earliest of these speeches was published with a commentary by Andrew F. Stone. Commentaries on Homer's Odyssey; these address questions of grammar, mythology and geography. They are not so much original commentaries as extracts from earlier commentators - there are many correspondences with Homeric scholia. Drawing on numerous extensive works of Alexandrian grammarians and critics and commentators, they are a important contribution to Homeric scholarship, not least because some of the works from which Eustathios made extracts are lost. Although it is that Eustathios quotes some authors second-hand, he seems acquainted with the works of the greatest ancient critics - Aristarchos of Samothrace, Aristophanes of Byzantium, others; this is a great tribute to the state of the libraries of Constantinople and of classical scholarship there in the 12th century. He was an avid reader of the Deipnosophistae of Athenaeus.
Some of the etymological and grammatical comments by Eustathios's Alexandrian predecessors are full of errors. The first printed edition, by Majoranus, was published in Rome in 1542-1550, an inaccurate reprint being published in Basel in 1559-1560. A. Potitus' edition, contains only the commentary on the first five books of the Iliad with a Latin translation. A tolerably correct reprint of the Roman edition was published at Leipzig, the first part containing the Odyssey commentary, 1825-1826, the second, containing the Iliad commentary, edited by J. G. Stallbaum for the Patrologia Graeca, 1827-1829; these were superseded by the edition of 1971 onwards. Extracts from the commentaries are quoted in many editions of the Homeric poems. A commentary on Dionysius Periegetes; this is as diffuse as the commentary on Homer, but includes numerous valuable extracts from earlier writers. A commentary on Pindar. No manuscript of this has come to light. (The introduction was first published by Gottlieb Tafel in his Eustathii Thessalonicensis Opuscula, from which it was reprinted separately by Schneidewin, Eustathii prooemium commentariorum Pindaricorum.
Other published works. Some were first published by Tafel in the 1832 Opuscula just mentioned, some appeared as by P. Wirth for the Corpus Fontium Historiae Byzantinae series. Unpublished works; these include commemorative speeches. Several of the latter are important historical sources. Angold, Michael. Church and society in Byzantium under the Comneni, 1081–1261. Cambridge University Pre
William Smith (lexicographer)
Sir William Smith was an English lexicographer. He made advances in the teaching of Greek and Latin in schools. Smith was born in Enfield in 1813 of Nonconformist parents, he attended the Madras House school of John Allen in Hackney. Destined for a theological career, he instead was articled to a solicitor. In his spare time he taught himself classics, when he entered University College London he carried off both the Greek and Latin prizes, he was entered at Gray's Inn in 1830, but gave up his legal studies for a post at University College School and began to write on classical subjects. Smith next turned his attention to lexicography, his first attempt was A Dictionary of Greek and Roman Antiquities, which appeared in 1842, the greater part being written by him. Followed the Dictionary of Greek and Roman Biography and Mythology in 1849. A parallel Dictionary of Greek and Roman Geography appeared in 1857, with some leading scholars of the day associated with the task. In 1867, he became editor of a post he held until his death.
Meanwhile, he published the first of several school dictionaries in 1850, in 1853 he began the Principia series, which marked an advance in the school teaching of Greek and Latin. Came the Student's Manuals of History and Literature, of which the English literature volume went into 13 editions, he himself wrote the Greek history volume. He was joined in the venture by the publisher John Murray when the original publishing partner met difficulties. Murray was the publisher of the 1214-page Latin–English Dictionary based upon the works of Forcellini and Freund that Smith completed in 1855; this was periodically reissued over the next thirty-five years. It goes beyond "classical" Latin to include many entries not found in other dictionaries of the period, including Lewis and Short; the most important of the books Smith edited were those that dealt with ecclesiastical subjects. These were the Dictionary of the Bible; the Atlas, on which Sir George Grove collaborated, appeared in 1875. From 1853 to 1869 Smith was classical examiner to the University of London, on his retirement he became a member of the Senate.
He sat on the Committee to inquire into questions of copyright, was for several years registrar of the Royal Literary Fund. He edited Gibbon, with Guizot's and Milman's notes, in 1854–1855. Dictionary of Greek and Roman biography and mythology Smith was created a DCL by Oxford and Dublin, the honour of a knighthood was conferred on him in 1892, he died on 7 October 1893 in London. This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed.. "Smith, Sir William". Encyclopædia Britannica. 25. Cambridge University Press. Pp. 270–271. Works by William Smith at Project Gutenberg Works by or about William Smith at Internet Archive "Smith, Sir William". A Short Biographical Dictionary of English Literature. 1910 – via Wikisource. A Short History of Ancient Greece with notes, study links and illustration by Elpenor Online facsimile version of Dictionary of Greek and Roman Biography and Mythology Online facsimile version of Dictionary of Greek and Roman Antiquities Dictionary of Greek and Roman Antiquities