1.
New Testament
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The New Testament is the second major part of the Christian biblical canon, the first part being the Old Testament, based on the Hebrew Bible. The New Testament discusses the teachings and person of Jesus, as well as events in first-century Christianity, Christians regard both the Old and New Testaments together as sacred scripture. The New Testament has frequently accompanied the spread of Christianity around the world and it reflects and serves as a source for Christian theology and morality. Both extended readings and phrases directly from the New Testament are also incorporated into the various Christian liturgies, the New Testament has influenced religious, philosophical, and political movements in Christendom and left an indelible mark on literature, art, and music. In almost all Christian traditions today, the New Testament consists of 27 books, John A. T. Robinson, Dan Wallace, and William F. Albright dated all the books of the New Testament before 70 AD. Others give a date of 80 AD, or at 96 AD. Over time, some disputed books, such as the Book of Revelation, other works earlier held to be Scripture, such as 1 Clement, the Shepherd of Hermas, and the Diatessaron, were excluded from the New Testament. However, the canon of the New Testament, at least since Late Antiquity, has been almost universally recognized within Christianity. The term new testament, or new covenant first occurs in Jeremiah 31,31, the same Greek phrase for new covenant is found elsewhere in the New Testament. Modern English, like Latin, distinguishes testament and covenant as alternative translations, John Wycliffes 1395 version is a translation of the Latin Vulgate and so follows different terms in Jeremiah and Hebrews, Lo. Days shall come, saith the Lord, and I shall make a new covenant with the house of Israel, for he reproving him saith, Lo. Days come, saith the Lord, when I shall establish a new testament on the house of Israel, use of the term New Testament to describe a collection of first and second-century Christian Greek Scriptures can be traced back to Tertullian. In Against Marcion, written circa 208 AD, he writes of the Divine Word, by the 4th century, the existence—even if not the exact contents—of both an Old and New Testament had been established. Lactantius, a 3rd–4th century Christian author wrote in his early-4th-century Latin Institutiones Divinae and that which preceded the advent and passion of Christ—that is, the law and the prophets—is called the Old, but those things which were written after His resurrection are named the New Testament. The canon of the New Testament is the collection of books that most Christians regard as divinely inspired, several of these writings sought to extend, interpret, and apply apostolic teaching to meet the needs of Christians in a given locality. The book order is the same in the Greek Orthodox, Roman Catholic, the Slavonic, Armenian and Ethiopian traditions have different New Testament book orders. Each of the four gospels in the New Testament narrates the life, death, the word gospel derives from the Old English gōd-spell, meaning good news or glad tidings. The gospel was considered the good news of the coming Kingdom of Messiah, and the redemption through the life and death of Jesus, Gospel is a calque of the Greek word εὐαγγέλιον, euangelion
2.
Prayer
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Prayer is an invocation or act that seeks to activate a rapport with an object of worship through deliberate communication. Prayer can be a form of practice, may be either individual or communal. It may involve the use of words, song or complete silence, when language is used, prayer may take the form of a hymn, incantation, formal creedal statement, or a spontaneous utterance in the praying person. There are different forms of such as petitionary prayer, prayers of supplication, thanksgiving. Thus, people pray for many such as personal benefit, asking for divine grace, spiritual connection. Some anthropologists believe that the earliest intelligent modern humans practiced a form of prayer, scientific studies regarding the use of prayer have mostly concentrated on its effect on the healing of sick or injured people. Meta-studies of the studies in this field have been performed showing evidence only for no effect or a small effect. Some studies have indicated increased medical complications in groups receiving prayer over those without, the efficacy of petition in prayer for physical healing to a deity has been evaluated in numerous other studies, with contradictory results. There has been criticism of the way the studies were conducted. The act of prayer is attested in sources as early as 5000 years ago. Some anthropologists, such as Sir Edward Burnett Tylor and Sir James George Frazer, various spiritual traditions offer a wide variety of devotional acts. There are morning and evening prayers, graces said over meals, some Christians bow their heads and fold their hands. Some Native Americans regard dancing as a form of prayer, Jewish prayer may involve swaying back and forth and bowing. Muslims practice salat in their prayers, some pray according to standardized rituals and liturgies, while others prefer extemporaneous prayers. Friedrich Heiler is often cited in Christian circles for his systematic Typology of Prayer which lists six types of prayer, primitive, ritual, Greek cultural, philosophical, mystical, some forms of prayer require a prior ritualistic form of cleansing or purification such as in ghusl and wudhu. Prayer may be privately and individually, or it may be done corporately in the presence of fellow believers. Prayer can be incorporated into a daily life, in which one is in constant communication with a god. Some people pray throughout all that is happening during the day and this is actually regarded as a requirement in several Christian denominations, although enforcement is not possible nor desirable
3.
Classical music
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Classical music is art music produced or rooted in the traditions of Western music, including both liturgical and secular music. The central norms of this tradition became codified between 1550 and 1900, which is known as the common-practice period, Western staff notation is used by composers to indicate to the performer the pitches, tempo, meter and rhythms for a piece of music. This can leave less room for such as improvisation and ad libitum ornamentation. The term classical music did not appear until the early 19th century, the earliest reference to classical music recorded by the Oxford English Dictionary is from about 1836. This score typically determines details of rhythm, pitch, and, the written quality of the music has enabled a high level of complexity within them, J. S. The use of written notation also preserves a record of the works, Musical notation enables 2000s-era performers to sing a choral work from the 1300s Renaissance era or a 1700s Baroque concerto with many of the features of the music being reproduced. That said, the score does not provide complete and exact instructions on how to perform a historical work, even if the tempo is written with an Italian instruction, we do not know exactly how fast the piece should be played. Bach was particularly noted for his complex improvisations, during the Classical era, the composer-performer Mozart was noted for his ability to improvise melodies in different styles. During the Classical era, some virtuoso soloists would improvise the cadenza sections of a concerto, during the Romantic era, Beethoven would improvise at the piano. The instruments currently used in most classical music were largely invented before the mid-19th century and they consist of the instruments found in an orchestra or in a concert band, together with several other solo instruments. The symphony orchestra is the most widely known medium for music and includes members of the string, woodwind, brass. The concert band consists of members of the woodwind, brass and it generally has a larger variety and number of woodwind and brass instruments than the orchestra but does not have a string section. However, many bands use a double bass. Many of the used to perform medieval music still exist. Medieval instruments included the flute, the recorder and plucked string instruments like the lute. As well, early versions of the organ, fiddle, Medieval instruments in Europe had most commonly been used singly, often self accompanied with a drone note, or occasionally in parts. From at least as early as the 13th century through the 15th century there was a division of instruments into haut, during the earlier medieval period, the vocal music from the liturgical genre, predominantly Gregorian chant, was monophonic, using a single, unaccompanied vocal melody line. Polyphonic vocal genres, which used multiple independent vocal melodies, began to develop during the medieval era, becoming prevalent by the later 13th
4.
Ritual
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A ritual is a sequence of activities involving gestures, words, and objects, performed in a sequestered place, and performed according to set sequence. Rituals may be prescribed by the traditions of a community, including a religious community, Rituals are characterized but not defined by formalism, traditionalism, invariance, rule-governance, sacral symbolism, and performance. Rituals are a feature of all human societies. Even common actions like hand-shaking and saying hello may be termed rituals, the field of ritual studies has seen a number of conflicting definitions of the term. One given by Kyriakidis is that a ritual is an outsiders or etic category for a set activity that, to the outsider, seems irrational, non-contiguous, or illogical. The term can be used also by the insider or emic performer as an acknowledgement that this activity can be seen as such by the uninitiated onlooker, the English word ritual derives from the Latin ritualis, that which pertains to rite. In Roman juridical and religious usage, ritus was the way of doing something, or correct performance. The word ritual is first recorded in English in 1570, there are hardly any limits to the kind of actions that may be incorporated into a ritual. Catherine Bell argues that rituals can be characterized by formalism, traditionalism, invariance, rule-governance, sacral symbolism, Ritual utilizes a limited and rigidly organized set of expressions which anthropologists call a restricted code. Maurice Bloch argues that ritual obliges participants to use this formal oratorical style, which is limited in intonation, syntax, vocabulary, loudness, in adopting this style, ritual leaders speech becomes more style than content. Because this formal speech limits what can be said, it induces acceptance, compliance, Bloch argues that this form of ritual communication makes rebellion impossible and revolution the only feasible alternative. Ritual tends to support forms of social hierarchy and authority. Rituals appeal to tradition and are concerned to repeat historical precedents accurately. Traditionalism varies from formalism in that the ritual may not be yet still makes an appeal to historical. An example is the American Thanksgiving dinner, which may not be formal, thus, the appeal to history is important rather than accurate historical transmission. Catherine Bell states that ritual is also invariant, implying careful choreography and this is less an appeal to traditionalism than a striving for timeless repetition. The key to invariance is bodily discipline, as in prayer and meditation meant to mold dispositions. This bodily discipline is frequently performed in unison, by groups, Rituals tend to be governed by rules, a feature somewhat like formalism
5.
Evangelicalism
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Its origins are usually traced back to English Methodism, the Moravian Church, and German Lutheran Pietism. While all these phenomena contributed greatly, John Wesley and other early Methodists were at the root of sparking this new movement during the First Great Awakening, today, Evangelicals are found across many Protestant branches, as well as in various denominations not subsumed to a specific branch. Among leaders and major figures of the Evangelical Protestant movement were John Wesley, George Whitefield, Jonathan Edwards, Billy Graham, Harold John Ockenga, John Stott and Martyn Lloyd-Jones. The movement gained momentum during the 18th and 19th centuries with the Great Awakenings in the United Kingdom. The Americas, Africa, and Asia are home to the majority of Evangelicals, United States has the largest concentration of Evangelicals in the world, its community forms a quarter of the population, is politically important and based mostly in the Bible Belt. In the United Kingdom, Evangelicals are mostly represented in the Methodist Church, Baptist communities, Evangelicalism, a major part of popular Protestantism, is among the most dynamic religious movements in the contemporary world, alongside resurgent Islam. While on the rise globally, the world is particularly influenced by its spread. The first published use of evangelical in English came in 1531 when William Tyndale wrote He exhorteth them to proceed constantly in the evangelical truth. One year later Sir Thomas More produced the earliest recorded use in reference to a theological distinction when he spoke of Tyndale his evangelical brother Barns, during the Reformation, Protestant theologians embraced the label as referring to gospel truth. Martin Luther referred to the evangelische Kirche to distinguish Protestants from Catholics in the Roman Catholic Church, into the 21st century, evangelical has continued in use as a synonym for Protestant in continental Europe, and elsewhere. This usage is reflected in the names of Protestant denominations such as the Evangelical Church in Germany, the term may also occur outside any religious context to characterize a generic missionary, reforming, or redeeming impulse or purpose. For example, the Times Literary Supplement refers to the rise, one influential definition of Evangelicalism has been proposed by historian David Bebbington. Conversionism, or belief in the necessity of being again, has been a constant theme of Evangelicalism since its beginnings. To Evangelicals, the message of the gospel is justification by faith in Christ and repentance, or turning away. Conversion differentiates the Christian from the non-Christian, and the change in life it leads to is marked by both a rejection of sin and a corresponding personal holiness of life. A conversion experience can be emotional, including grief and sorrow for sin followed by great relief at receiving forgiveness, the stress on conversion is further differentiated from other forms of Protestantism by the belief that an assurance of salvation will accompany conversion. Among Evangelicals, individuals have testified to both sudden and gradual conversions, biblicism is reverence for the Bible and a high regard for biblical authority. All Evangelicals believe in inspiration, though they disagree over how this inspiration should be defined
6.
Dua
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In the terminology of Islam, duʿāʾ, literally meaning invocation, is an act of supplication. The term is derived from an Arabic word meaning to call out or to summon and these traditions precipitated new genres of literature in which prophetic supplications were gathered together in single volumes that were memorized and taught. Popular duas would include Muhammad al-Jazulis Dalail al-Khayrat, which at its peak throughout the Muslim world. Dua literature reaches its most lyrical form in the Munajat, or whispered intimate prayers such as those of Ibn Ata Allah, among the Shia schools, the Al-Sahifa al-Sajjadiyya records duas attributed to Ali and his grandson, Ali ibn Husayn Zayn al-Abidin. Anas reported that Allahs Messenger visited a person from amongst the Muslims in order to inquire who had grown feeble like the chicken, Allahs Messenger said, Did you supplicate for anything or beg of Him about that. I used to utter, Impose punishment upon me earlier in this world, thereupon Allahs Messenger said, Hallowed be Allah, you have neither the power nor forbearance to take upon yourself. Why did you not say this, O Allah, grant us good in the world and good in the Hereafter and he made this supplication and he was all right. Narrated Anas, Allahs Apostle said, None of you should long for death because of a calamity that had him, and if he cannot. Let me live as long as life is better for me, Dua is essentially an expression of submission of faith to God and of ones neediness. Type I, Dua al-masalah, or the dua of asking and this type of dua is when one asks for the fulfillment of a need, or that some harm be removed from him/her. An example would be when a person asks, O God, grant me good in this world, and good in the next life. Type II, Dua al-ibadah, or the dua of worship and this type of dua represents a very broad concept. In Islam, every act of worship includes this type of dua. Examples would include when a Muslim prays or gives zakāt or fasts, Dua can also be divided into two broad categories depending on what is being asked. These two categories include religion and the world, examples of making dua for religion would include things such as if a Muslim asked God to increase their faith or ask God to forgive them for their sins. Examples pertaining to the world would include such as if a Muslim asks God for an increase in wealth, to be cured from a disease. Until the 1950s, Ismailis from India and Pakistan performed the prayer the language of the local Jamaat Khana, a person recites sura Ya Sin early in the morning then his need for the day will be fulfilled. Abdullah bin Masood narrates that Muhammad has stated that the person who recites the last two ayat of sura Al-Baqara till the end, then these two ayats will be sufficient for him, i. e, God will protect him from all evil and ploys
7.
Salah
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Salah, called namāz in some languages, is one of the Five Pillars in the faith of Islam and an obligatory religious duty for every Muslim. It is a physical, mental, and spiritual act of worship that is observed five times every day at prescribed times, in this ritual, the worshiper starts standing, bows, prostrates themself, and concludes while sitting on the ground. During each posture, the worshiper recites or reads certain verses, phrases, the word salah is commonly translated as prayer but this definition might be confusing. Muslims use the words dua or supplication when referring to the definition of prayers which is reverent petitions made to God. Salah is preceded by ritual ablution, Salah consists of the repetition of a unit called a rakʿah consisting of prescribed actions and words. The number of obligatory rakaʿāt varies from two to four according to the time of day or other circumstances, prayer is obligatory for all Muslims except those who are prepubescent, are menstruating, or are experiencing bleeding in the 40 days after childbirth. Every movement in the salat is accompanied by the takbir except the standing between the ruku and sujud, and the ending which has a derivation of the Muslim greeting As-salamu alaykum, Salah is an Arabic word whose basic meaning is bowing, homage, worship, prayer. In its English usage, the reference of the word is almost always confined to the Muslim formal, Muslims themselves use several terms to refer to salah depending on their language or culture. In many parts of the world, including many non-Arab countries such as Indonesia, the other major term is the Persian word namāz, used by speakers of the Indo-Iranian languages, as well as Turkish, Russian, Chinese, Bosnian and Albanian. In North Caucasian languages, the term is lamaz in Chechen and this is a book, there is no doubt in it, a guidance for righteous. Those who believe in unseen and offer Salah and spend from what we have given to them, and those who believe in what We have revealed to thee and what We revealed before thee, and on hereafter they believe. They are on guidance from their lord and they are successful, and offer Salah and pay Zakah and bow along those who bow. Guard your Salah and middle Salah, and stand before God devoutly obedient, then if you fear on foot or riding, then when you become secure remember God as he has taught you that which you did not know previously. And offer Salah at the two ends of day and at the approach of night, indeed good deeds remove bad deeds, offer Salah at the decline of the day until the darkness of night, and Quran at dawn, indeed Quran at dawn ever is a witness. And at night pray Tahajjud an extra for thee, it is expected that your lord raise you to praised station. ) Say call God or call Merciful, by whomever you call, He has good names, and offer Salah and pay Zakah and obey Messenger so that you may receive mercy. And recite that is revealed to you as a book and offer Salah, indeed Salah prohibits immorality and wrongdoing, and remembrance of God is great, ) The chief purpose of salah is to act as a persons communication with and remembrance of God. By reciting The Opening, the first sura of the Quran, as required in daily worship, the worshiper can stand before God, thank and praise Him, under the Hanbali School of thought, a person who doesnt pray five times a day is an unbeliever
8.
Late Latin
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Late Latin is the scholarly name for the written Latin of Late Antiquity. The English dictionary definition of Late Latin dates this period from the 3rd to the 6th centuries AD and this somewhat ambiguously defined period fits between Classical Latin and Medieval Latin. Although there is no consensus about exactly when Classical Latin should end, nor exactly when Medieval Latin should begin. Being a written language, Late Latin is not identical with Vulgar Latin, the latter during those centuries served as proto-Romance, a reconstructed ancestor of the Romance languages. Although Late Latin reflects an upsurge of the use of Vulgar Latin vocabulary and constructs, it remains to a large extent classical in overall features, some are more literary and classical, some more inclined to the vernacular. Nor is Late Latin identical to Christian or patristic Latin, the writings of the early Christian fathers. While Christian writings are considered a subset of Late Latin, pagans wrote much Late Latin, serving as some sort of lingua franca to a large empire, Latin tended to become simpler, to keep above all what it had of the ordinary. Neither Late Latin nor Late Antiquity are modern terms or concepts, instances of English vernacular use of the term may also be found from the 18th century. The term Late Antiquity meaning post-classical and pre-medieval had currency in English well before then, Imperial Latin went on into English literature, Fowlers History of Roman Literature mentions it in 1903. There are, however, insoluble problems with the beginning and end of Imperial Latin, politically the excluded Augustan Period is the paradigm of imperiality, and yet the style cannot be bundled with either the Silver Age or with Late Latin. Moreover, in 6th century Italy, the Roman Empire no longer existed, subsequently the term Imperial Latin was dropped by historians of Latin literature, although it may be seen in marginal works. The Silver Age was extended a century and the four centuries represent Late Latin. Low Latin is a vague and often pejorative term that might refer to any post-classical Latin from Late Latin through Renaissance Latin depending on the author. Its origins are obscure but the Latin expression media et infima Latinitas sprang into public notice in 1678 in the title of a Glossary by Charles du Fresne, the multi-volume set had many editions and expansions by other authors subsequently. The title varies somewhat, most commonly used was Glossarium Mediae et Infimae Latinitatis and it has been translated by expressions of widely different meanings. The uncertainty is understanding what media, middle, and infima, low, the media is securely connected to Medieval Latin by Canges own terminology expounded in the Praefatio, such as scriptores mediae aetatis, writers of the middle age. Canges Glossary takes words from authors ranging from the Christian period to the Renaissance, in the former case the infimae appears extraneous, it recognizes the corruptio of the corrupta Latinitas Cange said his Glossary covered. The two-period case postulates a second unity of style, infima Latinitas, Cange in the glossarial part of his Glossary identifies some words as being used by purioris Latinitatis scriptores, such as Cicero
9.
Ancient Egyptian deities
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Ancient Egyptian deities are the gods and goddesses worshipped in ancient Egypt. The beliefs and rituals surrounding these gods formed the core of ancient Egyptian religion, the gods complex characteristics were expressed in myths and in intricate relationships between deities, family ties, loose groups and hierarchies, and combinations of separate gods into one. Deities diverse appearances in art—as animals, humans, objects, and combinations of different forms—also alluded, through symbolism, to their essential features. In different eras, various gods were said to hold the highest position in society, including the solar deity Ra, the mysterious god Amun. The highest deity was usually credited with the creation of the world, some scholars have argued, based in part on Egyptian writings, that the Egyptians came to recognize a single divine power that lay behind all things and was present in all the other deities. Gods were assumed to be present throughout the world, capable of influencing natural events, people interacted with them in temples and unofficial shrines, for personal reasons as well as for larger goals of state rites. Egyptians prayed for help, used rituals to compel deities to act. Humans relations with their gods were a part of Egyptian society. The beings in ancient Egyptian tradition who might be labeled as deities are difficult to count, Egyptian texts list the names of many deities whose nature is unknown and make vague, indirect references to other gods who are not even named. The Egyptologist James P. Allen estimates that more than 1,400 deities are named in Egyptian texts, the Egyptian languages terms for these beings were nṯr, god, and its feminine form nṯrt, goddess. Scholars have tried to discern the nature of the gods by proposing etymologies for these words, but none of these suggestions has gained acceptance. The hieroglyphs that were used as ideograms and determinatives in writing these words show some of the traits that the Egyptians connected with divinity, the most common of these signs is a flag flying from a pole. Similar objects were placed at the entrances of temples, representing the presence of a deity, other such hieroglyphs include a falcon, reminiscent of several early gods who were depicted as falcons, and a seated male or female deity. The feminine form could also be written with an egg as determinative, connecting goddesses with creation and birth, or with a cobra, the Egyptians distinguished nṯrw, gods, from rmṯ, people, but the meanings of the Egyptian and the English terms do not match perfectly. The term nṯr may have applied to any being that was in some way outside the sphere of everyday life, Egyptian religious art also depicts places, objects, and concepts in human form. These personified ideas range from deities that were important in myth and ritual to obscure beings, only mentioned once or twice, confronting these blurred distinctions between gods and other beings, scholars have proposed various definitions of a deity. One widely accepted definition, suggested by Jan Assmann, says that a deity has a cult, is involved in some aspect of the universe, according to a different definition, by Dimitri Meeks, nṯr applied to any being that was the focus of ritual. From this perspective, gods included the king, who was called a god after his coronation rites, and deceased souls, likewise, the preeminence of the great gods was maintained by the ritual devotion that was performed for them across Egypt
10.
Amun
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Amun was a major Ancient Egyptian deity. He was attested since the Old Kingdom together with his wife Amaunet, with the 11th dynasty, he rose to the position of patron deity of Thebes by replacing Monthu. After the rebellion of Thebes against the Hyksos and with the rule of Ahmose I, Amun acquired national importance, expressed in his fusion with the Sun god, Ra, Amun-Ra retained chief importance in the Egyptian pantheon throughout the New Kingdom. Amun-Ra in this period held the position of transcendental, self-created creator deity par excellence, he was the champion of the poor or troubled and his position as King of Gods developed to the point of virtual monotheism where other gods became manifestations of him. With Osiris, Amun-Ra is the most widely recorded of the Egyptian gods, as the chief deity of the Egyptian Empire, Amun-Ra also came to be worshipped outside of Egypt, according to the testimony of ancient Greek historiographers in Libya and Nubia. As Zeus Ammon he came to be identified with Zeus in Greece, Amun and Amaunet are mentioned in the Old Egyptian Pyramid Texts. The name Amun meant something like the one or invisible. Amun rose to the position of tutelary deity of Thebes after the end of the First Intermediate Period, as the patron of Thebes, his spouse was Mut. In Thebes, Amun as father, Mut as mother and the Moon god Khonsu formed a family or Theban Triad. The history of Amun as the god of Thebes begins in the 20th century BC. The city of Thebes does not appear to have been of great significance before the 11th dynasty, major construction work in the Precinct of Amun-Re took place during the 18th dynasty when Thebes became the capital of the unified ancient Egypt. Construction of the Hypostyle Hall may have begun during the 18th dynasty, though most building was undertaken under Seti I. Merenptah commemorated his victories over the Sea Peoples on the walls of the Cachette Court and this Great Inscription shows the kings campaigns and eventual return with booty and prisoners. Next to this inscription is the Victory Stela, which is largely a copy of the more famous Israel Stela found in the complex of Merenptah on the west bank of the Nile in Thebes. Merenptahs son Seti II added 2 small obelisks in front of the Second Pylon, and this was constructed of sandstone, with a chapel to Amun flanked by those of Mut and Khonsu. The last major change to the Precinct of Amun-Res layout was the addition of the first pylon, the local patron deity of Thebes, Amun, therefore became nationally important. The pharaohs of that new dynasty attributed all their enterprises to Amun. The victory accomplished by pharaohs who worshipped Amun against the rulers, brought him to be seen as a champion of the less fortunate
11.
Om
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Om is a sacred sound and a spiritual icon in Hindu religion. It is also a mantra in Hinduism, Buddhism, Jainism, Om is part of the iconography found in ancient and medieval era manuscripts, temples, monasteries and spiritual retreats in Hinduism, Buddhism, and Jainism. The symbol has a meaning in all Indian dharmas, but the meaning. In Hinduism, Om is one of the most important spiritual symbols and it refers to Atman and Brahman. The syllable is found at the beginning and the end of chapters in the Vedas, the Upanishads. The syllable is also referred to as omkara, aumkara, the syllable Om is referred to as praṇava. Other used terms are akṣara or ekākṣara, and omkāra, Udgitha, a word found in Sama Veda and bhasya based on it, is also used as a name of the syllable. The syllable Om is first mentioned in the Upanishads, the texts associated with the Vedanta philosophy. It has variously been associated with concepts of cosmic sound or mystical syllable or affirmation to something divine, in the Aranyaka and the Brahmana layers of Vedic texts, the syllable is so widespread and linked to knowledge, that it stands for the whole of Veda. The etymological foundations of Om are repeatedly discussed in the oldest layers of the Vedantic texts, the Brahmana layer of Vedic texts equate Om with Bhur-bhuvah-Svah, the latter symbolizing the whole Veda. The Sama Veda, the poetical Veda, orthographically maps Om to the audible, the syllable Om evolves to mean many abstract ideas in the earliest Upanishads. Phonologically, the syllable ओम् represents /aum/, which is regularly monophthongised to in Sanskrit phonology.1.95. It is sometimes also written ओ३म्, notably by Arya Samaj, the Om symbol is a ligature in Devanagari, combining ओ and chandrabindu. In Unicode, the symbol is encoded at U+0950 ॐ Devanagari OM, the Om or Aum symbol is found on ancient coins, in regional scripts. In Sri Lanka, Anuradhapura era coins are embossed with Aum along with other symbols, the Om symbol, with epigraphical variations, is also found in many southeast Asian countries. For example, it is called Unalom or Aum in Thailand and has been a part of various flags, the Cambodian official seal has similarly incorporated the Aum symbol. In traditional Chinese characters, it is written as 唵, there have been proposals that the Om syllable may already have had written representations in Brahmi script, dating to before the Common Era. A proposal by Deb held that the swastika is a representation of the syllable Om
12.
Psalms
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The Book of Psalms, commonly referred to simply as Psalms or the Psalms, is the first book of the Ketuvim, the third section of the Hebrew Bible, and a book of the Christian Old Testament. The title is derived from the Greek translation, ψαλμοί psalmoi, meaning instrumental music and, by extension, the book is an anthology of individual psalms, with 150 in the Jewish and Western Christian tradition and more in the Eastern Christian churches. Many of the psalms are linked to the name of David, over a third appear to be musical directions, addressed to the leader or choirmaster, including such statements as with stringed instruments and according to lilies. Others appear to be references to types of composition, such as A psalm and Song. Many superscriptions carry the names of individuals, the most common being of David, others named include Moses, Asaph, the Sons of Korah and Solomon. A natural way of understanding these attributions is as a claim to authorship, Psalms are usually identified by a sequence number, often preceded by the abbreviation Ps. Numbering of the Psalms differs—mostly by one digit, see table—between the Hebrew and it is generally admitted that Pss.9 and 10 were originally a single acrostic poem, they have been wrongly separated by Massorah, rightly united by the Septuagint and Vulgate. On the other hand, Ps.144 is made up of two songs — verses 1–11 and 12–15, Pss.42 and 43 are shown by identity of subject, of metrical structure and of refrain, to be three strophes of one and the same poem. The Hebrew text is correct in counting as one Ps.146, later liturgical usage would seem to have split up these and not a few other psalms. Zenner combines into what he deems were the original choral odes,1,2,3,4,6 +13,9 +10,19,20,21,56 +57,69 +70,114 +115,148,149,150. A choral ode would seem to have been the form of Pss.14 +70. The two strophes and the epode are Ps,14, the two antistrophes are Ps.70. It is noteworthy that, on the breaking up of the ode, each portion crept twice into the Psalter, Ps.14 =53, Ps.70 =40. Other such duplicated psalms are Ps and this loss of the original form of some of the psalms is allowed by the Biblical Commission to have been due to liturgical uses, neglect of copyists, or other causes. The Septuagint bible, present in Eastern Orthodox churches, includes a Psalm 151, Some versions of the Peshitta include Psalms 152–155. There are also the Psalms of Solomon, which are a further 18 psalms of Jewish origin, likely written in Hebrew. These and other indications suggest that the current Western Christian and Jewish collection of 150 psalms were selected from a wider set, gunkel divided the psalms into five primary types, Hymns, songs of praise for Gods work in creation or in history. They typically open with a call to praise, describe the motivation for praise, two sub-categories are enthronement psalms, celebrating the enthronement of Yahweh as king, and Zion psalms, glorifying Mount Zion, Gods dwelling-place in Jerusalem
Thurston, Herbert (1907). "Amen". In Herbermann, Charles. Catholic Encyclopedia. 1. New York: Robert Appleton Company.
Thurston, Herbert (1907). "
