BIBSYS is an administrative agency set up and organized by the Ministry of Education and Research in Norway. They are a service provider, focusing on the exchange and retrieval of data pertaining to research and learning – metadata related to library resources. BIBSYS are collaborating with all Norwegian universities and university colleges as well as research institutions and the National Library of Norway. Bibsys is formally organized as a unit at the Norwegian University of Science and Technology, located in Trondheim, Norway; the board of directors is appointed by Norwegian Ministry of Research. BIBSYS offer researchers and others an easy access to library resources by providing the unified search service Oria.no and other library services. They deliver integrated products for the internal operation for research and special libraries as well as open educational resources; as a DataCite member BIBSYS act as a national DataCite representative in Norway and thereby allow all of Norway's higher education and research institutions to use DOI on their research data.
All their products and services are developed in cooperation with their member institutions. BIBSYS began in 1972 as a collaborative project between the Royal Norwegian Society of Sciences and Letters Library, the Norwegian Institute of Technology Library and the Computer Centre at the Norwegian Institute of Technology; the purpose of the project was to automate internal library routines. Since 1972 Bibsys has evolved from a library system supplier for two libraries in Trondheim, to developing and operating a national library system for Norwegian research and special libraries; the target group has expanded to include the customers of research and special libraries, by providing them easy access to library resources. BIBSYS is a public administrative agency answerable to the Ministry of Education and Research, administratively organised as a unit at NTNU. In addition to BIBSYS Library System, the product portfolio consists of BISBYS Ask, BIBSYS Brage, BIBSYS Galleri and BIBSYS Tyr. All operation of applications and databases is performed centrally by BIBSYS.
BIBSYS offer a range of services, both in connection with their products and separate services independent of the products they supply. Open access in Norway Om Bibsys
Integrated Authority File
The Integrated Authority File or GND is an international authority file for the organisation of personal names, subject headings and corporate bodies from catalogues. It is used for documentation in libraries and also by archives and museums; the GND is managed by the German National Library in cooperation with various regional library networks in German-speaking Europe and other partners. The GND falls under the Creative Commons Zero licence; the GND specification provides a hierarchy of high-level entities and sub-classes, useful in library classification, an approach to unambiguous identification of single elements. It comprises an ontology intended for knowledge representation in the semantic web, available in the RDF format; the Integrated Authority File became operational in April 2012 and integrates the content of the following authority files, which have since been discontinued: Name Authority File Corporate Bodies Authority File Subject Headings Authority File Uniform Title File of the Deutsches Musikarchiv At the time of its introduction on 5 April 2012, the GND held 9,493,860 files, including 2,650,000 personalised names.
There are seven main types of GND entities: LIBRIS Virtual International Authority File Information pages about the GND from the German National Library Search via OGND Bereitstellung des ersten GND-Grundbestandes DNB, 19 April 2012 From Authority Control to Linked Authority Data Presentation given by Reinhold Heuvelmann to the ALA MARC Formats Interest Group, June 2012
MusicBrainz is a project that aims to create an open data music database, similar to the freedb project. MusicBrainz was founded in response to the restrictions placed on the Compact Disc Database, a database for software applications to look up audio CD information on the Internet. MusicBrainz has expanded its goals to reach beyond a compact disc metadata storehouse to become a structured open online database for music. MusicBrainz captures information about artists, their recorded works, the relationships between them. Recorded works entries capture at a minimum the album title, track titles, the length of each track; these entries are maintained by volunteer editors. Recorded works can store information about the release date and country, the CD ID, cover art, acoustic fingerprint, free-form annotation text and other metadata; as of 21 September 2018, MusicBrainz contained information about 1.4 million artists, 2 million releases, 19 million recordings. End-users can use software that communicates with MusicBrainz to add metadata tags to their digital media files, such as FLAC, MP3, Ogg Vorbis or AAC.
MusicBrainz allows contributors to upload cover art images of releases to the database. Internet Archive provides the bandwidth and legal protection for hosting the images, while MusicBrainz stores metadata and provides public access through the web and via an API for third parties to use; as with other contributions, the MusicBrainz community is in charge of maintaining and reviewing the data. Cover art is provided for items on sale at Amazon.com and some other online resources, but CAA is now preferred because it gives the community more control and flexibility for managing the images. Besides collecting metadata about music, MusicBrainz allows looking up recordings by their acoustic fingerprint. A separate application, such as MusicBrainz Picard, must be used for this. In 2000, MusicBrainz started using Relatable's patented TRM for acoustic fingerprint matching; this feature allowed the database to grow quickly. However, by 2005 TRM was showing scalability issues as the number of tracks in the database had reached into the millions.
This issue was resolved in May 2006 when MusicBrainz partnered with MusicIP, replacing TRM with MusicDNS. TRMs were phased out and replaced by MusicDNS in November 2008. In October 2009 MusicIP was acquired by AmpliFIND; some time after the acquisition, the MusicDNS service began having intermittent problems. Since the future of the free identification service was uncertain, a replacement for it was sought; the Chromaprint acoustic fingerprinting algorithm, the basis for AcoustID identification service, was started in February 2010 by a long-time MusicBrainz contributor Lukáš Lalinský. While AcoustID and Chromaprint are not MusicBrainz projects, they are tied with each other and both are open source. Chromaprint works by analyzing the first two minutes of a track, detecting the strength in each of 12 pitch classes, storing these 8 times per second. Additional post-processing is applied to compress this fingerprint while retaining patterns; the AcoustID search server searches from the database of fingerprints by similarity and returns the AcoustID identifier along with MusicBrainz recording identifiers if known.
Since 2003, MusicBrainz's core data are in the public domain, additional content, including moderation data, is placed under the Creative Commons CC-BY-NC-SA-2.0 license. The relational database management system is PostgreSQL; the server software is covered by the GNU General Public License. The MusicBrainz client software library, libmusicbrainz, is licensed under the GNU Lesser General Public License, which allows use of the code by proprietary software products. In December 2004, the MusicBrainz project was turned over to the MetaBrainz Foundation, a non-profit group, by its creator Robert Kaye. On 20 January 2006, the first commercial venture to use MusicBrainz data was the Barcelona, Spain-based Linkara in their Linkara Música service. On 28 June 2007, BBC announced that it has licensed MusicBrainz's live data feed to augment their music Web pages; the BBC online music editors will join the MusicBrainz community to contribute their knowledge to the database. On 28 July 2008, the beta of the new BBC Music site was launched, which publishes a page for each MusicBrainz artist.
Amarok – KDE audio player Banshee – multi-platform audio player Beets – automatic CLI music tagger/organiser for Unix-like systems Clementine – multi-platform audio player CDex – Microsoft Windows CD ripper Demlo – a dynamic and extensible music manager using a CLI iEatBrainz – Mac OS X deprecated foo_musicbrainz component for foobar2000 – Music Library/Audio Player Jaikoz – Java mass tag editor Max – Mac OS X CD ripper and audio transcoder Mp3tag – Windows metadata editor and music organizer MusicBrainz Picard – cross-platform album-oriented tag editor MusicBrainz Tagger – deprecated Microsoft Windows tag editor puddletag – a tag editor for PyQt under the GPLv3 Rhythmbox music player – an audio player for Unix-like systems Sound Juicer – GNOME CD ripper Zortam Mp3 Media Studio – Windows music organizer and ID3 Tag Editor. Freedb clients can access MusicBrainz data through the freedb protocol by using the MusicBrainz to FreeDB gateway service, mb2freedb. List of online music databases Making Metadata: The Case of Mus
Kolkata is the capital of the Indian state of West Bengal. Located on the east bank of the Hooghly River 75 kilometres west of the border with Bangladesh, it is the principal commercial and educational centre of East India, while the Port of Kolkata is India's oldest operating port and its sole major riverine port; the city is regarded as the "cultural capital" of India, is nicknamed the "City of Joy". According to the 2011 Indian census, it is the seventh most populous city. Recent estimates of Kolkata Metropolitan Area's economy have ranged from $60 to $150 billion making it third most-productive metropolitan area in India, after Mumbai and Delhi. In the late 17th century, the three villages that predated Calcutta were ruled by the Nawab of Bengal under Mughal suzerainty. After the Nawab granted the East India Company a trading licence in 1690, the area was developed by the Company into an fortified trading post. Nawab Siraj ud-Daulah occupied Calcutta in 1756, the East India Company retook it the following year.
In 1793 the East India company was strong enough to abolish Nizamat, assumed full sovereignty of the region. Under the company rule, under the British Raj, Calcutta served as the capital of British-held territories in India until 1911, when its perceived geographical disadvantages, combined with growing nationalism in Bengal, led to a shift of the capital to New Delhi. Calcutta was the centre for the Indian independence movement. Following Indian independence in 1947, once the centre of modern Indian education, science and politics, suffered several decades of economic stagnation; as a nucleus of the 19th- and early 20th-century Bengal Renaissance and a religiously and ethnically diverse centre of culture in Bengal and India, Kolkata has local traditions in drama, film and literature. Many people from Kolkata—among them several Nobel laureates—have contributed to the arts, the sciences, other areas. Kolkata culture features idiosyncrasies that include distinctively close-knit neighbourhoods and freestyle intellectual exchanges.
West Bengal's share of the Bengali film industry is based in the city, which hosts venerable cultural institutions of national importance, such as the Academy of Fine Arts, the Victoria Memorial, the Asiatic Society, the Indian Museum and the National Library of India. Among professional scientific institutions, Kolkata hosts the Agri Horticultural Society of India, the Geological Survey of India, the Botanical Survey of India, the Calcutta Mathematical Society, the Indian Science Congress Association, the Zoological Survey of India, the Institution of Engineers, the Anthropological Survey of India and the Indian Public Health Association. Though home to major cricketing venues and franchises, Kolkata differs from other Indian cities by giving importance to association football and other sports; the word Kolkata derives from the Bengali term Kôlikata, the name of one of three villages that predated the arrival of the British, in the area where the city was to be established. There are several explanations about the etymology of this name: The term Kolikata is thought to be a variation of Kalikkhetrô, meaning "Field of Kali".
It can be a variation of'Kalikshetra'. Another theory is. Alternatively, the name may have been derived from the Bengali term kilkila, or "flat area"; the name may have its origin in the words khal meaning "canal", followed by kaṭa, which may mean "dug". According to another theory, the area specialised in the production of quicklime or koli chun and coir or kata. Although the city's name has always been pronounced Kolkata or Kôlikata in Bengali, the anglicised form Calcutta was the official name until 2001, when it was changed to Kolkata in order to match Bengali pronunciation; the discovery and archaeological study of Chandraketugarh, 35 kilometres north of Kolkata, provide evidence that the region in which the city stands has been inhabited for over two millennia. Kolkata's recorded history began in 1690 with the arrival of the English East India Company, consolidating its trade business in Bengal. Job Charnock, an administrator who worked for the company, was credited as the founder of the city.
The area occupied by the present-day city encompassed three villages: Kalikata and Sutanuti. Kalikata was a fishing village, they were part of an estate belonging to the Mughal emperor. These rights were transferred to the East India Company in 1698. In 1712, the British completed the cons
Lord Arthur Hill
Colonel Lord Arthur William Hill PC, DL, JP, was an Anglo-Irish soldier and Conservative politician. He served three times as Comptroller of the Household between 1885 and 1898 in the Conservative administrations headed by Lord Salisbury. Hill was a younger son of Arthur Hill, 4th Marquess of Downshire, by his wife the Honourable Caroline Frances Stapleton-Cotton, daughter of Field Marshal Stapleton Stapleton-Cotton, 1st Viscount Combermere. Arthur Hill, 5th Marquess of Downshire, was his elder brother. Hill served as a lieutenant in the 2nd Life Guards, he was a lieutenant-colonel in the part-time 2nd Middlesex Royal Garrison Artillery, was appointed an honorary colonel of the 5th Battalion of the Royal Irish Rifles on 5 April 1902. Hill sat as Member of Parliament for Down and subsequently for West Down from 1880 until 1898, when he resigned from Parliament in June by becoming Steward of the Manor of Northstead, he served under Lord Salisbury as Comptroller of the Household from 1885 to 1886, from 1886 to 1892 and from 1895 to 1898.
In 1885 he was sworn of the Privy Council. He again held the Down West seat from 1907 to 1908. Apart from his political career he was a Deputy Lieutenant of County Down and a Justice of the Peace for County Down and Berkshire. Hill was twice married, he married firstly Annie Nisida Denham Cookes, daughter of Lieutenant-Colonel George Denham Cookes, in 1873. They had one son, Arthur Hill, who succeeded his father as MP for West Down in 1898. Lady Arthur Hill died in January 1874, shortly after the birth of her only child. Hill married as his second wife Annie Harrison, daughter of James Fortescue Harrison, MP for Kilmarnock, in 1877, they had one daughter. Hill died in January 1931, aged 84. Lady Arthur Hill died in February 1944. Hansard 1803–2005: contributions in Parliament by Lord Arthur Hill
In the Gloaming (song)
"In the Gloaming" is an 1877 song composed by Annie Fortescue Harrison with lyrics taken from a poem by Meta Orred. Orred's poem appeared in her 1874 book Poems; the 1877 song was popular in the United States that year. It is not to be confused with the 1911 song "Roamin' In The Gloamin'"; the American Quartet with Will Oakland released a recorded version in 1910. John Lovering released a recorded version in 1914. Fats Waller recorded a version in 1938; the song was a staple of Waller's live act. Louis Armstrong and His Hot Seven recorded the song in 1941, it was released as the B side of "Everything's Been Done Before". Bunk Johnson, Don Ewell and Alphonse Steele recorded a trio version of this in June 1946. Jo Stafford and Gordon MacRae released the song on their'Songs for Sunday Evening' album in 1950. Bing Crosby included the song in a medley on his album 101 Gang Songs The Story recorded a version, released on their 1993 album The Angel in the House