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Poseidon was one of the Twelve Olympians in ancient Greek religion and myth. He was god of other waters. In pre-Olympian Bronze Age Greece, he was venerated as a chief deity at Thebes, his Roman equivalent is Neptune. Poseidon was protector of seafarers, of many Hellenic cities and colonies. In Homer's Iliad, Poseidon supports the Greeks against the Trojans during the Trojan War. In the Odyssey, during the sea-voyage from Troy back home to Ithaca, the Greek hero Odysseus provokes Poseidon's fury by blinding his son, the Cyclops Polyphemus, resulting in Poseidon punishing him with storms, the complete loss of his ship and companions, a ten-year delay. Poseidon is the subject of a Homeric hymn. In Plato's Timaeus and Critias, the island of Atlantis was Poseidon's domain; the earliest attested occurrence of the name, written in Linear B, is Po-se-da-o or Po-se-da-wo-ne, which correspond to Ποσειδάων and Ποσειδάϝονος in Mycenean Greek. The form Ποτειδάϝων appears in Corinth. A common epithet of Poseidon is Ἐνοσίχθων Enosichthon, "Earth-shaker", an epithet, identified in Linear B, as, E-ne-si-da-o-ne, This recalls his epithets Ennosidas and Ennosigaios indicating the chthonic nature of Poseidon.
The origins of the name "Poseidon" are unclear. One theory breaks it down into an element meaning "husband" or "lord" and another element meaning "earth", producing something like lord or spouse of Da, i.e. of the earth. Walter Burkert finds that "the second element da- remains hopelessly ambiguous" and finds a "husband of Earth" reading "quite impossible to prove."Another theory interprets the second element as related to the word *δᾶϝον dâwon, "water". There is the possibility that the word has Pre-Greek origin. Plato in his dialogue Cratylus gives two alternative etymologies: either the sea restrained Poseidon when walking as a "foot-bond", or he "knew many things". At least a few sources deem Poseidon as a "prehellenic" word, considering an Indo-European etymology "quite pointless". If surviving Linear B clay tablets can be trusted, the name po-se-da-wo-ne occurs with greater frequency than does di-u-ja. A feminine variant, po-se-de-ia, is found, indicating a lost consort goddess, in effect the precursor of Amphitrite.
Poseidon carries the title wa-na-ka in Linear B inscriptions, as king of the underworld. The chthonic nature of Poseidon-Wanax is indicated by his title E-ne-si-da-o-ne in Mycenean Knossos and Pylos, a powerful attribute. In the cave of Amnisos Enesidaon is related with the cult of the goddess of childbirth, she was related with the annual birth of the divine child. During the Bronze Age, a goddess of nature, dominated both in Minoan and Mycenean cult, Wanax was her male companion in Mycenean cult, it is possible that Demeter appears as Da-ma-te in a Linear B inscription, however the interpretetion is still under dispute. In Linear B inscriptions found at Pylos, E-ne-si-da-o-ne is related with Poseidon, Si-to Po-tini-ja is related with Demeter. Tablets from Pylos record sacrificial goods destined for "the Two Queens and Poseidon"; the "Two Queens" may be related with Demeter and Persephone, or their precursors, goddesses who were not associated with Poseidon in periods. The illuminating exception is the archaic and localised myth of the stallion Poseidon and mare Demeter at Phigalia in isolated and conservative Arcadia, noted by Pausanias as having fallen into desuetude.
The violated Demeter was Demeter Erinys. In Arcadia, Demeter's mare-form was worshiped into historical times, her xoanon of Phigaleia shows. A Medusa type with a horse's head with snaky hair, holding a dove and a dolphin representing her power over air and water, it seems that the Arcadian myth is related with the first Greek speaking people who entered the region during the Bronze Age.. Their religious beliefs were mixed with the beliefs of the indigenous population, it is possible that the Greeks did not bring with them other gods except Zeus and the Dioskouroi. The horse was related with the liquid element, with the underworld. Poseidon appears as a beast, the river spirit of the underworld, as it happens in northern-European folklore, not unusually in Greece. Poseidon “Wanax”, is the male companion of the goddess of nature. In the relative Minoan myth, Pasiphaë is mating with the white bull, she bears the hybrid creature Minotaur; the Bull was the old pre-Olympian Poseidon. The goddess of nature and her paredros survived in the Eleusinian cult, where the following words were uttered: " Mighty Potnia bore a strong son"In the sea-dependent Mycenaean culture, there is not sufficient evidence that Poseidon was connected with the sea.
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Boeotia, sometimes alternatively Latinised as Boiotia, or Beotia, is one of the regional units of Greece. It is part of the region of Central Greece, its capital is Livadeia, its largest city is Thebes. Boeotia was a region of ancient Greece, since before the 6th century BC. Boeotia lies to the north of the eastern part of the Gulf of Corinth, it has a short coastline on the Gulf of Euboea. It bordered on Megaris in the south, Attica in the southeast, Euboea in the northeast, Opuntian Locris in the north and Phocis in the west; the main mountain ranges of Boeotia are Mount Parnassus in the west, Mount Helicon in the southwest, Cithaeron in the south and Parnitha in the east. Its longest river, the Cephissus, flows in the central part, where most of the low-lying areas of Boeotia are found. Lake Copais was a large lake in the center of Boeotia, it was drained in the 19th century. Lake Yliki is a large lake near Thebes; the earliest inhabitants of Boeotia, associated with the city of Orchomenus, were called Minyans.
Pausanias mentions that Minyans established the maritime Ionian city of Teos, occupied the islands of Lemnos and Thera. The Argonauts were sometimes referred to as Minyans. According to legend the citizens of Thebes paid an annual tribute to their king Erginus; the Minyans may have been proto-Greek speakers, but although most scholars today agree that the Mycenean Greeks descended from the Minyans of the Middle Helladic period, they believe that the progenitors and founders of Minyan culture were an autochthonous group. The early wealth and power of Boeotia is shown by the reputation and visible Mycenean remains of several of its cities Orchomenus and Thebes; the origin of the name "Boeotians" may lie in the mountain Boeon in Epirus. Some toponyms and the common Aeolic dialect indicate that the Boeotians were related to the Thessalians. Traditionally, the Boeotians are said to have occupied Thessaly, the largest fertile plain in Greece, to have been dispossessed by the north-western Thessalians two generations after the Fall of Troy.
They moved south and settled in another rich plain, while others filtered across the Aegean and settled on Lesbos and in Aeolis in Asia Minor. Others are said to have stayed in Thessaly, withdrawing into the hill country and becoming the perioikoi. Though far from Anthela, which lay on the coast of Malis south of Thessaly in the locality of Thermopylae, Boeotia was an early member of the oldest religious Amphictyonic League because her people had lived in Thessaly. Many ancient Greek legends are set in this region; the older myths took their final form during the Mycenean age when the Mycenean Greeks established themselves in Boeotia and the city of Thebes became an important centre. Many of them are related to the myths of Argos, others indicate connections with Phoenicia, where the Mycenean Greeks and the Euboean Greeks established trading posts. Important legends related to Boeotia include: Eros, worshiped by a fertility cult in Thespiae The Muses of Mount Helicon Ogyges and the Ogygian deluge Cadmus, said to have founded Thebes and brought the alphabet to Greece Dionysus and Semele Narcissus Heracles, born in Thebes The Theban Cycle, including the myths of Oedipus and the Sphinx, the Seven against Thebes Antiope and her sons Amphion and Zethus Niobe Orion, born in Boeotia and said to have fathered 50 sons with a local river god's daughters.
Many of these legends were used in plays by the tragic Greek poets, Aeschylus and Euripides: Aeschylus's Seven Against Thebes Sophocles's Oedipus Rex, Oedipus at Colonus, Antigone, known as the Theban plays Euripides's Bacchae, Phoenician Women and HeraclesThey were used in lost plays such as Aeschylus's Niobe and Euripides's Antiope. Boeotia was notable for the ancient oracular shrine of Trophonius at Lebadea. Graea, an ancient city in Boeotia, is sometimes thought to be the origin of the Latin word Graecus, from which English derives the words Greece and Greeks; the major poets Hesiod and Pindar were Boeotians. Boeotia had significant political importance, owing to its position on the north shore of the Gulf of Corinth, the strategic strength of its frontiers, the ease of communication within its extensive area. On the other hand, the lack of good harbours hindered its maritime development; the importance of the legendary Minyae has been confirmed by archaeological remains. The Boeotian population entered the land from the north before the Dorian invasion.
With the exception of the Minyae, the original peoples were soon absorbed by these immigrants, the Boeotians henceforth appear as a homogeneous nation. Aeolic Greek was spoken in Boeotia. In historical times, the leading city of Boeotia was Thebes, whose central position and military strength made it a suitable capital, it was the constant ambition of the Thebans to absorb the other townships into a single state, just as Athens had annexed the Attic communities. But the outlying cities resisted this policy, only allowed the formation of a loose federation, religious. While the Boeotians, unlike the Arcadians acted as a united whole against foreign enemies, the constant struggle between the cities was a serious check on the nation's development. Boeotia hardly figures in history before the late 6th century BC. Previous to this, its people are chiefly known as the makers of a type of geometric pottery, similar to
A deity is a supernatural being considered divine or sacred. The Oxford Dictionary of English defines deity as "a god or goddess". C. Scott Littleton defines a deity as "a being with powers greater than those of ordinary humans, but who interacts with humans, positively or negatively, in ways that carry humans to new levels of consciousness, beyond the grounded preoccupations of ordinary life". In the English language, a male deity is referred to as a god, while a female deity is referred to as a goddess. Religions can be categorized by. Monotheistic religions accept only one deity, polytheistic religions accept multiple deities. Henotheistic religions accept one supreme deity without denying other deities, considering them as aspects of the same divine principle. Although most monotheistic religions traditionally envision their God as omnipotent, omniscient and eternal, none of these qualities are essential to the definition of a "deity" and various cultures conceptualized their deities differently.
Monotheistic religions refer to God in masculine terms, while other religions refer to their deities in a variety of ways – masculine, feminine and without gender. Many ancient cultures – including the ancient Mesopotamians, Greeks and Norsemen– personified natural phenomena, variously as either deliberate causes or effects; some Avestan and Vedic deities were viewed as ethical concepts. In Indian religions, deities were envisioned as manifesting within the temple of every living being's body, as sensory organs and mind. Deities were envisioned as a form of existence after rebirth, for human beings who gain merit through an ethical life, where they become guardian deities and live blissfully in heaven, but are subject to death when their merit is lost; the English language word "deity" derives from Old French deité, the Latin deitatem or "divine nature", coined by Augustine of Hippo from deus. Deus is related through a common Proto-Indo-European origin to *deiwos; this root yields the ancient Indian word Deva meaning "to gleam, a shining one", from *div- "to shine", as well as Greek dios "divine" and Zeus.
Deva is masculine, the related feminine equivalent is devi. Etymologically, the cognates of Devi are Greek thea. In Old Persian, daiva- means "demon, evil god", while in Sanskrit it means the opposite, referring to the "heavenly, terrestrial things of high excellence, shining ones"; the linked term "god" refers to "supreme being, deity", according to Douglas Harper, is derived from Proto-Germanic *guthan, from PIE *ghut-, which means "that, invoked". Guth in the Irish language means "voice"; the term *ghut- is the source of Old Church Slavonic zovo, Sanskrit huta-, from the root *gheu-,An alternate etymology for the term "god" comes from the Proto-Germanic Gaut, which traces it to the PIE root *ghu-to-, derived from the root *gheu-. The term *gheu- is the source of the Greek khein "to pour"; the German root was a neuter noun. The gender of the monotheistic God shifted to masculine under the influence of Christianity. In contrast, all ancient Indo-European cultures and mythologies recognized both masculine and feminine deities.
There is no universally accepted consensus on what a deity is, concepts of deities vary across cultures. Huw Owen states that the term "deity or god or its equivalent in other languages" has a bewildering range of meanings and significance, it has ranged from "infinite transcendent being who created and lords over the universe", to a "finite entity or experience, with special significance or which evokes a special feeling", to "a concept in religious or philosophical context that relates to nature or magnified beings or a supra-mundane realm", to "numerous other usages". A deity is conceptualized as a supernatural or divine concept, manifesting in ideas and knowledge, in a form that combines excellence in some or all aspects, wrestling with weakness and questions in other aspects, heroic in outlook and actions, yet tied up with emotions and desires. In other cases, the deity is a principle or reality such as the idea of "soul"; the Upanishads of Hinduism, for example, characterize Atman as deva, thereby asserting that the deva and eternal supreme principle is part of every living creature, that this soul is spiritual and divine, that to realize self-knowledge is to know the supreme.
Theism is the belief in the existence of one or more deities. Polytheism is the belief in and worship of multiple deities, which are assembled into a pantheon of gods and goddesses, with accompanying rituals. In most polytheistic religions, the different gods and goddesses are representations of forces of nature or ancestral principles, can be viewed either as autonomous or as aspects or emanations of a creator God or transcendental absolute principle, which manifests immanently in nature. Henotheism accepts the existence of more than one deity, but considers all deities as equivalent representations or aspects of the same divine principle, the highest. Monolatry is the belief that many deities exist, but that only one of these deities may be validly worshipped. Monotheism is the belief. A monotheistic deity, known as "God", is u
Sir William Smith was an English lexicographer. He made advances in the teaching of Greek and Latin in schools. Smith was born in Enfield in 1813 of Nonconformist parents, he attended the Madras House school of John Allen in Hackney. Destined for a theological career, he instead was articled to a solicitor. In his spare time he taught himself classics, when he entered University College London he carried off both the Greek and Latin prizes, he was entered at Gray's Inn in 1830, but gave up his legal studies for a post at University College School and began to write on classical subjects. Smith next turned his attention to lexicography, his first attempt was A Dictionary of Greek and Roman Antiquities, which appeared in 1842, the greater part being written by him. Followed the Dictionary of Greek and Roman Biography and Mythology in 1849. A parallel Dictionary of Greek and Roman Geography appeared in 1857, with some leading scholars of the day associated with the task. In 1867, he became editor of a post he held until his death.
Meanwhile, he published the first of several school dictionaries in 1850, in 1853 he began the Principia series, which marked an advance in the school teaching of Greek and Latin. Came the Student's Manuals of History and Literature, of which the English literature volume went into 13 editions, he himself wrote the Greek history volume. He was joined in the venture by the publisher John Murray when the original publishing partner met difficulties. Murray was the publisher of the 1214-page Latin–English Dictionary based upon the works of Forcellini and Freund that Smith completed in 1855; this was periodically reissued over the next thirty-five years. It goes beyond "classical" Latin to include many entries not found in other dictionaries of the period, including Lewis and Short; the most important of the books Smith edited were those that dealt with ecclesiastical subjects. These were the Dictionary of the Bible; the Atlas, on which Sir George Grove collaborated, appeared in 1875. From 1853 to 1869 Smith was classical examiner to the University of London, on his retirement he became a member of the Senate.
He sat on the Committee to inquire into questions of copyright, was for several years registrar of the Royal Literary Fund. He edited Gibbon, with Guizot's and Milman's notes, in 1854–1855. Dictionary of Greek and Roman biography and mythology Smith was created a DCL by Oxford and Dublin, the honour of a knighthood was conferred on him in 1892, he died on 7 October 1893 in London. This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed.. "Smith, Sir William". Encyclopædia Britannica. 25. Cambridge University Press. Pp. 270–271. Works by William Smith at Project Gutenberg Works by or about William Smith at Internet Archive "Smith, Sir William". A Short Biographical Dictionary of English Literature. 1910 – via Wikisource. A Short History of Ancient Greece with notes, study links and illustration by Elpenor Online facsimile version of Dictionary of Greek and Roman Biography and Mythology Online facsimile version of Dictionary of Greek and Roman Antiquities Dictionary of Greek and Roman Antiquities
Ancient Greek religion encompasses the collection of beliefs and mythology originating in ancient Greece in the form of both popular public religion and cult practices. These groups varied enough for it to be possible to speak of Greek religions or "cults" in the plural, though most of them shared similarities. Most ancient Greeks recognized the twelve major Olympian gods and goddesses:, although philosophies such as Stoicism and some forms of Platonism used language that seems to assume a single transcendent deity; the worship of these deities, several others, was found across the Greek world, though they have different epithets that distinguished aspects of the deity, reflect the absorption of other local deities into the pan-Hellenic scheme. The religious practices of the Greeks extended beyond mainland Greece, to the islands and coasts of Ionia in Asia Minor, to Magna Graecia, to scattered Greek colonies in the Western Mediterranean, such as Massalia. Early Italian religions such as the Etruscan were influenced by Greek religion in forming much of the ancient Roman religion.
While there were few concepts universal to all the Greek peoples, there were common beliefs shared by many. Ancient Greek theology was polytheistic, based on the assumption that there were many gods and goddesses, as well as a range of lesser supernatural beings of various types. There was a hierarchy of deities, with Zeus, the king of the gods, having a level of control over all the others, although he was not almighty; some deities had dominion over certain aspects of nature. For instance, Zeus was the sky-god, sending thunder and lightning, Poseidon ruled over the sea and earthquakes, Hades projected his remarkable power throughout the realms of death and the Underworld, Helios controlled the sun. Other deities ruled over abstract concepts. All significant deities were visualized as "human" in form, although able to transform themselves into animals or natural phenomena. While being immortal, the gods were not all-good or all-powerful, they had to obey fate, known to Greek mythology as the Moirai, which overrode any of their divine powers or wills.
For instance, in mythology, it was Odysseus' fate to return home to Ithaca after the Trojan War, the gods could only lengthen his journey and make it harder for him, but they could not stop him. The gods had human vices, they would interact with humans, sometimes spawning children with them. At times certain gods would be opposed to others, they would try to outdo each other. In the Iliad, Aphrodite and Apollo support the Trojan side in the Trojan War, while Hera and Poseidon support the Greeks; some gods were associated with a certain city. Athena was associated with the city of Athens, Apollo with Delphi and Delos, Zeus with Olympia and Aphrodite with Corinth, but other gods were worshipped in these cities. Other deities were associated with nations outside of Greece. Identity of names was not a guarantee of a similar cultus. Though the worship of the major deities spread from one locality to another, though most larger cities boasted temples to several major gods, the identification of different gods with different places remained strong to the end.
The Greeks believed in an underworld. One of the most widespread areas of this underworld was ruled over by Hades, a brother of Zeus, was known as Hades. Other well known realms are Tartarus, a place of torment for the damned, Elysium, a place of pleasures for the virtuous. In the early Mycenean religion all the dead went to Hades, but the rise of mystery cults in the Archaic age led to the development of places such as Tartarus and Elysium. A few Greeks, like Achilles, Amphiaraus Ganymede, Melicertes, Peleus, a great number of those who fought in the Trojan and Theban wars, were considered to have been physically immortalized and brought to live forever in either Elysium, the Islands of the Blessed, the ocean, or beneath the ground; such beliefs are found in the most ancient such as Homer and Hesiod. This belief remained strong into the Christian era. For most people at the moment of death there was, however, no hope of anything but continued existence as a disembodied soul; some Greeks, such as the philosophers Pythagoras and Plato embraced the idea of reincarnation, though this was only accepted by a few.
Epicurus taught that the soul was atoms which dissolved at death, so there was no existence after death. Greek religion had an extensive mythology, it consisted of stories of the gods and how they interacted with humans. Myths revolved around heroes and their actions, such as Heracles and his twelve labors and his voyage home and the quest for the Golden Fleece and Theseus and the Minotaur. Many species existed in Greek mythology. Chief among these were the gods and humans, though the Titans frequently appeared in Greek myths. Lesser species included the half-man-half-horse centaurs, the nature based nymphs and the half man, half goat satyrs; some creatures in Greek mythology were monstrous, such as the one-eyed giant Cyclop
The Thebaid is a Latin epic in 12 books written in dactylic hexameter by Publius Papinius Statius. The poem deals with the Theban cycle and treats the assault of the seven champions of Argos against the city of Thebes. Based on Statius' own testimony, the Thebaid was written AD c. 80–c. 92, beginning when the poet was around 35, the work is thought to have been published in 91 or 92. According to the last verse of the poem, Statius wrote the Thebaid over the course of a dozen years during the reign of Emperor Domitian, although the symmetry of the compositional period, assigning one book per year, has been taken with suspicion by scholars; the poem is divided into twelve books in imitation of Vergil's Aeneid and is composed in 9,748 hexameter verses, the standard meter of Greco-Roman epics. In the Silvae, Statius speaks of his extensive work in polishing and revising the Thebaid and his public recitations of the poem. From the epilogue it seems clear that Statius considered the Thebaid to be his magnum opus and believed that it would secure him fame for the future.
Statius's Thebaid deals with the same subject as the Thebaid—an early Greek epic of several thousand lines which survives only in brief fragments, and, attributed by some classical Greek authors to Homer. A more important source for Statius was the long epic Thebais of Antimachus of Colophon, an important poem both in the development of the Theban cycle and the evolution of Hellenistic poetry. Statius' poem shows some parallels with Stesichorus' "Thebais". Significant for Statius were the myth's many treatments in Greek drama, represented by surviving plays such as Aeschylus's Seven Against Thebes, Sophocles's Antigone, Euripides's Phoenissae and Suppliants. Other authors provided models for specific sections of the poem. On the Latin side, Statius is indebted to Vergil, a debt he acknowledges in his epilogue. Statius emulates Vergil's Odyssean and Iliadic book division, concentrating aetiological material and traveling in the first six books and focusing on battle narratives in the second six, many episodes allude to sections in the Aeneid.
Ovid's considerable influence can be traced in Statius's handling of cosmic structure, description and verse. The influence of Lucan can be felt in Statius's penchant for macabre battle sequences, discussion of tyranny, focus on nefas. Seneca's tragedies seem to be an influence in the Thebaid in Statius's portrayal of family relations, generational curses and insanity. Book 1 The Thebaid opens with a priamel in which the poet rejects several themes dealing with Theban mythology and decides to focus on the House of Oedipus, following this is a recusatio and a passage in praise of Domitian; the narrative begins with Oedipus' prayer to the chthonic gods and curse on his sons Polyneices and Eteocles who have rejected and mistreated him. The Fury Tisiphone hears Oedipus' prayer and ascends to the earth to fulfill the curse, causing strife between Eteocles and Polyneices; this is followed by a council of the gods concilium deorum at which Jupiter informs the gods of his plan to involve Thebes and Argos in a war.
Mercury is sent to the underworld to fetch the shade of Laius to drive Eteocles to war. Meanwhile Polyneices is driven by a storm to Argos and the threshold of Adrastus's palace, where he meets Tydeus, an exile from Calydon, seeking shelter, fights with him. Adrastus invites the two exiles in, feasts them, and, in fulfillment of a prophecy, offers them his daughters to marry; the book ends with Adrastus' prayer to Apollo. Book 2 The second book begins with Mercury's guidance of the shade of Laius to Thebes. Adrastus marries Polyneices to Tydeus to Deipyle in a ceremony marred by ill omens; the poet describes the necklace of Harmonia, which Argia wears to the wedding, as an object that brings its bearers bad luck and causes strife. Polyneices sends Tydeus on an embassy to Eteocles to remind him. Eteocles refuses Tydeus' request for him to give up the throne. Tydeus leaves in a rage and Eteocles sends an ambush to kill him as he returns in a mountain pass. Tydeus kills all the ambushers except Maeon.
Tydeus attaches the battle trophies—taken from the slain—to an oak tree as he prays to Minerva. Book 3 Maeon returns to Thebes, reports the slaughter to Eteocles, criticizing the tyrant's behavior, commits suicide; the Thebans go out to bury the dead. Jupiter orders Mars to go to earth to stir up war, but Venus blocks his chariot, beseeching him to prevent the war. Mars follows Jupiter's commands and heads to earth, stirring up trouble in the cities and driving Adrastus and Polyneices to decl
Publius Papinius Statius was a Roman poet of the 1st century AD. His surviving Latin poetry includes an epic in the Thebaid, he is known for his appearance as a guide in the Purgatory section of Dante's epic poem, the Divine Comedy. Information about Statius' life is entirely drawn from his Silvae and a mention by the satirist Juvenal, he was born to a family of Graeco-Campanian origin. The poet's father was a native of Velia but moved to Naples and spent time in Rome where he taught with marked success. From boyhood to adulthood, Statius' father proved himself a champion in the poetic contests at Naples in the Augustalia and in the Nemean and Isthmian games, which served as important events to display poetic skill during the early empire. Statius declares in his lament for his father that his father was in his time equal to any literary task, whether in prose or verse, he mentioned Mevania, may have spent time there, or been impressed by the confrontation of Vitellius and Vespasian in 69. Statius' father may have lost his status because of money troubles.
At Naples, he was a teacher of Greek and Roman literature who attracted many pupils who were destined for religious offices in Rome. He died in 79 AD. From Pliny the Younger's Letters, it has been deduced that Statius wrote under the pseudonym of Propertius. Less is known of the events of Statius' life, he was born c. 45 AD. From his boyhood he was victorious in poetic contests many times at his native Naples and three times at the Alban Festival, where he received the golden crown from the hand of the emperor Domitian who had instituted the contest. For the Alban Festival, Statius composed a poem on the German and Dacian campaigns of Domitian which Juvenal lampoons in his seventh satire. Statius is thought to have moved to Rome c. 90 after his father's death where he published his acclaimed epic poem the Thebaid c. 92. In the capital, Statius seems to have made many connections among the Roman aristocracy and court, he was supported through their patronage. Statius produced the first three books of occasional poetry, his Silvae, which were published in 93, which sketch his patrons and acquaintances of this period and mention his attendance at one of Domitian's Saturnalia banquets.
He competed in the great Capitoline competition, although it is not known in what year, although 94 has been suggested. Statius failed to win the coveted prize, a loss he took hard; the disappointment may have prompted his return to Naples around 94, the home of his youth. In existence is a poem he addressed to his wife, the widow of a famous singer who had a musically talented daughter by her first husband, on this occasion. Statius' first three books of the Silvae seem to have received some criticism, in response he composed a fourth book' at Naples, published in 95. During this period at Naples, Statius maintained his relations with the court and his patrons, earning himself another invitation to a palace banquet, he seems to have taken an interest in the marriage and career of his stepdaughter and he took a young slave boy under his wing, as he was childless, who died c. 95. In that same year Statius embarked on a new epic, the Achilleid, giving popular recitations of his work only to complete a book and a half before dying in 95, leaving the poem unfinished.
His fifth book of Silvae were published after his death c. 96. As a poet, Statius was versatile in his contrived to represent his work as otium. Taught by his educated father, Statius was familiar with the breadth of classical literature and displayed his learning in his poetry, densely allusive and has been described as elaborate and mannerist, he was able to compose in hexameter, hendecasyllable and Sapphic meters, to produce researched and refined epic and polished impromptu pieces, to treat a variety of themes with the dazzling rhetorical and poetic skill that inspired the support of his patrons and the emperor. Some of Statius' works, such as his poems for his competitions, have been lost. Based on Statius' own testimony, the Thebaid was written c. 80 – c. 92 AD, beginning when the poet was around 35, the work is thought to have been published in 91 or 92. The poem is divided into twelve books in imitation of Virgil's Aeneid and is composed in dactylic hexameter. In the Silvae, Statius speaks of his extensive work in polishing and revising the Thebaid and his public recitations of the poem.
From the epilogue it seems clear that Statius considered the Thebaid to be his magnum opus and believed that it would secure him fame for the future. In the poem, Statius follows Virgil as a model, but he refers to a wide range of sources in his handling of meter and episodes; the poem's theme is the myth of the Seven Against Thebes, the story of the battle between the sons of Oedipus for the throne of Thebes. The poem opens with the disgraced Oedipus' curse on his two sons and Polyneices, who have decided to hold the throne of Thebes in alternate years, one ruling, the other in exile. Jupiter plans a war between Thebes and Argos, although Juno begs him not to inc