1.
Greece
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Greece, officially the Hellenic Republic, historically also known as Hellas, is a country in southeastern Europe, with a population of approximately 11 million as of 2015. Athens is the capital and largest city, followed by Thessaloniki. Greece is strategically located at the crossroads of Europe, Asia, situated on the southern tip of the Balkan peninsula, it shares land borders with Albania to the northwest, the Republic of Macedonia and Bulgaria to the north, and Turkey to the northeast. Greece consists of nine regions, Macedonia, Central Greece, the Peloponnese, Thessaly, Epirus, the Aegean Islands, Thrace, Crete. The Aegean Sea lies to the east of the mainland, the Ionian Sea to the west, the Cretan Sea and the Mediterranean Sea to the south. Greece has the longest coastline on the Mediterranean Basin and the 11th longest coastline in the world at 13,676 km in length, featuring a vast number of islands, eighty percent of Greece is mountainous, with Mount Olympus being the highest peak at 2,918 metres. From the eighth century BC, the Greeks were organised into various independent city-states, known as polis, which spanned the entire Mediterranean region and the Black Sea. Greece was annexed by Rome in the second century BC, becoming a part of the Roman Empire and its successor. The Greek Orthodox Church also shaped modern Greek identity and transmitted Greek traditions to the wider Orthodox World, falling under Ottoman dominion in the mid-15th century, the modern nation state of Greece emerged in 1830 following a war of independence. Greeces rich historical legacy is reflected by its 18 UNESCO World Heritage Sites, among the most in Europe, Greece is a democratic and developed country with an advanced high-income economy, a high quality of life, and a very high standard of living. A founding member of the United Nations, Greece was the member to join the European Communities and has been part of the Eurozone since 2001. Greeces unique cultural heritage, large industry, prominent shipping sector. It is the largest economy in the Balkans, where it is an important regional investor, the names for the nation of Greece and the Greek people differ from the names used in other languages, locations and cultures. The earliest evidence of the presence of human ancestors in the southern Balkans, dated to 270,000 BC, is to be found in the Petralona cave, all three stages of the stone age are represented in Greece, for example in the Franchthi Cave. Neolithic settlements in Greece, dating from the 7th millennium BC, are the oldest in Europe by several centuries and these civilizations possessed writing, the Minoans writing in an undeciphered script known as Linear A, and the Mycenaeans in Linear B, an early form of Greek. The Mycenaeans gradually absorbed the Minoans, but collapsed violently around 1200 BC and this ushered in a period known as the Greek Dark Ages, from which written records are absent. The end of the Dark Ages is traditionally dated to 776 BC, the Iliad and the Odyssey, the foundational texts of Western literature, are believed to have been composed by Homer in the 7th or 8th centuries BC. With the end of the Dark Ages, there emerged various kingdoms and city-states across the Greek peninsula, in 508 BC, Cleisthenes instituted the worlds first democratic system of government in Athens
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Tripoli, Greece
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Tripoli is a city in the central part of the Peloponnese, in Greece. It is the capital of the Peloponnese region as well as of the unit of Arcadia. The homonym municipality has around 47,000 inhabitants, in the Middle Ages the place was known as Drobolitsa, Droboltsá, or Dorboglitza, either from the Greek Hydropolitsa, Water City or perhaps from the South Slavic for Plain of Oaks. The association made by 18th- and 19th-century scholars with the idea of the three cities, were considered paretymologies by G. C, the Ottoman Turks referred to the town and the district as Tripoliçe. In spring 1770 during a Greek uprising known as Orlov Revolt, as a retaliation of the Greek uprising Albanian mercenaries of the Ottomans slaughtered 3,000 Greeks in a few hours upon entering the city. Total massacre and destruction of the city was avoided after intervention of Osman bey, before the Greek War of Independence, under the Ottoman name of Tripoliçe, it was one of the Ottoman administrative centers in the Peloponnese and had large Muslim and Jewish populations. Ibrahim Pasha retook the city on June 22,1825, after it had abandoned by the Greeks. Before he evacuated the Peloponnese in early 1828, he destroyed the city, after the independent Greek state was established in 1830, Tripoli was rebuilt and was developed as one of the main cities of the Kingdom of Greece, serving as the capital of the Arcadia district. During the 19th and the 20th centuries the city emerged to be the administrative, economic, commercial and transportation center of central, the city of Tripolis has a mediterranean climate. The southwest of the Tripolis basin formerly consisted of wetlands which have now been drained and converted to farmland, because of its inland location and high altitude, Tripolis has a transitional mediterranean/continental climate with hot dry summers and cold winters. Summer temperatures can exceed 38 °C and in temperatures below −10 °C have been observed. Snow or sleet can occur several times between late October and early April and its main plazas are aligned with the main street and with a highway linking to Pyrgos and Patras. One of them is named Kennedy, the other is named Georgiou B, the southern part has its main street named Washington. The main section of the city is enclosed around the walls that were built during the Ottoman occupation of Greece. An industrial park has been built in the southwest.805 km2, because it is at the centre of the Peloponnese, Tripolis is a transportation hub. An alternative route is the GR-7 which used to be the main highway to Tripoli before the construction of the motorway, the city is also accessed by GR-74 and GR-76 from Pyrgos and by GR-39 from Sparta. Tripoli is served by the metre gauge line from Corinth to Kalamata of the Hellenic Railways Organisation. The line was renovated and passenger services to Árgos and Corinth, however, in December 2010 services ceased again due to the general suspension of railway services in the Peloponnese
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Vehicle registration plates of Greece
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Greek vehicle registration plates are composed of three letters and four digits per plate. The letters represent the district that issues the plates while the numbers begin from 1000 to 9999, similar plates with digits beginning from 1 to 999 are issued for motorcycles which exceed 50 cc. With the exception of Athens and Thessaloniki, all districts are represented by the first 2 letters, the final letter in the sequence changes in Greek alphabetical order after 9,000 issued plates. For example, Patras plates are ΑΧΑ-1000, where ΑΧ represents the Achaia prefecture of which Patras is the capital, when ΑΧΑ-9999 is reached the plates turn to ΑΧΒ-1000 and this continues until ΑΧΧ is finished. Only the letters from the intersection between the Latin and Greek alphabets by glyph appearance are used, namely Α, Β, Ε, Ζ, Η, Ι, Κ, Μ, Ν, Ο, Ρ, Τ, Υ, Χ. This is because Greece is a party to the Vienna Convention on Road Traffic. The rule applies in a way in Russia, Ukraine, Belarus, Bosnia and Herzegovina. Combinations used for residents are L-NNNN and are limited. Until 2003, taxis used L-NNNN, the plate was aligned with the prefecture, when number plates were introduced to Greece, they were numbered and in the late 1950s the system was L-NNN and LL-NNN. The letters were Greek letters and Latin letters, respectively, in 1956, the system was NNNNNN. In 1972, they became lettered and the system was LL-NNNN while trucks used L-NNNN, in 1983, the system was LLL-NNNN and the first two letters are prefecture letters. In 2004, the euroband was added, the first 2 of 3 letters of a licence plate usually represent the prefecture where the car was registered. Π. — Disabled in war ΔΟΚ — Test plates ΔΣ — Corps Diplomatique or foreign delegation Ε. Α. or ΕΛ. ΑΣ. — Hellenic Police ΛΣ — Coast Guard ΞΑ — Foreign missions ΕΣ — Hellenic Army ΠΑ — Hellenic Air Force ΠΝ — Hellenic Navy ΠΣ — Fire Guard ΠΚ — President of the Government, i. e
4.
Peloponnese
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The Peloponnese or Peloponnesus is a peninsula and geographic region in southern Greece. It is separated from the part of the country by the Gulf of Corinth. During the late Middle Ages and the Ottoman era, the peninsula was known as the Morea, the peninsula is divided among three administrative regions, most belongs to the Peloponnese region, with smaller parts belonging to the West Greece and Attica regions. In 2016, Lonely Planet voted the Peloponnese the top spot of their Best in Europe list, the Peloponnese is a peninsula that covers an area of some 21,549.6 square kilometres and constitutes the southernmost part of mainland Greece. It has two connections with the rest of Greece, a natural one at the Isthmus of Corinth. The peninsula has an interior and deeply indented coasts. The Peloponnese possesses four south-pointing peninsulas, the Messenian, the Mani, the Cape Malea, mount Taygetus in the south is the highest mountain in the Peloponnese, at 2,407 metres. Οther important mountains include Cyllene in the northeast, Aroania in the north, Erymanthos and Panachaikon in the northwest, Mainalon in the center, the entire peninsula is earthquake prone and has been the site of many earthquakes in the past. The longest river is the Alfeios in the west, followed by the Evrotas in the south, extensive lowlands are found only in the west, with the exception of the Evrotas valley in the south and in the Argolid in the northeast. The Peloponnese is home to spectacular beaches, which are a major tourist draw. Two groups of islands lie off the Peloponnesian coast, the Argo-Saronic Islands to the east, the island of Kythera, off the Epidaurus Limera peninsula to the south of the Peloponnese, is considered to be part of the Ionian Islands. The island of Elafonissos used to be part of the peninsula but was separated following the quake of 365 AD. Since antiquity, and continuing to the present day, the Peloponnese has been divided into seven regions, Achaia, Corinthia, Argolid, Arcadia, Laconia, Messinia. Each of these regions is headed by a city, the largest city is Patras in Achaia, followed by Kalamata in Messinia. The peninsula has been inhabited since prehistoric times and its modern name derives from ancient Greek mythology, specifically the legend of the hero Pelops, who was said to have conquered the entire region. The name Peloponnesos means Island of Pelops, the Mycenaean civilization, mainland Greeces first major civilization, dominated the Peloponnese in the Bronze Age from its stronghold at Mycenae in the north-east of the peninsula. The Mycenean civilization collapsed suddenly at the end of the 2nd millennium BC, archeological research has found that many of its cities and palaces show signs of destruction. The subsequent period, known as the Greek Dark Ages, is marked by an absence of written records
5.
Pan (god)
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In Greek religion and mythology, Pan is the god of the wild, shepherds and flocks, nature of mountain wilds and rustic music, and companion of the nymphs. His name originates within the ancient Greek language, from the word paein, meaning to pasture and he has the hindquarters, legs, and horns of a goat, in the same manner as a faun or satyr. With his homeland in rustic Arcadia, he is recognized as the god of fields, groves, and wooded glens, because of this, Pan is connected to fertility. The ancient Greeks also considered Pan to be the god of theatrical criticism, in the 18th and 19th centuries, Pan became a significant figure in the Romantic movement of western Europe and also in the 20th-century Neopagan movement. Many modern scholars consider Pan to be derived from the reconstructed Proto-Indo-European god *Péh2usōn, the Hindu god Pushan is believed to be a cognate of Pan. The connection between Pan and Pushan was first identified in 1924 by the German scholar Hermann Collitz, the name Pan is probably also a cognate with the Greek word πάειν, meaning to pasture, which shares an origin with the modern English word pasture. In his earliest appearance in literature, Pindars Pythian Ode iii,78, Pan is associated with a mother goddess, perhaps Rhea or Cybele, Pindar refers to virgins worshipping Cybele and Pan near the poets house in Boeotia. In some early sources such as Pindar, his father is Apollo via Penelope, Herodotus, Cicero, Apollodorus and Hyginus all make Hermes and Penelope his parents. Pausanias 8.12.5 records the story that Penelope had in fact been unfaithful to her husband, other sources report that Penelope slept with all 108 suitors in Odysseus absence, and gave birth to Pan as a result. This myth reflects the folk etymology that equates Pans name with the Greek word for all, in the mystery cults of the highly syncretic Hellenistic era, Pan is made cognate with Phanes/Protogonos, Zeus, Dionysus and Eros. Accounts of Pans genealogy are so varied that it must lie buried deep in mythic time, like other nature spirits, Pan appears to be older than the Olympians, if it is true that he gave Artemis her hunting dogs and taught the secret of prophecy to Apollo. Pan might be multiplied as the Pans or the Paniskoi, Kerenyi notes from scholia that Aeschylus in Rhesus distinguished between two Pans, one the son of Zeus and twin of Arcas, and one a son of Cronus. In the retinue of Dionysos, or in depictions of landscapes, there appeared not only a great Pan, but also little Pans, Paniskoi. The worship of Pan began in Arcadia which was always the seat of his worship. Arcadia was a district of people, culturally separated from other Greeks. Greek hunters used to scourge the statue of the god if they had been disappointed in the chase. Being a rustic god, Pan was not worshipped in temples or other built edifices and these are often referred to as the Cave of Pan. In the 4th century BC Pan was depicted on the coinage of Pantikapaion, the goat-god Aegipan was nurtured by Amalthea with the infant Zeus in Athens
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Mainalo
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The Mainalo, named after the mythical Maenalus, son of Lycaon, is a mountain range that spans about 15 to 20 km from north to south and from east to west from 5 to 10 km. Much of the used to be covered in old-growth forests but most were burnt in 2000. In the medieval times and until the late-20th century, the mountain was known as Apano Chrepa and it is also a village which is located in the mountain range and dates back to the ancient times. The mountain is home to the resort which is located in the middle of a mountain 20 km NW of Tripoli and 9 km SW of GR-74/GR-33. The elevation of the resort is at 1,550 m. The panorama of the part of Arcadia and the Lyrkian mountains. There is a tower which broadcasts television and radio stations to Tripoli. The name of the mountain comes from a figure in Greek mythology, the western part west of Mainalo does not have much roads. The mountaintop which is known as Ostrakia elevates at 1,860 m is in the northwest central part. Mainalo is also the tallest mountain in Arcadia, the highest mountaintop is named Profiti Ilia. The entire area is also a parkland, euthymenes of Maenalus, won gold in 400 and 392 BC. Mentions of Maenalos in classical texts Mainalo Ski Center Levidi Mountains Forecasts on Mainalo University of Patras article on Mainalo
7.
Taygetus
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The Taygetus, Taugetus, Taygetos, or Taÿgetus, is a mountain range in the Peloponnese peninsula in Southern Greece. The highest mountain of the range is Mount Taygetus, also known as the Profitis Ilias, the name is one of the oldest recorded in Europe, appearing in the Odyssey. In classical mythology, it was associated with the nymph Taygete, during Byzantine times and up until the 19th century, the mountain was also known as Pentadaktylos. The Taygetus Massif is about 100 km long, extending from the center of the Peloponnese to Cape Matapan and it contains the tallest mountain in the Peloponnese, the Profitis Ilias summit, reaching 2,404 m, this is probably the classical Mount Taléton mentioned by Pausanias. The summit is a prominent peak. It is prominent above the Isthmus of Corinth, which separating the Peloponnese from mainland Greece, numerous creeks wash down from the mountains and the Evrotas river has some of its headwaters in the northern part of the range. The western side of the houses the headwaters of the Viros gorge. Taygetus overlooks the cities of Sparta and Kalamata, whose skyline it dominates, the mountain range lies within the prefectures of Arcadia, Laconia and Messenia. Taygetus is crossed by Greek National Road 82, which links Kalamata to Sparta, the Rindomo Gorge separates the Central Range from Southern Taygetos. The section of Taygetus that forms the backbone of the Mani Peninsula is also known as Saggias, where the northern edge of the African Plate is being subducted in an irregular line a second orogeny occurs that is not entirely understood. The mountains of Italy and Greece are a combination of Folded Mountains, the Hellenic Subduction carries the leading edge of the African Plate under the Aegean Sea Plate at the Hellenic Trench. It follows an arc around the edge of the Peloponnese. The subduction on the west is to the northeast, on the east to the northwest, the average direction is N 21° E. In the islands and southern Greece a fault-block mountain orogeny prevails due to a set of crustal movements. On the one hand the Aegean Sea Plate is being raised by the subduction, Mount Taygetus is a limestone horst bordering the Eurotas Rift Valley. Below its eastern face is the Sparta fault, a normal fault striking perpendicular to the direction of extension, footwall scarps are visible on the eastern side of Taygetus at the base of its spurs. They result from sudden slippages of the wall in the direction of the dip. Single earthquakes result in 1–12 m of scarp, the Sparta fault is zig-zag in strike, varying between N 170° E and N 140° E
8.
Et in Arcadia ego
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Et in Arcadia ego is a 1637–38 painting by Nicolas Poussin. It depicts a scene with idealized shepherds from classical antiquity clustering around an austere tomb. It is held in the Louvre, Paris, Poussin painted two versions of the subject under the same title, his earlier version, painted in 1627, is held at Chatsworth House. An earlier treatment of the theme was painted by Guercino circa 1618–22, the translation of the phrase is Even in Arcadia, there am I. The usual interpretation is that I refers to death, and Arcadia means a utopian land and it would thus be a memento mori. During Antiquity, many Greeks lived in close to the sea. Only Arcadians, in the middle of the Peloponnese, lacked cities, were far from the sea, thus for urban Greeks, especially during the Hellenistic era, Arcadia symbolized pure, rural, idyllic life, far from the city. This reading was common in the 18th and 19th centuries, for example, William Hazlitt wrote that Poussin describes some shepherds wandering out in a morning of the spring, and coming to a tomb with this inscription, I also was an Arcadian. The former interpretation is now considered more likely, the ambiguity of the phrase is the subject of a famous essay by the art historian Erwin Panofsky. Either way, the sentiment was meant to set up an ironic contrast between the shadow of death and the usual idle merriment that the nymphs and swains of ancient Arcadia were thought to embody. The idea was taken up anew in the circle of Lorenzo de Medici in the 1460s and 1470s, in his pastoral work Arcadia, Jacopo Sannazaro fixed the Early Modern perception of Arcadia as a lost world of idyllic bliss, remembered in regretful dirges. Poussins own first version of the painting was commissioned as a reworking of Guercinos version. It is in a far more Baroque style than the later version, in the Chatsworth painting the shepherds are actively discovering the half-hidden and overgrown tomb, and are reading the inscription with curious expressions. The shepherdess, standing at the left, is posed in sexually suggestive fashion, the later version has a far more geometric composition and the figures are much more contemplative. The mask-like face of the shepherdess conforms to the conventions of the Classical Greek profile, according to an ancient tradition, this is the moment in which the art of painting is first discovered. Thus, the shadow is the first image in art history. But the shadow on the tomb is also a symbol of death, the meaning of this highly intricate composition seems to be that, from prehistory onward, the discovery of art has been the creative response of humankind to the shocking fact of mortality. The undated mid-eighteenth-century marble bas-relief is part of the Shepherds Monument, beneath it is the cryptic Shugborough inscription, as yet undeciphered
9.
Nicolas Poussin
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Nicolas Poussin was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. His work is characterized by clarity, logic, and order, until the 20th century he remained a major inspiration for such classically oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne. He worked in Rome for a circle of leading collectors from there and elsewhere, most of his works are history paintings of religious or mythological subjects that very often have a large landscape element. Early sketches attracted the notice of Quentin Varin, a painter, whose pupil Poussin became. There he entered the studios of the Flemish painter Ferdinand Elle and then of Georges Lallemand and he found French art in a stage of transition, the old apprenticeship system was disturbed, and the academic training destined to supplant it was not yet established by Simon Vouet. In Paris, Poussin was impressed by Italian art he viewed in the royal collection and he attempted to travel to Rome, but after reaching Florence he was forced, perhaps by ill health, to return to Paris. In 1622 he met Giambattista Marino, the poet to Marie de Medici. Marino employed him on illustrations for an edition of Ovids Metamorphoses. These Marino drawings preserved at Windsor Castle are among the few identifiable works of Poussin executed before his arrival in Rome. Marino took him into his household, and in 1624 enabled Poussin to rejoin him at Rome, Poussin was thirty when he arrived in Rome in 1624. At first he lodged with Simon Vouet, through Marino, he had been introduced to Marcello Sacchetti who in turn introduced him to another of his early patrons, Cardinal Francesco Barberini. However, their return from Spain in 1626 stabilized Poussin’s position, with renewed patronage by the Barberini and their circle. He fell ill at this time and was taken into the house of his compatriot Jacques Dughet, where he was nursed by Dughet’s daughter, Anna Maria and his two brothers-in-law were artists and Gaspard Dughet later took Poussin’s surname. During the late 1620s and 1630s, he experimented and formulated his own style and he studied the Antique as well as works such as Titian’s Bacchanals at the Casino Ludovisi and the paintings of Domenichino and Guido Reni. Peter’s, and an ingenious architectural imagination was emerging in works by Borromini, at the time the papacy was Rome’s foremost patron of the arts. Poussin’s Martyrdom of St. Erasmus for St and his subsequent career depended on private patronage. Louis XIII conferred on him the title of First Painter in Ordinary, in 1642, disgusted by the intrigues of Simon Vouet, Fouquières and the architect Jacques Lemercier, Poussin withdrew to Rome. There, in 1648, he finished for de Chantelou the second series of the Seven Sacraments and this painting shows the philosopher discarding his last worldly possession, his cup, after watching a man drink water by cupping his hands
10.
Byzantine Empire
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It survived the fragmentation and fall of the Western Roman Empire in the 5th century AD and continued to exist for an additional thousand years until it fell to the Ottoman Turks in 1453. During most of its existence, the empire was the most powerful economic, cultural, several signal events from the 4th to 6th centuries mark the period of transition during which the Roman Empires Greek East and Latin West divided. Constantine I reorganised the empire, made Constantinople the new capital, under Theodosius I, Christianity became the Empires official state religion and other religious practices were proscribed. Finally, under the reign of Heraclius, the Empires military, the borders of the Empire evolved significantly over its existence, as it went through several cycles of decline and recovery. During the reign of Maurice, the Empires eastern frontier was expanded, in a matter of years the Empire lost its richest provinces, Egypt and Syria, to the Arabs. This battle opened the way for the Turks to settle in Anatolia, the Empire recovered again during the Komnenian restoration, such that by the 12th century Constantinople was the largest and wealthiest European city. Despite the eventual recovery of Constantinople in 1261, the Byzantine Empire remained only one of several small states in the area for the final two centuries of its existence. Its remaining territories were annexed by the Ottomans over the 15th century. The Fall of Constantinople to the Ottoman Empire in 1453 finally ended the Byzantine Empire, the term comes from Byzantium, the name of the city of Constantinople before it became Constantines capital. This older name of the city would rarely be used from this point onward except in historical or poetic contexts. The publication in 1648 of the Byzantine du Louvre, and in 1680 of Du Canges Historia Byzantina further popularised the use of Byzantine among French authors, however, it was not until the mid-19th century that the term came into general use in the Western world. The Byzantine Empire was known to its inhabitants as the Roman Empire, the Empire of the Romans, Romania, the Roman Republic, Graikia, and also as Rhōmais. The inhabitants called themselves Romaioi and Graikoi, and even as late as the 19th century Greeks typically referred to modern Greek as Romaika and Graikika. The authority of the Byzantine emperor as the legitimate Roman emperor was challenged by the coronation of Charlemagne as Imperator Augustus by Pope Leo III in the year 800. No such distinction existed in the Islamic and Slavic worlds, where the Empire was more seen as the continuation of the Roman Empire. In the Islamic world, the Roman Empire was known primarily as Rûm, the Roman army succeeded in conquering many territories covering the entire Mediterranean region and coastal regions in southwestern Europe and north Africa. These territories were home to different cultural groups, both urban populations and rural populations. The West also suffered heavily from the instability of the 3rd century AD
11.
Pastoral
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A pastoral lifestyle is that of shepherds herding livestock around open areas of land according to seasons and the changing availability of water and pasture. It lends its name to a genre of literature, art, a pastoral is a work of this genre, also known as bucolic, from the Greek βουκολικόν, from βουκόλος, meaning a cowherd. Pastoral is a mode of literature in which the author employs various techniques to place the life into a simple one. Thus, pastoral as a mode occurs in many types of literature as well as genres, terry Gifford, a prominent literary theorist, defines pastoral in three ways in his critical book Pastoral. The first way emphasizes the historical perspective of the pastoral in which authors recognize and discuss life in the country. This is summed up by Leo Marx with the phrase No shepherd, the second type of the pastoral is literature that describes the country with an implicit or explicit contrast to the urban. The third type of pastoral depicts the life with derogative classifications. Hesiods Works and Days presents a golden age when people lived together in harmony with nature and this Golden Age shows that even before Alexandria, ancient Greeks had sentiments of an ideal pastoral life that they had already lost. This is the first example of literature that has pastoral sentiments, ovids Metamorphoses is much like the Works and Days with the description of ages but with more ages to discuss and less emphasis on the gods and their punishments. In this artificially constructed world, nature acts as the main punisher, another example of this perfect relationship between man and nature is evident in the encounter of a shepherd and a goatherd who meet in the pastures in Theocritus poem Idylls 1. Traditionally, pastoral refers to the lives of herdsmen in a romanticized, exaggerated, the pastoral life is usually characterized as being closer to the Golden age than the rest of human life. The setting is a Locus Amoenus, or a place in nature. An example of the use of the genre is the poem by the 15th-century Scottish makar Robert Henryson Robene and Makyne which also contains the conflicted emotions often present in the genre. There will we sit upon the rocks And see the shepherds feed their flocks, By shallow rivers, the Passionate Shepherd to His Love exhibits the concept of Giffords second definition of pastoral. The speaker of the poem, who is the titled shepherd and this can be seen in the listed items, lined slippers, purest gold, silver dishes, and ivory table. The speaker takes on a point of view with his love. Pastoral shepherds and maidens usually have Greek names like Corydon or Philomela and this makes them available for embodying perpetual erotic fantasies. The shepherds spend their time chasing pretty girls — or, at least in the Greek and Roman versions, Pastoral literature continued after Hesiod with the poetry of the Hellenistic Greek Theocritus, several of whose Idylls are set in the countryside and involve dialogues between herdsmen
12.
Virgil
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Publius Vergilius Maro, usually called Virgil or Vergil /ˈvɜːrdʒᵻl/ in English, was an ancient Roman poet of the Augustan period. He wrote three of the most famous poems in Latin literature, the Eclogues, the Georgics, a number of minor poems, collected in the Appendix Vergiliana, are sometimes attributed to him. Virgil is traditionally ranked as one of Romes greatest poets and his Aeneid has been considered the national epic of ancient Rome from the time of its composition to the present day. Virgils work has had wide and deep influence on Western literature, most notably Dantes Divine Comedy, in which Virgil appears as Dantes guide through Hell, the tradition holds that Virgil was born in the village of Andes, near Mantua in Cisalpine Gaul. Analysis of his name has led to beliefs that he descended from earlier Roman colonists, modern speculation ultimately is not supported by narrative evidence either from his own writings or his later biographers. Macrobius says that Virgils father was of a background, however. He attended schools in Cremona, Mediolanum, Rome and Naples, after considering briefly a career in rhetoric and law, the young Virgil turned his talents to poetry. From Virgils admiring references to the neoteric writers Pollio and Cinna, it has been inferred that he was, for a time, according to Servius, schoolmates considered Virgil extremely shy and reserved, and he was nicknamed Parthenias or maiden because of his social aloofness. Virgil also seems to have suffered bad health throughout his life, according to the Catalepton, he began to write poetry while in the Epicurean school of Siro the Epicurean at Naples. A group of works attributed to the youthful Virgil by the commentators survive collected under the title Appendix Vergiliana. One, the Catalepton, consists of fourteen poems, some of which may be Virgils, and another. The biographical tradition asserts that Virgil began the hexameter Eclogues in 42 BC and it is thought that the collection was published around 39–38 BC, the Eclogues are a group of ten poems roughly modeled on the bucolic hexameter poetry of the Hellenistic poet Theocritus. The loss of his farm and the attempt through poetic petitions to regain his property have traditionally been seen as Virgils motives in the composition of the Eclogues. This is now thought to be an unsupported inference from interpretations of the Eclogues, the ten Eclogues present traditional pastoral themes with a fresh perspective. Eclogues 1 and 9 address the land confiscations and their effects on the Italian countryside,2 and 3 are pastoral and erotic, discussing both homosexual love and attraction toward people of any gender. Eclogue 4, addressed to Asinius Pollio, the so-called Messianic Eclogue uses the imagery of the age in connection with the birth of a child. Virgil came to many of the other leading literary figures of the time, including Horace, in whose poetry he is often mentioned, and Varius Rufus. At Maecenas insistence Virgil spent the years on the long didactic hexameter poem called the Georgics which he dedicated to Maecenas
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