1.
Heraldry
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The beauty and pageantry of heraldic designs allowed them to survive the gradual abandonment of armour on the battlefield during the seventeenth century. Heraldry has been described poetically as the handmaid of history, the shorthand of history, in modern times, heraldry is used by individuals, public and private organizations, corporations, cities, towns, and regions to symbolize their heritage, achievements, and aspirations. Various symbols have been used to represent individuals or groups for thousands of years, similar emblems and devices are found in ancient Mesopotamian art of the same period, and the precursors of heraldic beasts such as the griffin can also be found. In the Bible, the Book of Numbers refers to the standards and ensigns of the children of Israel, the Greek and Latin writers frequently describe the shields and symbols of various heroes, and units of the Roman army were sometimes identified by distinctive markings on their shields. The Book of Saint Albans, compiled in 1486, declares that Christ himself was a gentleman of coat armour, the medieval heralds also devised arms for various knights and lords from history and literature. Notable examples include the toads attributed to Pharamond, the cross and martlets of Edward the Confessor, and the arms attributed to the Nine Worthies. These too are now regarded as an invention, rather than evidence of the antiquity of heraldry. The development of the modern heraldic language cannot be attributed to an individual, time. Yet no individual is depicted twice bearing the arms, nor are any of the descendants of the various persons depicted known to have borne devices resembling those in the tapestry. A Spanish manuscript from 1109 describes both plain and decorated shields, none of which appears to have been heraldic, in England, from the time of the Norman conquest, official documents had to be sealed. A notable example of an armorial seal is attached to a charter granted by Philip I, Count of Flanders. Seals from the part of the eleventh and early twelfth centuries show no evidence of heraldic symbolism. One of the earliest known examples of armory as it came to be practiced can be seen on the tomb of Geoffrey Plantagenet, Count of Anjou. An enamel, probably commissioned by Geoffreys widow between 1155 and 1160, depicts him carrying a shield decorated with six golden lions rampant. He wears a helmet adorned with another lion, and his cloak is lined in vair. A medieval chronicle states that Geoffrey was given a shield of this description when he was knighted by his father-in-law, Henry I, in 1128, but this account probably dates to about 1175. Since Henry was the son of Geoffrey Plantagenet, it seems reasonable to suppose that the adoption of lions as an emblem by Henry or his sons might have been inspired by Geoffreys shield. Richard is also credited with having originated the English crest of a lion statant and it is from this garment that the phrase coat of arms is derived
2.
Tincture (heraldry)
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Tinctures constitute the limited palette of colours and patterns used in heraldry. The need to define, depict, and correctly blazon the various tinctures is therefore one of the most important aspects of heraldic art, the colours and patterns of the heraldic palette are divided into three groups, usually known as metals, colours, and furs. In its original sense, tincture refers only to the group referred to as colours. Thus, when consulting various heraldic authorities, care must be taken to determine which meaning each term is given, the basic scheme and rules of applying the heraldic tinctures dates to the formative period of heraldry, during the twelfth and thirteenth centuries. The practice of depicting certain charges as they appear in nature, in the English-speaking world, heraldic terminology is based largely on that of British armory, which in turn is based on Norman French. The metals are or and argent, representing gold and silver, respectively, although in practice they are depicted as yellow. Or derives its name from the Latin aurum, gold and it may be depicted using either yellow or metallic gold, at the artists discretion, yellow has no separate existence in heraldry, and is never used to represent any tincture other than or. Argent is similarly derived from the Latin argentum, silver, notwithstanding the widespread use of white for argent, some heraldic authorities have suggested the existence of white as a distinct heraldic colour. Five colours have been recognized since the earliest days of heraldry and these are, gules, or red, sable, or black, azure, or blue, vert, or green, and purpure, or purple. Two more were eventually acknowledged by most heraldic authorities, sanguine or murrey, a red or mulberry colour, and tenné. Gules is of uncertain derivation, outside of the heraldic context, Sable is named for a type of marten, known for its dark, luxuriant fur. Azure comes through the Arabic lāzaward, from the Persian lāžavard both referring to the mineral lapis lazuli, used to produce blue pigments. Vert is from Latin viridis, green, the alternative name in French, sinople, is derived from the ancient city of Sinope in Asia Minor, which was famous for its pigments. Purpure is from Latin purpura, in turn from Greek porphyra and this expensive dye, known from antiquity, produced a much redder purple than the modern heraldic colour, and in fact earlier depictions of purpure are far redder than recent ones. As a heraldic colour, purpure may have originated as a variation of gules. Sanguine or Murrey, from Latin sanguineus, blood red, and Greek morum, mulberry, although long shunned in the belief that it represented some dishonour on the part of the bearer, it has found some use in the twentieth and twenty-first centuries. Tenné or tenny, from Latin tannare, to tan, is the second of the so-called stains and it is most often depicted as orange, but sometimes as tawny yellow or brown. In earlier times it was used in continental heraldry
3.
Silver (color)
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Silver or metallic gray is a color tone resembling gray that is a representation of the color of polished silver. The visual sensation usually associated with the silver is its metallic shine. This cannot be reproduced by a solid color, because the shiny effect is due to the materials brightness varying with the surface angle to the light source. In addition, there is no mechanism for showing metallic or fluorescent colors on a computer without resorting to rendering software which simulates the action of light on a shiny surface, consequently, in art and in heraldry one would normally use a metallic paint that glitters like real silver. A matte grey color could also be used to represent silver color, the first recorded use of silver as a color name in English was in 1481. In heraldry, the word argent is used, derived from Latin argentum over Medieval French argent, displayed at right is the web color silver. Since version 3.2 of HTML silver is a name for one of the 16 basic-VGA-colors, hTML-example, <body bgcolor=silver> CSS-example, body Pale silver is the pale tone of silver color called silver in Crayola crayons. Silver has been a Crayola color since 1903, Crayola silver is not a neutral grayscale color, but rather a warm gray with a very slight tinge of orange-red. The color silver pink is displayed at right, the color name silver pink first came into use in 1948. The source of color is the Plochere Color System, a color system formulated in 1948 that is widely used by interior designers. At right is displayed the color silver sand, the color name silver sand for this tone of silver has been in use since 2001, when it was promulgated as one of the colors on the Xona. com Color List. At right is displayed the color silver chalice, the color name silver chalice for this tone of silver has been in use since 2001, when it was promulgated as one of the colors on the Xona. com Color List. At right is displayed the color Roman silver, Roman silver, a blue-gray tone of silver, is one of the colors on the Resene Color List, a color list widely popular in Australia and New Zealand. At right is displayed the old silver. Old silver is a color that was formulated to resemble tarnished silver, the first recorded use of old silver as a color name in English was in 1905. Sonic silver is a tone of silver included in Metallic FX crayons, plants A silver birch is a tree in the birch family. The leaves are silver on underside. A silver fir is a timber tree that originated in Europe
4.
White
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White is an achromatic color, a color without hue. An incoming light to the eye that stimulates all its three types of color sensitive cone cells in nearly equal amounts results in white. White is one of the most common colors in nature, the color of sunlight, snow, milk, chalk, limestone, in many cultures white represents or signifies purity, innocence, and light, and is the symbolic opposite of black, or darkness. According to surveys in Europe and the United States, white is the color most often associated with perfection, the good, honesty, cleanliness, the beginning, the new, neutrality, and exactitude. In ancient Egypt and ancient Rome, priestesses wore white as a symbol of purity, in the Middle Ages and Renaissance a white unicorn symbolized chastity, and a white lamb sacrifice and purity, the widows of kings dressed in white rather than black as the color of mourning. It was also used in 20th century modern architecture as a symbol of modernity, simplicity. White is an important color for almost all world religions, the Pope, the head of the Roman Catholic Church, has worn white since 1566, as a symbol of purity and sacrifice. In Islam, and in the Shinto religion of Japan, it is worn by pilgrims, in Western cultures and in Japan, white is the most common color for wedding dresses, symbolizing purity and virginity. In many Asian cultures, white is also the color of mourning, the white color on television screens and computer monitors is created with the RGB color model by mixing red, green and blue light at equal intensities. The word white continues Old English hwīt, ultimately from a Common Germanic *χwītaz also reflected in OHG wîz, ON hvítr, the root is ultimately from Proto-Indo-European language *kwid-, surviving also in Sanskrit śveta to be white or bright and Slavonic světŭ light. The Icelandic word for white, hvítur, is derived from the Old Norse form of the word hvítr. Common Germanic also had the word *blankaz, borrowed into Late Latin as *blancus, the antonym of white is black. Some non-European languages have a variety of terms for white. The Inuit language has seven different words for seven different nuances of white, Japanese has six different words, depending upon brilliance or dullness, or if the color is inert or dynamic. White was one of the first colors used in art, the Lascaux Cave in France contains drawings of bulls and other animals drawn by paleolithic artists between 18,000 and 17,000 years ago. Paleolithic artists used calcite or chalk, they sometimes as a background, sometimes as a highlight, along with charcoal and red, in ancient Egypt, white was connected with the goddess Isis. The priests and priestesses of Isis dressed only in white linen, in Greece and other ancient civilizations, white was often associated with mothers milk. In Greek mythology, the chief god Zeus was nourished at the breast of the nymph Amalthea, in the Talmud, milk was one of four sacred substances, along with wine, honey, and the rose
5.
Latin
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Latin is a classical language belonging to the Italic branch of the Indo-European languages. The Latin alphabet is derived from the Etruscan and Greek alphabets, Latin was originally spoken in Latium, in the Italian Peninsula. Through the power of the Roman Republic, it became the dominant language, Vulgar Latin developed into the Romance languages, such as Italian, Portuguese, Spanish, French, and Romanian. Latin, Italian and French have contributed many words to the English language, Latin and Ancient Greek roots are used in theology, biology, and medicine. By the late Roman Republic, Old Latin had been standardised into Classical Latin, Vulgar Latin was the colloquial form spoken during the same time and attested in inscriptions and the works of comic playwrights like Plautus and Terence. Late Latin is the language from the 3rd century. Later, Early Modern Latin and Modern Latin evolved, Latin was used as the language of international communication, scholarship, and science until well into the 18th century, when it began to be supplanted by vernaculars. Ecclesiastical Latin remains the language of the Holy See and the Roman Rite of the Catholic Church. Today, many students, scholars and members of the Catholic clergy speak Latin fluently and it is taught in primary, secondary and postsecondary educational institutions around the world. The language has been passed down through various forms, some inscriptions have been published in an internationally agreed, monumental, multivolume series, the Corpus Inscriptionum Latinarum. Authors and publishers vary, but the format is about the same, volumes detailing inscriptions with a critical apparatus stating the provenance, the reading and interpretation of these inscriptions is the subject matter of the field of epigraphy. The works of several hundred ancient authors who wrote in Latin have survived in whole or in part and they are in part the subject matter of the field of classics. The Cat in the Hat, and a book of fairy tales, additional resources include phrasebooks and resources for rendering everyday phrases and concepts into Latin, such as Meissners Latin Phrasebook. The Latin influence in English has been significant at all stages of its insular development. From the 16th to the 18th centuries, English writers cobbled together huge numbers of new words from Latin and Greek words, dubbed inkhorn terms, as if they had spilled from a pot of ink. Many of these words were used once by the author and then forgotten, many of the most common polysyllabic English words are of Latin origin through the medium of Old French. Romance words make respectively 59%, 20% and 14% of English, German and those figures can rise dramatically when only non-compound and non-derived words are included. Accordingly, Romance words make roughly 35% of the vocabulary of Dutch, Roman engineering had the same effect on scientific terminology as a whole
6.
Silver
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Silver is a metallic element with symbol Ag and atomic number 47. The symbol Ag stems from Latin argentum, derived from the Greek ὰργὀς, a soft, white, lustrous transition metal, it exhibits the highest electrical conductivity, thermal conductivity, and reflectivity of any metal. The metal is found in the Earths crust in the pure, free form, as an alloy with gold and other metals. Most silver is produced as a byproduct of copper, gold, lead, Silver is more abundant than gold, but it is much less abundant as a native metal. Its purity is measured on a per mille basis, a 94%-pure alloy is described as 0.940 fine. As one of the seven metals of antiquity, silver has had a role in most human cultures. Silver has long valued as a precious metal. Silver metal is used in many premodern monetary systems in bullion coins, Silver is used in numerous applications other than currency, such as solar panels, water filtration, jewelry, ornaments, high-value tableware and utensils, and as an investment medium. Silver is used industrially in electrical contacts and conductors, in specialized mirrors, window coatings, Silver compounds are used in photographic film and X-rays. Dilute silver nitrate solutions and other compounds are used as disinfectants and microbiocides, added to bandages and wound-dressings, catheters. Silver is similar in its physical and chemical properties to its two neighbours in group 11 of the periodic table, copper and gold. This distinctive electron configuration, with an electron in the highest occupied s subshell over a filled d subshell. Silver is a soft, ductile and malleable transition metal. Silver crystallizes in a cubic lattice with bulk coordination number 12. Unlike metals with incomplete d-shells, metallic bonds in silver are lacking a covalent character and are relatively weak and this observation explains the low hardness and high ductility of single crystals of silver. Silver has a brilliant white metallic luster that can take a polish. Protected silver has greater optical reflectivity than aluminium at all wavelengths longer than ~450 nm, at wavelengths shorter than 450 nm, silvers reflectivity is inferior to that of aluminium and drops to zero near 310 nm. The electrical conductivity of silver is the greatest of all metals, greater even than copper, during World War II in the US,13540 tons of silver were used in electromagnets for enriching uranium, mainly because of the wartime shortage of copper
7.
Metal
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A metal is a material that is typically hard, opaque, shiny, and has good electrical and thermal conductivity. Metals are generally malleable—that is, they can be hammered or pressed permanently out of shape without breaking or cracking—as well as fusible and ductile, about 91 of the 118 elements in the periodic table are metals, the others are nonmetals or metalloids. Some elements appear in both metallic and non-metallic forms, astrophysicists use the term metal to collectively describe all elements other than hydrogen and helium, the simplest two, in a star. The star fuses smaller atoms, mostly hydrogen and helium, to larger ones over its lifetime. In that sense, the metallicity of an object is the proportion of its matter made up of all chemical elements. Many elements and compounds that are not normally classified as metals become metallic under high pressures, the atoms of metallic substances are typically arranged in one of three common crystal structures, namely body-centered cubic, face-centered cubic, and hexagonal close-packed. In bcc, each atom is positioned at the center of a cube of eight others, in fcc and hcp, each atom is surrounded by twelve others, but the stacking of the layers differs. Some metals adopt different structures depending on the temperature, atoms of metals readily lose their outer shell electrons, resulting in a free flowing cloud of electrons within their otherwise solid arrangement. This provides the ability of metallic substances to easily transmit heat, while this flow of electrons occurs, the solid characteristic of the metal is produced by electrostatic interactions between each atom and the electron cloud. This type of bond is called a metallic bond, Metals are usually inclined to form cations through electron loss, reacting with oxygen in the air to form oxides over various timescales. Examples,4 Na + O2 →2 Na2O2 Ca + O2 →2 CaO4 Al +3 O2 →2 Al2O3, the transition metals are slower to oxidize because they form a passivating layer of oxide that protects the interior. Others, like palladium, platinum and gold, do not react with the atmosphere at all, some metals form a barrier layer of oxide on their surface which cannot be penetrated by further oxygen molecules and thus retain their shiny appearance and good conductivity for many decades. The oxides of metals are generally basic, as opposed to those of nonmetals, exceptions are largely oxides with very high oxidation states such as CrO3, Mn2O7, and OsO4, which have strictly acidic reactions. Painting, anodizing or plating metals are good ways to prevent their corrosion, however, a more reactive metal in the electrochemical series must be chosen for coating, especially when chipping of the coating is expected. Water and the two form an electrochemical cell, and if the coating is less reactive than the coatee. Metals in general have high conductivity, high thermal conductivity. Typically they are malleable and ductile, deforming under stress without cleaving, in terms of optical properties, metals are shiny and lustrous. Sheets of metal beyond a few micrometres in thickness appear opaque, although most metals have higher densities than most nonmetals, there is wide variation in their densities, lithium being the least dense solid element and osmium the densest
8.
Blazon
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In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct the appropriate image. The verb to blazon means to such a description. Blazon also refers to the language in which a blazon is written. This language has its own vocabulary, grammar and syntax, or rules governing word order, other objects — such as badges, banners, and seals — may also be described in blazon. The word blazon is not to be confused with the verb to emblazon, or the noun emblazonment, the word blazon is derived from French blason, shield. It was found in English by the end of the 14th century, formerly, experts in heraldry assumed that the word was related to the German verb blasen, to blow. Present-day lexicographers reject this theory as conjectural and disproved, the blazon of armorials follows a rigid formula, designed to eliminate ambiguity of interpretation, to be as concise as possible and to avoid repetition and extraneous punctuation. The nomenclature is equally significant, and its aim is to combine definitive exactness with a brevity that is indeed laconic. The rules of blazonry are as follows, Every blazon of a coat of arms begins by describing the field, with first letter as a capital, in a majority of cases this is a single tincture, e. g. Azure. If the field is complex, the variation is described, followed by the used, e. g. Chequy gules. The most common names are historically abbreviated. A Tincture is named only once in a given blazon, the principal charge are then named, with their tincture, e. g. a bend or. The principal charge is followed by any other charges placed around or on it, if a charge be a bird or beast, its attitude is described, followed by the animals tincture, followed by anything that may be differently coloured, e. g. An eagle displayed gules armed and wings charged with trefoils or, any accessories present — such as crown/coronet, helmet, torse, mantling, crest, motto, supporters and compartment — are then described in turn, using the same terminology and syntax. According to Boutell, It appears desirable always to print all heraldic blazon in italic, heraldry has its own vocabulary, word-order and punctuation, and showing it in italics thus indicates to the reader the presence of a quasi-foreign language. A quartered shield is blazoned one quarter at a time, proceeding by rows from chief to base, a divided shield is blazoned party per or parted per, though the word party or parted is almost always omitted. A tincture is sometimes replaced by of the first, of the second etc. to avoid repetition of tincture names, counterchanged means that a charge which straddles a line of division is tinctured of the same tinctures as the divided field, reversed. But as to the formulae of blazoning, John Brooke-Little, Norroy and Ulster King of Arms, wrote in 1985
9.
Coat of arms
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A coat of arms is an heraldic visual design on an escutcheon, surcoat, or tabard. The coat of arms on an escutcheon forms the central element of the heraldic achievement which in its whole consists of shield, supporters, crest. A coat of arms is traditionally unique to a person, family, state. The ancient Romans used similar insignia on their shields, but these identified military units rather than individuals, the first evidence of medieval coats of arms has been attributed to the 11th century Bayeux Tapestry in which some of the combatants carry shields painted with crosses. However, that heraldic interpretation remains controversial, coats of arms came into general use by feudal lords and knights in battle in the 12th century. By the 13th century, arms had spread beyond their initial battlefield use to become a flag or emblem for families in the social classes of Europe. Exactly who had a right to use arms, by law or social convention, in the German-speaking regions both the aristocracy and burghers used arms, while in most of the rest of Europe they were limited to the aristocracy. The use of spread to the clergy, to towns as civic identifiers. Flags developed from coats of arms, and the arts of vexillology, the coats of arms granted to commercial companies are a major source of the modern logo. Despite no widespread regulation, heraldry has remained consistent across Europe, some nations, like England and Scotland, still maintain the same heraldic authorities which have traditionally granted and regulated arms for centuries and continue to do so in the present day. In England, for example, the granting of arms is and has controlled by the College of Arms. Unlike seals and other emblems, heraldic achievements have a formal description called a blazon. Many societies exist that also aid in the design and registration of personal arms, in the heraldic traditions of England and Scotland, an individual, rather than a family, had a coat of arms. In those traditions coats of arms are legal property transmitted from father to son, wives, undifferenced arms are used only by one person at any given time. Other descendants of the bearer could bear the ancestral arms only with some difference. One such charge is the label, which in British usage is now always the mark of an apparent or an heir presumptive. Because of their importance in identification, particularly in seals on legal documents and this has been carried out by heralds and the study of coats of arms is therefore called heraldry. In time, the use of arms spread from military entities to educational institutes, the author Helen Stuart argues that some coats of arms were a form of corporate logo
