Band (rock and pop)
A rock band or pop band is a small musical ensemble which performs rock music, pop music or a related genre. The four-piece band is the most common configuration in pop music. Before the development of the electronic keyboard, the configuration was two guitarists, a bassist, a drummer. Another common formation is a vocalist who does not play an instrument, electric guitarist, bass guitarist, a drummer. Instrumentally, these bands can be considered as trios; the smallest ensemble, used in rock music is the trio format. Two-member rock and pop bands are rare, because of the difficulty in providing all of the musical elements which are part of the rock or pop sound. In a hard rock or blues-rock band, or heavy metal rock group, a "power trio" format is used, which consists of an electric guitar player, an electric bass guitar player and a drummer, one or more of these musicians sing; some well-known power trios with the guitarist on lead vocals are the Jimi Hendrix Experience, Stevie Ray Vaughan and Double Trouble, the Jam, ZZ Top, Green Day, while power trios with the bass guitarist on lead vocals include Cream, The Police and Motörhead.
Two-member rock and pop bands are rare, because of the difficulty in providing all of the musical elements which are part of the rock or pop sound. Two-member rock and pop bands omit one of these musical elements. In many cases, two-member bands will omit a drummer, since guitars, bass guitars, keyboards can all be used to provide a rhythmic pulse. Examples of two-member bands are The White Stripes, Pet Shop Boys, Flight of the Conchords, the Ting Tings, Hall & Oates, Twenty One Pilots and T. Rex; when electronic sequencers became available in the 1980s, this made it easier for two-member bands to add in musical elements that the two band members were not able to perform. Sequencers allowed bands to pre-program some elements of their performance, such as an electronic drum part and a synth bass line. Two-member pop music bands such as Soft Cell and Yazoo used pre-programmed sequencers. Other pop bands from the 1980s which were ostensibly fronted by two performers, such as Wham!, Eurythmics and Tears for Fears, were not two-piece ensembles, because other instrumental musicians were used "behind the scenes" to fill out the sound.
Modern bands that use this format include Ninja Sex Death Grips. Two-piece bands in rock music are quite rare. However, starting in the 2000s, blues-influenced rock bands such as the White Stripes and the Black Keys utilized a guitar-and-drums scheme. Death from Above 1979 featured a bass guitarist. Tenacious D is a two-guitar band. Ratatat are a two-guitar band. W. A. S. P. Guitarist Doug Blair is known for his work in the two-piece progressive rock band signal2noise, where he acts as the lead guitarist and bassist at the same time, thanks to a special custom instrument he invented. Heisenflei of Los Angeles duo the Pity Party plays drums and sings simultaneously. Royal Blood is a two-piece band that drums along with electronic effects; the smallest ensemble, used in rock music is the trio format. In a hard rock or blues-rock band, or heavy metal rock group, a "power trio" format is used, which consists of an electric guitar player, an electric bass guitar player and a drummer, one or more of these musicians sing.
Some well-known power trios with the guitarist on lead vocals are Campsite 85, Stevie Ray Vaughan and Double Trouble and Muse. A handful of others with the bassist on vocals include Thin Lizzy, Rush, Motörhead, the Police and Cream; some power trios feature two lead vocalists. For example, in the band Blink-182 vocals are split between bassist Mark Hoppus and guitarist Matt Skiba, or in the band Dinosaur Jr. guitarist J. Mascis is the primary songwriter and vocalist, but bassist Lou Barlow writes some songs and sings as well. An alternative to the power trio are organ trios formed with an electric guitarist, a drummer and a keyboardist. Although organ trios are most associated with 1950s and 1960s jazz organ trio groups such as those led by organist Jimmy Smith, there are organ trios in rock-oriented styles, such as jazz-rock fusion and Grateful Dead-influenced jam bands, for instance Medeski Martin & Wood. In organ trios, the keyboard player plays a Hammond organ or similar instrument, which permits the keyboard player to perform bass lines and lead lines.
A variant of the organ trio are trios formed with an electric bassist, a drummer and an electronic keyboardist such as the progressive rock band Emerson, Lake & Palmer. A power trio with the guitarist on lead vocals is a popular record company lineup, as the guitarist and singer will be the songwriter. Therefore, the label only has to present one "face" to the public; the backing band may or may not be featured in publici
Roppongi is a district of Minato, Japan, famous for the affluent Roppongi Hills development area and popular night club scene. A few foreign embassies are located near Roppongi, the night life is popular with locals and foreigners alike, it is in south of Akasaka and north of Azabu. The name "Roppongi", which appears to have been coined around 1660 means "six trees". Six old and large zelkova trees used to mark the area. Another legend has it that the name comes from the fact that six daimyōs lived nearby during the Edo period, each with the kanji character for "tree" or a kind of tree in their names. Roppongi was not extensively populated until after the Meiji Restoration, although the area was trafficked for centuries and served as the site of the cremation of Shōgun Tokugawa Hidetada's wife in 1626. In 1890, the Third Imperial Guard of the Imperial Japanese Army was moved to a site near Roppongi; the influx of soldiers led to the area's rise as a nightlife district interrupted by the Great Kanto earthquake which flattened the area in 1923.
Roppongi was administratively part of Azabu Ward from 1878 to 1947. After World War II, during which the area was again destroyed, this time by aerial bombing raids, the United States Army and Allied government officials occupied several facilities in the area, beginning Roppongi's reputation as a neighborhood with large numbers of non-Japanese. Several large US military installations were located in the nearby area, with Hardy Barracks the most significant. Surrounding the military installations were many Japanese-owned restaurants, pool halls and brothels which catered to US military personnel but were often frequented by Japanese customers. Starting in the late 1960s, Roppongi became popular among Japanese people and foreigners alike for its disco scene, which attracted many of Tokyo's entertainment elites. Contributing to the international scene was the location of several foreign embassies and foreign corporate offices in the Roppongi area. However, many dance clubs shut down in the recession following the market crash of 1989.
The Roppongi area received a major economic boost in 2002–2003 when the Izumi Garden Tower and the Roppongi Hills high-rise complexes were completed. These projects brought high-end condominium space to Roppongi for the first time; the Tokyo Midtown project, completed in 2006, includes the first Tokyo Ritz-Carlton Hotel, continued this trend. The area features numerous bars, strip clubs, hostess clubs and other forms of entertainment. Among the expatriate community, the area tends to be favored by business people and off-duty US military personnel. Overall, the neighborhood caters to a younger crowd. Clubs can range from large, multi-level establishments, to smaller one-room clubs located in upper levels of buildings. In more recent times some of the larger venues with known Yakuza connections have closed. Around Roppongi crossing are a number of clubs which feature foreign performers. There are a number of both foreign- and Japanese-operated bars catering to different crowds. Roppongi has enjoyed a growing reputation for its organized events such as art festivals and billiard tournaments, pub crawls, robot exhibitions, beauty pageants, so on.
Restaurants in Roppongi vary from upscale Japanese fare to popular international restaurants. In the past, Roppongi had a reputation as an area with high Yakuza presence, whether as customers at Roppongi establishments, conducting business, or managing or owning clubs and bars in the area. Although still exerting some influence in Roppongi, in recent times they appear to have shifted much of their presence to other districts in the Tokyo area. In 2006, Nigerian immigrants to Japan began opening a number of bars and nightclubs in the area, following an earlier group of innovators, in business in Roppongi for many years; the Nigerians were noted for using high-pressure tactics to draw customers to their bars. In 2009 and 2010 a series of drink-spiking incidents, in which customers reported being drugged and robbed, were linked to Nigerian-owned bars; the incidents resulted in the United States embassy in Japan warning US citizens to avoid certain bars and clubs in Roppongi. An investigation by The Japan Times in July 2011 found that though drink spiking occurred, most of the incidents did not involve criminal activity.
Many customers claimed unusually severe hangovers after nights spent in Nigerian-run establishments. Similar complaints are made about non-Nigerian bars in Roppongi that offer unlimited drink packages and lace drinks with hard liquor to minimize customer consumption and increase profit. Mori Building Company and The Pokémon Company have their headquarters in the Roppongi Hills Mori Tower. Companies based in Roppongi include: Anderson Mōri & Tomotsune Ferrari Japan Genco Yahoo! Japan J-Wave Lenovo Japan Google Japan TV Asahi Being Inc. Wrestling New Classic Dogma NJPW WorldA number of multinational firms have their Japanese offices in Roppongi, including investment banks Credit Suisse, Goldman Sachs, State Street, manufacturer Corning Incorporated, law firms Allen & Overy, Davis Polk & Wardwell, Herrington & Sutcliffe and Skadden, Slate, Meagher & Flom. Roppongi Station Roppongi-itchōme Station Nogizaka Station Publi
Versus (Mr. Children album)
Versus is the third, second full-length album, by Japanese rock band Mr. Children released on September 1, 1993; the album debuted on the Japanese Oricon music charts at #3 and sold 802,140 copies during its run on the chart. Just like the previous two albums, Versus contains only one single released on July 1, 1993, titled "Replay" with another album track "And I close to you" being included in Mr. Children's fourth single "Cross Road". Versus marked the first time use of Takeshi Kobayashi as a writer and composer for Mr. Children. Kazutoshi Sakurai – vocals, guitar Kenichi Tahara – guitar Keisuke Nakagawa – bass Hideya Suzuki – drums, vocals Carol Steele - percussion Takuo Yamamoto - tenor, baritone sax, recorder Yoichi Murata - trombone Toshio Araki - trumpet Production credits for album: Producer - Takeshi Kobyashi Executive producer - Takamitsu Ide, Mitsunori Kadoike Recording - Kunihiko Imai, Hiroshi Hiranuma, Doug Conroy Mixing - Hiroshi Hiranuma, Kunihiko Imai Brass arrangement - Takuo Yamamoto A&R chief - Koichi Inaba A&R director - Makoto Nakanishi, Katsumi Shinohara Computer programming - Ken Matsumoto Assistant engineering - Greg Digesu, Jeff Mauriello, Kenji Nagashima, Yoshitaka Shirahata, Kei Kosaka, Tomoaki Sato Recording - Waterfront Studios, Tokyo Hilton Hotel, Hitokuchizaka Studio, Avaco Studio Mixed at - Peninsula, Studio Vincent Mastering - Gateway Mastering Mastered by - Bob Ludwig U.
S production supervision - Kaz Hayashida Account Administration - Jeff Schwartz and Rupert Gray Translator - Rika Nakaya Recording co-ordination - Akira Yasukawa Promotion - Naoki Imoto Sales promotion - Masayuki Nakagawa Art Direction - Mitsuo Shindo Designer - Satoshi Nakamura Photographer - Meisa Fujishiro Stylist - Hiroko Umeyama Marine coordinator - Masato Nagai Artist management - Isao Tanuma and Kazushiro Miura Desk management - Tomoko Okada Production management - Tetsuhiko /nono Production co-ordination - Harumi Oshima P. R management - Chikane Kumagai
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most used saxophones; the tenor is pitched in the key of B♭, written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F♯ key have a range from A♭2 to E5 and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists"; the tenor saxophone uses a larger mouthpiece and ligature than the alto and soprano saxophones. Visually, it is distinguished by the bend in its neck, or its crook, near the mouthpiece; the alto saxophone lacks its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for its ability to blend well with the soprano and baritone saxophones, with its "husky" yet "bright" tone; the tenor saxophone is used in classical music, military bands, marching bands and jazz.
It is included in pieces written for symphony orchestra. In concert bands, the tenor plays a supporting role, sometimes sharing parts with the euphonium and trombone. In jazz ensembles, the tenor plays a more prominent role as a member of a section that includes the alto and baritone saxes. Many of the most innovative and influential jazz musicians have been tenor saxophonists; these include Coleman Hawkins, Lester Young, Ben Webster, Dexter Gordon, Wardell Gray, Stan Getz, Sonny Rollins, John Coltrane and Wayne Shorter. The work of younger players such as Michael Brecker and Chris Potter has been an important influence in more recent jazz; the tenor saxophone is one of a family of fourteen instruments designed and constructed in 1846 by Adolphe Sax, a Belgian-born instrument maker and clarinetist. Based on an amalgam of ideas drawn from the clarinet, flute and ophicleide, the saxophone was intended to form a tonal link between the woodwinds and brass instruments found in military bands, an area that Sax considered sorely lacking.
Sax's patent, granted on 28 June 1846, divided the family into two groups of seven instruments, each ranging from alto down to contrabass. One family, pitched alternatively in B♭ and E♭, was designed to integrate with the other instruments common in military bands; the tenor saxophone, pitched in B♭, is the fourth member of this family. The tenor saxophone, like all saxophones, consists of an conical tube of thin brass, a type of metal; the wider end of the tube is flared to form a bell, while the narrower end is connected to a single reed mouthpiece similar to that of the clarinet. At intervals down the bore are placed between 23 tone holes. There are two small speaker holes which, when opened, disrupt the lower harmonics of the instrument and cause it to overblow into an upper register; the pads are controlled by pressing a number of keys with the fingers of the left and right hands. The original design of tenor saxophone had a separate octave key for each speaker hole, in the manner of the bassoon.
Although a handful of novelty tenors have been constructed'straight', like the smaller members of the saxophone family, the unwieldy length of the straight configuration means that all tenor saxophones feature a'U-bend' above the third-lowest tone hole, characteristic of the saxophone family. The tenor saxophone is curved at the top, above the highest tone-hole but below the highest speaker hole. While the alto is bent only through 80–90° to make the mouthpiece fit more in the mouth, the tenor is bent a little more in this section, incorporating a slight S-bend; the mouthpiece of the tenor saxophone is similar to that of the clarinet, an wedge-shaped tube, open along one face and covered in use by a thin strip of material prepared from the stem of the giant cane known as a reed. The reed is shaved to come to an thin point, is clamped over the mouthpiece by the use of a ligature; when air is blown through the mouthpiece, the reed vibrates and generates the acoustic resonances required to produce a sound from the instrument.
The mouthpiece is the area of the saxophone with the greatest flexibility in shape and style, so the timbre of the instrument is determined by the dimensions of its mouthpiece. The design of the mouthpiece and reed play a big role in. Classical mouthpieces help produce a warmer and rounder tone, while jazz mouthpieces help produce a brighter and edgier tone. Materials used in mouthpiece construction include plastic and various metals e.g. bronze and stainless steel. The mouthpiece of the tenor saxophone is proportionally larger than that of the alto, necessitating a larger reed; the increased stiffness of the reed and the greater airflow required to establish resonance in the larger body means the tenor sax requires greater lung power but a looser embouchure than the higher-pitched member
Tokyo Tokyo Metropolis, one of the 47 prefectures of Japan, has served as the Japanese capital since 1869. As of 2018, the Greater Tokyo Area ranked as the most populous metropolitan area in the world; the urban area houses the seat of the Emperor of Japan, of the Japanese government and of the National Diet. Tokyo forms part of the Kantō region on the southeastern side of Japan's main island and includes the Izu Islands and Ogasawara Islands. Tokyo was named Edo when Shōgun Tokugawa Ieyasu made the city his headquarters in 1603, it became the capital after Emperor Meiji moved his seat to the city from Kyoto in 1868. Tokyo Metropolis formed in 1943 from the merger of the former Tokyo Prefecture and the city of Tokyo. Tokyo is referred to as a city but is known and governed as a "metropolitan prefecture", which differs from and combines elements of a city and a prefecture, a characteristic unique to Tokyo; the 23 Special Wards of Tokyo were Tokyo City. On July 1, 1943, it merged with Tokyo Prefecture and became Tokyo Metropolis with an additional 26 municipalities in the western part of the prefecture, the Izu islands and Ogasawara islands south of Tokyo.
The population of the special wards is over 9 million people, with the total population of Tokyo Metropolis exceeding 13.8 million. The prefecture is part of the world's most populous metropolitan area called the Greater Tokyo Area with over 38 million people and the world's largest urban agglomeration economy; as of 2011, Tokyo hosted 51 of the Fortune Global 500 companies, the highest number of any city in the world at that time. Tokyo ranked third in the International Financial Centres Development Index; the city is home to various television networks such as Fuji TV, Tokyo MX, TV Tokyo, TV Asahi, Nippon Television, NHK and the Tokyo Broadcasting System. Tokyo third in the Global Cities Index; the GaWC's 2018 inventory classified Tokyo as an alpha+ world city – and as of 2014 TripAdvisor's World City Survey ranked Tokyo first in its "Best overall experience" category. As of 2018 Tokyo ranked as the 2nd-most expensive city for expatriates, according to the Mercer consulting firm, and the world's 11th-most expensive city according to the Economist Intelligence Unit's cost-of-living survey.
In 2015, Tokyo was named the Most Liveable City in the world by the magazine Monocle. The Michelin Guide has awarded Tokyo by far the most Michelin stars of any city in the world. Tokyo was ranked first out of all sixty cities in the 2017 Safe Cities Index; the QS Best Student Cities ranked Tokyo as the 3rd-best city in the world to be a university student in 2016 and 2nd in 2018. Tokyo hosted the 1964 Summer Olympics, the 1979 G-7 summit, the 1986 G-7 summit, the 1993 G-7 summit, will host the 2019 Rugby World Cup, the 2020 Summer Olympics and the 2020 Summer Paralympics. Tokyo was known as Edo, which means "estuary", its name was changed to Tokyo when it became the imperial capital with the arrival of Emperor Meiji in 1868, in line with the East Asian tradition of including the word capital in the name of the capital city. During the early Meiji period, the city was called "Tōkei", an alternative pronunciation for the same characters representing "Tokyo", making it a kanji homograph; some surviving official English documents use the spelling "Tokei".
The name Tokyo was first suggested in 1813 in the book Kondō Hisaku, written by Satō Nobuhiro. When Ōkubo Toshimichi proposed the renaming to the government during the Meiji Restoration, according to Oda Kanshi, he got the idea from that book. Tokyo was a small fishing village named Edo, in what was part of the old Musashi Province. Edo was first fortified in the late twelfth century. In 1457, Ōta Dōkan built Edo Castle. In 1590, Tokugawa Ieyasu was transferred from Mikawa Province to Kantō region; when he became shōgun in 1603, Edo became the center of his ruling. During the subsequent Edo period, Edo grew into one of the largest cities in the world with a population topping one million by the 18th century, but Edo was Tokugawa's home and was not capital of Japan. The Emperor himself lived in Kyoto from 794 to 1868 as capital of Japan. During the Edo era, the city enjoyed a prolonged period of peace known as the Pax Tokugawa, in the presence of such peace, Edo adopted a stringent policy of seclusion, which helped to perpetuate the lack of any serious military threat to the city.
The absence of war-inflicted devastation allowed Edo to devote the majority of its resources to rebuilding in the wake of the consistent fires and other devastating natural disasters that plagued the city. However, this prolonged period of seclusion came to an end with the arrival of American Commodore Matthew C. Perry in 1853. Commodore Perry forced the opening of the ports of Shimoda and Hakodate, leading to an increase in the demand for new foreign goods and subsequently a severe rise in inflation. Social unrest mounted in the wake of these higher prices and culminated in widespread rebellions and demonstrations in the form of the "smashing" of rice establishments. Meanwhile, supporters of the Meiji Emperor leveraged the disruption that t
Bolero (Mr. Children album)
Bolero, is Mr. Children's 6th studio album and was released on March 5, 1997; the album debuted at the number-one position on Oricon weekly charts, with the first week sales of over 1,734,000 copies. It sold over 471,000 copies in the next week, but was ranked at No. 2 on Oricon charts, being replaced by Globe's Faces Places. "Prologue" "Everything" "Time machine ni notte(タイムマシーンに乗って）" "Brandnew my Lover" "【es】 〜Theme of es〜" "See-Saw Game" "Kasa no shita no kimi ni tsugu" "ALIVE" "Shiawase no category (幸せのカテゴリー）" "Everybody Goes" "Bolero（ボレロ）" "Tomorrow never knows"
In the music industry, a single is a type of release a song recording of fewer tracks than an LP record or an album. This can be released for sale to the public in a variety of different formats. In most cases, a single is a song, released separately from an album, although it also appears on an album; these are the songs from albums that are released separately for promotional uses such as digital download or commercial radio airplay and are expected to be the most popular. In other cases a recording released. Despite being referred to as a single, singles can include up to as many as three tracks; the biggest digital music distributor, iTunes Store, accepts as many as three tracks less than ten minutes each as a single, as does popular music player Spotify. Any more than three tracks on a musical release or thirty minutes in total running time is either an extended play or, if over six tracks long, an album; when mainstream music was purchased via vinyl records, singles would be released double-sided.
That is to say, they were released with an A-side and B-side, on which two singles would be released, one on each side. Moreover, only the most popular songs from a released album would be released as a single. In more contemporary forms of music consumption, artists release most, if not all, of the tracks on an album as singles; the basic specifications of the music single were set in the late 19th century, when the gramophone record began to supersede phonograph cylinders in commercially produced musical recordings. Gramophone discs were manufactured in several sizes. By about 1910, the 10-inch, 78 rpm shellac disc had become the most used format; the inherent technical limitations of the gramophone disc defined the standard format for commercial recordings in the early 20th century. The crude disc-cutting techniques of the time and the thickness of the needles used on record players limited the number of grooves per inch that could be inscribed on the disc surface, a high rotation speed was necessary to achieve acceptable recording and playback fidelity.
78 rpm was chosen as the standard because of the introduction of the electrically powered, synchronous turntable motor in 1925, which ran at 3600 rpm with a 46:1 gear ratio, resulting in a rotation speed of 78.26 rpm. With these factors applied to the 10-inch format and performers tailored their output to fit the new medium; the 3-minute single remained the standard into the 1960s, when the availability of microgroove recording and improved mastering techniques enabled recording artists to increase the duration of their recorded songs. The breakthrough came with Bob Dylan's "Like a Rolling Stone". Although CBS tried to make the record more "radio friendly" by cutting the performance into halves, separating them between the two sides of the vinyl disc, both Dylan and his fans demanded that the full six-minute take be placed on one side, that radio stations play the song in its entirety; as digital downloading and audio streaming have become more prevalent, it has become possible for every track on an album to be available separately.
The concept of a single for an album has been retained as an identification of a more promoted or more popular song within an album collection. The demand for music downloads skyrocketed after the launch of Apple's iTunes Store in January 2001 and the creation of portable music and digital audio players such as the iPod. In September 1997, with the release of Duran Duran's "Electric Barbarella" for paid downloads, Capitol Records became the first major label to sell a digital single from a well-known artist. Geffen Records released Aerosmith's "Head First" digitally for free. In 2004, Recording Industry Association of America introduced digital single certification due to significant sales of digital formats, with Gwen Stefani's "Hollaback Girl" becoming RIAA's first platinum digital single. In 2013, RIAA incorporated on-demand streams into the digital single certification. Single sales in the United Kingdom reached an all-time low in January 2005, as the popularity of the compact disc was overtaken by the then-unofficial medium of the music download.
Recognizing this, On 17 April 2005, Official UK Singles Chart added the download format to the existing format of physical CD singles. Gnarls Barkley was the first act to reach No.1 on this chart through downloads alone in April 2006, for their debut single "Crazy", released physically the following week. On 1 January 2007 digital downloads became eligible from the point of release, without the need for an accompanying physical. Sales improved in the following years, reaching a record high in 2008 that still proceeded to be overtaken in 2009, 2010 and 2011. Singles have been issued in various formats, including 7-inch, 10-inch, 12-inch vinyl discs. Other, less common, formats include singles on Digital Compact Cassette, DVD, LD, as well as many non-standard sizes of vinyl disc; the most common form of the vinyl single is the 45 or 7-inch. The names are derived from its play speed, 45 rpm, the standard diameter, 7 inches; the 7-inch 45 rpm record was released 31 March 1949 by RCA Victor as a smaller, more durable and higher-fidelity replacement for the 78 rpm shellac discs.
The first 45