Lungfish is a post-hardcore band formed in 1987 in Baltimore, Maryland. All of their music has been released by the Washington, D. C. punk label Dischord except for their first LP. As of 2005, Lungfish's lineup consisted of Daniel Higgs, Asa Osborne, Sean Meadows, Mitchell Feldstein. Two previous bass players were Nathan Bell. Lungfish blend rock with repetitive krautrock-like rhythms and repeated melodic motifs. Daniel Higgs sang in the 80s hardcore/punk band Reptile House and has released numerous solo works under his own name and Cone of Light, he has made numerous solo performances with the long-necked banjo and jaw harp. In 2011, Higgs collaborated with Swedish band Skull Defekts on the album Peer Amid. Since 2015, Higgs has released two full-length albums in a duo with Fumie Ishii. Asa Osborne has released 7" with Charles Brohawn of The Tinklers under the name Tear Jerks. Osborne released an album on Dischord in 2002 with Daniel Higgs under the name The Pupils. In early 2008, the record label.
Sean Meadows has played in numerous bands including June of 44, The Sonora Pine, many lesser-known bands from the Chattanooga, Tennessee music scene. Mitchell Feldstein has published three volumes of prose/poetry: Hurl on Apathy Press, Teen Cardinal on Shattered Wig Press, Even Change on Paradigm Publishing, he played drums with Arbouretum. Nathan Bell played bass on Kogumaza's Kолокол, which featured the song "Ursids", used as a double-A-sided single with the band Hookworms. Bell has worked with David Heumann from Arboureteum as Human Bell. All of the albums have been released by the Washington, D. C. punk label Dischord, except for their first LP Necklace of Heads, released by Simple Machines. Necklace of Heads Talking Songs for Walking Rainbows from Atoms Pass and Stow Sound in Time Indivisible Artificial Horizon The Unanimous Hour Necrophones Love Is Love Feral Hymns A. C. R. 1999 1990: "Nothing is Easy" on Simple Machines Records#1 "Wedge" 7", re-released on The Machines: Simple Machines 7"s comp.
1990: "Nothing is Easy" on "Pre-Moon Syndrome Post Summer Celebration Week!" 1993: "Abraham Lincoln" on Simple Machines Working Holiday#2 "Working Holiday Series" split 7" 1993: "Abraham Lincoln" on "The Machines Compilation CD" 1993: "Abraham Lincoln" on "Echoes from the Nation's Capital 1" 1994: "Abraham Lincoln" on Working Holiday! CD Compilation 1995: 10 East 3-song 7" 2002: "Friend to Friend In Endtime" on "Dischord 20th Anniversary Compilation" 1998: Cone of Light 2002: The Pupils 2005: Magic Alphabet 2006: Plays the Mirror of the Apocalypse 2006: Ancestral Songs 2007: Atomic Yggdrasil Tarot 2007: Metempsychotic Melodies 2009: Devotional Songs of Daniel Higgs 2009: Hymnprovisations for Banjo by the with Piano & Raindrops 2010: Say God 2010: Clairaudience Fellowship 2011: Peer Amid 2011: 2013-3012 2011: Ultraterrestrial Harvest Hymns 2011: Beyond & Between 2012: The Measure of Mystery 2013: The Godward Way 2014: Dances In Dreams Of The Known Unknown 2014: Street Metal 2007: Zomes 2011: Earth Grid 2013: Time Was 2015: Near Unison 2016: Who Shall Be the Sun 2018: The First Stone Dischord's Lungfish Webpage Baltimore City Paper feature article Daniel Higgs solo performance on 88.1 BSR's Phoning It In Daniel Higgs at Arcane Candy
Mary Bozana Timony is an American independent singer-songwriter, guitarist and violist. She has been a member of the bands Helium and Wild Flag, fronts Ex Hex. Timony's music is heavy and dark using drones and modal melodies reminiscent of European Medieval music, she uses a number of alternate guitar tunings, most prominent of, DADGAE. Timony was born to James and Joan Timony of Washington, D. C. and raised in the neighborhoods of Wesley Heights. As a teenager, she attended the Duke Ellington School of the Arts in Georgetown where she played guitar in the jazz band and studied viola, her guitar teacher Tom Newman recalled to interviewers: “She came to us a prodigy. You can’t teach what she has.”In 1990–91 Timony played guitar and shared lead vocals in the Washington, D. C.-based band Autoclave. She relocated to Boston, where she graduated from Boston University with a degree in English literature and formed the band Helium in the summer of 1992, recording two albums and three EPs with the group between 1994 and 1997.
Helium disbanded in 1998, whereupon Timony embarked on her solo career, recording albums in 2000 and 2002. In the mid-2000s, Timony moved back to D. C. In 2005, Timony joined with drummer Devin Ocampo. Records label, features the two performing together as a duo. In the same year, she contributed vocals to Team Sleep's self-titled album on the tracks "Tomb of Liegia" and "King Diamond." Her most recent solo album, The Shapes We Make, was released on the Kill Rock Stars label on May 8, 2007. A music video for "Sharp Shooter" was produced by the art collective Paper Rad. In early 2009, Mary Timony formed Pow Wow, with Jonah R. Takagi and Winston H. Yu; as of June 2009 the group changed its name to Soft Power. In September 2010, Mary Timony and members of Sleater-Kinney, The Minders, Quasi announced that they were working on a new album under the moniker Wild Flag, it was released on Merge Records on September 13, 2011. After Wild Flag's breakup, Timony formed Ex Hex with Fire Tapes bassist Betsy Wright, The Aquarium drummer Laura Harris.
Their debut album Rips was released on Merge Records in October 2014. Her former bandmate Jonah Takagi produced both Rips and the group's sophomore effort, It's Real, her brother, Patrick Timony, is the keyboard player for the band. There is a reference to Mary Timony in the lyrics to the song "Your Bruise" by the American indie rock band Death Cab for Cutie, from their 1998 debut album Something About Airplanes. In addition to her work with Autoclave and the Mary Timony Band, Timony has collaborated or recorded with other groups. In 1999, Timony recorded a four-song vinyl EP with Carrie Brownstein of the band Sleater-Kinney, in a duo called The Spells. In 2000, she recorded a six-song CD with Anna Johansson and Erin Maclean, entitled Green 4. In 1995, Timony recorded the song "All Dressed Up In Dreams" with Stephin Merritt, on The 6ths album Wasps' Nests, she recorded vocals for a one-off alt-country project called Lincoln'65. This project's sole output was a 7" single released by Slow River Records in 1996, labeled Lincoln'65, contained two tracks, "Dreams" and "Jellyfish".
Timony collaborated with Team Sleep on Tomb of Liegia and King Diamond on their 2005 self-titled album. Timony had a role in the 1997 independent film All Over Me as lead singer/guitarist of the fictional girl rock band Coochie Pop, along with another real-life singer/guitarist, Leisha Hailey, they performed the Helium song "Hole in the Ground" in the movie. She appeared in a short film by the name Dream Machine in 2000, directed by Brett Vapnek. Autoclave Combined CD of 10" and 7" released 1991 Pirate Prude EP The Dirt of Luck Superball+ EP No Guitars EP The Magic City Mind Science of the Mind The Age of Backwards EP Bat Vs. Bird EP Green 4 Mountains The Golden Dove Ex Hex The Shapes We Make Wild Flag Rips Hot and Cold 7" It's Real Mary Timony on Myspace
The Cigarette Girl from the Future
The Cigarette Girl from the Future is the debut EP release by the indie band Beauty Pill. "Rideshare" – 4:21 "The Cigarette Girl from the Future" – 3:43 "The Idiot Heart" – 4:52 "Bone White Crown Victoria" – 4:46 "Here Lies Rachel Wallace" – 5:15 Chad Clark - Vocals, Treatments Joanne Gholl - Vocals, Guitar Abram Goodrich - Drums, Guitar Jerry Busher- Trumpet on "The Cigarrette Girl From the Future" Mixing - Chad Clark Mastering - Charlie Pilsner Illustration & Design - Kelley Bell Ryan Nelson joined a few months after this EP was recorded, hence his work is not featured on this release
Marc Ribot is an American guitarist and composer. His work has touched on many styles, including no wave, free jazz and Cuban music. Ribot is known for collaborating with other musicians, most notably Tom Waits, Elvis Costello, Vinicio Capossela and John Zorn. Ribot was born in New Jersey, he grew up in the Montrose section of the son of a noted physician. He has worked extensively as a session guitarist, he has performed and recorded with Tom Waits, Caetano Veloso, John Zorn, David Sylvian, Jack McDuff, Wilson Pickett, The Lounge Lizards, Arto Lindsay, T-Bone Burnett, Medeski and Wood, Cibo Matto, Sam Phillips, Elvis Costello, Tift Merritt, Allen Ginsberg, Robert Plant & Alison Krauss, Susana Baca, The Black Keys, Vinicio Capossela, Alain Bashung, McCoy Tyner, Elton John, Madeleine Peyroux, Marianne Faithfull, Diana Krall, Mike Patton, Neko Case, Joe Henry, Allen Toussaint, Ikue Mori and others. Ribot's earliest session work was featured on Tom Waits's Rain Dogs and helped define Waits's new musical direction.
Ribot worked with Waits on many of his following albums including Franks Wild Years, Big Time, Mule Variations, Real Gone, Orphans: Brawlers, Bawlers & Bastards and Bad as Me. He has appeared on Elvis Costello's Spike, Mighty Like a Rose, Kojak Variety. Ribot has appeared on numerous recordings by John Zorn, including many of Zorn's Filmworks recordings, solo performances on Zorn's Masada Guitars, is a member of Zorn's Bar Kokhba Sextet and Electric Masada. Ribot's first two albums featured the Rootless Cosmopolitans, followed by an album of works by Frantz Casseus for solo guitar. Further releases found him working in a variety of band and solo contexts including two albums with his self-described "dance band", Marc Ribot y Los Cubanos Postizos, featuring compositions by Arsenio Rodríguez. Ribot admitted to Guitar Player a limited technical facility due to learning to play right-handed despite being left-handed: "That's a real limit, one that caused me a lot of grief when I was working with Jack McDuff and realizing I wasn't following in George Benson's footsteps.
I couldn't be a straight-ahead jazz contender if you held a gun to my head, but that begs the question of whether I would want to be one."He performs and records with his groups Marc Ribot's Ceramic Dog with bassist Shahzad Ismaily and drummer Ches Smith of the avant-garde band Secret Chiefs 3, Marc Ribot Trio with bassist Henry Grimes and drummer Chad Taylor of Chicago Underground, The Young Philadelphians, covering 1970s Philadelphia soul music with Philadelphia-based musicians bassist Jamaaladeen Tacuma and drummer G. Calvin Weston with guitarist Mary Halvorson plus a three-piece string section. A biographical documentary film about Ribot was called The Lost String. Ribot was a judge for the sixth annual Independent Music Awards. Rootless Cosmopolitans Requiem for What's His Name Marc Ribot Plays Solo Guitar Works of Frantz Casseus Shrek Subsonic 1: Sounds of a Distant Episode with Shrek The Book of Heads composed by John Zorn Don't Blame Me Shoe String Symphonettes The Prosthetic Cubans with Los Cubanos Postizos Yo!
I Killed Your God ¡Muy Divertido! with Los Cubanos Postizos Saints Inasmuch as Life is Borrowed limited edition Scelsi Morning Soundtracks Volume 2 Spiritual Unity Exercises in Futility Party Intellectuals with Ceramic Dog Silent Movies Your Turn with Ceramic Dog Live at the Village Vanguard with Henry Grimes and Chad Taylor The Young Philadelphians: Live in Tokyo with the Young Philadelphians YRU Still Here? with Ceramic Dog Songs of Resistance: 1942–2018 Sabbath in Paradise The Soul of a Man A Bookshelf on Top of the Sky: 12 Stories About John Zorn The Lost String Gare du Nord Marc Ribot official website Marc Ribot on IMDb Marc Ribot at AllMusic
International Standard Serial Number
An International Standard Serial Number is an eight-digit serial number used to uniquely identify a serial publication, such as a magazine. The ISSN is helpful in distinguishing between serials with the same title. ISSN are used in ordering, interlibrary loans, other practices in connection with serial literature; the ISSN system was first drafted as an International Organization for Standardization international standard in 1971 and published as ISO 3297 in 1975. ISO subcommittee TC 46/SC 9 is responsible for maintaining the standard; when a serial with the same content is published in more than one media type, a different ISSN is assigned to each media type. For example, many serials are published both in electronic media; the ISSN system refers to these types as electronic ISSN, respectively. Conversely, as defined in ISO 3297:2007, every serial in the ISSN system is assigned a linking ISSN the same as the ISSN assigned to the serial in its first published medium, which links together all ISSNs assigned to the serial in every medium.
The format of the ISSN is an eight digit code, divided by a hyphen into two four-digit numbers. As an integer number, it can be represented by the first seven digits; the last code digit, which may be 0-9 or an X, is a check digit. Formally, the general form of the ISSN code can be expressed as follows: NNNN-NNNC where N is in the set, a digit character, C is in; the ISSN of the journal Hearing Research, for example, is 0378-5955, where the final 5 is the check digit, C=5. To calculate the check digit, the following algorithm may be used: Calculate the sum of the first seven digits of the ISSN multiplied by its position in the number, counting from the right—that is, 8, 7, 6, 5, 4, 3, 2, respectively: 0 ⋅ 8 + 3 ⋅ 7 + 7 ⋅ 6 + 8 ⋅ 5 + 5 ⋅ 4 + 9 ⋅ 3 + 5 ⋅ 2 = 0 + 21 + 42 + 40 + 20 + 27 + 10 = 160 The modulus 11 of this sum is calculated. For calculations, an upper case X in the check digit position indicates a check digit of 10. To confirm the check digit, calculate the sum of all eight digits of the ISSN multiplied by its position in the number, counting from the right.
The modulus 11 of the sum must be 0. There is an online ISSN checker. ISSN codes are assigned by a network of ISSN National Centres located at national libraries and coordinated by the ISSN International Centre based in Paris; the International Centre is an intergovernmental organization created in 1974 through an agreement between UNESCO and the French government. The International Centre maintains a database of all ISSNs assigned worldwide, the ISDS Register otherwise known as the ISSN Register. At the end of 2016, the ISSN Register contained records for 1,943,572 items. ISSN and ISBN codes are similar in concept. An ISBN might be assigned for particular issues of a serial, in addition to the ISSN code for the serial as a whole. An ISSN, unlike the ISBN code, is an anonymous identifier associated with a serial title, containing no information as to the publisher or its location. For this reason a new ISSN is assigned to a serial each time it undergoes a major title change. Since the ISSN applies to an entire serial a new identifier, the Serial Item and Contribution Identifier, was built on top of it to allow references to specific volumes, articles, or other identifiable components.
Separate ISSNs are needed for serials in different media. Thus, the print and electronic media versions of a serial need separate ISSNs. A CD-ROM version and a web version of a serial require different ISSNs since two different media are involved. However, the same ISSN can be used for different file formats of the same online serial; this "media-oriented identification" of serials made sense in the 1970s. In the 1990s and onward, with personal computers, better screens, the Web, it makes sense to consider only content, independent of media; this "content-oriented identification" of serials was a repressed demand during a decade, but no ISSN update or initiative occurred. A natural extension for ISSN, the unique-identification of the articles in the serials, was the main demand application. An alternative serials' contents model arrived with the indecs Content Model and its application, the digital object identifier, as ISSN-independent initiative, consolidated in the 2000s. Only in 2007, ISSN-L was defined in the
Arthur Morgan "Arto" Lindsay is an American guitarist, record producer and experimental composer. He first achieved recognition as part of New York no wave group DNA in the late 1970s, he has a distinctive soft voice and an noisy, self-taught guitar style consisting entirely of extended techniques, described by Brian Olewnick as "studiedly naïve... sounding like the bastard child of Derek Bailey". His guitar work is contrasted with gentler, sensuous Brazilian music themes. Although Lindsay was born in the United States, he spent many years in Brazil with his missionary parents and Anne Lindsay, he grew up during the Tropicália, which included musicians Caetano Veloso, Gal Costa, Os Mutantes, Gilberto Gil, as well as the visual artists Hélio Oiticica, Lygia Clark, Antonio Dias. This time of cultural experimentation and artistic cross-pollination made a lasting impact on him. In New York City, Lindsay began his artistic ambitions as a writer but became interested in the art and music scenes that were evolving out punk rock.
In the late 1970s, he helped form the no wave band DNA with Ikue Mori and Robin Crutchfield, although Tim Wright of Pere Ubu soon replaced Crutchfield. In 1978, DNA was featured on the four-band sampler No New York which brought an early taste of international notoriety to the group and which became the essential document of No Wave. Rock critic Lester Bangs called the group's ritualistic vocals and deliberately primitive, shredding guitar "horrible noise". In the early 1980s, Lindsay performed on early albums by The Lounge Lizards and The Golden Palominos; these groups destroyed distinctions between rock, pop and avant-garde music. After Lindsay becoming friends with John Zorn, he played in several of Zorn's bands, including Locus Solus. After the Lounge Lizards and keyboardist Peter Scherer formed the Ambitious Lovers, influenced by pop and bossa nova. In an interview with Bomb magazine, Linsday said, "the whole idea was samba; that against this. There's no particular point in putting these things together.
The point is what comes out in the end."The band's three albums, Greed and Lust, were Lindsay's entry into a major record label. But the band's experimental music was ignored by fans in the mainstream. In 1991 Ambitious Lovers broke up. In the early 1990s Lindsay began to rarefy his singing voice and started a solo career influenced by his Brazilian roots. In Portuguese he sang bossa nova songs such as "Este Seu Olhar" by Antônio Carlos Jobim. With Melvin Gibbs, Vinicius Cantuária, producer Andres Levin, he moved to electronica on the albums O Corpo Sutil, Mundo Civilizado, Noon Chill, Prize and Salt, he composed soundtracks, dance commissions, continued No Wave-related styles in the Arto Lindsay Trio with Gibbs and Dougie Bowne. Their album Aggregates 1–26 was released by Knitting Factory. In 1998, he collaborated with Arnaldo Antunes and Davi Moraes on the track "Sem Você" for the AIDS benefit compilation album Onda Sonora: Red Hot + Lisbon produced by the Red Hot Organization. In 2004, he co-produced and played with Seb el Zin on the album Anarchist Republic of Bzzz with Marc Ribot, Mike Ladd, Sensational.
Lindsay has worked with Laurie Anderson, Animal Collective, Alain Bashung, David Byrne, Gal Costa, Bill Frisell, Kip Hanrahan, IlIe AiyIe Krisma, Cibo Matto, Marisa Monte, Ryuichi Sakamoto, Naná Vasconcelos, Caetano Veloso, Tom Waits. Lindsay has appeared in a number of films in tie-ins with other artists. Lindsay had a cameo appearance in the Madonna vehicle Desperately Seeking Susan and can be seen playing guitar in Downtown 81, a film about the art and music in the East Village featuring Jean-Michel Basquiat and Deborah Harry, he is featured in Step Across the Border, a documentary on the musician Fred Frith, directed by Nicolas Humbert and Werner Penzel and in Kill Your Idols, a documentary directed by Scott Crary. His song'Too Many Mansions' is featured in the film Kiss Daddy Goodnight which stars Uma Thurman and Steve Buscemi. Lindsay began his experience as producer in 1981 working with Italian No wave band Hi-Fi Bros. All through the years he has produced recordings by Brazilian musicians Caetano Veloso, Tom Zé, Vinicius Cantuária, Gal Costa, Carlinhos Brown, Marisa Monte, Adriana Calcanhotto, Lucas Santtana.
He co-produced the first album of Anarchist Republic of Bzzz. Beginning in his early days in the East Village of New York City, Lindsay befriended and collaborated with artists. With Diego Cortez he became immersed in an art community that included Jean-Michel Basquiat and Vito Acconci, his have included the artwork of Matthew Barney, Frédéric Bruly Bouabré, Nan Goldin, Philip Taaffe, Kara Walker. Starting in the 1990s, Cortez was art director for his solo albums, he collaborated with Japanese artist Noritoshi Hirakawa at an exhibition at Deitch Projects and as part of a sound-art exhibition at PS1, a gallery in New York. Lindsay wrote the epilogue for No Beauty without Danger, the official biography of the German experimental band Einstürzende Neubauten In 2013, Lindsay sang on "I Guess We're Floating" by Stephon Alexander and Rioux; the song was released on the album Here Comes Now in August 2014 by Connect Records. Netmage 2006 performs Ipanema Théories with Dominique Gonzalez Foerster and alone Garden of self regard Pretty Ugly with Peter Scherer Aggregates 1–26 Mundo Civilizado O Corpo Sutil (Bar None, 199
The Washington Post
The Washington Post is a major American daily newspaper published in Washington, D. C. with a particular emphasis on national politics and the federal government. It has the largest circulation in the Washington metropolitan area, its slogan "Democracy Dies in Darkness" began appearing on its masthead in 2017. Daily broadsheet editions are printed for the District of Columbia and Virginia; the newspaper has won 47 Pulitzer Prizes. This includes six separate Pulitzers awarded in 2008, second only to The New York Times' seven awards in 2002 for the highest number awarded to a single newspaper in one year. Post journalists have received 18 Nieman Fellowships and 368 White House News Photographers Association awards. In the early 1970s, in the best-known episode in the newspaper's history, reporters Bob Woodward and Carl Bernstein led the American press' investigation into what became known as the Watergate scandal, their reporting in The Washington Post contributed to the resignation of President Richard Nixon.
In years since, the Post's investigations have led to increased review of the Walter Reed Army Medical Center. In October 2013, the paper's longtime controlling family, the Graham family, sold the newspaper to Nash Holdings, a holding company established by Jeff Bezos, for $250 million in cash; the Washington Post is regarded as one of the leading daily American newspapers, along with The New York Times, the Los Angeles Times, The Wall Street Journal. The Post has distinguished itself through its political reporting on the workings of the White House and other aspects of the U. S. government. Unlike The New York Times and The Wall Street Journal, The Washington Post does not print an edition for distribution away from the East Coast. In 2009, the newspaper ceased publication of its National Weekly Edition, which combined stories from the week's print editions, due to shrinking circulation; the majority of its newsprint readership is in the District of Columbia and its suburbs in Maryland and Northern Virginia.
The newspaper is one of a few U. S. newspapers with foreign bureaus, located in Beirut, Beijing, Bogotá, Hong Kong, Jerusalem, London, Mexico City, Nairobi, New Delhi and Tokyo. In November 2009, it announced the closure of its U. S. regional bureaus—Chicago, Los Angeles and New York—as part of an increased focus on "political stories and local news coverage in Washington." The newspaper has local bureaus in Virginia. As of May 2013, its average weekday circulation was 474,767, according to the Audit Bureau of Circulations, making it the seventh largest newspaper in the country by circulation, behind USA Today, The Wall Street Journal, The New York Times, the Los Angeles Times, the Daily News, the New York Post. While its circulation has been slipping, it has one of the highest market-penetration rates of any metropolitan news daily. For many decades, the Post had its main office at 1150 15th Street NW; this real estate remained with Graham Holdings when the newspaper was sold to Jeff Bezos' Nash Holdings in 2013.
Graham Holdings sold 1150 15th Street for US$159 million in November 2013. The Washington Post continued to lease space at 1150 L Street NW. In May 2014, The Washington Post leased the west tower of One Franklin Square, a high-rise building at 1301 K Street NW in Washington, D. C; the newspaper moved into their new offices December 14, 2015. The Post has its own exclusive zip code, 20071. Arc Publishing is a department of the Post, which provides the publishing system, software for news organizations such as the Chicago Tribune and the Los Angeles Times; the newspaper was founded in 1877 by Stilson Hutchins and in 1880 added a Sunday edition, becoming the city's first newspaper to publish seven days a week. In 1889, Hutchins sold the newspaper to Frank Hatton, a former Postmaster General, Beriah Wilkins, a former Democratic congressman from Ohio. To promote the newspaper, the new owners requested the leader of the United States Marine Band, John Philip Sousa, to compose a march for the newspaper's essay contest awards ceremony.
Sousa composed "The Washington Post". It became the standard music to accompany the two-step, a late 19th-century dance craze, remains one of Sousa's best-known works. In 1893, the newspaper moved to a building at 14th and E streets NW, where it would remain until 1950; this building combined all functions of the newspaper into one headquarters – newsroom, advertising and printing – that ran 24 hours per day. In 1898, during the Spanish–American War, the Post printed Clifford K. Berryman's classic illustration Remember the Maine, which became the battle-cry for American sailors during the War. In 1902, Berryman published another famous cartoon in the Post—Drawing the Line in Mississippi; this cartoon depicts President Theodore Roosevelt showing compassion for a small bear cub and inspired New York store owner Morris Michtom to create the teddy bear. Wilkins acquired Hatton's share of the newspaper in 1894 at Hatton's death. After Wilkins' death in 1903, his sons John and Robert ran the Post for two years before selling it in 1905 to John Roll McLean, owner of the Cincinnati Enquirer.
During the Wilson presidency, the Post was credited with the "most famous newspaper typo" in D. C. history according to Reason magazine. When John McLean died in 1916, he put the newspap