Latin Grammy Award
A Latin Grammy Award is an award by The Latin Recording Academy to recognize outstanding achievement in the Latin music industry. The Latin Grammy honors works produced anywhere around the world that were recorded in either Spanish or Portuguese and is awarded in the United States. Submissions of products recorded in regional languages from Latin America and the Iberian Peninsula of Hispanophone or Lusophone countries such as Catalan, Quechua may be considered. Both the regular Grammy Award and the Latin Grammy Award have similar nominating and voting processes, in which the selections are decided by peers within the Latin music industry; the first annual Latin Grammys ceremony was held at the Staples Center in Los Angeles on September 13, 2000. Broadcast by CBS, that first ceremony became the first Spanish language primetime program carried on an English-language American television network; the most-recent ceremony, the 19th Annual Latin Grammy Awards, was held on November 15, 2018 at the MGM Grand Garden Arena in Las Vegas, Nevada.
The upcoming 20th Annual Latin Grammy Awards will be held on November 14, 2019 at the MGM Grand Garden Arena in Las Vegas. Since 2005, the awards are broadcast in the United States by the television network Univision. In 2013, 9.8 million people watched the Latin Grammy Awards on Univision, making the channel a top-three network for the night in the U. S; the Latin Academy of Recording Arts & Sciences was formed by the National Academy of Recording Arts & Sciences in 1997. It was founded by Producers & Songwriters Rudy Pérez & Mauricio Abaroa. Rudy Pérez was the Grammy Florida chapter's first President of the Board; the concept of a separate Grammy Awards for Latin music began in 1989. According to organizers, the Latin Grammy Awards was established as the Latin music universe was deemed too large to fit on the Grammy Awards; the Latin Grammy Awards focuses on music from Latin America, Spain and the United States. In 2000, it was announced that the 1st Annual Latin Grammy Awards would take place at the Staples Center on September 13, 2000.
On July 7, 2000, the nominations were announced in Miami, United States. The Latin Grammys were introduced with over 39 categories included limited to Spanish and Portuguese-speaking recordings; the first telecast was broadcast. The following year's show was canceled due to the September 11, 2001 attacks, the same day the show was to take place. In 2002, the academy elected its first independent Board of Trustees. In 2005, the broadcast was moved from CBS to Univision. Voting members live in various regions in the US and outside of the US including Latin America and Portugal. To be eligible a recording must have at least 51% of its content recorded in Spanish or Portuguese and has been commercially released in North America, Central America, South America, the Caribbean, Spain, or Portugal. Products recorded in languages and dialects such as Catalan, Quechua, Valencian, may be accepted by majority vote of the committees of the Latin Recording Academy. For instrumental music, the Latin Recording Academy accepts recordings that have been composed or interpreted by an Iberian American musician.
The eligibility period is June 1 to May 30 for a respective awards ceremony. Recordings are first entered and reviewed to determine the awards they are eligible for. Following that, nominating ballots are mailed to voting members of the academy; the votes are tabulated and the five recordings in each category with the most votes become the nominees. Final voting ballots are sent out to voting members and the winners are determined. Winners are announced at the Latin Grammy Awards; the current President & CEO of the Latin Academy of Recording Arts & Sciences is Gabriel Abaroa, related to Mauricio, one of the founders. Altogether there are three events: the Life Achievement when renowned artists are honored for lifetime achievement. Alike from the Grammy Award there is a general field consisting of four genre-less award categories: Record of the Year is awarded to the performer and the production team of a single song. Album of the Year is awarded to the production team of a full album. Song of the Year is awarded to the writer/composer of a single song.
Best New Artist is awarded to an artist without reference to a album. The rest of the fields are genre-specific. Special non-competitive awards are given out for more long-lasting contributions to the Latin music industry; the first telecast had 40 awards presented however the following year 38 awards were presented. The most recent telecast in 2010 had a total of 46 awards presented. With 21 Latin Grammy Awards, Calle 13 have won the most Latin Grammy Awards. Juanes, with 19 Latin Grammy Awards, holds the record for most awards won by a solo artist. Shakira is the biggest winner among female artists with 13 awards; as with its Grammy Awards counterpart, the Latin Grammy Awards has received criticism from various recording artists and music journalists. Upon the announcement of the Latin Grammy Awards in 1999, several musical journalists raised concerns about the awards being used as a marketing tool by the mainstream media. Manny S. Gonzalez of the Vista En L. A felt; the lack of categories for non Spanish and Portugues
MusicBrainz is a project that aims to create an open data music database, similar to the freedb project. MusicBrainz was founded in response to the restrictions placed on the Compact Disc Database, a database for software applications to look up audio CD information on the Internet. MusicBrainz has expanded its goals to reach beyond a compact disc metadata storehouse to become a structured open online database for music. MusicBrainz captures information about artists, their recorded works, the relationships between them. Recorded works entries capture at a minimum the album title, track titles, the length of each track; these entries are maintained by volunteer editors. Recorded works can store information about the release date and country, the CD ID, cover art, acoustic fingerprint, free-form annotation text and other metadata; as of 21 September 2018, MusicBrainz contained information about 1.4 million artists, 2 million releases, 19 million recordings. End-users can use software that communicates with MusicBrainz to add metadata tags to their digital media files, such as FLAC, MP3, Ogg Vorbis or AAC.
MusicBrainz allows contributors to upload cover art images of releases to the database. Internet Archive provides the bandwidth and legal protection for hosting the images, while MusicBrainz stores metadata and provides public access through the web and via an API for third parties to use; as with other contributions, the MusicBrainz community is in charge of maintaining and reviewing the data. Cover art is provided for items on sale at Amazon.com and some other online resources, but CAA is now preferred because it gives the community more control and flexibility for managing the images. Besides collecting metadata about music, MusicBrainz allows looking up recordings by their acoustic fingerprint. A separate application, such as MusicBrainz Picard, must be used for this. In 2000, MusicBrainz started using Relatable's patented TRM for acoustic fingerprint matching; this feature allowed the database to grow quickly. However, by 2005 TRM was showing scalability issues as the number of tracks in the database had reached into the millions.
This issue was resolved in May 2006 when MusicBrainz partnered with MusicIP, replacing TRM with MusicDNS. TRMs were phased out and replaced by MusicDNS in November 2008. In October 2009 MusicIP was acquired by AmpliFIND; some time after the acquisition, the MusicDNS service began having intermittent problems. Since the future of the free identification service was uncertain, a replacement for it was sought; the Chromaprint acoustic fingerprinting algorithm, the basis for AcoustID identification service, was started in February 2010 by a long-time MusicBrainz contributor Lukáš Lalinský. While AcoustID and Chromaprint are not MusicBrainz projects, they are tied with each other and both are open source. Chromaprint works by analyzing the first two minutes of a track, detecting the strength in each of 12 pitch classes, storing these 8 times per second. Additional post-processing is applied to compress this fingerprint while retaining patterns; the AcoustID search server searches from the database of fingerprints by similarity and returns the AcoustID identifier along with MusicBrainz recording identifiers if known.
Since 2003, MusicBrainz's core data are in the public domain, additional content, including moderation data, is placed under the Creative Commons CC-BY-NC-SA-2.0 license. The relational database management system is PostgreSQL; the server software is covered by the GNU General Public License. The MusicBrainz client software library, libmusicbrainz, is licensed under the GNU Lesser General Public License, which allows use of the code by proprietary software products. In December 2004, the MusicBrainz project was turned over to the MetaBrainz Foundation, a non-profit group, by its creator Robert Kaye. On 20 January 2006, the first commercial venture to use MusicBrainz data was the Barcelona, Spain-based Linkara in their Linkara Música service. On 28 June 2007, BBC announced that it has licensed MusicBrainz's live data feed to augment their music Web pages; the BBC online music editors will join the MusicBrainz community to contribute their knowledge to the database. On 28 July 2008, the beta of the new BBC Music site was launched, which publishes a page for each MusicBrainz artist.
Amarok – KDE audio player Banshee – multi-platform audio player Beets – automatic CLI music tagger/organiser for Unix-like systems Clementine – multi-platform audio player CDex – Microsoft Windows CD ripper Demlo – a dynamic and extensible music manager using a CLI iEatBrainz – Mac OS X deprecated foo_musicbrainz component for foobar2000 – Music Library/Audio Player Jaikoz – Java mass tag editor Max – Mac OS X CD ripper and audio transcoder Mp3tag – Windows metadata editor and music organizer MusicBrainz Picard – cross-platform album-oriented tag editor MusicBrainz Tagger – deprecated Microsoft Windows tag editor puddletag – a tag editor for PyQt under the GPLv3 Rhythmbox music player – an audio player for Unix-like systems Sound Juicer – GNOME CD ripper Zortam Mp3 Media Studio – Windows music organizer and ID3 Tag Editor. Freedb clients can access MusicBrainz data through the freedb protocol by using the MusicBrainz to FreeDB gateway service, mb2freedb. List of online music databases Making Metadata: The Case of Mus
Integrated Authority File
The Integrated Authority File or GND is an international authority file for the organisation of personal names, subject headings and corporate bodies from catalogues. It is used for documentation in libraries and also by archives and museums; the GND is managed by the German National Library in cooperation with various regional library networks in German-speaking Europe and other partners. The GND falls under the Creative Commons Zero licence; the GND specification provides a hierarchy of high-level entities and sub-classes, useful in library classification, an approach to unambiguous identification of single elements. It comprises an ontology intended for knowledge representation in the semantic web, available in the RDF format; the Integrated Authority File became operational in April 2012 and integrates the content of the following authority files, which have since been discontinued: Name Authority File Corporate Bodies Authority File Subject Headings Authority File Uniform Title File of the Deutsches Musikarchiv At the time of its introduction on 5 April 2012, the GND held 9,493,860 files, including 2,650,000 personalised names.
There are seven main types of GND entities: LIBRIS Virtual International Authority File Information pages about the GND from the German National Library Search via OGND Bereitstellung des ersten GND-Grundbestandes DNB, 19 April 2012 From Authority Control to Linked Authority Data Presentation given by Reinhold Heuvelmann to the ALA MARC Formats Interest Group, June 2012
National Autonomous University of Mexico
The National Autonomous University of Mexico is a public research university in Mexico. It ranks in world rankings based on the university's extensive research and innovation. UNAM's campus is a UNESCO World Heritage site, designed by some of Mexico's best-known architects of the 20th century. Murals in the main campus were painted by some of the most recognized artists in Mexican history, such as Diego Rivera and David Alfaro Siqueiros. In 2016, it had an acceptance rate of only 8%. UNAM generates a number of strong research publications and patents in diverse areas, such as robotics, computer science, physics, human-computer interaction, philosophy, among others. All Mexican Nobel laureates are either alumni or faculty of UNAM. UNAM was founded, in its modern form, on 22 September 1910 by Justo Sierra as a liberal alternative to its predecessor, the Royal and Pontifical University of Mexico. UNAM obtained its autonomy from the government in 1929; this has given the university the freedom to define its own curriculum and manage its own budget without interference from the government.
This has had a profound effect on academic life at the university, which some claim boosts academic freedom and independence. UNAM was the birthplace of the student movement of 1968, which turned into a nationwide rebellion against autocratic rule and began Mexico's three-decade journey toward democracy; the university was founded on 22 September 1910 by Justo Sierra Minister of Education in the Porfirio Díaz regime, who sought to create a different institution from its 19th-century precursor, the Royal and Pontifical University of Mexico, founded on 21 September 1551 by a royal decree signed by Crown Prince Phillip on behalf of Charles I of Spain and brought to a definitive closure in 1865 by Maximilian I of Mexico. Instead of reviving what he saw as an anachronistic institution with strong ties to the Roman Catholic Church, he aimed to merge and expand Mexico City's decentralized colleges of higher education and create a new university, secular in nature and national in scope, that could reorganize higher education within the country, serve as a model of positivism and encompass the ideas of the dominant Mexican liberalism.
The project unified the Fine Arts, Political Science, Engineering, Medicine and the National Preparatory schools. The new university's challenges were political, due to the ongoing Mexican Revolution and the fact that the federal government had direct control over the university's policies and curriculum; this opposition led to disruptions in the function of the university when political instability forced resignations in the government, including that of President Díaz. Internally, the first student strike occurred in 1912 to protest examination methods introduced by the director of the School of Jurisprudence, Luis Cabrera. By July of that year, a majority of the law students decided to abandon the university and join the newly created Free School of Law. In 1914 initial efforts to gain autonomy for the university failed. In 1920, José Vasconcelos became rector. In 1921, he created the school's coat-of-arms: the image of an eagle and a condor surrounding a map of Latin America, from Mexico's northern border to Tierra del Fuego, the motto, "The Spirit shall speak for my race".
Efforts to gain autonomy for the university continued in the early 1920s. In the mid-1920s, the second wave of student strikes opposed a new grading system; the strikes included major classroom walkouts in the law school and confrontation with police at the medical school. The striking students were supported by many professors and subsequent negotiations led to autonomy for the university; the institution was no longer a dependency of the Secretariat of Public Education. During the early 1930s, the rector of UNAM was Manuel Gómez Morín; the government attempted to implement socialist education at Mexican universities, which Gómez Morín, many professors, Catholics opposed as an infringement on academic freedom. Gómez Morín with the support of the Jesuit-founded student group, the Unión Nacional de Estudiantes Católicos fought against socialist education. UNAM supported the recognition of the academic certificates by Catholic preparatory schools, which validated their educational function. In an interesting turn of events, UNAM played an important role in the founding of the Jesuit institution in 1943, the Universidad Iberoamericana in 1943.
However, UNAM opposed initiatives at the Universidad Iberoamericana in years, opposing the establishment of majors in industrial relations and communications. In 1943 initial decisions were made to move the university from the various buildings it occupied in the city center to a new and consolidated university campus; the first stone laid was that of the faculty of Sciences, the first building of Ciudad Universitaria. President Miguel Alemán Valdés participated in the ceremony on 20 November 1952; the University Olympic Stadium was inaugurated on the same day. In 1957 the Doctorate Council was created to organize graduate studies. Another major student strike, again over examination regulations, occurred in 1966. Students forced the rector to resign; the Board of Regents did not accept this resignation, so the professors went on
Conservatorio Nacional de Música (Mexico)
The Conservatorio Nacional de Música is a music conservatory located in the Polanco neighborhood of Mexico City, Federal District, Mexico. The Conservatory was founded on July 1, 1866, by the priest and choir conductor Agustín Caballero, with the support of the Mexican Philharmonic Society and Emperor Maximilian I, it is the oldest official school of music in Mexico City, it is the host institution of the oldest symphonic orchestra in the country. Since March 18, 1949, its campus is located in the Polanco section of Mexico City in an architectural complex designed and built by Mario Pani. Torres-Chibras, Armando Ramon. 2002. "José Pablo Moncayo, Mexican Composer and Conductor: A Survey of His Life with a Historical Perspective of His Time." DMA diss. University of Missouri, Kansas City. Ann Arbor, MI: University Microfilms International. ISBN 0-493-66937-X Official web-site of the NCM-Mexico alumni
Virtual International Authority File
The Virtual International Authority File is an international authority file. It is a joint project of several national libraries and operated by the Online Computer Library Center. Discussion about having a common international authority started in the late 1990s. After a series of failed attempts to come up with a unique common authority file, the new idea was to link existing national authorities; this would present all the benefits of a common file without requiring a large investment of time and expense in the process. The project was initiated by the US Library of Congress, the German National Library and the OCLC on August 6, 2003; the Bibliothèque nationale de France joined the project on October 5, 2007. The project transitioned to being a service of the OCLC on April 4, 2012; the aim is to link the national authority files to a single virtual authority file. In this file, identical records from the different data sets are linked together. A VIAF record receives a standard data number, contains the primary "see" and "see also" records from the original records, refers to the original authority records.
The data are available for research and data exchange and sharing. Reciprocal updating uses the Open Archives Initiative Protocol for Metadata Harvesting protocol; the file numbers are being added to Wikipedia biographical articles and are incorporated into Wikidata. VIAF's clustering algorithm is run every month; as more data are added from participating libraries, clusters of authority records may coalesce or split, leading to some fluctuation in the VIAF identifier of certain authority records. Authority control Faceted Application of Subject Terminology Integrated Authority File International Standard Authority Data Number International Standard Name Identifier Wikipedia's authority control template for articles Official website VIAF at OCLC