Collage is a technique of an art production used in the visual arts, where the artwork is made from an assemblage of different forms, thus creating a new whole. A collage may sometimes include magazine and newspaper clippings, paint, bits of colored or handmade papers, portions of other artwork or texts and other found objects, glued to a piece of paper or canvas; the origins of collage can be traced back hundreds of years, but this technique made a dramatic reappearance in the early 20th century as an art form of novelty. The term collage was coined by both Georges Braque and Pablo Picasso in the beginning of the 20th century when collage became a distinctive part of modern art. Techniques of collage were first used at the time of the invention of paper in China, around 200 BC; the use of collage, wasn't used by many people until the 10th century in Japan, when calligraphers began to apply glued paper, using texts on surfaces, when writing their poems. The technique of collage appeared in medieval Europe during the 13th century.
Gold leaf panels started to be applied in Gothic cathedrals around the 16th centuries. Gemstones and other precious metals were applied to religious images, to coats of arms. An 18th-century example of collage art can be found in the work of Mary Delany. In the 19th century, collage methods were used among hobbyists for memorabilia and books. Many institutions have attributed the beginnings of the practice of collage to Picasso and Braque in 1912, early Victorian photocollage suggest collage techniques were practiced in the early 1860s. Many institutions recognize these works as memorabilia for hobbyists, though they functioned as a facilitator of Victorian aristocratic collective portraiture, proof of female erudition, presented a new mode of artistic representation that questioned the way in which photography is truthful. In 2009, curator Elizabeth Siegel organized the exhibition: Playing with Pictures at the Art Institute Chicago to acknowledge collage works by Alexandra of Denmark and Mary Georgina Filmer among others.
The exhibition traveled to The Metropolitan Museum of Art and The Art Gallery of Ontario. Despite the pre-twentieth-century use of collage-like application techniques, some art authorities argue that collage, properly speaking, did not emerge until after 1900, in conjunction with the early stages of modernism. For example, the Tate Gallery's online art glossary states that collage "was first used as an artists' technique in the twentieth century.". According to the Guggenheim Museum's online art glossary, collage is an artistic concept associated with the beginnings of modernism, entails much more than the idea of gluing something onto something else; the glued-on patches which Braque and Picasso added to their canvases offered a new perspective on painting when the patches "collided with the surface plane of the painting." In this perspective, collage was part of a methodical reexamination of the relation between painting and sculpture, these new works "gave each medium some of the characteristics of the other," according to the Guggenheim essay.
Furthermore, these chopped-up bits of newspaper introduced fragments of externally referenced meaning into the collision: "References to current events, such as the war in the Balkans, to popular culture enriched the content of their art." This juxtaposition of signifiers, "at once serious and tongue-in-cheek," was fundamental to the inspiration behind collage: "Emphasizing concept and process over end product, collage has brought the incongruous into meaningful congress with the ordinary." Collage in the modernist sense began with Cubist painters Georges Pablo Picasso. According to some sources, Picasso was the first to use the collage technique in oil paintings. According to the Guggenheim Museum's online article about collage, Braque took up the concept of collage itself before Picasso, applying it to charcoal drawings. Picasso adopted collage after: "It was Braque who purchased a roll of simulated oak-grain wallpaper and began cutting out pieces of the paper and attaching them to his charcoal drawings.
Picasso began to make his own experiments in the new medium."In 1912 for his Still Life with Chair Caning, Picasso pasted a patch of oilcloth with a chair-cane design onto the canvas of the piece. Surrealist artists have made extensive use of collage. Cubomania is a collage made by cutting an image into squares which are reassembled automatically or at random. Collages produced using a similar, or identical, method are called etrécissements by Marcel Mariën from a method first explored by Mariën. Surrealist games such as parallel collage use collective techniques of collage making; the Sidney Janis Gallery held an early Pop Art exhibit called the New Realist Exhibition in November 1962, which included works by the American artists Tom Wesselmann, Jim Dine, Robert Indiana, Roy Lichtenstein, Claes Oldenburg, James Rosenquist, George Segal, Andy Warhol. It followed the Nouveau Réalisme exhibition at the Galerie Rive Droite in Paris, marked the international debut of the artists who soon gave rise to what came to be called Pop Art in Britain and The United States and Nouveau Réalisme on the European continent.
Many of these artists used collage techniques in their work. Wesselmann took part in the New Realist show with some reservations, exhibiting two 1962 works: Still life #17 and Still life
Reich Labour Service
The Reich Labour Service Reichsarbeitsdienst. It was the official state labour service, divided into separate sections for women. From June 1935 onward, men aged between 18 and 25 may have served six months before their military service. During World War II compulsory service included young women and the RAD developed to an auxiliary formation which provided support for the Wehrmacht armed forces. In the course of the Great Depression, the German government of the Weimar Republic under Chancellor Heinrich Brüning by emergency decree had established the Freiwilliger Arbeitsdienst on 5 June 1931, two years before the Nazi Party ascended to national power; the state sponsored employment organisation provided services to civic and land improvement projects, from 16 July 1932 it was headed by Friedrich Syrup in the official rank of a Reichskommissar. The idea of a national compulsory service was quite popular in right-wing circles, but it had little effect on the economic situation; the concept was adopted by Adolf Hitler, who upon the Nazi seizure of power in 1933 appointed Konstantin Hierl state secretary in the Reich Ministry of Labour, responsible for FAD matters.
Hierl was a high-ranking member of the NSDAP and head of the party's labour organisation, the Nationalsozialistischer Arbeitsdienst or NSAD. Hierl developed the concept of a state labour service organisation similar to the Reichswehr army, with a view to implementing a compulsory service. Meant as an evasion of the regulations set by the 1919 Treaty of Versailles, voluntariness was maintained after protests by the Geneva World Disarmament Conference. Hierl's rivalry with Labour Minister Franz Seldte led to the affiliation of his office as a FAD Reichskommissar with the Interior Ministry under his party fellow Wilhelm Frick. On 11 July 1934, the NSAD was renamed Reichsarbeitsdienst or RAD with Hierl as its director until the end of World War II. By law issued on 26 June 1935, the RAD was re-established as an amalgamation of the many prior labour organisations formed in Germany during the Weimar Republic, with Hierl appointed as Reich Labour Leader according to the Führerprinzip. With massive financial support by the German government, RAD members were to provide service for military and to a lesser extent civic and agricultural construction projects.
Per Reich Labor Service Act of June 26, 1935 " The Reich Labor Service is an honorary service to the German people. All young Germans of both sexes are obliged to serve their people in the Reich Labor Service; the Reich Labor Service is to educate the German youth in the spirit of National Socialism to the national community and to the true working attitude, above all to the due respect of manual labor. The Reich Labor Service is intended for the performance of charitable work; the RAD was divided into two major sections, one for men and the voluntary, from 1939 compulsory, section for young women. The RAD was composed of 33 districts each called an Arbeitsgau similar to the Gaue subdivisions of the Nazi Party; each of these districts was headed by an Arbeitsgauführer officer with headquarters staff and a Wachkompanie. Under each district were between six and eight Arbeitsgruppen, battalion-sized formations of 1200–1800 men; these groups were divided into six company-sized RAD-Abteilung units.
Conscripted personnel had to move into labour barracks. Each rank and file RAD man was supplied with a bicycle. A paramilitary uniform was implemented in 1934. Men and women had to work up to 76 hours a week; the RAD was classed as Wehrmachtgefolge. Auxiliary forces with this status, while not a part of the Armed Forces themselves, provided such vital support that they were given protection by the Geneva Convention. Some, including the RAD, were militarised. Just prior to the outbreak of World War II, nearly all the RAD/M's extant RAD-Abteilung units were either incorporated into the Heer's Bautruppen as an expedient to increase their numbers or else in a few cases transferred to the Luftwaffe to form the basis of new wartime construction units for that service. New units were formed to replace them. During the early war Norwegian and Western campaigns, hundreds of RAD units were engaged in supplying frontline troops with food and ammunition, repairing damaged roads and constructing and repairing airstrips.
Throughout the course of the war, the RAD were involved in many projects. The RAD units constructed coastal fortifications, laid minefields, manned fortifications, helped guard vital locations and prisoners; the role of the RAD was not limited to combat support functions. Hundreds of RAD units received training as anti-aircraft units and were deployed as RAD Flak Batteries. Several RAD units performed combat on the eastern front as infantry; as the German defences were devastated and more RAD men were committed to combat. During the final months of the war RAD men formed 6 major frontline units, which were involved with serious fighting. On the western front RAD troops were used as reinforcements to the 9th SS Engineer Abt in the fighting to retake the northern
The Federal City of Bonn is a city on the banks of the Rhine in the German state of North Rhine-Westphalia, with a population of over 300,000. About 24 km south-southeast of Cologne, Bonn is in the southernmost part of the Rhine-Ruhr region, Germany's largest metropolitan area, with over 11 million inhabitants, it is famously known as the birthplace of Ludwig van Beethoven in 1770. Beethoven spent his childhood and teenage years in Bonn; because of a political compromise following German reunification, the German federal government maintains a substantial presence in Bonn, the city is considered a second, capital of the country. Bonn is the secondary seat of the President, the Chancellor, the Bundesrat and the primary seat of six federal government ministries and twenty federal authorities; the unique title of Federal City reflects its important political status within Germany. As the city of Weimar in eastern Germany has given its name to Germany's interwar period democracy, the Weimar Republic, so too has Bonn given its name to the historical name of the Bonn Republic for the Cold War era Federal Republic of Germany.
Founded in the 1st century BC as a Roman settlement, Bonn is one of Germany's oldest cities. From 1597 to 1794, Bonn was the capital of the Electorate of Cologne, residence of the Archbishops and Prince-electors of Cologne. From 1949 to 1990, Bonn was the capital of West Germany, Germany's present constitution, the Basic Law, was declared in the city in 1949. Berlin was re-affirmed by the Bundestag in Bonn as the capital of Germany, though due to the country's division a seat of government was maintained there by the German Democratic Republic, only in the eastern half. From 1990 to 1999, Bonn served as the seat of government – but no longer capital – of reunited Germany; the headquarters of Deutsche Post DHL and Deutsche Telekom, both DAX-listed corporations, are in Bonn. The city is home to the University of Bonn and a total of 20 United Nations institutions, including headquarters for Secretariat of the UN Framework Convention Climate Change, the Secretariat of the UN Convention to Combat Desertification, the UN Volunteers programme.
Situated in the southernmost part of the Rhine-Ruhr region, Germany's largest metropolitan area with over 11 million inhabitants, Bonn lies within the German state of North Rhine-Westphalia, close to the border with Rhineland-Palatinate. Spanning an area of more 141.2 km2 on both sides of the river Rhine three quarters of the city lie on the river's left bank. To the south and to the west, Bonn is bordering the Eifel region which encompasses the Rhineland Nature Park. To the north, Bonn borders the Cologne Lowland. Natural borders are constituted by the river Sieg to the north-east and by the Siebengebirge to the east; the largest extension of the city in north-south dimensions is 15 km and 12.5 km in west-east dimensions. The city borders have a total length of 61 km; the geographical centre of Bonn is the Bundeskanzlerplatz in Bonn-Gronau. The German state of North Rhine-Westphalia is divided into five governmental districts, Bonn is part of the governmental district of Cologne. Within this governmental district, the city of Bonn is an urban district in its own right.
The urban district of Bonn is again divided into four administrative municipal districts. These are Bonn-Bad Godesberg, Bonn-Beuel and Bonn-Hardtberg. In 1969, the independent towns of Bad Godesberg and Beuel as well as several villages were incorporated into Bonn, resulting in a city more than twice as large as before. Bonn has an oceanic climate. In the south of the Cologne lowland in the Rhine valley, Bonn is in one of Germany's warmest regions; the history of the city dates back to Roman times. In about 12 BC, the Roman army appears to have stationed a small unit in what is presently the historical centre of the city. Earlier, the army had resettled members of a Germanic tribal group allied with Rome, the Ubii, in Bonn; the Latin name for that settlement, "Bonna", may stem from the original population of this and many other settlements in the area, the Eburoni. The Eburoni were members of a large tribal coalition wiped out during the final phase of Caesar's War in Gaul. After several decades, the army gave up the small camp linked to the Ubii-settlement.
During the 1st century AD, the army chose a site to the north of the emerging town in what is now the section of Bonn-Castell to build a large military installation dubbed Castra Bonnensis, i.e. "Fort Bonn". Built from wood, the fort was rebuilt in stone. With additions and new construction, the fort remained in use by the army into the waning days of the Western Roman Empire the mid-5th century; the structures themselves remained standing well into the Middle Ages, when they were called the Bonnburg. They were used by Frankish kings. Much of the building materials seem to have been re-used in the construction of Bonn's 13th-century city wall; the Sterntor in the city center is a reconstruction using the last remnants of the medieval city wall. To date, Bonn's Roman fort remains the largest fort of its type known from the ancient world, i.e. a fort built to accommodate a full-strength Imperial Legion and its auxiliaries. The fort covered an area of 250,000 square metres. Between its walls it contained a dense grid of streets and a multitude of buildings, ranging from spacious headquarters and large officers' quarters to barracks, stables and a military jail.
A libretto is the text used in, or intended for, an extended musical work such as an opera, masque, cantata or musical. The term libretto is sometimes used to refer to the text of major liturgical works, such as the Mass and sacred cantata, or the story line of a ballet. Libretto, from Italian, is the diminutive of the word libro. Sometimes other language equivalents are used for libretti in that language, livret for French works and Textbuch for German. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot; some ballet historians use the word libretto to refer to the 15–40 page books which were on sale to 19th century ballet audiences in Paris and contained a detailed description of the ballet's story, scene by scene. The relationship of the librettist to the composer in the creation of a musical work has varied over the centuries, as have the sources and the writing techniques employed.
In the context of a modern English language musical theatre piece, the libretto is referred to as the book of the work, though this usage excludes sung lyrics. Libretti for operas and cantatas in the 17th and 18th centuries were written by someone other than the composer a well-known poet. Pietro Trapassi, known asMetastasio was one of the most regarded librettists in Europe, his libretti were set many times by many different composers. Another noted, he who wrote the libretti for three of Mozart's greatest operas, for many other composers as well. Eugène Scribe was one of the most prolific librettists of the 19th century, providing the words for works by Meyerbeer, Bellini, Donizetti and Verdi; the French writers' duo Henri Meilhac and Ludovic Halévy wrote a large number of opera and operetta libretti for the likes of Jacques Offenbach, Jules Massenet and Georges Bizet. Arrigo Boito, who wrote libretti for, among others, Giuseppe Verdi and Amilcare Ponchielli composed two operas of his own; the libretto is not always written before the music.
Some composers, such as Mikhail Glinka, Alexander Serov, Rimsky-Korsakov and Mascagni wrote passages of music without text and subsequently had the librettist add words to the vocal melody lines. Some composers wrote their own libretti. Richard Wagner is most famous in this regard, with his transformations of Germanic legends and events into epic subjects for his operas and music dramas. Hector Berlioz, wrote the libretti for two of his best-known works, La Damnation de Faust and Les Troyens. Alban Berg adapted Georg Büchner's play Woyzeck for the libretto of Wozzeck. Sometimes the libretto is written in close collaboration with the composer. In the case of musicals, the music, the lyrics and the "book" may each have their own author. Thus, a musical such as Fiddler on the Roof has a composer, a lyricist and the writer of the "book". In rare cases, the composer writes everything except the dance arrangements – music and libretto, as Lionel Bart did for Oliver!. Other matters in the process of developing a libretto parallel those of spoken dramas for stage or screen.
There are the preliminary steps of selecting or suggesting a subject and developing a sketch of the action in the form of a scenario, as well as revisions that might come about when the work is in production, as with out-of-town tryouts for Broadway musicals, or changes made for a specific local audience. A famous case of the latter is Wagner's 1861 revision of the original 1845 Dresden version of his opera Tannhäuser for Paris; the opera libretto from its inception was written in verse, this continued well into the 19th century, although genres of musical theatre with spoken dialogue have alternated verse in the musical numbers with spoken prose. Since the late 19th century some opera composers have written music to prose or free verse libretti. Much of the recitatives of George Gershwin's opera Porgy and Bess, for instance, are DuBose and Dorothy Heyward's play Porgy set to music as written – in prose – with the lyrics of the arias, duets and choruses written in verse; the libretto of a musical, on the other hand, is always written in prose.
The libretto of a musical, if the musical is adapted from a play, may borrow their source's original dialogue liberally – much as Oklahoma! used dialogue from Lynn Riggs's Green Grow the Lilacs, Carousel used dialogue from Ferenc Molnár's Liliom, My Fair Lady took most of its dialogue word-for-word from George Bernard Shaw's Pygmalion, Man of La Mancha was adapted from the 1959 television play I, Don Quixote, which supplied most of the dialogue, the 1954 musical version of Peter Pan used J. M. Barrie's dialogue; the musical Show Boat, different from the Edna Ferber novel from which it was adapted, uses some of Ferber's original dialogue, notably during the miscegenation scene. And Lionel Bart's Oliver! Uses chunks of dialogue from Charles Dickens's novel Oliver Twist, although it bills itself
Johann Wolfgang von Goethe
Johann Wolfgang Goethe was a German writer and statesman. His works include four novels. In addition, there are numerous literary and scientific fragments, more than 10,000 letters, nearly 3,000 drawings by him extant. A literary celebrity by the age of 25, Goethe was ennobled by the Duke of Saxe-Weimar, Karl August, in 1782 after taking up residence there in November 1775 following the success of his first novel, The Sorrows of Young Werther, he was an early participant in the Sturm und Drang literary movement. During his first ten years in Weimar, Goethe was a member of the Duke's privy council, sat on the war and highway commissions, oversaw the reopening of silver mines in nearby Ilmenau, implemented a series of administrative reforms at the University of Jena, he contributed to the planning of Weimar's botanical park and the rebuilding of its Ducal Palace. In 1998 both these sites together with nine others were designated a UNESCO World Heritage site under the name Classical Weimar. Goethe's first major scientific work, the Metamorphosis of Plants, was published after he returned from a 1788 tour of Italy.
In 1791, he was made managing director of the theatre at Weimar, in 1794 he began a friendship with the dramatist and philosopher Friedrich Schiller, whose plays he premiered until Schiller's death in 1805. During this period, Goethe published Wilhelm Meister's Apprenticeship, his conversations and various common undertakings throughout the 1790s with Schiller, Johann Gottlieb Fichte, Johann Gottfried Herder, Alexander von Humboldt, Wilhelm von Humboldt, August and Friedrich Schlegel have come to be collectively termed Weimar Classicism. The German philosopher Arthur Schopenhauer named Wilhelm Meister's Apprenticeship one of the four greatest novels written, while the American philosopher and essayist Ralph Waldo Emerson selected Goethe as one of six "representative men" in his work of the same name. Goethe's comments and observations form the basis of several biographical works, notably Johann Peter Eckermann's Conversations with Goethe. Goethe's father, Johann Caspar Goethe, lived with his family in a large house in Frankfurt an Imperial Free City of the Holy Roman Empire.
Though he had studied law in Leipzig and had been appointed Imperial Councillor, he was not involved in the city's official affairs. Johann Caspar married Goethe's mother, Catharina Elizabeth Textor at Frankfurt on 20 August 1748, when he was 38 and she was 17. All their children, with the exception of Johann Wolfgang and his sister, Cornelia Friederica Christiana, born in 1750, died at early ages, his father and private tutors gave Goethe lessons in all the common subjects of their time languages. Goethe received lessons in dancing and fencing. Johann Caspar, feeling frustrated in his own ambitions, was determined that his children should have all those advantages that he had not. Although Goethe's great passion was drawing, he became interested in literature, he had a lively devotion to theater as well and was fascinated by puppet shows that were annually arranged in his home. He took great pleasure in reading works on history and religion, he writes about this period: I had from childhood the singular habit of always learning by heart the beginnings of books, the divisions of a work, first of the five books of Moses, of the'Aeneid' and Ovid's'Metamorphoses'....
If an busy imagination, of which that tale may bear witness, led me hither and thither, if the medley of fable and history and religion, threatened to bewilder me, I fled to those oriental regions, plunged into the first books of Moses, there, amid the scattered shepherd tribes, found myself at once in the greatest solitude and the greatest society. Goethe became acquainted with Frankfurt actors. Among early literary attempts, he was infatuated with Gretchen, who would reappear in his Faust and the adventures with whom he would concisely describe in Dichtung und Wahrheit, he adored Caritas Meixner, a wealthy Worms trader's daughter and friend of his sister, who would marry the merchant G. F. Schuler. Goethe studied law at Leipzig University from 1765 to 1768, he detested learning age-old judicial rules by heart, preferring instead to attend the poetry lessons of Christian Fürchtegott Gellert. In Leipzig, Goethe fell in love with Anna Katharina Schönkopf and wrote cheerful verses about her in the Rococo genre.
In 1770, he anonymously released his first collection of poems. His uncritical admiration for many contemporary poets vanished as he became interested in Gotthold Ephraim Lessing and Christoph Martin Wieland. At this time, Goethe wrote a good deal, but he threw away nearly all of these works, except for the comedy Die Mitschuldigen; the restaurant Auerbachs Keller and its legend of Faust's 1525 barrel ride impressed him so much that Auerbachs Keller became the only real place in his closet drama Faust Part One. As his studies did not progress, Goethe was forced to return to Frankfurt at the close of August 1768. Goethe became ill in Frankfurt. Durin
Cologne is the largest city of Germany's most populous federal state of North Rhine-Westphalia, its 1 million+ inhabitants make it the fourth most populous city in Germany after Berlin and Munich. The largest city on the Rhine, it is the most populous city both of the Rhine-Ruhr Metropolitan Region, Germany's largest and one of Europe's major metropolitan areas, of the Rhineland. Centred on the left bank of the Rhine, Cologne is about 45 kilometres southeast of North Rhine-Westphalia's capital of Düsseldorf and 25 kilometres northwest of Bonn, it is the largest city in the Central Ripuarian dialect areas. The city's famous Cologne Cathedral is the seat of the Catholic Archbishop of Cologne. There are many institutions of higher education in the city, most notably the University of Cologne, one of Europe's oldest and largest universities, the Technical University of Cologne, Germany's largest university of applied sciences, the German Sport University Cologne, Germany's only sport university.
Cologne Bonn Airport lies in the southeast of the city. The main airport for the Rhine-Ruhr region is Düsseldorf Airport. Cologne was founded and established in Ubii territory in the 1st century AD as the Roman Colonia Claudia Ara Agrippinensium, the first word of, the origin of its name. An alternative Latin name of the settlement is Augusta Ubiorum, after the Ubii. "Cologne", the French version of the city's name, has become standard in English as well. The city functioned as the capital of the Roman province of Germania Inferior and as the headquarters of the Roman military in the region until occupied by the Franks in 462. During the Middle Ages it flourished on one of the most important major trade routes between east and west in Europe. Cologne was one of the leading members of the Hanseatic League and one of the largest cities north of the Alps in medieval and Renaissance times. Prior to World War II the city had undergone several occupations by the French and by the British. Cologne was one of the most bombed cities in Germany during World War II, with the Royal Air Force dropping 34,711 long tons of bombs on the city.
The bombing reduced the population by 95% due to evacuation, destroyed the entire city. With the intention of restoring as many historic buildings as possible, the successful postwar rebuilding has resulted in a mixed and unique cityscape. Cologne is a major cultural centre for the Rhineland. Exhibitions range from local ancient Roman archeological sites to contemporary graphics and sculpture; the Cologne Trade Fair hosts a number of trade shows such as Art Cologne, imm Cologne and the Photokina. The first urban settlement on the grounds of modern-day Cologne was Oppidum Ubiorum, founded in 38 BC by the Ubii, a Cisrhenian Germanic tribe. In 50 AD, the Romans founded Colonia Claudia Ara Agrippinensium on the river Rhine and the city became the provincial capital of Germania Inferior in 85 AD. Considerable Roman remains can be found in present-day Cologne near the wharf area, where a 1,900-year-old Roman boat was discovered in late 2007. From 260 to 271 Cologne was the capital of the Gallic Empire under Postumus and Victorinus.
In 310 under emperor Constantine I a bridge was built over the Rhine at Cologne. Roman imperial governors resided in the city and it became one of the most important trade and production centres in the Roman Empire north of the Alps. Cologne is shown on the 4th century Peutinger Map. Maternus, elected as bishop in 313, was the first known bishop of Cologne; the city was the capital of a Roman province until it was occupied by the Ripuarian Franks in 462. Parts of the original Roman sewers are preserved underneath the city, with the new sewerage system having opened in 1890. Early medieval Cologne was part of Austrasia within the Frankish Empire. In 716, Charles Martel commanded an army for the first time and suffered the only defeat of his life when Chilperic II, King of Neustria, invaded Austrasia and the city fell to him in the Battle of Cologne. Charles fled to the Eifel mountains, rallied supporters, took the city back that same year after defeating Chilperic in the Battle of Amblève. Cologne had been the seat of a bishop since the Roman period.
In 843, Cologne became a city within the Treaty of Verdun-created East Francia. In 953, the archbishops of Cologne first gained noteworthy secular power, when bishop Bruno was appointed as duke by his brother Otto I, King of Germany. In order to weaken the secular nobility, who threatened his power, Otto endowed Bruno and his successors on the bishop's see with the prerogatives of secular princes, thus establishing the Electorate of Cologne, formed by the temporal possessions of the archbishopric and included in the end a strip of territory along the left Bank of the Rhine east of Jülich, as well as the Duchy of Westphalia on the other side of the Rhine, beyond Berg and Mark. By the end of the 12th century, the Archbishop of Cologne was one of the seven electors of the Holy Roman Emperor. Besides being prince elector, he was Arch-chancellor of Italy as well, technically from 1238 and permanently from 1263 until 1803. Following the Battle of Worringen in 1288, Cologne gained its independence from the archbishops and became a Free City.
Archbishop Sigfried II von Westerburg was forced to reside in Bonn. The archbishop preserv
The Wehrmacht was the unified armed forces of Nazi Germany from 1935 to 1945. It consisted of the Kriegsmarine and the Luftwaffe; the designation "Wehrmacht" replaced the used term Reichswehr, was the manifestation of the Nazi regime's efforts to rearm Germany to a greater extent than the Treaty of Versailles permitted. After the Nazi rise to power in 1933, one of Adolf Hitler's most overt and audacious moves was to establish the Wehrmacht, a modern offensively-capable armed force, fulfilling the Nazi regime's long-term goals of regaining lost territory as well as gaining new territory and dominating its neighbors; this required the reinstatement of conscription, massive investment and defense spending on the arms industry. The Wehrmacht formed the heart of Germany's politico-military power. In the early part of the Second World War, the Wehrmacht employed combined arms tactics to devastating effect in what became known as a Blitzkrieg, its campaigns in France, the Soviet Union, North Africa are regarded as acts of boldness.
At the same time, the far-flung advances strained the Wehrmacht's capacity to the breaking point, culminating in the first major defeat in the Battle of Moscow. The operational art was no match to the war-making abilities of the Allied coalition, making the Wehrmacht's weaknesses in strategy and logistics apparent. Cooperating with the SS and the Einsatzgruppen, the German armed forces committed numerous war crimes and atrocities, despite denials and promotion of the myth of the Clean Wehrmacht; the majority of the war crimes were committed in the Soviet Union, Yugoslavia and Italy, as part of the war of annihilation against the Soviet Union, the Holocaust and Nazi security warfare. During the war about 18 million men served in the Wehrmacht. By the time the war ended in Europe in May 1945, German forces had lost 11,300,000 men, about half of whom were missing or killed during the war. Only a few of the Wehrmacht's upper leadership were tried for war crimes, despite evidence suggesting that more were involved in illegal actions.
The majority of the three million Wehrmacht soldiers who invaded the USSR participated in committing war crimes. The German term "Wehrmacht" stems from the compound word of German: wehren, "to defend" and Macht, "power, force", it has been used to describes any nation's armed forces. The Frankfurt Constitution of 1849 designated all German military forces as the "German Wehrmacht", consisting of the Seemacht and the Landmacht. In 1919, the term Wehrmacht appears in Article 47 of the Weimar Constitution, establishing that: "The Reich's President holds supreme command of all armed forces of the Reich". From 1919, Germany's national defense force was known as the Reichswehr, a name, dropped in favor of Wehrmacht on 21 May 1935. In January 1919, after World War I ended with the signing of the armistice of 11 November 1918, the armed forces were dubbed Friedensheer. In March 1919, the national assembly passed a law founding a 420,000-strong preliminary army, the Vorläufige Reichswehr; the terms of the Treaty of Versailles were announced in May, in June, Germany signed the treaty that, among other terms, imposed severe constraints on the size of Germany's armed forces.
The army was limited to one hundred thousand men with an additional fifteen thousand in the navy. The fleet was to consist of at most six battleships, six cruisers, twelve destroyers. Submarines and heavy artillery were forbidden and the air-force was dissolved. A new post-war military, the Reichswehr, was established on 23 March 1921. General conscription was abolished under another mandate of the Versailles treaty; the Reichswehr was limited to 115,000 men, thus the armed forces, under the leadership of Hans von Seeckt, retained only the most capable officers. The American historians Alan Millet and Williamson Murray wrote "In reducing the officers corps, Seeckt chose the new leadership from the best men of the general staff with ruthless disregard for other constituencies, such as war heroes and the nobility". Seeckt's determination that the Reichswehr be an elite cadre force that would serve as the nucleus of an expanded military when the chance for restoring conscription came led to the creation of a new army, based upon, but different from, the army that existed in World War I.
In the 1920s, Seeckt and his officers developed new doctrines that emphasized speed, combined arms and initiative on the part of lower officers to take advantage of momentary opportunities. Though Seeckt retired in 1926, the army that went to war in 1939 was his creation. Germany was forbidden to have an air force by the Versailles treaty; these officers saw the role of an air force as winning air superiority and strategic bombing and providing ground support. That the Luftwaffe did not develop a strategic bombing force in the 1930s was not due to a lack of interest, but because of economic limitations; the leadership of the Navy led by Grand Admiral Erich Raeder, a close protégé of Alfred von Tirpitz, was dedicated to the idea of reviving Tirpitz's High Seas Fleet. Officers who believed in submarine warfare led by Admiral Karl Dönitz were in a minority before 1939. By 1922