The Boston School was a group of Boston-based painters active in the first three decades of the twentieth century. Often classified as American Impressionists, they had their own regional style, combining the painterliness of Impressionism with a more conservative approach to figure painting and a marked respect for the traditions of Western art history. Their preferred subject matter was genteel: portraits, picturesque landscapes, and young women posing in well-appointed interiors. Major influences included John Singer Sargent, Claude Monet, and Jan Vermeer. Key figures in the Boston School were Edmund C. Tarbell, Frank Weston Benson, and William McGregor Paxton, all of whom trained in Paris at the Académie Julian and later taught at the School of the Museum of Fine Arts. Their influence can still be seen in the work of some contemporary Boston-area artists.
"The Breakfast Room" by Edmund C. Tarbell, ca. 1902
"September Afternoon" by Joseph DeCamp, 1895
"Woman in a Fur Hat" by Gretchen Woodman Rogers, ca. 1915
American Impressionism was a style of painting related to European Impressionism and practiced by American artists in the United States from the mid-nineteenth century through the beginning of the twentieth. The style is characterized by loose brushwork and vivid colors with a wide array of subject matters but focusing on landscapes and upper-class domestic life.
Frank W. Benson, Eleanor Holding a Shell, North Haven, Maine, 1902, private collection
Theodore Robinson, Low Tide Riverside Yacht Club, (1894), Collection of Margaret and Raymond Horowitz
Mary Cassatt, The Child's Bath (1893)
Childe Hassam, Cliffs and Sea, 1903, private collection