Jews or Jewish people are an ethnoreligious group and a nation, originating from the Israelites and Hebrews of historical Israel and Judah. Jewish ethnicity and religion are interrelated, as Judaism is the traditional faith of the Jewish people, while its observance varies from strict observance to complete nonobservance. Jews originated as an ethnic and religious group in the Middle East during the second millennium BCE, in the part of the Levant known as the Land of Israel; the Merneptah Stele appears to confirm the existence of a people of Israel somewhere in Canaan as far back as the 13th century BCE. The Israelites, as an outgrowth of the Canaanite population, consolidated their hold with the emergence of the kingdoms of Israel and Judah; some consider that these Canaanite sedentary Israelites melded with incoming nomadic groups known as'Hebrews'. Though few sources mention the exilic periods in detail, the experience of diaspora life, from the Ancient Egyptian rule over the Levant, to Assyrian captivity and exile, to Babylonian captivity and exile, to Seleucid Imperial rule, to the Roman occupation and exile, the historical relations between Jews and their homeland thereafter, became a major feature of Jewish history and memory.
Prior to World War II, the worldwide Jewish population reached a peak of 16.7 million, representing around 0.7% of the world population at that time. 6 million Jews were systematically murdered during the Holocaust. Since the population has risen again, as of 2016 was estimated at 14.4 million by the Berman Jewish DataBank, less than 0.2% of the total world population. The modern State of Israel is the only country, it defines itself as a Jewish and democratic state in the Basic Laws, Human Dignity and Liberty in particular, based on the Declaration of Independence. Israel's Law of Return grants the right of citizenship to Jews who have expressed their desire to settle in Israel. Despite their small percentage of the world's population, Jews have influenced and contributed to human progress in many fields, both and in modern times, including philosophy, literature, business, fine arts and architecture, music and cinema, science and technology, as well as religion. Jews have played a significant role in the development of Western Civilization.
The English word "Jew" continues Iewe. These terms derive from Old French giu, earlier juieu, which through elision had dropped the letter "d" from the Medieval Latin Iudaeus, like the New Testament Greek term Ioudaios, meant both "Jew" and "Judean" / "of Judea"; the Greek term was a loan from Aramaic Y'hūdāi, corresponding to Hebrew יְהוּדִי Yehudi the term for a member of the tribe of Judah or the people of the kingdom of Judah. According to the Hebrew Bible, the name of both the tribe and kingdom derive from Judah, the fourth son of Jacob. Genesis 29:35 and 49:8 connect the name "Judah" with the verb yada, meaning "praise", but scholars agree that the name of both the patriarch and the kingdom instead have a geographic origin—possibly referring to the gorges and ravines of the region; the Hebrew word for "Jew" is יְהוּדִי Yehudi, with the plural יְהוּדִים Yehudim. Endonyms in other Jewish languages include the Yiddish ייִד Yid; the etymological equivalent is in use in other languages, e.g. يَهُودِيّ yahūdī, al-yahūd, in Arabic, "Jude" in German, "judeu" in Portuguese, "Juif" /"Juive" in French, "jøde" in Danish and Norwegian, "judío/a" in Spanish, "jood" in Dutch, "żyd" in Polish etc. but derivations of the word "Hebrew" are in use to describe a Jew, e.g. in Italian, in Persian and Russian.
The German word "Jude" is pronounced, the corresponding adjective "jüdisch" is the origin of the word "Yiddish". According to The American Heritage Dictionary of the English Language, fourth edition, It is recognized that the attributive use of the noun Jew, in phrases such as Jew lawyer or Jew ethics, is both vulgar and offensive. In such contexts Jewish is the only acceptable possibility; some people, have become so wary of this construction that they have extended the stigma to any use of Jew as a noun, a practice that carries risks of its own. In a sentence such as There are now several Jews on the council, unobjectionable, the substitution of a circumlocution like Jewish people or persons of Jewish background may in itself cause offense for seeming to imply that Jew has a negative connotation when used as a noun. Judaism shares some of the characteristics of a nation, an ethnicity, a religion, a culture, making the definition of, a Jew vary depending on whether a religious or national approach to identity is used.
In modern secular usage Jews include three groups: people who were born to a Jewish family regardless of whether or not they follow the religion, those who have some Jewish ancestral background or lineage, people without any Jewish ancestral background or lineage who have formally converted to Judaism and therefore are followers of the religion. Historical definitions of Jewish identity have traditionally been based on halakhic definitions of matrilineal descent, halakhic conversions; these definitions of, a Jew date back to the codification of the Oral
Modernism is a philosophical movement that, along with cultural trends and changes, arose from wide-scale and far-reaching transformations in Western society during the late 19th and early 20th centuries. Among the factors that shaped modernism were the development of modern industrial societies and the rapid growth of cities, followed by reactions of horror to World War I. Modernism rejected the certainty of Enlightenment thinking, many modernists rejected religious belief. Modernism, in general, includes the activities and creations of those who felt the traditional forms of art, literature, religious faith, social organization, activities of daily life, sciences, were becoming ill-fitted to their tasks and outdated in the new economic and political environment of an emerging industrialized world; the poet Ezra Pound's 1934 injunction to "Make it new!" was the touchstone of the movement's approach towards what it saw as the now obsolete culture of the past. In this spirit, its innovations, like the stream-of-consciousness novel and twelve-tone music, divisionist painting and abstract art, all had precursors in the 19th century.
A notable characteristic of modernism is self-consciousness and irony concerning literary and social traditions, which led to experiments with form, along with the use of techniques that drew attention to the processes and materials used in creating a painting, building, etc. Modernism explicitly rejected the ideology of realism and made use of the works of the past by the employment of reprise, rewriting, recapitulation and parody; some commentators define modernism as a mode of thinking—one or more philosophically defined characteristics, like self-consciousness or self-reference, that run across all the novelties in the arts and the disciplines. More common in the West, are those who see it as a progressive trend of thought that affirms the power of human beings to create and reshape their environment with the aid of practical experimentation, scientific knowledge, or technology. From this perspective, modernism encouraged the re-examination of every aspect of existence, from commerce to philosophy, with the goal of finding that which was'holding back' progress, replacing it with new ways of reaching the same end.
Others focus on modernism as an aesthetic introspection. This facilitates consideration of specific reactions to the use of technology in the First World War, anti-technological and nihilistic aspects of the works of diverse thinkers and artists spanning the period from Friedrich Nietzsche to Samuel Beckett. While some scholars see modernism continuing into the twenty first century, others see it evolving into late modernism or high modernism. Postmodernism refutes its basic assumptions. According to one critic, modernism developed out of Romanticism's revolt against the effects of the Industrial Revolution and bourgeois values: "The ground motive of modernism, Graff asserts, was criticism of the nineteenth-century bourgeois social order and its world view the modernists, carrying the torch of romanticism." While J. M. W. Turner, one of the greatest landscape painters of the 19th century, was a member of the Romantic movement, as "a pioneer in the study of light and atmosphere", he "anticipated the French Impressionists" and therefore modernism "in breaking down conventional formulas of representation.
The dominant trends of industrial Victorian England were opposed, from about 1850, by the English poets and painters that constituted the Pre-Raphaelite Brotherhood, because of their "opposition to technical skill without inspiration." They were influenced by the writings of the art critic John Ruskin, who had strong feelings about the role of art in helping to improve the lives of the urban working classes, in the expanding industrial cities of Britain. Art critic Clement Greenberg describes the Pre-Raphaelite Brotherhood as proto-Modernists: "There the proto-Modernists were, of all people, the pre-Raphaelites; the Pre-Raphaelites foreshadowed Manet, with whom Modernist painting most begins. They acted on a dissatisfaction with painting as practiced in their time, holding that its realism wasn't truthful enough." Rationalism has had opponents in the philosophers Søren Kierkegaard and Friedrich Nietzsche, both of whom had significant influence on existentialism. However, the Industrial Revolution continued.
Influential innovations included steam-powered industrialization, the development of railways, starting in Britain in the 1830s, the subsequent advancements in physics and architecture associated with this. A major 19th-century engineering achievement was The Crystal Palace, the huge cast-iron and plate glass exhibition hall built for The Great Exhibition of 1851 in London. Glass and iron were used in a similar monumental style in the construction of major railway terminals in London, such as Paddington Station and King's Cross station; these technological advances led to the building of structures like the Brooklyn Bridge and the Eiffel Tower. The latter broke all previous limitations on; these engineering marvels radically altered the 19th-century urban environment and the daily lives of people. The human experience of time itself was altered, with the development of the electric telegraph from 1837, the adoption
James Augustine Aloysius Joyce was an Irish novelist, short story writer, poet and literary critic. He contributed to the modernist avant-garde and is regarded as one of the most influential and important authors of the 20th century. Joyce is best known for Ulysses, a landmark work in which the episodes of Homer's Odyssey are paralleled in a variety of literary styles, most famously stream of consciousness. Other well-known works are the short-story collection Dubliners, the novels A Portrait of the Artist as a Young Man and Finnegans Wake, his other writings include three books of poetry, a play, his published letters and occasional journalism. Joyce was born in Dublin into a middle-class family. A brilliant student, he attended the Christian Brothers-run O'Connell School before excelling at the Jesuit schools Clongowes and Belvedere, despite the chaotic family life imposed by his father's alcoholism and unpredictable finances, he went on to attend University College Dublin. In 1904, in his early twenties, Joyce emigrated to continental Europe with his partner Nora Barnacle.
They lived in Trieste and Zurich. Although most of his adult life was spent abroad, Joyce's fictional universe centres on Dublin and is populated by characters who resemble family members and friends from his time there. Ulysses in particular is set with precision in the alleyways of the city. Shortly after the publication of Ulysses, he elucidated this preoccupation somewhat, saying, "For myself, I always write about Dublin, because if I can get to the heart of Dublin I can get to the heart of all the cities of the world. In the particular is contained the universal." On 2 February 1882, Joyce was born at 41 Brighton Square, Dublin, Ireland. Joyce's father was John Stanislaus Joyce and his mother was Mary Jane "May" Murray, he was the eldest of ten surviving siblings. James was baptised according to the Rites of the Catholic Church in the nearby St Joseph's Church in Terenure on 5 February 1882 by Rev. John O'Mulloy. Joyce's godparents were Ellen McCann. John Stanislaus Joyce's family came from Fermoy in County Cork, had owned a small salt and lime works.
Joyce's paternal grandfather, James Augustine Joyce, married Ellen O'Connell, daughter of John O'Connell, a Cork Alderman who owned a drapery business and other properties in Cork City. Ellen's family claimed kinship with Daniel O'Connell, "The Liberator"; the Joyce family's purported ancestor, Seán Mór Seoighe was a stonemason from Connemara. In 1887, his father was appointed rate collector by Dublin Corporation. Around this time Joyce was attacked by leading to his lifelong cynophobia, he suffered from astraphobia. In 1891 Joyce wrote a poem on the death of Charles Stewart Parnell, his father was angry at the treatment of Parnell by the Catholic Church, the Irish Home Rule Party and the British Liberal Party and the resulting collaborative failure to secure Home Rule for Ireland. The Irish Party had dropped Parnell from leadership, but the Vatican's role in allying with the British Conservative Party to prevent Home Rule left a lasting impression on the young Joyce. The elder Joyce had the poem printed and sent a part to the Vatican Library.
In November, John Joyce was suspended from work. In 1893, John Joyce was dismissed with a pension, beginning the family's slide into poverty caused by his drinking and financial mismanagement. Joyce had begun his education at Clongowes Wood College, a Jesuit boarding school near Clane, County Kildare, in 1888 but had to leave in 1892 when his father could no longer pay the fees. Joyce studied at home and at the Christian Brothers O'Connell School on North Richmond Street, before he was offered a place in the Jesuits' Dublin school, Belvedere College, in 1893; this came about because of a chance meeting his father had with a Jesuit priest called John Conmee who knew the family and Joyce was given a reduction in fees to attend Belvedere. In 1895, now aged 13, was elected to join the Sodality of Our Lady by his peers at Belvedere; the philosophy of Thomas Aquinas continued to have a strong influence on him for most of his life. Joyce enrolled at the established University College Dublin in 1898, studying English and Italian.
He became active in literary circles in the city. In 1900 his laudatory review of Henrik Ibsen's When We Dead Awaken was published in The Fortnightly Review. Joyce wrote a number of at least two plays during this period. Many of the friends he made at University College Dublin appeared as characters in Joyce's works, his closest colleagues included leading figures of the generation, most notably, Tom Kettle, Francis Sheehy-Skeffington and Oliver St. John Gogarty. Joyce was first introduced to the Irish public by Arthur Griffith in his newspaper, United Irishman, in November 1901. Joyce had written an article on the Irish Literary Theatre and his college magazine refused to print it. Joyce had it distributed locally. Griffith himself wrote a piece decrying the censorship of the student James Joyce. In 1901, the National Census of Ireland lists James Joyce as an English- and Irish-speaking scholar living with his mother and father, six sisters and three brothers at Royal Terrace (now Inverness Ro
The New York Times
The New York Times is an American newspaper based in New York City with worldwide influence and readership. Founded in 1851, the paper has won more than any other newspaper; the Times is ranked 17th in the world by circulation and 2nd in the U. S; the paper is owned by The New York Times Company, publicly traded and is controlled by the Sulzberger family through a dual-class share structure. It has been owned by the family since 1896. G. Sulzberger, the paper's publisher, his father, Arthur Ochs Sulzberger Jr. the company's chairman, are the fourth and fifth generation of the family to helm the paper. Nicknamed "The Gray Lady", the Times has long been regarded within the industry as a national "newspaper of record"; the paper's motto, "All the News That's Fit to Print", appears in the upper left-hand corner of the front page. Since the mid-1970s, The New York Times has expanded its layout and organization, adding special weekly sections on various topics supplementing the regular news, editorials and features.
Since 2008, the Times has been organized into the following sections: News, Editorials/Opinions-Columns/Op-Ed, New York, Sports of The Times, Science, Home and other features. On Sunday, the Times is supplemented by the Sunday Review, The New York Times Book Review, The New York Times Magazine and T: The New York Times Style Magazine; the Times stayed with the broadsheet full-page set-up and an eight-column format for several years after most papers switched to six, was one of the last newspapers to adopt color photography on the front page. The New York Times was founded as the New-York Daily Times on September 18, 1851. Founded by journalist and politician Henry Jarvis Raymond and former banker George Jones, the Times was published by Raymond, Jones & Company. Early investors in the company included Edwin B. Morgan, Christopher Morgan, Edward B. Wesley. Sold for a penny, the inaugural edition attempted to address various speculations on its purpose and positions that preceded its release: We shall be Conservative, in all cases where we think Conservatism essential to the public good.
We do not believe that everything in Society is either right or wrong. In 1852, the newspaper started a western division, The Times of California, which arrived whenever a mail boat from New York docked in California. However, the effort failed. On September 14, 1857, the newspaper shortened its name to The New-York Times. On April 21, 1861, The New York Times began publishing a Sunday edition to offer daily coverage of the Civil War. One of the earliest public controversies it was involved with was the Mortara Affair, the subject of twenty editorials in the Times alone; the main office of The New York Times was attacked during the New York City Draft Riots. The riots, sparked by the beginning of drafting for the Union Army, began on July 13, 1863. On "Newspaper Row", across from City Hall, Henry Raymond stopped the rioters with Gatling guns, early machine guns, one of which he manned himself; the mob diverted, instead attacking the headquarters of abolitionist publisher Horace Greeley's New York Tribune until being forced to flee by the Brooklyn City Police, who had crossed the East River to help the Manhattan authorities.
In 1869, Henry Raymond died, George Jones took over as publisher. The newspaper's influence grew in 1870 and 1871, when it published a series of exposés on William Tweed, leader of the city's Democratic Party—popularly known as "Tammany Hall" —that led to the end of the Tweed Ring's domination of New York's City Hall. Tweed had offered The New York Times five million dollars to not publish the story. In the 1880s, The New York Times transitioned from supporting Republican Party candidates in its editorials to becoming more politically independent and analytical. In 1884, the paper supported Democrat Grover Cleveland in his first presidential campaign. While this move cost The New York Times a portion of its readership among its more progressive and Republican readers, the paper regained most of its lost ground within a few years. After George Jones died in 1891, Charles Ransom Miller and other New York Times editors raised $1 million dollars to buy the Times, printing it under the New York Times Publishing Company.
However, the newspaper was financially crippled by the Panic of 1893, by 1896, the newspaper had a circulation of less than 9,000, was losing $1,000 a day. That year, Adolph Ochs, the publisher of the Chattanooga Times, gained a controlling interest in the company for $75,000. Shortly after assuming control of the paper, Ochs coined the paper's slogan, "All The News That's Fit To Print"; the slogan has appeared in the paper since September 1896, has been printed in a box in the upper left hand corner of the front page since early 1897. The slogan was a jab at competing papers, such as Joseph Pulitzer's New York World and William Randolph Hearst's New York Journal, which were known for a lurid and inaccurate reporting of facts and opinions, described by the end of the century as "yellow journalism". Under Ochs' guidance, aided by Carr
Book of Isaiah
The Book of Isaiah is the first of the Latter Prophets in the Hebrew Bible and the first of the Major Prophets in the Christian Old Testament. It is identified by a superscription as the words of the 8th-century BCE prophet Isaiah ben Amoz, but there is extensive evidence that much of it was composed during the Babylonian captivity and later. Bernhard Duhm originated the view, held as a consensus through most of the 20th century, that the book comprises three separate collections of oracles: Proto-Isaiah, containing the words of Isaiah. While no scholars today attribute the entire book, or most of it, to one person, the book's essential unity has become a focus in more recent research. Isaiah 1–33 promises judgment and restoration for Judah and the nations, chapters 34–66 presume that judgment has been pronounced and restoration follows soon, it can thus be read as an extended meditation on the destiny of Jerusalem after the Exile. The Deutero-Isaian part of the book describes how God will make Jerusalem the centre of his worldwide rule through a royal saviour who will destroy her oppressor.
Isaiah speaks out against corrupt leaders and for the disadvantaged, roots righteousness in God's holiness rather than in Israel's covenant. Isaiah 44:6 contains the first clear statement of monotheism: "I am the last; this model of monotheism became the defining characteristic of post-Exilic Judaism, the basis for Christianity and Islam. Isaiah was one of the most popular works among Jews in the Second Temple period. In Christian circles, it was held in such high regard as to be called "the Fifth Gospel", its influence extends beyond Christianity to English literature and to Western culture in general, from the libretto of Handel's Messiah to a host of such everyday phrases as "swords into ploughshares" and "voice in the wilderness"; the scholarly consensus which held sway through most of the 20th century saw three separate collections of oracles in the book of Isaiah. A typical outline based on this understanding of the book sees its underlying structure in terms of the identification of historical figures who might have been their authors: 1–39: Proto-Isaiah, containing the words of the original Isaiah.
While one part of the consensus still holds – no contemporary scholar maintains that the entire book, or most of it, was written by one person – this perception of Isaiah as made up of three rather distinct sections underwent a radical challenge in the last quarter of the 20th century. The newer approach looks at the book in terms of its literary and formal characteristics, rather than authors, sees in it a two-part structure divided between chapters 33 and 34: 1–33: Warnings of judgment and promises of subsequent restoration for Jerusalem and the nations. Seeing Isaiah as a two-part book with an overarching theme leads to a summary of its contents like the following: The book opens by setting out the themes of judgment and subsequent restoration for the righteous. God has a plan which will be realised on the "Day of Yahweh", when Jerusalem will become the centre of his worldwide rule. On that day all the nations of the world will come to Zion for instruction, but first the city must be punished and cleansed of evil.
Israel is invited to join in this plan. Chapters 5–12 explain the significance of the Assyrian judgment against Israel: righteous rule by the Davidic king will follow after the arrogant Assyrian monarch is brought down. Chapters 13–27 announce the preparation of the nations for Yahweh's world rule; the oppressor is about to fall. Chapters 34 -- 35 tell. Chapters 36–39 tell of the faithfulness of king Hezekiah to Yahweh during the Assyrian siege as a model for the restored community. Chapters 40–54 state that the restoration of Zion is taking place because Yahweh, the creator of the universe, has designated the Persian king Cyrus the Great as the promised messiah and temple-builder. Chapters 55–66 are an exhortation to Israel to keep the covenant. God's eternal promise to David is now made to the people of Israel/Judah at large; the book ends by enjoining righteousness as the final stages of God's plan come to pass, including the pilgrimage of the nations to Zion and the realisation of Yahweh's kingship.
The older understanding of this book as three discrete sections attributable to identifiable authors leads to a more atomised picture of its contents, as in this example: Proto-Isaiah/First Isaiah:1–12: Oracles against Judah from Isaiah's early years.
Irving Howe was a Jewish American literary and social critic and a prominent figure of the Democratic Socialists of America. Howe was born as Irving Horenstein in The New York, he was the son of Jewish immigrants from Bessarabia and David Horenstein, who ran a small grocery store that went out of business during the Great Depression. His father became a peddler and a presser in a dress factory, his mother was an operator in the dress trade. Howe attended City College of New York and graduated in 1940, alongside Daniel Bell and Irving Kristol. While at school, he was debating socialism, Stalinism and the meaning of Judaism, he served in the US Army during World War II. Upon his return, he began writing literary and cultural criticism for the independent socialist Partisan Review and became a frequent essayist for Commentary, The Nation, The New Republic, The New York Review of Books. In 1954, Howe helped found the intellectual quarterly Dissent, which he edited until his death in 1993. In the 1950s Howe taught English and Yiddish literature at Brandeis University in Waltham, Massachusetts.
He used the Howe and Greenberg Treasury of Yiddish Stories as the text for a course on the Yiddish story, when few were spreading knowledge or appreciation of the works in American colleges and universities. Since his City College days, Howe was committed to left-wing politics, he was a committed democratic socialist throughout his life. He was a member of the Young People's Socialist League, joining it in the 1930s when it was under the influence of the Trotskyist Socialist Workers Party, remaining with YPSL when it became the youth organization of Max Shachtman's Workers Party in 1940, which he served in a leading capacity, for a time as the editor of its paper, Labor Action. At the request of his friend, Michael Harrington, he helped cofound the Democratic Socialist Organizing Committee in the early 1970s. DSOC merged into the Democratic Socialists of America with Howe a vice-chair, he was a vociferous opponent of both Soviet totalitarianism and McCarthyism, called into question standard Marxist doctrine, came into conflict with the New Left after he criticized their unmitigated radicalism.
In life, his politics gravitated toward more pragmatic democratic socialism and foreign policy, a position still represented in Dissent. He had a few famous run-ins with people. In the 1960s while at Stanford University, he was verbally attacked by a young radical socialist, who claimed that Howe was no longer committed to the revolution and that he had become status quo. Howe turned to the student and said, "You know what you're going to be? You're going to be a dentist." Known for literary criticism as well social and political activism, Howe wrote critical biographies on Thomas Hardy, William Faulkner, Sherwood Anderson, a booklength examination of the relation of politics to fiction, theoretical essays on Modernism, the nature of fiction, social Darwinism. He was among the first to re-examine the work of Edwin Arlington Robinson and lead the way to establishing Robinson's reputation as one of the 20th century's great poets, his writing portrayed his dislike of capitalist America. He wrote many influential books throughout his career, such as the Decline of the New, The World Of Our Fathers and the Novel and his autobiography A Margin of Hope.
He wrote a biography of Leon Trotsky, one of his childhood heroes. Howe's exhaustive, multidisciplinary history of Eastern European Jews in America, World of Our Fathers, is considered a classic of social analysis and general scholarship. Howe explores the socialist Jewish New York from, he examines the dynamic of the culture that they created in America. World of Our Fathers won the 1977 National Book Award in History, he edited and translated many Yiddish stories and commissioned the first English translation of Isaac Bashevis Singer for the Partisan Review. In that regard, he was critical of Philip Roth's early works, "Goodbye Columbus" and "Portnoy's Complaint", as philistine and vulgar caricatures of Jewish life that pandered to the worst anti-semitic stereotypes, he wrote Socialism and America. In 1987, Howe was a recipient of a MacArthur Fellowship, he died in New York. According to the Sinai Hospital, the cause of death was cardiovascular disease, he had strong political views. Morris Dickstein, a professor at Queens College referred to Howe as a "counterpuncher who tended to dissent from the prevailing orthodoxy of the moment, whether left or right, though he himself was a man of the left."Leon Wieseltier, the literary editor of The New Republic, said of Howe: "He lived in three worlds, literary and Jewish, he watched all of them change beyond recognition."And Richard Rorty, American philosopher of note, dedicated his well-known work, Achieving Our Country, to Howe's memory.
Howe had two children and Nicholas, with his second wife, Thalia Phillies, a classicist. He is survived by Ilona Howe. Smash the profiteers: vote for security and a living wage, New York, N. Y.: Workers Party Campaign Committee, 1946. Don't pay more rent!, Long Island City, N. Y.: Published by Workers Party Publications for the Workers Party of the United States 1947. The UAW and Walter Reuther, with B. J. Widick. New York, Random House, 1949. Sherwood Anderson, New York, Sloane, 1951. William Faulkner, a criti
A hardcover or hardback book is one bound with rigid protective covers. It has a sewn spine which allows the book to lie flat on a surface when opened. Following the ISBN sequence numbers, books of this type may be identified by the abbreviation Hbk. Hardcover books are printed on acid-free paper, they are much more durable than paperbacks, which have flexible damaged paper covers. Hardcover books are marginally more costly to manufacture. Hardcovers are protected by artistic dust jackets, but a "jacketless" alternative is becoming popular: these "paper-over-board" or "jacketless hardcover" bindings forgo the dust jacket in favor of printing the cover design directly onto the board binding. If brisk sales are anticipated, a hardcover edition of a book is released first, followed by a "trade" paperback edition the next year; some publishers publish paperback originals. For popular books these sales cycles may be extended, followed by a mass market paperback edition typeset in a more compact size and printed on shallower, less hardy paper.
This is intended to, in part, prolong the life of the immediate buying boom that occurs for some best sellers: After the attention to the book has subsided, a lower-cost version in the paperback, is released to sell further copies. In the past the release of a paperback edition was one year after the hardback, but by the early twenty-first century paperbacks were released six months after the hardback by some publishers, it is unusual for a book, first published in paperback to be followed by a hardback. An example is the novel The Judgment of Paris by Gore Vidal, which had its revised edition of 1961 first published in paperback, in hardcover. Hardcover books are sold at higher prices than comparable paperbacks. Books for the general public are printed in hardback only for authors who are expected to be successful, or as a precursor to the paperback to predict sale levels. Hardcovers consist of a page block, two boards, a cloth or heavy paper covering; the pages are sewn together and glued onto a flexible spine between the boards, it too is covered by the cloth.
A paper wrapper, or dust jacket, is put over the binding, folding over each horizontal end of the boards. Dust jackets serve to protect the underlying cover from wear. On the folded part, or flap, over the front cover is a blurb, or a summary of the book; the back flap is. Reviews are placed on the back of the jacket. Many modern bestselling hardcover books use a partial cloth cover, with cloth covered board on the spine only, only boards covering the rest of the book. Bookbinding Paperback