1.
Greek mythology
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It was a part of the religion in ancient Greece. Greek mythology is explicitly embodied in a collection of narratives. Greek myth attempts to explain the origins of the world, and details the lives and adventures of a variety of gods, goddesses, heroes, heroines. These accounts initially were disseminated in a tradition, today the Greek myths are known primarily from ancient Greek literature. The oldest known Greek literary sources, Homers epic poems Iliad and Odyssey, focus on the Trojan War, archaeological findings provide a principal source of detail about Greek mythology, with gods and heroes featured prominently in the decoration of many artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Trojan cycle as well as the adventures of Heracles, in the succeeding Archaic, Classical, and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an influence on the culture, arts. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes, Greek mythology is known today primarily from Greek literature and representations on visual media dating from the Geometric period from c. Mythical narration plays an important role in every genre of Greek literature. Nevertheless, the only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus and this work attempts to reconcile the contradictory tales of the poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens lived from c, 180–125 BC and wrote on many of these topics. His writings may have formed the basis for the collection, however the Library discusses events that occurred long after his death, among the earliest literary sources are Homers two epic poems, the Iliad and the Odyssey. Other poets completed the cycle, but these later and lesser poems now are lost almost entirely. Despite their traditional name, the Homeric Hymns have no connection with Homer. They are choral hymns from the part of the so-called Lyric age. Hesiods Works and Days, a poem about farming life, also includes the myths of Prometheus, Pandora. The poet gives advice on the best way to succeed in a dangerous world, lyrical poets often took their subjects from myth, but their treatment became gradually less narrative and more allusive. Greek lyric poets, including Pindar, Bacchylides and Simonides, and bucolic poets such as Theocritus and Bion, additionally, myth was central to classical Athenian drama
2.
Artemis
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Artemis was one of the most widely venerated of the Ancient Greek deities. Some scholars believe that the name, and indeed the goddess herself, was originally pre-Greek, Homer refers to her as Artemis Agrotera, Potnia Theron, Artemis of the wildland, Mistress of Animals. The Arcadians believed she was the daughter of Demeter, in the classical period of Greek mythology, Artemis was often described as the daughter of Zeus and Leto, and the twin sister of Apollo. The deer and the cypress were sacred to her, in later Hellenistic times, she even assumed the ancient role of Eileithyia in aiding childbirth. The name Artemis is of unknown or uncertain origin and etymology although various ones have been proposed, for example, according to J. T. Jablonski, the name is also Phrygian and could be compared with the royal appellation Artemas of Xenophon. Anton Goebel suggests the root στρατ or ῥατ, to shake, babiniotis, while accepting that the etymology is unknown, states that the name is already attested in Mycenean Greek and is possibly of pre-Hellenic origin. It is believed that a precursor of Artemis was worshiped in Minoan Crete as the goddess of mountains and hunting, R. S. P. Beekes suggested that the e/i interchange points to a Pre-Greek origin. Artemis was venerated in Lydia as Artimus, various conflicting accounts are given in Classical Greek mythology of the birth of Artemis and her twin brother, Apollo. All accounts agree, however, that she was the daughter of Zeus and Leto, an account by Callimachus has it that Hera forbade Leto to give birth on either terra firma or on an island. Hera was angry with Zeus, her husband, because he had impregnated Leto, but the island of Delos disobeyed Hera, and Leto gave birth there. In ancient Cretan history Leto was worshipped at Phaistos and in Cretan mythology Leto gave birth to Apollo, a scholium of Servius on Aeneid iii. The myths also differ as to whether Artemis was born first, most stories depict Artemis as born first, becoming her mothers mid-wife upon the birth of her brother Apollo. The childhood of Artemis is not fully related in any surviving myth, the Iliad reduced the figure of the dread goddess to that of a girl, who, having been thrashed by Hera, climbs weeping into the lap of Zeus. She wished for no city dedicated to her, but to rule the mountains, Artemis believed that she had been chosen by the Fates to be a midwife, particularly since she had assisted her mother in the delivery of her twin brother, Apollo. All of her companions remained virgins, and Artemis closely guarded her own chastity and her symbols included the golden bow and arrow, the hunting dog, the stag, and the moon. Okeanus daughters were filled with fear, but the young Artemis bravely approached and asked for bow, Callimachus then tells how Artemis visited Pan, the god of the forest, who gave her seven bitches and six dogs. She then captured six golden-horned deer to pull her chariot, Artemis practiced with her bow first by shooting at trees and then at wild beasts. As a virgin, Artemis had interested many gods and men, Orion was accidentally killed either by Artemis or by Gaia
3.
Aetolia
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Aetolia is a mountainous region of Greece on the north coast of the Gulf of Corinth, forming the eastern part of the modern regional unit of Aetolia-Acarnania. The country has a level and fruitful coastal region, but an unproductive, the mountains contained many wild beasts, and acquired fame in Greek mythology as the scene of the hunt for the Calydonian Boar. Dionysius of Halicarnassus mentions that Curetes was the old name of the Aetolians, the Aetolians took part in the Trojan War, under their king Thoas. The mountain tribes of Aetolia were the Ophioneis, the Apodotoi, the Agraeis, the Aperantoi, the primitive lifestyle of those tribes made an impression on ancient historians. Polybius doubted their Greek heritage, while Livy reports that spoke a language similar to the Macedonians. On the other hand, Thucydides claims that Eurytanians spoke a very difficult language and they were semi-barbaric, warlike and predatory. They worshiped Apollo as god of nature and Artemis as goddess of wilderness. They also worshiped Athena, not as goddess of wisdom, and they called Apollo and Artemis “Laphrios gods, ” i. e. patrons of the spoils and loot of war. In addition, they worshiped Hercules, the river Achelous and Bacchus, in Thermos, an area north of Trichonis lake, there was after the 7th century a shrine of Apollo “Thermios, ” which became a significant religious center during the time of the Common Aetolia. The Aetolians refused to participate in the Persian Wars, in 426 BC, led by Aegitios, they defeated the Athenians and their allies, who had turned against Apodotia and Ophioneia under the general command of Demosthenes. However, they failed to regain Naupaktos, which had meanwhile been conquered by the Corinthians with the aid of the Athenians, at the end of the Peloponnesian War, the Aetolians took part as mercenaries of the Athenians in the expedition against Syracuse. Then the Achaeans occupied Calydon, but the Aetolians recovered it in 361 BC, in 338 BC, Naupaktos was again taken by the Aetolians, with the help of Philip II. During the Lamian War, the Aetolians helped the Athenian general Leosthenes defeat Antipater, as a result, they came into conflict with Antipater and Craterus, taking great risks, but were eventually saved by the disagreement between the two Macedonian generals and Perdiccas. The Acarnanians then attempted to invade their land, but the Aetolians were able to force them to flee, the Aetolians set up a united league, the Aetolian League, in early times. It soon became a confederation and by c.340 BC it became one of the leading military powers in ancient Greece. Subsequently, the Sotiria Games were established by the Aetolians, in honour of Zeus the Saviour, the Aetolians’ power increasingly magnified with the occupation of the lands of Ozoloi, Locrians and Phocians, as well as Boeotia. They then united under the power of their League in the areas of Tegea, Mantinea, Orchomenus, Psophida, between 220–217 BC, the Social War broke out between the Achaean and Aetolian Leagues. The war was first started by the Aetolians with the help of the Spartans and Eleans, allies of the Achaeans were the Macedonians, the Boeotians, the Phocians, the Epirotes, the Acarnanians and the Messenians
4.
Atalanta
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Atalanta is a character in Greek mythology, a virgin huntress, unwilling to marry, and loved by the hero Meleager. Atalanta was the daughter of Iasus, a Boeotian, or an Arcadian princess, the Bibliotheca is the only one who gives an account of Atalanta’s birth and upbringing. King Iasus wanted a son, when Atalanta was born, he left her on a mountaintop to die, some stories say that a she-bear suckled and cared for Atalanta until hunters found and raised her, and she learned to fight and hunt as a bear would. She was later reunited with her father, having grown up in the wilderness, Atalanta became a fierce hunter and was always happy. She took an oath of virginity to the goddess Artemis, when Artemis was forgotten at a sacrifice by King Oineus, she was angered and sent the Calydonian Boar, a wild boar that ravaged the land, men, and cattle and prevented crops from being sown. Atalanta joined Meleager and many other heroes on a hunt for the boar. Many of the men were angry that a woman was joining them, but Meleager, though married, lusted for Atalanta, several of the men were killed before Atalanta became the first to hit the boar and draw blood. After Meleager finally killed the boar with his spear, he awarded the hide to Atalanta, meleager’s uncles, Plexippus and Toxeus, were angry and tried to take the skin from her. In revenge, Meleager killed his uncles, wild with grief, Meleagers mother Althaea threw a charmed log on the fire, which consumed Meleagers life as it burned. Then she died when a new boar came out of the woods, after the Calydonian boar hunt, Atalanta was rediscovered by her father. He wanted her to be married, but Atalanta, uninterested in marriage and those who lost would be killed. King Schoeneus agreed, and many men died in the attempt until Hippomenes came along. Hippomenes asked the goddess Aphrodite for help, and she gave him three golden apples in order to slow Atalanta down, the apples were irresistible, so every time Atalanta got ahead of Hippomenes, he rolled an apple ahead of her, and she would run after it. In this way, Hippomenes won the footrace and came to marry Atalanta, eventually they had a son Parthenopaios, who was one of the Seven against Thebes. Zeus or his mother Rhea turned Atalanta and Hippomenes into lions after they made together in one of his temples. Other accounts say that Aphrodite changed them into lions because they did not give her proper honor, the belief at the time was that lions could not mate with their own species, only with leopards, thus Atalanta and Hippomenes would never be able to remain with one another. In many versions of the quest for the Golden Fleece, for instance that published by Robert Graves in 1944 and she jumped aboard the ship soon after the expedition set out, invoking the protection of Artemis, whose virgin priestess she was. She was following Meleager, who had put away his wife for Atalantas sake
5.
Strabo
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Strabo was a Greek geographer, philosopher, and historian who lived in Asia Minor during the transitional period of the Roman Republic into the Roman Empire. Strabo was born to an affluent family from Amaseia in Pontus, Strabos life was characterized by extensive travels. He journeyed to Egypt and Kush, as far west as coastal Tuscany and as far south as Ethiopia in addition to his travels in Asia Minor and the time he spent in Rome. Travel throughout the Mediterranean and Near East, especially for scholarly purposes, was popular during this era and was facilitated by the relative peace enjoyed throughout the reign of Augustus. He moved to Rome in 44 BC, and stayed there, studying and writing, in 29 BC, on his way to Corinth, he visited the island of Gyaros in the Aegean Sea. Around 25 BC, he sailed up the Nile until reaching Philae and it is not known precisely when Strabos Geography was written, though comments within the work itself place the finished version within the reign of Emperor Tiberius. Some place its first drafts around 7 BC, others around 17 or 18 AD, the latest passage to which a date can be assigned is his reference to the death in AD23 of Juba II, king of Maurousia, who is said to have died just recently. He probably worked on the Geography for many years and revised it steadily, on the presumption that recently means within a year, Strabo stopped writing that year or the next, when he died. The first of Strabos major works, Historical Sketches, written while he was in Rome, is completely lost. Strabo studied under several prominent teachers of various specialties throughout his life at different stops along his Mediterranean travels. His first chapter of education took place in Nysa under the master of rhetoric Aristodemus, Strabo was an admirer of Homers poetry, perhaps a consequence of his time spent in Nysa with Aristodemus. At around the age of 21, Strabo moved to Rome, where he studied philosophy with the Peripatetic Xenarchus, despite Xenarchuss Aristotelian leanings, Strabo later gives evidence to have formed his own Stoic inclinations. In Rome, he learned grammar under the rich and famous scholar Tyrannion of Amisus. Although Tyrannion was also a Peripatetic, he was more relevantly a respected authority on geography, the final noteworthy mentor to Strabo was Athenodorus Cananites, a philosopher who had spent his life since 44 BC in Rome forging relationships with the Roman elite. Athenodorus endowed to Strabo three important items, his philosophy, his knowledge, and his contacts, moreover, from his own first-hand experience, Athenodorus provided Strabo with information about regions of the empire which he would not otherwise have known. Strabo is most notable for his work Geographica, which presented a history of people. Although the Geographica was rarely utilized in its antiquity, a multitude of copies survived throughout the Byzantine Empire. It first appeared in Western Europe in Rome as a Latin translation issued around 1469, the first Greek edition was published in 1516 in Venice
6.
Theseus
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Theseus was a founder-hero, like Perseus, Cadmus, or Heracles, all of whom battled and overcame foes that were identified with an archaic religious and social order. As Heracles was the Dorian hero, Theseus was a hero, considered by Athenians as their own great reformer, his name comes from the same root as θεσμός. The myths surrounding Theseus—his journeys, exploits, and family—have provided material for fiction throughout the ages, Theseus was responsible for the synoikismos —the political unification of Attica under Athens, represented emblematically in his journey of labours, subduing ogres and monstrous beasts. Because he was the king, Theseus built and occupied a palace on the fortress of the Acropolis that may have been similar to the palace that was excavated in Mycenae. Pausanias reports that after the synoikismos, Theseus established a cult of Aphrodite Pandemos, Plutarchs vita of Theseus makes use of varying accounts of the death of the Minotaur, Theseus escape, and the love of Ariadne for Theseus. Plutarchs sources, not all of whose texts have survived independently, included Pherecydes, Demon, Philochorus, Aegeus, one of the primordial kings of Athens, was childless. Desiring an heir, he asked the oracle at Delphi for advice and her cryptic words were Do not loosen the bulging mouth of the wineskin until you have reached the height of Athens, lest you die of grief. Aegeus did not understand the prophecy and was disappointed and he asked the advice of his host Pittheus, king of Troezen. Pittheus understood the prophecy, got Aegeus drunk, and gave Aegeus his daughter Aethra, but following the instructions of Athena in a dream, Aethra left the sleeping Aegeus and waded across to the island of Sphairia that lay close to Troezens shore. There she poured a libation to Sphairos and Poseidon, and was possessed by the sea god in the night. The mix gave Theseus a combination of divine as well as mortal characteristics in his nature, such double paternity, with one immortal, after Aethra became pregnant, Aegeus decided to return to Athens. In Athens, Aegeus was joined by Medea, who had left Corinth after slaughtering the children she had borne, priestess and consort together represented the old order in Athens. Thus Theseus was raised in his mothers land, when Theseus grew up and became a brave young man, he moved the rock and recovered his fathers tokens. His mother then told him the truth about his fathers identity, young, brave, and ambitious, Theseus decided to go alone by the land route and defeated a great many bandits along the way. At the Isthmian entrance to the Underworld was a robber named Sinis and he would capture travelers, tie them between two pine trees that were bent down to the ground, and then let the trees go, tearing his victims apart. Theseus killed him by his own method and he then became intimate with Siniss daughter, Perigune, fathering the child Melanippus. In another deed north of the Isthmus, at a place called Crommyon, he killed an enormous pig, some versions name the sow herself as Phaea. The Bibliotheca described the Crommyonian Sow as an offspring of Typhon, near Megara, an elderly robber named Sciron forced travellers along the narrow cliff-face pathway to wash his feet
7.
Heracles
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Heracles, born Alcaeus or Alcides, was a divine hero in Greek mythology, the son of Zeus and Alcmene, foster son of Amphitryon and great-grandson and half-brother of Perseus. He was the greatest of the Greek heroes, a paragon of masculinity, the ancestor of clans who claimed to be Heracleidae. In Rome and the modern West, he is known as Hercules, with whom the later Roman emperors, in particular Commodus and Maximian, often identified themselves. The Romans adopted the Greek version of his life and works essentially unchanged, details of his cult were adapted to Rome as well. Extraordinary strength, courage, ingenuity, and sexual prowess with both males and females were among the characteristics commonly attributed to him, together with Hermes he was the patron and protector of gymnasia and palaestrae. His iconographic attributes are the skin and the club. These qualities did not prevent him from being regarded as a figure who used games to relax from his labors. By conquering dangerous archaic forces he is said to have made the safe for mankind. Many popular stories were told of his life, the most famous being The Twelve Labours of Heracles and his figure, which initially drew on Near Eastern motifs such as the lion-fight, was widely known. Heracles was the greatest of Hellenic chthonic heroes, but unlike other Greek heroes, the core of the story of Heracles has been identified by Walter Burkert as originating in Neolithic hunter culture and traditions of shamanistic crossings into the netherworld. Heracles role as a hero, whose death could be a subject of mythic telling, was accepted into the Olympian Pantheon during Classical times. Around him cries of the dead rang out like cries of birds scattering left, in Christian circles a Euhemerist reading of the widespread Heracles cult was attributed to a historical figure who had been offered cult status after his death. The ancient Greeks celebrated the festival of the Heracleia, which commemorated the death of Heracles, what is believed to be an Egyptian Temple of Heracles in the Bahariya Oasis dates to 21 BCE. A reassessment of Ptolemys descriptions of the island of Malta attempted to link the site at Ras ir-Raħeb with a temple to Heracles, several ancient cities were named Heraclea in his honor. A major factor in the tragedies surrounding Heracles is the hatred that the goddess Hera. A full account of Heracles must render it clear why Heracles was so tormented by Hera, Heracles was the son of the affair Zeus had with the mortal woman Alcmene. Zeus made love to her after disguising himself as her husband, Amphitryon, thus, Heracles very existence proved at least one of Zeus many illicit affairs, and Hera often conspired against Zeus mortal offspring as revenge for her husbands infidelities. His twin mortal brother, son of Amphitryon, was Iphicles, Hera did this knowing that while Heracles was to be born a descendant of Perseus, so too was Eurystheus
8.
Greeks
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The Greeks or Hellenes are an ethnic group native to Greece, Cyprus, southern Albania, Turkey, Sicily, Egypt and, to a lesser extent, other countries surrounding the Mediterranean Sea. They also form a significant diaspora, with Greek communities established around the world, many of these regions coincided to a large extent with the borders of the Byzantine Empire of the late 11th century and the Eastern Mediterranean areas of ancient Greek colonization. The cultural centers of the Greeks have included Athens, Thessalonica, Alexandria, Smyrna, most ethnic Greeks live nowadays within the borders of the modern Greek state and Cyprus. The Greek genocide and population exchange between Greece and Turkey nearly ended the three millennia-old Greek presence in Asia Minor, other longstanding Greek populations can be found from southern Italy to the Caucasus and southern Russia and Ukraine and in the Greek diaspora communities in a number of other countries. Today, most Greeks are officially registered as members of the Greek Orthodox Church, the Greeks speak the Greek language, which forms its own unique branch within the Indo-European family of languages, the Hellenic. They are part of a group of ethnicities, described by Anthony D. Smith as an archetypal diaspora people. Both migrations occur at incisive periods, the Mycenaean at the transition to the Late Bronze Age, the Mycenaeans quickly penetrated the Aegean Sea and, by the 15th century BC, had reached Rhodes, Crete, Cyprus and the shores of Asia Minor. Around 1200 BC, the Dorians, another Greek-speaking people, followed from Epirus, the Dorian invasion was followed by a poorly attested period of migrations, appropriately called the Greek Dark Ages, but by 800 BC the landscape of Archaic and Classical Greece was discernible. The Greeks of classical antiquity idealized their Mycenaean ancestors and the Mycenaean period as an era of heroes, closeness of the gods. The Homeric Epics were especially and generally accepted as part of the Greek past, as part of the Mycenaean heritage that survived, the names of the gods and goddesses of Mycenaean Greece became major figures of the Olympian Pantheon of later antiquity. The ethnogenesis of the Greek nation is linked to the development of Pan-Hellenism in the 8th century BC, the works of Homer and Hesiod were written in the 8th century BC, becoming the basis of the national religion, ethos, history and mythology. The Oracle of Apollo at Delphi was established in this period, the classical period of Greek civilization covers a time spanning from the early 5th century BC to the death of Alexander the Great, in 323 BC. It is so named because it set the standards by which Greek civilization would be judged in later eras, the Peloponnesian War, the large scale civil war between the two most powerful Greek city-states Athens and Sparta and their allies, left both greatly weakened. Many Greeks settled in Hellenistic cities like Alexandria, Antioch and Seleucia, two thousand years later, there are still communities in Pakistan and Afghanistan, like the Kalash, who claim to be descended from Greek settlers. The Hellenistic civilization was the period of Greek civilization, the beginnings of which are usually placed at Alexanders death. This Hellenistic age, so called because it saw the partial Hellenization of many non-Greek cultures and this age saw the Greeks move towards larger cities and a reduction in the importance of the city-state. These larger cities were parts of the still larger Kingdoms of the Diadochi, Greeks, however, remained aware of their past, chiefly through the study of the works of Homer and the classical authors. An important factor in maintaining Greek identity was contact with barbarian peoples and this led to a strong desire among Greeks to organize the transmission of the Hellenic paideia to the next generation
9.
Argonautica
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The Argonautica is a Greek epic poem written by Apollonius Rhodius in the 3rd century BC. The only surviving Hellenistic epic, the Argonautica tells the myth of the voyage of Jason and it was the age of the great Library of Alexandria, and his epic incorporates his researches in geography, ethnography, comparative religion, and Homeric literature. However, his contribution to the epic tradition lies in his development of the love between hero and heroine – he seems to have been the first narrative poet to study the pathology of love. According to some accounts, a hostile reception even led to his exile to Rhodes, the literary fashion was for small, meticulous poems, featuring displays of erudition and paradoxography, as represented by the work of Callimachus. Even if the attempt to pass through the mountain of books succeeds, there is no hope of a pause. Since scholarship is a key feature of this story, here is a preview of some of the main issues in the poets treatment of the Argonaut myth. Callimachus set the standards for Hellenistic aesthetics in poetry and, according to ancient sources, modern scholars generally dismiss these sources as unreliable and point to similarities in the poetry of the two men. Callimachus, for example, composed a book of verses dealing with aitia, according to one survey, there are eighty aitia in Argonautica. Yet Argonautica is clearly intended to be fundamentally Homeric and therefore seems at odds with the poetics of Callimachus. Addressing the issue of heroism in Argonautica, the German classicist H. Fränkel once noted some unheroic characteristics of Jason, in particular, their frequent moods of despair and depression, summed up in the word ἀμηχανία or helplessness. By contrast, the bullying Argonaut Idas seemed to Fränkel an ugly example of the archaic warrior and it looks as if Apollonius meant to underscore the obsolescence of traditional heroism in the Hellenistic period. These arguments have caused much discussion among scholars about the treatment, another fruitful discussion gained impetus from an article by D. A. Van Krevelen, who dismissed all the characters, apart from Medea, as flimsy extras without any interesting qualities. So the question arises, is the poem a unified narrative, or is the epic plot merely a coathanger for erudite, there is some dispute about the date when the poem was originally published. It could have been during the reign of Ptolemy II Philadelphus, according to Jackie Murray, the poem was published at the time of Ptolemy III Euergetes. Apollonius Argonautica was based on ancient sources, including Homer. The story of the expedition seems to have known to the author of the Odyssey, who states. Jason is mentioned several times in the Iliad, but not as the leader of the Argonauts. Hesiod relates the story of Jason saying that he fetched Medeia at the command of his uncle Pelias, and that she him a son, Medeius
10.
Trojan War
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In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans after Paris of Troy took Helen from her husband Menelaus, king of Sparta. The war is one of the most important events in Greek mythology and has been narrated through many works of Greek literature, most notably through Homers Iliad. The Iliad relates four days in the year of the decade-long siege of Troy. Other parts of the war are described in a cycle of epic poems, episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets including Virgil and Ovid. Zeus sent the goddesses to Paris, who judged that Aphrodite, as the fairest, in exchange, Aphrodite made Helen, the most beautiful of all women and wife of Menelaus, fall in love with Paris, who took her to Troy. Agamemnon, king of Mycenae and the brother of Helens husband Menelaus, led an expedition of Achaean troops to Troy and besieged the city for ten years because of Paris insult. After the deaths of heroes, including the Achaeans Achilles and Ajax, and the Trojans Hector and Paris. The Achaeans slaughtered the Trojans and desecrated the temples, thus earning the gods wrath, few of the Achaeans returned safely to their homes and many founded colonies in distant shores. The Romans later traced their origin to Aeneas, one of the Trojans, in 1868, however, the German archaeologist Heinrich Schliemann met Frank Calvert, who convinced Schliemann that Troy was a real city at what is now Hissarlik in Turkey. On the basis of excavations conducted by Schliemann and others, this claim is now accepted by most scholars, whether there is any historical reality behind the Trojan War remains an open question. The events of the Trojan War are found in works of Greek literature. There is no single, authoritative text which tells the events of the war. Instead, the story is assembled from a variety of sources, the most important literary sources are the two epic poems traditionally credited to Homer, the Iliad and the Odyssey, composed sometime between the 9th and 6th centuries BC. Each poem narrates only a part of the war, the Iliad covers a short period in the last year of the siege of Troy, while the Odyssey concerns Odysseuss return to his home island of Ithaca, following the sack of Troy. Other parts of the Trojan War were told in the poems of the Epic Cycle, also known as the Cyclic Epics, the Cypria, Aethiopis, Little Iliad, Iliou Persis, Nostoi, and Telegony. Though these poems survive only in fragments, their content is known from an included in Proclus Chrestomathy. The authorship of the Cyclic Epics is uncertain, both the Homeric epics and the Epic Cycle take origin from oral tradition. Even after the composition of the Iliad, Odyssey, and the Cyclic Epics, events and details of the story that are only found in later authors may have been passed on through oral tradition and could be as old as the Homeric poems
11.
Laconia
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Laconia, also known as Lacedaemonia, is a region in the southeastern part of the Peloponnese peninsula. The word laconic is derived from the name of the region by analogy—to speak in a concise way, as the Spartans were reputed by the Athenians to do. Laconia is bordered by Messenia to the west and Arcadia to the north and is surrounded by the Myrtoan Sea to the east and by the Laconian Gulf and it encompasses Cape Malea and Cape Tainaron and a large part of the Mani Peninsula. The islands of Kythira and Antikythera lie to the south, the island, Elafonisos, situated between the Laconian mainland and Kythira, is part of Laconia. The Evrotas is the longest river in the prefecture, the valley of the Evrotas is predominantly an agricultural region that contains many citrus groves, olive groves, and pasture lands. It is the location of the largest orange production in the Peloponnese, lakonia, a brand of orange juice, is based in Amykles. The main mountain ranges are the Taygetus in the west and the Parnon in the northeast, Taygetus, known as Pentadaktylos throughout the Middle Ages, is west of Sparta and the Evrotas valley. It is the highest mountain in Laconia and the Peloponnese and is covered with pine trees. Two roads join the Messenia and Laconia prefectures, one is a mountain pass through Taygetus. The stalactite cave, Dirou, a major tourist attraction, is located south of Areopolis in the southwest of Laconia, Laconia has a Mediterranean climate with warm winters and hot summers. Snow is rare on the coast throughout the winter but is common in the mountains. In ancient Greece, this was the region of the Spartan state. For much of antiquity the Spartan sphere of influence expanded to Messenia. Significant archaeological recovery exists at the Vaphio-tomb site in Laconia, found here is advanced Bronze Age art as well as evidence of cultural associations with the contemporaneous Minoan culture on Crete. Laconia was at war with the Kingdom of Macedonia and saw several battles, at the end of the Mycenaean period, from the early-2nd century BC until 395 AD, it was a part of the Roman Empire. In the medieval period, Laconia formed part of the Byzantine Empire, following the Fourth Crusade, it was gradually conquered by the Frankish Principality of Achaea. In the 1260s, however, the Byzantines recovered Mystras and other fortresses in the region and managed to evict the Franks from Laconia, by the mid-14th century, this evolved into the Despotate of Morea, held by the last Greek ruling dynasty, the Palaiologoi. With the fall of the Despotate to the Ottomans in 1460, with the exception of a 30-year interval of Venetian rule, Laconia remained under Ottoman control until the outbreak of the Greek War of Independence of 1821
12.
Black-figure pottery
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Black-figure pottery painting, also known as the black-figure style or black-figure ceramic is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BC, although there are specimens dating as late as the 2nd century BC, stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style. Figures and ornaments were painted on the body of the vessel using shapes, delicate contours were incised into the paint before firing, and details could be reinforced and highlighted with opaque colors, usually white and red. The principal centers for this style were initially the commercial hub Corinth, other important production sites are known to have been in Laconia, Boeotia, eastern Greece, and Italy. Particularly in Italy individual styles developed which were at least in part intended for the Etruscan market, Greek black-figure vases were very popular with the Etruscans, as is evident from frequent imports. Greek artists created customized goods for the Etruscan market which differed in form, the Etruscans also developed their own black-figure ceramic industry oriented on Greek models. Black-figure painting on vases was the first art style to give rise to a significant number of identifiable artists, some are known by their true names, others only by the pragmatic names they were given in the scientific literature. Especially Attica was the home of well-known artists, some potters introduced a variety of innovations which frequently influenced the work of the painters, sometimes it was the painters who inspired the potters’ originality. Red- as well as black-figure vases are one of the most important sources of mythology and iconography, since the 19th century at the latest, these vases have been the subject of intensive investigation. The foundation for pottery painting is the carrier, in other words the vase onto which an image is painted. Popular shapes alternated with passing fashions, whereas many recurred after intervals, others were replaced over time. But they all had a method of manufacture, after the vase was made. The workshops were under the control of the potters, who as owners of businesses had a social position. The extent to which potters and painters were identical is uncertain and it is likely that many master potters themselves made their main contribution in the production process as vase painters, while employing additional painters. It is, however, not easy to reconstruct links between potters and painters, but such attributions can only be made with confidence if the signatures of potter and painter are at hand. The painters, who were slaves or craftsmen paid as pottery painters, worked on unfired. In the case of production the subject was painted on the vase with a clay slurry which turned black after firing. This was not a color in the sense, since this surface slip was of the same material as the vase itself
