|Wikimedia Commons has media related to Museum Island.|
Pages in category "Museum Island"
The following 9 pages are in this category, out of 9 total, this list may not reflect recent changes (learn more).
|Wikimedia Commons has media related to Museum Island.|
The following 9 pages are in this category, out of 9 total, this list may not reflect recent changes (learn more).
1. Museum Island – Museum Island is the name of the northern half of an island in the Spree river in the central Mitte district of Berlin, Germany, the site of the old city of Cölln. The Neues Museum finished in 1859 according to plans by Friedrich August Stüler, destroyed in World War II, it was rebuilt under the direction of David Chipperfield for the Egyptian Museum of Berlin and re-opened in 2009. It exhibits the sculpture collections and late Antique and Byzantine art, the Pergamon Museum, the final museum of the complex, constructed in 1930. It contains multiple reconstructed immense and historically significant buildings such as the Pergamon Altar, in 1999, the museum complex was added to the UNESCO list of World Heritage Sites. A first exhibition hall was erected in 1797 at the suggestion of the archaeologist Aloys Hirt, in 1822, Schinkel designed the plans for the Altes Museum to house the royal Antikensammlung, the arrangement of the collection was overseen by Wilhelm von Humboldt. The island, originally an area, was dedicated to art. Further extended under succeeding Prussian kings, the collections of art. They are today maintained by the Berlin State Museums branch of the Prussian Cultural Heritage Foundation, Museum Island further comprises the Lustgarten park and the Berlin Cathedral. Between the Bode and Pergamon Museums it is crossed by the Stadtbahn railway viaduct, the adjacent territory to the south is the site of the former Stadtschloss and the Palace of the Republic. These include the Priams Treasure, also called the gold of Troy, excavated by Heinrich Schliemann in 1873, then smuggled out of Turkey to Berlin and today kept at the Pushkin Museum in Moscow. Then, six months later, Peter-Klaus Schuster took over and set in motion a far more ambitious program intended to turn Museum Island into a Louvre on the Spree. The federal government pledged $20 million a year through 2010 for projects to enhance Berlins prestige and Unesco declaring the island a World Heritage Site. The contents of the museums were decided on as follows, The Pergamon, with the Greek altar that gives it its name, the Neues Museum presented archaeological objects as well as Egyptian and Etruscan sculptures, including the renowned bust of Queen Nefertiti. The Altes Museum, the oldest on the island, displayed Greek and Roman art objects on its first floor, the Bode Museums paintings went from Late Byzantine to 1800. And, as now, the Alte Nationalgalerie will cover the 19th century, the James Simon Gallery, a $94 million visitors’ center designed by the British architect David Chipperfield, is being built beside the Neues Museum. It will in turn be linked to the Neues, Altes, Pergamon, once the Museum Island Master Plan is completed, the so-called Archaeological Promenade will connect four of the five museums in the Museum Island. The Promenade will begin at the Old Museum in the south, lead through the New Museum, before World War II, these museums were connected by bridge passages above ground, they were destroyed due to the effects of the war. There have never been plans to them, instead, the central courts of individual museums will be lowered
2. Alte Nationalgalerie – It is the original building of the National Gallery, whose holdings are now housed in several additional buildings. It is situated on Museum Island, a UNESCO-designated World Heritage Site, the first impetus to founding a national gallery came in 1815. The idea gained momentum during the 1830s, but without an actual building, in 1841 the first real plans were created. This donation formed the basis of the current collection, the collection was first known as Wagenersche und Nationalgalerie and was housed in the buildings of the Akademie der Künste. The current building, shaped like a Roman temple with an apse, was designed by Friedrich August Stüler and after his death. Friedrich August Stüler began working on a design for the building in 1863, two years and two failed plans later, his third proposal was finally accepted. Stüler died before planning was completed and Carl Busse handled the details in 1865. In 1866, by order of the king and his cabinet, ground was broken in 1867 under the supervision of Heinrich Strack. In 1872 the structure was completed and interior work began, the opening took place on March 22,1876 in the presence of the Kaiser. Because of the modern construction using brick and iron, it was widely believed to be fireproof. The exterior and outer staircase were constructed of Triassic sandstone from Nebra, at the opening the collection was still relatively small. Next to Wageners collection, originally, was a display of cartoons by Peter von Cornelius that had been bequeathed to the Prussian government, the initial objective of the gallery was to collect contemporary, primarily Prussian art, as Berlin did not then have any repository of modern art. In 1874 Max Jordan became the first director of the National Gallery, in 1896 he was succeeded by Hugo von Tschudi, who acquired Impressionist works, risking conflict with the Kaiser because this ended the collections focus on German art. The German National Gallery thus became the most important museum for modern French Art at the turn of the century, in 1909, Ludwig Justi assumed the post of director, and added Expressionist works to the collection. Following the German Revolution of 1918–1919 that ended Imperial rule, he moved the art to the Kronprinzenpalais at the end of Unter den Linden. In 1933, the new Nazi authorities dismissed Justi, who was followed by Eberhard Hanfstaengl and he remained until 1937, when he too was dismissed. His successor, Paul Ortwin Rave, remained until 1950, although because of World War II the building was closed during much of that time and it was heavily damaged in Allied air raids. It was partly reopened in 1949, but reconstruction continued until 1969, between 1998 and 2001, the museum was renovated thoroughly by German architect HG Merz
3. Altes Museum – The Altes Museum is a museum building on Museum Island in Berlin, Germany. Since restoration work in 2010-11, it houses the Antikensammlung of the Berlin State Museums, the museum building was built between 1823 and 1830 by the architect Karl Friedrich Schinkel in the neoclassical style to house the Prussian royal familys art collection. The historic, protected building counts among the most distinguished in neoclassicism and is a point of Schinkels career. Until 1845, it was called the Königliches Museum, along with the other museums and historic buildings on Museum Island, the Altes Museum was designated a UNESCO World Heritage Site in 1999. In the early century, Germanys bourgeoisie had become increasingly self-aware. King Friedrich Wilhelm III of Prussia was a proponent of this humboldtian ideal for education. The crown prince even sent Schinkel a pencil sketch of a large hall adorned with a classical portico, Schinkels plans incorporated the Königliches Museum into an ensemble of buildings, which surround the Berliner Lustgarten. The Stadtschloss in the south was a symbol of power, the Zeughaus in the west represented military might. The museum to the north of the garden, which was to provide for the education of the people, stood as a symbol for science and art—and not least for their torchbearer, the self-aware bourgeoisie. Schinkel had developed plans for the Königliches Museum as early as 1822/23, construction was completed in 1828 and the museum was inaugurated on 3 August 1830. In 1841, King Friedrich Wilhelm IV announced in a royal decree, in 1845, the Königliches Museum was renamed the Altes Museum, the name it holds to this day. The royally appointed commission, which was responsible for the conception of the museum and this precluded the incorporation of ethnography, prehistory and the excavated treasures of the Near East, instead, these artifacts were primarily housed in Schloss Monbijou. With the completion of the Neues Museum by Friedrich August Stüler in 1855 and this was followed by the Nationalgalerie by Johann Heinrich Strack, the Kaiser-Friedrich-Museum by Ernst von Ihne after plans by Stüler, and the Pergamonmuseum by Alfred Messel and Ludwig Hoffmann. Thus Museum Island evolved into the institution it is today, during National Socialism, the Altes Museum was used as the backdrop for propaganda, both in the museum itself and upon the parade grounds of the redesigned Lustgarten. Following Schinkels designs, the murals of the rotunda were restored in 1982, however, neither the ornate ceilings of the ground floor exhibition rooms nor the pairs of columns under the girders were reconstructed. The Altes Museum was originally constructed to house all of the collections of fine arts. However, since 1904, the museum has housed the Antikensammlung, since 1998, the Collection of Classical Antiquities has displayed its Greek collection, including the treasury, on the ground floor of the Altes Museum. Special exhibitions are displayed on the floor of the museum
4. Bode Museum – The Bode Museum is one of the group of museums on the Museum Island in Berlin, Germany. It was designed by architect Ernst von Ihne and completed in 1904, originally called the Kaiser-Friedrich-Museum after Emperor Frederick III, the museum was renamed in honour of its first curator, Wilhelm von Bode, in 1956. Closed for repairs since 1997, the museum was reopened on October 18,2006 after a €156 million refurbishment. True to the ethos of its director, Wilhelm von Bode, who believed in mixing art collections, it is now the home for a collection of sculptures, Byzantine art. The sculpture collection shows art of the Christian Orient, sculptures from Byzantium and Ravenna, sculptures of the Middle Ages, the Italian Gothic, and the early Renaissance. Late German Gothic works are represented by Tilman Riemenschneider, the south German Renaissance. In the future selected works of the Gemäldegalerie will be integrated into the sculpture collection and this is reminiscent of William von Bodes concept of style rooms, in which sculptures, paintings, and crafts are viewed together, as was usual in upper middle-class private collections. The Münzkabinett is one of the worlds largest numismatic collections and its range spans from the beginning of minting in the 7th century BC in Asia Minor up to the present day. With approximately 500,000 items the collection is an archive for historical research. Writing in The Financial Times on the occasion on the reopening in 2006, Neil MacGregor, director of the British Museum. Wilhelm von Bode, the manager of the Prussian Art Collections for the Berlin Museum, had spotted the bust in a London gallery. Shortly afterwards, The Times ran an article claiming that the bust was the work of Lucas, lucass son, Albert, then came forward and swore under oath that the story was correct and that he had helped his father to make it. Albert was able to explain how the layers of wax had been built up from old candle ends, he described how his father would stuff various debris, including newspapers. When the Berlin museum staff removed the base they found the debris, just as Albert had described it, despite this evidence, Bode continued to claim that his original attribution was correct. Various claims and counter-claims have been put forward about the bust, scientific examination has been inconclusive and unhelpful in dating the bust, although it is accepted as having at least some connection with Lucas. The bust remains on display in what is now the Bode Museum labelled England, on 27 March 2017, a solid gold coin called the Big Maple Leaf, issued by the Royal Canadian Mint in 2007 as a commemorative piece, was stolen from the museum. The coin, at 53cm in diameter and 3cm in thickness, is made of 24-carat gold and is worth around €3.7 million. A ladder was found on the train tracks nearby, leading German police to speculate that the thief entered the building by breaking open a window in the back of the next to the railway tracks
5. Egyptian Museum of Berlin – The Egyptian Museum of Berlin is home to one of the worlds most important collections of Ancient Egyptian artifacts, including the iconic Nefertiti Bust. Since October 2009, the collection is part of the reopened Neues Museum on Berlins Museum Island, the museum originated in the 18th century from the royal art collection of the Hohenzollern kings of Prussia. Alexander von Humboldt had recommended that an Egyptian section be created, initially housed in Monbijou Palace, the department was headed by the Trieste merchant Giuseppe Passalacqua, whose extensive collections formed the basis. A Prussian expedition to Egypt and Nubia led by Karl Richard Lepsius in 1842–45 brought additional pieces to Berlin, in 1850, the collections moved to its present-day home in the Neues Museum, built according to plans designed by Friedrich August Stüler. The Nefertiti Bust, discovered during the excavations by Ludwig Borchardt in Amarna, was donated to the museum by the entrepreneur Henri James Simon in 1920, it quickly became its best-known exhibit. After World War II, during which the Neues Museum was heavily damaged by strategic bombing, the main part remained in East Berlin and was displayed at the Bode Museum, while those artifacts evacuated to West Germany, including the Nefetiti Bust, returned to West Berlin. From 1967 to 2005, these items were housed vis-à-vis Charlottenburg Palace, the whole collection was reunited again after the Reunification of Germany, when it returned to Museum Island. The collection contains artefacts dating from between 4000BC to the period of Roman rule, though most date from the rule of Akhenaten, the most famous piece on display is the exceptionally well preserved and vividly coloured bust of Queen Nefertiti. The collection was moved from Charlottenburg to the Altes Museum in 2005 and was rehoused within the newly reconstructed Neues Museum on Berlins Museum Island in October 2009
6. Lustgarten – The Lustgarten is a park on Museum Island in central Berlin, near the site of the former Berliner Stadtschloss of which it was originally a part. At various times in its history, the park has used as a parade ground, a place for mass rallies. After the devastation of Germany during the Thirty Years War, Berlin was redeveloped by Friedrich Wilhelm and his Dutch wife, in 1713, Friedrich Wilhelm I became King of Prussia and set about converting Prussia into a militarised state. In 1790, Friedrich Wilhelm II allowed the Lustgarten to be turned back into a park, in the early 19th century, the enlarged and increasingly wealthy Kingdom of Prussia undertook major redevelopments of central Berlin. A 13-metre high fountain in the centre, operated by an engine, was one of the marvels of the age. In 1871, the fountain was replaced by an equestrian statue of Friedrich Wilhelm III by Albert Wolff. The statue was unveiled on 16 June 1871, between 1894 and 1905, the old Protestant church on the northern side of the park was replaced by a much larger building, the Berlin Cathedral, designed by Julius Carl Raschdorff. During the years of the Weimar Republic, the Lustgarten was frequently used for political demonstrations, the Socialists and Communists held frequent rallies there. In August 1921,500,000 people demonstrated against right-wing extremist violence, after the murder of Foreign Minister Walther Rathenau, on 25 June 1922,250,000 protested in the Lustgarten. On 7 February 1933,200,000 people demonstrated against the new Nazi Party regime of Adolf Hitler, under the Nazis, the Lustgarten was converted into a site for mass rallies. In 1934, it was paved over and the statue removed. Hitler addressed mass rallies of up to a million people there, on 18 May 1942 a resistance group lead by Herbert Baum consisting mainly of Jewish men and women, tried to destroy a propaganda exhibition The Soviet Paradise in the Lustgarten. This resulted in the discovery of the group, the death of Baum in Gestapo detention, in a retaliation action, the Reich Main Security Office arrested 500 Jewish men at the end of May, and immediately murdered half of them. A memorial stone made by Jürgen Raue installed in 1981 commemorates the resistance group, in 1944 the statue of Friedrich Wilhelm III by Albert Wolff was melted down to reuse the metal in war production. By the end of World War II in 1945, the Lustgarten was a bomb-pitted wasteland, the German Democratic Republic left Hitlers paving in place, but planted lime trees around the parade ground to reduce its militaristic appearance. The whole area was renamed Marx-Engels-Platz, the City Palace was demolished and later replaced by the modernist Palace of the Republic on part of the site. A movement to restore the Lustgarten to its role as a park began once Germany was reunified in 1990. In 1997, the Berlin Senate commissioned the landscape architect Hans Loidl to redesign the area in the spirit of Lennés design, the Lustgarten now features fountains and is once again a park in the heart of a reunited Berlin
7. Neues Museum – The Neues Museum is a museum in Berlin, Germany, located to the north of the Altes Museum on Museum Island. It was built between 1843 and 1855 according to plans by Friedrich August Stüler, a student of Karl Friedrich Schinkel, the museum was closed at the beginning of World War II in 1939, and was heavily damaged during the bombing of Berlin. The rebuilding was overseen by the English architect David Chipperfield, the museum officially reopened in October 2009 and received a 2010 RIBA European Award and the 2011 European Union Prize for Contemporary Architecture. Exhibits include the Egyptian and Prehistory and Early History collections, as it did before the war, the artifacts it houses include the iconic bust of the Egyptian queen Nefertiti. Both as a part of the Museum Island complex and as an individual building, with its new industrialized building procedures and its use of iron construction, the museum plays an important role in the history of technology. The Neues Museum was the museum to be built on Museum Island and was intended as an extension to house collections which could not be accommodated in the Altes Museum. Among these were collections of plaster casts, ancient Egyptian artifacts, the prehistoric and early historic collections, the collection. It is thus the source of the collections in the Egyptian Museum of Berlin. Moreover, the Neues Museum is an important monument in the history of construction, with its various iron constructions, it is the first monumental building of Prussia to consistently apply new techniques made possible by industrialization. As a further innovation, an engine was used for the first time in construction in Berlin. Among other things, it was used to ram pilings into the building ground, the soft, spongy soil around the River Spree means that buildings in the central area of Berlin require deep foundations. The king, with his cabinet, had ordered that the construction project be assigned to Stüler on 8 March 1841. The poor quality of the ground at the site became apparent quickly. Therefore, a structure was necessary under the whole building, consisting of 2344 wooden foundation piles between 6.9 and 18.2 meters long. To ram the piles in, a 5-horsepower steam engine was used and it drove the pumps that drained the building site, the elevators, and the mortar mixing machines. The newsletter of the Berlin Architecture Association reported on the building site, on 6 April 1843 when the ceremony of laying the cornerstone took place, the foundations, including the cellars, were already built. Construction of the walls was completed at the end of 1843, so that by 1844, in 1845, iron constructions, the construction of flat vaulted ceilings and brick-lining of the connecting gallery to the Altes Museum were completed. An auxiliary railway transported building materials from the street just west across the River Spree, Am Kupfergraben, on the individual floors of the museum, rails were also used to transport construction materials
8. Pergamon Museum – The Pergamon Museum is situated on the Museum Island in Berlin. The building was designed by Alfred Messel and Ludwig Hoffmann and was constructed over a period of twenty years, the museum is subdivided into the antiquity collection, the Middle East museum, and the museum of Islamic art. It is visited by approximately 1,135,000 people every year, making it the most visited art museum in Germany, Alfred Messel began a design for the large three-wing building in 1906. After his death in 1909 his friend Ludwig Hoffman took charge of the project and construction began in 1910, continuing during the First World War, the completed building was opened In 1930. The Pergamon Museum was severely damaged during the air attacks on Berlin at the end of the Second World War, many of the display objects had been stored in safe places, and some of the large exhibits were walled in for protection. In 1945, the Red Army collected all of the museum items, either as war booty or, ostensibly, to rescue them from looting. Not until 1958 were most of the returned to East Germany. Significant parts of the remain in Russia. Some are currently stored in the Pushkin Museum in Moscow and the Hermitage Museum in Saint Petersburg, the return of these items has been arranged in a treaty between Germany and Russia but, as of June 2003, is blocked by Russian restitution laws. It first became accessible to the public in 1830, when the Altes Museum was opened, the collection expanded greatly with the excavations in Olympia, Samos, Pergamon, Miletus, Priene, Magnesia, Cyprus and Didyma. This collection is divided between the Pergamon Museum and the Altes Museum, as Germany was divided following the Second World War, so was the collection. The Pergamon Museum was reopened in 1959 in East Berlin, while what remained in West Berlin was displayed in Schloss Charlottenburg, when the Bode Museum was opened in 1904, a section for Islamic art was created and later included in the Pergamon Museum. It was a gift from the Ottoman Sultan Abdul Hamid II to Emperor Wilhelm II of Germany, parts of the eastern portion of the facade and the ruins of the structure of which it formed a part remain in Jordan. Another unique exhibition is the Aleppo room and this area of the museum features a reception room from a brokers home in Aleppo, Syria, that was commissioned during the Ottoman Period. The Islamic Art Museum also regularly hosts exhibitions of modern art from the Islamic world, such as the 2008 Turkish Delight. In 2008 part of the Keir Collection of Edmund de Unger, formerly housed in his home in Ham, the Middle East Museum exhibition displays objects found by German archeologists and others from the areas of Assyrian, Sumerian and Babylonian culture. Additionally there are buildings, reliefs and lesser cultural objects. The main display is the Ishtar Gate and the Processional Way of Babylon together with the throne room facade of Nebuchadnezzar II, the Vorderasiatisches Museum also displays the Meissner fragment from the Epic of Gilgamesh