A theater, theatre or playhouse, is a structure where theatrical works or plays are performed, or other performances such as musical concerts may be produced. While a theater is not required for performance, a theater serves to define the performance and audience spaces; the facility is traditionally organized to provide support areas for performers, the technical crew and the audience members. There are as many types of theaters. Theaters may be built for a certain types of productions, they may serve for more general performance needs or they may be adapted or converted for use as a theater, they may range from open-air amphitheaters to ornate, cathedral-like structures to simple, undecorated rooms or black box theaters. Some theaters may have a fixed acting area, while some theaters, such as black box theaters, may not, allowing the director and designers to construct an acting area suitable for the production; the most important of these areas is the acting space known as the stage. In some theaters proscenium theaters, arena theaters and amphitheaters, this area is permanent part of the structure.
In a blackbox theater the acting area is undefined so that each theater may adapt to a production. In addition to these acting spaces, there may be offstage spaces as well; these include wings on either side of a proscenium stage where props and scenery may be stored as well as a place for actors awaiting an entrance. A Prompter's box may be found backstage. In an amphitheater, an area behind the stage may be designated for such uses while a blackbox theater may have spaces outside of the actual theater designated for such uses. A theater will incorporate other spaces intended for the performers and other personnel. A booth facing the stage may be incorporated into the house where lighting and sound personnel may view the show and run their respective instruments. Other rooms in the building may be used for dressing rooms, rehearsal rooms, spaces for constructing sets and costumes, as well as storage. There are two main entrances: one at the front, used by the audience, that leads into the back of the audience, sometimes first going through a ticket booth.
The second is called the stage door, it is accessible from backstage. This is the means by which the cast and crew enter and exit the theater, fans wait outside it after the show in order to get autographs, called "stage dooring"; this term can be used to refer to going to a lot of shows or living in a big theater city, such as New York or Chicago. All theaters provide a space for an audience; the audience is separated from the performers by the proscenium arch. In proscenium theaters and amphitheaters, the proscenium arch, like the stage, is a permanent feature of the structure; this area is known as the house. Like the stage in a blackbox theater, this area is defined by the production The seating areas can include some or all of the following: Stalls or arena: the lower flat area below or at the same level as the stage; the word parterre is sometimes used to refer to a particular subset of this area. In North American usage this is the rear seating block beneath the gallery whereas in Britain it can mean either the area in front near the orchestra pit, or the whole of the stalls.
The term can refer to the side stalls in some usages. Derived from the gardening term parterre, the usage refers to the sectioned pattern of both the seats of an auditorium and of the planted beds seen in garden construction. Throughout the 18th century the term was used to refer to the theater audience who occupied the parterre. Balconies or galleries: one or more raised seating platforms towards the rear of the auditorium. In larger theaters, multiple levels are stacked vertically behind the stalls; the first level is called the dress circle or grand circle. The next level may be the loge, from the French version of loggia. A second tier inserted beneath the main balcony may be the mezzanine; the highest platform, or upper circle, is sometimes known as the gods in large opera houses, where the seats can be high and a long distance from the stage. Boxes: placed to the front and above the level of the stage, they are separate rooms with an open viewing area which seat up to five people. These seats are considered the most prestigious of the house.
A "state box" or "royal box" is sometimes provided for dignitaries. House seats: these are "the best seats in the house", giving the best view of the stage. Though each theater's layout is different, these are in the center of the stalls; these seats are traditionally reserved for the cast and crew to invite family members and others. If they are not used, they go on sale on the day of the performance. Greek theater buildings were called a theatron; the theaters were open-air structures constructed on the slopes of hills. They consisted of three principal elements: the orchestra, the skene, the audience; the centerpiece of the theater was the orchestra, or "dancing place", a large circular or rectangular area. The orchestra was the site of the choral performances, the religious rites, the acting. An altar was located in the middle of the orchestra. Behind the orchestra was a large rectangular building called the skene, it was used as a "backstage" area where actors could change their costumes and masks, but also
In a modern sense, comedy refers to any discourse or work intended to be humorous or amusing by inducing laughter in theatre, film, stand-up comedy, or any other medium of entertainment. The origins of the term are found in Ancient Greece. In the Athenian democracy, the public opinion of voters was influenced by the political satire performed by the comic poets at the theaters; the theatrical genre of Greek comedy can be described as a dramatic performance which pits two groups or societies against each other in an amusing agon or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old." A revised view characterizes the essential agon of comedy as a struggle between a powerless youth and the societal conventions that pose obstacles to his hopes. In this struggle, the youth is understood to be constrained by his lack of social authority, is left with little choice but to take recourse in ruses which engender dramatic irony which provokes laughter.
Satire and political satire use comedy to portray persons or social institutions as ridiculous or corrupt, thus alienating their audience from the object of their humor. Parody subverts popular genres and forms, critiquing those forms without condemning them. Other forms of comedy include screwball comedy, which derives its humor from bizarre, surprising situations or characters, black comedy, characterized by a form of humor that includes darker aspects of human behavior or human nature. Scatological humor, sexual humor, race humor create comedy by violating social conventions or taboos in comic ways. A comedy of manners takes as its subject a particular part of society and uses humor to parody or satirize the behavior and mannerisms of its members. Romantic comedy is a popular genre that depicts burgeoning romance in humorous terms and focuses on the foibles of those who are falling in love; the word "comedy" is derived from the Classical Greek κωμῳδία kōmōidía, a compound either of κῶμος kômos or κώμη kṓmē and ᾠδή ōidḗ.
The adjective "comic", which means that which relates to comedy is, in modern usage confined to the sense of "laughter-provoking". Of this, the word came into modern usage through the Latin comoedia and Italian commedia and has, over time, passed through various shades of meaning; the Greeks and Romans confined their use of the word "comedy" to descriptions of stage-plays with happy endings. Aristotle defined comedy as an imitation of men worse than the average. However, the characters portrayed in comedies were not worse than average in every way, only insofar as they are Ridiculous, a species of the Ugly; the Ridiculous may be defined as a deformity not productive of pain or harm to others. In the Middle Ages, the term expanded to include narrative poems with happy endings, it is in this sense that Dante used the term in the title of La Commedia. As time progressed, the word came more and more to be associated with any sort of performance intended to cause laughter. During the Middle Ages, the term "comedy" became synonymous with satire, with humour in general.
Aristotle's Poetics was translated into Arabic in the medieval Islamic world, where it was elaborated upon by Arabic writers and Islamic philosophers, such as Abu Bischr, his pupils Al-Farabi and Averroes. They disassociated comedy from Greek dramatic representation and instead identified it with Arabic poetic themes and forms, such as hija, they viewed comedy as the "art of reprehension", made no reference to light and cheerful events, or to the troubling beginnings and happy endings associated with classical Greek comedy. After the Latin translations of the 12th century, the term "comedy" gained a more general meaning in medieval literature. In the late 20th century, many scholars preferred to use the term laughter to refer to the whole gamut of the comic, in order to avoid the use of ambiguous and problematically defined genres such as the grotesque and satire. Starting from 425 BCE, Aristophanes, a comic playwright and satirical author of the Ancient Greek Theater, wrote 40 comedies, 11 of which survive.
Aristophanes developed his type of comedy from the earlier satyr plays, which were highly obscene. The only surviving examples of the satyr plays are by Euripides, which are much examples and not representative of the genre. In ancient Greece, comedy originated in bawdy and ribald songs or recitations apropos of phallic processions and fertility festivals or gatherings. Around 335 BCE, Aristotle, in his work Poetics, stated that comedy originated in phallic processions and the light treatment of the otherwise base and ugly, he adds that the origins of comedy are obscure because it was not treated from its inception. However, comedy had its own Muse: Thalia. Aristotle taught that comedy was positive for society, since it brings forth happiness, which for Aristotle was the ideal state, the final goal in any activity. For Aristotle, a comedy did not need to involve sexual humor. A comedy is about the fortunate rise of a sympathetic character. Aristotle divides comedy into three categories or subgenres: farce, romantic comedy, satire.
On the contrary, Plato taught. He believed that it produces an emotion that overrides ra
Sweden the Kingdom of Sweden, is a Scandinavian Nordic country in Northern Europe. It borders Norway to the west and north and Finland to the east, is connected to Denmark in the southwest by a bridge-tunnel across the Öresund, a strait at the Swedish-Danish border. At 450,295 square kilometres, Sweden is the largest country in Northern Europe, the third-largest country in the European Union and the fifth largest country in Europe by area. Sweden has a total population of 10.2 million. It has a low population density of 22 inhabitants per square kilometre; the highest concentration is in the southern half of the country. Germanic peoples have inhabited Sweden since prehistoric times, emerging into history as the Geats and Swedes and constituting the sea peoples known as the Norsemen. Southern Sweden is predominantly agricultural, while the north is forested. Sweden is part of the geographical area of Fennoscandia; the climate is in general mild for its northerly latitude due to significant maritime influence, that in spite of this still retains warm continental summers.
Today, the sovereign state of Sweden is a constitutional monarchy and parliamentary democracy, with a monarch as head of state, like its neighbour Norway. The capital city is Stockholm, the most populous city in the country. Legislative power is vested in the 349-member unicameral Riksdag. Executive power is exercised by the government chaired by the prime minister. Sweden is a unitary state divided into 21 counties and 290 municipalities. An independent Swedish state emerged during the early 12th century. After the Black Death in the middle of the 14th century killed about a third of the Scandinavian population, the Hanseatic League threatened Scandinavia's culture and languages; this led to the forming of the Scandinavian Kalmar Union in 1397, which Sweden left in 1523. When Sweden became involved in the Thirty Years War on the Reformist side, an expansion of its territories began and the Swedish Empire was formed; this became one of the great powers of Europe until the early 18th century. Swedish territories outside the Scandinavian Peninsula were lost during the 18th and 19th centuries, ending with the annexation of present-day Finland by Russia in 1809.
The last war in which Sweden was directly involved was in 1814, when Norway was militarily forced into personal union. Since Sweden has been at peace, maintaining an official policy of neutrality in foreign affairs; the union with Norway was peacefully dissolved in 1905. Sweden was formally neutral through both world wars and the Cold War, albeit Sweden has since 2009 moved towards cooperation with NATO. After the end of the Cold War, Sweden joined the European Union on 1 January 1995, but declined NATO membership, as well as Eurozone membership following a referendum, it is a member of the United Nations, the Nordic Council, the Council of Europe, the World Trade Organization and the Organisation for Economic Co-operation and Development. Sweden maintains a Nordic social welfare system that provides universal health care and tertiary education for its citizens, it has the world's eleventh-highest per capita income and ranks in numerous metrics of national performance, including quality of life, education, protection of civil liberties, economic competitiveness, equality and human development.
The name Sweden was loaned from Dutch in the 17th century to refer to Sweden as an emerging great power. Before Sweden's imperial expansion, Early Modern English used Swedeland. Sweden is derived through back-formation from Old English Swēoþēod, which meant "people of the Swedes"; this word is derived from Sweon/Sweonas. The Swedish name Sverige means "realm of the Swedes", excluding the Geats in Götaland. Variations of the name Sweden are used in most languages, with the exception of Danish and Norwegian using Sverige, Faroese Svøríki, Icelandic Svíþjóð, the more notable exception of some Finnic languages where Ruotsi and Rootsi are used, names considered as referring to the people from the coastal areas of Roslagen, who were known as the Rus', through them etymologically related to the English name for Russia; the etymology of Swedes, thus Sweden, is not agreed upon but may derive from Proto-Germanic Swihoniz meaning "one's own", referring to one's own Germanic tribe. Sweden's prehistory begins in the Allerød oscillation, a warm period around 12,000 BC, with Late Palaeolithic reindeer-hunting camps of the Bromme culture at the edge of the ice in what is now the country's southernmost province, Scania.
This period was characterised by small bands of hunter-gatherer-fishers using flint technology. Sweden is first described in a written source in Germania by Tacitus in 98 AD. In Germania 44 and 45 he mentions the Swedes as a powerful tribe with ships that had a prow at each end. Which kings ruled these Suiones is unknown, but Norse mythology presents a long line of legendary and semi-legendary kings going back to the last centuries BC; as for literacy in Sweden itself, the runic script was in use among the south Scandinavian elite by at least the 2nd century AD, but all that has come down to the present from the Roman Period is curt inscriptions on artefacts of male names, demonstrating th
Berzelii Park is a small park in central Stockholm, Sweden. The park is the location of the China Theater, the Berns Salonger Restaurant and Theater. Berzelii Park was named after the Swedish chemist Jöns Jacob Berzelius; the work on establishing the park was begun under the leadership of Knut Malte Forsberg. The park's opening ceremony took place on the morning of July 13, 1858; the Academy of Sciences initiated funding for a statue honoring Berzelius, to stand in the middle of the park. Artist Carl Gustaf Qvarnström was commissioned to do the work, he had Ferdinand von Miller cast it in bronze. It became the first public statue of a "commoner" to be produced in full figure; as the new park installations were still considered too fragile to receive a large crowd, the statue was secretly inaugurated in the middle of the night following the opening ceremony. Other monuments have been added in and around the park, including art by Carl Milles, a humorous statue of Hans Alfredsson; the park today is located in or near the city districts of Norrmalm and Östermalm, next to the Nybroplan and the Norrmalmstorg.
The area surrounding Berzelii Park was part of Nybroviken bay until the mid-19th century. In the mid-1830s, a new bridge across the bay was being planned for the 25th anniversary of King Charles XIV. On the request of the king, the part of the bay inside the bridge was replaced with landfill, which transformed the existing bridge into more of a quay; this old bridge, Ladugårdslandsbron, was demolished in 1845, but the replacement bridge wasn't opened until 1848 due to technical problems. One of the cast iron railings from the old bridge is still found in the park today. Berzelii Park failed to develop as intended. A report published in 1890 described its lawns as "consisting of dandelions," and the raised area surrounding the statue as a "sand hill". However, the situation improved when Alfred Medin became city gardener, the same journalist wrote enthusiastically about the park. Geography of Stockholm Järbe, Bengt. Dofternas torg - Hur Packartorget blev Norrmalmstorg. Byggförlaget. ISBN 91-7988-100-9
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue and dance. The story and emotional content of a musical – humor, love, anger – are communicated through the words, music and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue and other elements. Since the early 20th century, musical theatre stage works have been called musicals. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America; these were followed by the numerous Edwardian musical comedies and the musical theatre works of American creators like George M. Cohan at the turn of the 20th century.
The Princess Theatre musicals and other smart shows like Of Thee I Sing were artistic steps forward beyond revues and other frothy entertainments of the early 20th century and led to such groundbreaking works as Show Boat and Oklahoma!. Some of the most famous musicals through the decades that followed include West Side Story, The Fantasticks, Hair, A Chorus Line, Les Misérables, The Phantom of the Opera, The Producers and Hamilton. Musicals are performed around the world, they may be presented in large venues, such as big-budget Broadway or West End productions in New York City or London. Alternatively, musicals may be staged in smaller venues, such as fringe theatre, Off-Broadway, Off-Off-Broadway, regional theatre, or community theatre productions, or on tour. Musicals are presented by amateur and school groups in churches and other performance spaces. In addition to the United States and Britain, there are vibrant musical theatre scenes in continental Europe, Australasia and Latin America.
Since the 20th century, the "book musical" has been defined as a musical play where songs and dances are integrated into a well-made story with serious dramatic goals, able to evoke genuine emotions other than laughter. The three main components of a book musical are its music and book; the book or script of a musical refers to the story, character development and dramatic structure, including the spoken dialogue and stage directions, but it can refer to the dialogue and lyrics together, which are sometimes referred to as the libretto. The music and lyrics together form the score of a musical and include songs, incidental music and musical scenes, which are "theatrical sequence set to music combining song with spoken dialogue." The interpretation of a musical is the responsibility of its creative team, which includes a director, a musical director a choreographer and sometimes an orchestrator. A musical's production is creatively characterized by technical aspects, such as set design, stage properties and sound.
The creative team and interpretations change from the original production to succeeding productions. Some production elements, may be retained from the original production. There is no fixed length for a musical. While it can range from a short one-act entertainment to several acts and several hours in length, most musicals range from one and a half to three hours. Musicals are presented in two acts, with one short intermission, the first act is longer than the second; the first act introduces nearly all of the characters and most of the music and ends with the introduction of a dramatic conflict or plot complication while the second act may introduce a few new songs but contains reprises of important musical themes and resolves the conflict or complication. A book musical is built around four to six main theme tunes that are reprised in the show, although it sometimes consists of a series of songs not directly musically related. Spoken dialogue is interspersed between musical numbers, although "sung dialogue" or recitative may be used in so-called "sung-through" musicals such as Jesus Christ Superstar, Les Misérables and Hamilton.
Several shorter musicals on Broadway and in the West End have been presented in one act in recent decades. Moments of greatest dramatic intensity in a book musical are performed in song. Proverbially, "when the emotion becomes too strong for speech, you sing. In a book musical, a song is ideally crafted to suit the character and their situation within the story; as The New York Times critic Ben Brantley described the ideal of song in theatre when reviewing the 2008 revival of Gypsy: "There is no separation at all between song and character, what happens in those uncommon moments when musicals reach upward to achieve their ideal reasons to be." Many fewer words are sung in a five-minute song than are spoken in a five-minute block of dialogue. Therefore, there is less time to develop drama in a musical than in a straight play of equivalent length, since a musical devotes more time to music than to dialogue. Within the compressed nature of a musical, the writers must develop the plot; the ma
Berns Salonger is a restaurant and entertainment venue, in Berzelii Park, in central Stockholm, Sweden. The building was constructed from 1862–63 by the architect Johan Fredrik Åbom for Robert Berns; the building was extended in 1886. Berns holds concerts and other shows and has a capacity of 1,200. Berns is the setting for the Strindberg novel The Red Room. Media related to Berns salonger at Wikimedia Commons
Stockholm is the capital of Sweden and the most populous urban area in the Nordic countries. The city stretches across fourteen islands. Just outside the city and along the coast is the island chain of the Stockholm archipelago; the area has been settled since the Stone Age, in the 6th millennium BC, was founded as a city in 1252 by Swedish statesman Birger Jarl. It is the capital of Stockholm County. Stockholm is the cultural, media and economic centre of Sweden; the Stockholm region alone accounts for over a third of the country's GDP, is among the top 10 regions in Europe by GDP per capita. It is an important global city, the main centre for corporate headquarters in the Nordic region; the city is home to some of Europe's top ranking universities, such as the Stockholm School of Economics, Karolinska Institute and Royal Institute of Technology. It hosts the annual Nobel Prize ceremonies and banquet at the Stockholm Concert Hall and Stockholm City Hall. One of the city's most prized museums, the Vasa Museum, is the most visited non-art museum in Scandinavia.
The Stockholm metro, opened in 1950, is well known for the decor of its stations. Sweden's national football arena is located north of the city centre, in Solna. Ericsson Globe, the national indoor arena, is in the southern part of the city; the city was the host of the 1912 Summer Olympics, hosted the equestrian portion of the 1956 Summer Olympics otherwise held in Melbourne, Australia. Stockholm is the seat of the Swedish government and most of its agencies, including the highest courts in the judiciary, the official residencies of the Swedish monarch and the Prime Minister; the government has its seat in the Rosenbad building, the Riksdag is seated in the Parliament House, the Prime Minister's residence is adjacent at Sager House. Stockholm Palace is the official residence and principal workplace of the Swedish monarch, while Drottningholm Palace, a World Heritage Site on the outskirts of Stockholm, serves as the Royal Family's private residence. After the Ice Age, around 8,000 BC, there were many people living in what is today the Stockholm area, but as temperatures dropped, inhabitants moved south.
Thousands of years as the ground thawed, the climate became tolerable and the lands became fertile, people began to migrate back to the North. At the intersection of the Baltic Sea and lake Mälaren is an archipelago site where the Old Town of Stockholm was first built from about 1000 CE by Vikings, they had a positive trade impact on the area because of the trade routes they created. Stockholm's location appears in Norse sagas as Agnafit, in Heimskringla in connection with the legendary king Agne; the earliest written mention of the name Stockholm dates from 1252, by which time the mines in Bergslagen made it an important site in the iron trade. The first part of the name means log in Swedish, although it may be connected to an old German word meaning fortification; the second part of the name means islet, is thought to refer to the islet Helgeandsholmen in central Stockholm. According to Eric Chronicles the city is said to have been founded by Birger Jarl to protect Sweden from sea invasions made by Karelians after the pillage of Sigtuna on Lake Mälaren in the summer of 1187.
Stockholm's core, the present Old Town was built on the central island next to Helgeandsholmen from the mid-13th century onward. The city rose to prominence as a result of the Baltic trade of the Hanseatic League. Stockholm developed strong economic and cultural linkages with Lübeck, Gdańsk, Visby and Riga during this time. Between 1296 and 1478 Stockholm's City Council was made up of 24 members, half of whom were selected from the town's German-speaking burghers; the strategic and economic importance of the city made Stockholm an important factor in relations between the Danish Kings of the Kalmar Union and the national independence movement in the 15th century. The Danish King Christian II was able to enter the city in 1520. On 8 November 1520 a massacre of opposition figures called the Stockholm Bloodbath took place and set off further uprisings that led to the breakup of the Kalmar Union. With the accession of Gustav Vasa in 1523 and the establishment of a royal power, the population of Stockholm began to grow, reaching 10,000 by 1600.
The 17th century saw Sweden grow into a major European power, reflected in the development of the city of Stockholm. From 1610 to 1680 the population multiplied sixfold. In 1634, Stockholm became the official capital of the Swedish empire. Trading rules were created that gave Stockholm an essential monopoly over trade between foreign merchants and other Swedish and Scandinavian territories. In 1697, Tre Kronor was replaced by Stockholm Palace. In 1710, a plague killed about 20,000 of the population. After the end of the Great Northern War the city stagnated. Population growth halted and economic growth slowed; the city was in shock after having lost its place as the capital of a Great power. However, Stockholm maintained its role as the political centre of Sweden and continued to develop culturally under Gustav III. By the second half of the 19th century, Stockholm had regained its leading economic role. New industries emerged and Stockholm was transformed into an important trade and service centre as well as a key gateway point within Sweden.
The population grew during this time through immigration. At the end