West Hollywood, California
West Hollywood referred to as WeHo, is a city in Los Angeles County, United States. Incorporated in 1984, it is home to the Sunset Strip; as of the 2010 U. S. Census, its population was 34,399, it is considered one of the most prominent gay villages in the United States. West Hollywood is bounded by the city of Beverly Hills on the west, on other sides by neighborhoods of the city of Los Angeles: Hollywood Hills on the north, Hollywood on the east, the Fairfax District on the southeast, Beverly Grove on the southwest; the city's irregular boundary is featured in its logo. West Hollywood benefits from a dense, compact urban form with small lots, mixed land use, a walkable street grid. According to Walkscore, a website that ranks cities based on walkability, West Hollywood is the most walkable city in California with a Walkscore of 89. Commercial corridors include the nightlife and dining focused on the Sunset Strip, along Santa Monica Boulevard, the Avenues of Art and Design along Robertson and Beverly Boulevard.
Residential neighborhoods in West Hollywood include the Norma Triangle, West Hollywood North, West Hollywood West, West Hollywood East, West Hollywood Heights, all of which are only a few blocks long or wide. Major intersecting streets provide amenities within walking distance of adjacent neighborhoods. West Hollywood has a Subtropical-semi-arid climate with year-round warm weather; the record high temperature of 111 °F was recorded September 26, 1963, while the record low of 24 °F was recorded on January 4, 1949. Snow is rare in West Hollywood, with the last accumulation occurring in 1949. Rainfall is sparse, falls during the winter months. Most historical writings about West Hollywood began in the late-18th century with European colonization when the Portuguese explorer João Rodrigues Cabrilho arrived offshore and claimed the inhabited region for Spain. Around 5,000 of the indigenous inhabitants from the Tongva Indian tribe canoed out to greet Juan Cabrillo; the Tongva tribe was a nation of hunter-gatherers known for their reverence of courage.
By 1771, these native people had been ravaged by diseases brought in by the Europeans from across wide oceans. The Spanish mission system changed the tribal name to "Gabrielinos", in reference to the Mission de San Gabriel. Early in 1770 Gaspar de Portola's Mexican expeditionary force stopped just south of the Santa Monica Mountains near what would become West Hollywood to draw pitch from tar pits to waterproof their belongings and to say mass; the Gabrielinos are believed to have burned the pitch for fuel. By 1780, what became the "Sunset Strip" was the major connecting road for El Pueblo de Los Angeles, all ranches westward to the Pacific Ocean; this land passed through the hands of various owners during the next one hundred years, it was called names such as "La Brea" and "Plummer" that are listed in historical records. Most of this area was part of the Rancho La Brea, it came to be owned by the Henry Hancock family. During the final decade years of the nineteenth century, the first large land development in what would become West Hollywood—the town of "Sherman"—was established by Moses Sherman and his partners of the Los Angeles Pacific Railroad, an interurban railroad line which became part of the Pacific Electric Railway system.
Sherman became the location of the railroad's main shops, railroad yards, "car barns". Many working-class employees of the railroad settled in this town, it was during this time that the city began to earn its reputation as a loosely regulated, liquor-friendly place for eccentric people wary of government interference. Despite several annexation attempts, the town elected not to become part of the City of Los Angeles. In a controversial decision, in 1925 Sherman adopted "West Hollywood", "...a moniker pioneered earlier in the decade by the West Hollywood Realty Board" as its informal name, though it remained under the governance of Los Angeles County. For many years, the area, now the city of West Hollywood was an unincorporated area in the midst of Los Angeles; because gambling was illegal in the city of Los Angeles, but still legal in Los Angeles County, the 1920s saw the proliferation of many casinos, night clubs, etc. along Sunset Boulevard. These businesses were immune from the sometimes heavy-handed law-enforcement of the L.
A. Police Department; some people connected with movie-making were attracted to this less-restricted area of the County, a number of architecturally distinctive apartment buildings and apartment hotels were built. Many interior designers, decorators and "to the trade" furnishing showrooms located in West Hollywood date back to the middle of the century; the area and its extravagant nightclubs fell out of favor. However, the Sunset Strip and its restaurants and nightclubs continued to be an attraction for out-of-town tourists. During the late 1960s, the Sunset Strip was transformed again during the hippie movement which brought a thriving music publishing industry coupled with "hippie" culture; some young people from all over the country flocked to West Hollywood. The most recent migration to West Hollywood came about after the dissolution of the Soviet Union, when thousands of Russian Jews immigrated to the city. A majority of the 5,000 to 6,000 Russian Jews settled in two major immigration waves, 1978–79 and 1988–92.
Other than New York, West Hollywood's Russian-speaking community is the most concentrated single Russian-speaking region in United States. In 1984, resid
A screenplay, or script, is a written work by screenwriters for a film, television program or video game. These screenplays can be original adaptations from existing pieces of writing. In them, the movement, actions and dialogues of the characters are narrated. A screenplay written for television is known as a teleplay; the format is structured so that one page equates to one minute of screen time, though this is only used as a ballpark estimate and bears little resemblance to the running time of the final movie. The standard font is 10 pitch Courier Typeface; the major components are dialogue. The action is written in the present tense and is limited to what can be heard or seen by the audience, for example descriptions of settings, character movements, or sound effects; the dialogue is the words the characters speak, is written in a center column. Unique to the screenplay is the use of slug lines. A slug line called a master scene heading, occurs at the start of every scene and contains three pieces of information: whether the scene is set inside or outside, the specific location, the time of day.
Each slug line begins a new scene. In a "shooting script" the slug lines are numbered consecutively for ease of reference. American screenplays are printed single-sided on three-hole-punched paper using the standard American letter size, they are held together with two brass brads in the top and bottom hole. The middle hole is left empty as it would otherwise make it harder to read the script. In the United Kingdom, double-hole-punched A4 paper is used, taller and narrower than US letter size; some UK writers format the scripts for use in the US letter size when their scripts are to be read by American producers, since the pages would otherwise be cropped when printed on US paper. Because each country's standard paper size is difficult to obtain in the other country, British writers send an electronic copy to American producers, or crop the A4 size to US letter. A British script may be bound by a single brad at the top left hand side of the page, making flicking through the paper easier during script meetings.
Screenplays are bound with a light card stock cover and back page showing the logo of the production company or agency submitting the script, covers are there to protect the script during handling which can reduce the strength of the paper. This is important if the script is to pass through the hands of several people or through the post. Reading copies of screenplays are distributed printed on both sides of the paper to reduce paper waste, they are reduced to half-size to make a small book, convenient to read or put in a pocket. Although most writing contracts continue to stipulate physical delivery of three or more copies of a finished script, it is common for scripts to be delivered electronically via email. Screenplays and teleplays use a set of standardizations, beginning with proper formatting; these rules are in part to serve the practical purpose of making scripts uniformly readable "blueprints" of movies, to serve as a way of distinguishing a professional from an amateur. Motion picture screenplays intended for submission to mainstream studios, whether in the US or elsewhere in the world, are expected to conform to a standard typographical style known as the studio format which stipulates how elements of the screenplay such as scene headings, transitions, character names and parenthetical matter should be presented on the page, as well as font size and line spacing.
One reason for this is that, when rendered in studio format, most screenplays will transfer onto the screen at the rate of one page per minute. This rule of thumb is contested — a page of dialogue occupies less screen time than a page of action, for example, it depends enormously on the literary style of the writer — and yet it continues to hold sway in modern Hollywood. There is no single standard for studio format; some studios have definitions of the required format written into the rubric of their writer's contract. The Nicholl Fellowship, a screenwriting competition run under the auspices of the Academy of Motion Picture Arts and Sciences, has a guide to screenplay format. A more detailed reference is The Complete Guide to Standard Script Formats. A "spec script" or speculative screenplay is a script written to be sold on the open market with no upfront payment, or promise of payment; the content is invented by the screenwriter, though spec screenplays can be based on established works, or real people and events.
For American TV shows, the format rules for hour-long dramas and single-camera sitcoms are the same as for motion pictures. The main difference is. Multi-camera sitcoms use a specialized format that derives from stage plays and radio. In this format, dialogue is double-spaced, action lines are capitalized, scene headings, character entrances and exits, sound effects are capitalized and underlined. Drama series and sitcoms are no longer the only formats. With reality-based programming crossing genres to create various hybrid programs, many of the so-called "reality" programs are in a large part scripted in format; that is, the overall skeleton of the show and its episodes are written to di
NCIS (TV series)
NCIS is an American action police procedural television series, revolving around a fictional team of special agents from the Naval Criminal Investigative Service. The concept and characters were introduced in two episodes of the CBS series JAG; the show, a spin-off from JAG, premiered on September 23, 2003, on CBS. To date it has aired fifteen full seasons and has gone into broadcast syndication on the USA Network. Donald P. Bellisario and Don McGill are co-creators and executive producers of the premiere member of the NCIS franchise, it is the second-longest-running scripted, non-animated U. S. primetime TV series airing, surpassed only by Law & Order: Special Victims Unit, is the 7th-longest-running scripted U. S. primetime TV series overall. NCIS was referred to as Navy NCIS during season one. In season six, a two-part episode led to NCIS: Los Angeles. A two-part episode during the eleventh season led to NCIS: New Orleans. While slow in the ratings cracking the Top 30 in the first two seasons, the third season showed progress ranking in the top 20, by its sixth season, it became a top five hit, having remained there since.
In 2011, NCIS was voted America's favorite television show in an online Harris Poll. The series finished its tenth season as the most-watched television series in the U. S. during the 2012–13 TV season. On April 11, 2019, NCIS was renewed for a seventeenth season, Diona Reasonover joined the main cast in season sixteen, following the departures of Duane Henry and Pauley Perrette. NCIS follows a fictional team of Naval Criminal Investigative Service Major Case Response Team special agents based at the Washington, D. C. field office in Washington Navy Yard. In real life, the field office is based at the nearby Joint Base Anacostia-Bolling while the Navy Yard is home to the museum and several military commands within the Department of the Navy, it is described by the actors and producers as being distinguished by its comedic elements, ensemble acting, character-driven plots. The NCIS is the primary law enforcement and counterintelligence arm of the United States Department of the Navy, which includes the United States Marine Corps.
NCIS investigates all major criminal offenses —for example, crimes punishable under the Uniform Code of Military Justice by confinement of more than one year—within the Department of the Navy. Whenever a crime is committed involving Navy or Marine personnel, the Washington-based Major Case Response Team — an elite arm of the Naval Criminal Investigative Service — spearheads the investigation; the team, led by laconic investigator Leroy Jethro Gibbs, has included Caitlin Todd, Anthony DiNozzo, Timothy McGee, Ziva David, Eleanor Bishop, Alexandra Quinn, Nicholas Torres. Over the course of the series, they are further assisted by allies both foreign and domestic, including Medical Examiners Dr. Donald Mallard, Dr. Jimmy Palmer, forensic specialists Abby Sciuto and Kasie Hines, British intelligence officer Clayton Reeves, operational psychologist and senior special agent Dr. Jacqueline Sloane, successive NCIS Directors Jennifer Shepard and Leon Vance. Mark Harmon as Leroy Jethro Gibbs Sasha Alexander as Caitlin Todd Michael Weatherly as Anthony DiNozzo Pauley Perrette as Abby Sciuto David McCallum as Dr. Donald "Ducky" Mallard Sean Murray as Timothy McGee Cote de Pablo as Ziva David Lauren Holly as Jenny Shepard Rocky Carroll as Leon Vance Brian Dietzen as Dr Jimmy Palmer Emily Wickersham as Eleanor Bishop Wilmer Valderrama as Nicholas Torres Jennifer Esposito as Alexandra Quinn Duane Henry as Clayton Reeves Maria Bello as Dr. Jacqueline Sloane Diona Reasonover as Kasie Hines Prior to the launch of the first season, advertisements on CBS identified the show as "Naval CIS".
By the time of the launch of the first episode, NCIS was airing under the name Navy NCIS, the name it held for the entire first season. Since the "N" in NCIS stands for "Naval", the name "Navy NCIS" was redundant; the decision to use this name was made by CBS, over the objections of Bellisario, to: Attract new viewers, who might not know the NCIS abbreviation Distinguish between NCIS and the themed and spelled CBS series CSI and its spinoffs. From the season-two episode "Lt. Jane Doe" onwards, the series began showing two-second-long black-and-white clips; these clips are shown at the beginning of every segment depicting the last two seconds of that segment, a segment being the five or six portions of the show meant to be separated by commercials. In the season-three premiere, "Kill Ari", a freeze-frame shot was used with the end of most episodes turned into a freeze frame, as well, it was reported in May 2007 that Do
Kingdom (U.S. TV series)
Kingdom is an American drama television series created by Byron Balasco. The series premiered on October 8, 2014 on the Audience Network and concluded on August 2, 2017, it stars Frank Grillo, Kiele Sanchez, Matt Lauria, Jonathan Tucker, Nick Jonas, Joanna Going. Season one consists of ten episodes. On October 17, 2014, DirecTV announced that the series was renewed for an additional 20 episodes, 10 of which aired in 2015 and 10 in 2016. On July 7, 2016, it was renewed for a third season which premiered on May 31, 2017. On April 1, 2017, it was announced. Alvey Kulina owns and runs a mixed martial arts gym called Navy St. Gym in Venice, with his girlfriend, Lisa, he helps people work out and trains fighters along with his sons and Jay. Jay puts it aside to start fighting again. Ryan Wheeler used to be a great fighter until he was sent to prison after a few mistakes in his life. After Ryan's release, Alvey wants him to fight again and be his trainer as it would be good publicity for the gym. Lisa is opposed to this, as she and Ryan used to be engaged, but accepts it for the sake of the gym.
Alvey's estranged ex-wife, Christina, is a drug addict and prostitute, with sporadic contact with Kulina and her sons. Frank Grillo as Alvey Kulina and Nate's father. Owner of the gym Navy St. he's a retired MMA fighter. Kiele Sanchez as Lisa Prince, Ryan's ex-fiancée and Alvey's girlfriend, She runs the business side of the gym and manages Jay as a fighter. Matt Lauria as Ryan Wheeler, an ex-con who starts training to be a fighter again after being released from prison, he is still in love with her. Jonathan Tucker as Jay Kulina and Christina's older son and Nate's older brother. Seen as the screw up in the family by Alvey. Starts fighting again when Lisa begins to manage him. Jay is the loud mouth, obnoxious Kulina brother. Nick Jonas as Nathaniel "Nate" Kulina and Christina's younger son, an upcoming fighter who after an attack is put on the back bench, he is a closeted gay man who came out to his brother. Joanna Going as Christina Kulina, Alvey's ex-wife and the mother of Jay and Nate. She's a former drug prostitute, which has a negative impact on Jay.
Juliette Jackson as Shelby, Lisa's friend who runs the front desk at Navy St. Gym Paul Walter Hauser as Keith, Ryan's roommate at the half-way house turn housemate after Ryan moves into Keith's home Mac Brandt as Mac Sullivan and personal friend and drug supplier of the Kulinas Natalie Martinez as Alicia Mendez, an upcoming fighter and Lisa's new client. Joseph Serna as the Fight Doctor Kirk Acevedo as Dominick Ramos Ronnie Gene Blevins as Michael, bully at the half-way house with Ryan and Keith Mario Perez as Carlos, a gang member that's involved with Nate's beating Meaghan Rath as Tatiana, Nate's physical therapist Jamie Harris as Terry, Christina's pimp former Jai Rodriguez as Diego Diaz, Nate's physical therapist after Tatiana resigns Bryan Callen as Garo Kassabian, fight promoter Rebecca Olejniczak as Fight Event Ring Girl Joe Stevenson as Fight Coach "Daddy" Phil Abrams as Dr. Kramer, Alvey's therapist Jamie Kennedy as Bucky DeMarco, a fight promoter Dean Stone as Himself, an announcer Jessica Szohr as Laura Melvin, a professional photographer, Jay's girlfriend after photographing him on the beach Mark Consuelos as Sean Chapas, a friend of Alvey's and ex-fighter turned businessman Andre Royo as the owner of the Sunset Hawaiian Cub Swanson as Nate's opponent Bruce Davison as Ron Prince, Lisa's father Alicia Witt as Melanie Kenny Florian as himself Joseph Benavidez as Jay's opponent Greg Jackson as himself Diego Sanchez as Nate's opponent Talia Shire as Annette Kulina, Alvey's mother The series premiered in Australia on April 7, 2015, on FX and was watched by 16,000 viewers.
The series airs in Canada on Bravo Canada. The first season aired two days after the US broadcast; the second season began on November 11, 2015. The series airs in Sweden on TV12; the series airs in Argentina, Uruguay, Ecuador, Colombia and Puerto Rico on OnDirecTV, a channel of DirecTV. The series aired in New Zealand on SKY Movies Action on May 3, 2015; the series airs in the United Kingdom to Virgin Media customers via the video on demand service on their Virgin TV XL package, the first six episodes were made available to stream on April 1, 2016, with further episodes being made available on a weekly basis. Kingdom on IMDb Kingdom at Metacritic
Film editing is both a creative and a technical part of the post-production process of filmmaking. The term is derived from the traditional process of working with film which involves the use of digital technology; the film editor works with the raw footage, selecting shots and combines them into sequences which create a finished motion picture. Film editing is described as an art or skill, the only art, unique to cinema, separating filmmaking from other art forms that preceded it, although there are close parallels to the editing process in other art forms such as poetry and novel writing. Film editing is referred to as the "invisible art" because when it is well-practiced, the viewer can become so engaged that he or she is not aware of the editor's work. On its most fundamental level, film editing is the art and practice of assembling shots into a coherent sequence; the job of an editor is not to mechanically put pieces of a film together, cut off film slates or edit dialogue scenes. A film editor must creatively work with the layers of images, dialogue, pacing, as well as the actors' performances to "re-imagine" and rewrite the film to craft a cohesive whole.
Editors play a dynamic role in the making of a film. Sometimes, auteurist film directors edit their own films, for example, Akira Kurosawa, Bahram Beyzai and the Coen brothers. With the advent of digital editing, film editors and their assistants have become responsible for many areas of filmmaking that used to be the responsibility of others. For instance, in past years, picture editors dealt only with just that—picture. Sound and visual effects editors dealt with the practicalities of other aspects of the editing process under the direction of the picture editor and director. However, digital systems have put these responsibilities on the picture editor, it is common on lower budget films, for the editor to sometimes cut in temporary music, mock up visual effects and add temporary sound effects or other sound replacements. These temporary elements are replaced with more refined final elements produced by the sound and visual effects teams hired to complete the picture. Early films were short films that were one long and locked-down shot.
Motion in the shot was all, necessary to amuse an audience, so the first films showed activity such as traffic moving on a city street. There was no editing; each film ran as long. The use of film editing to establish continuity, involving action moving from one sequence into another, is attributed to British film pioneer Robert W. Paul's Come Along, Do!, made in 1898 and one of the first films to feature more than one shot. In the first shot, an elderly couple is outside an art exhibition having lunch and follow other people inside through the door; the second shot shows. Paul's'Cinematograph Camera No. 1' of 1896 was the first camera to feature reverse-cranking, which allowed the same film footage to be exposed several times and thereby to create super-positions and multiple exposures. One of the first films to use this technique, Georges Méliès's The Four Troublesome Heads from 1898, was produced with Paul's camera; the further development of action continuity in multi-shot films continued in 1899-1900 at the Brighton School in England, where it was definitively established by George Albert Smith and James Williamson.
In that year, Smith made As Seen Through a Telescope, in which the main shot shows street scene with a young man tying the shoelace and caressing the foot of his girlfriend, while an old man observes this through a telescope. There is a cut to close shot of the hands on the girl's foot shown inside a black circular mask, a cut back to the continuation of the original scene. More remarkable was James Williamson's Attack on a China Mission Station, made around the same time in 1900; the first shot shows the gate to the mission station from the outside being attacked and broken open by Chinese Boxer rebels there is a cut to the garden of the mission station where a pitched battle ensues. An armed party of British sailors arrived to rescue the missionary's family; the film used the first "reverse angle" cut in film history. James Williamson concentrated on making films taking action from one place shown in one shot to the next shown in another shot in films like Stop Thief! and Fire!, made in 1901, many others.
He experimented with the close-up, made the most extreme one of all in The Big Swallow, when his character approaches the camera and appears to swallow it. These two filmmakers of the Brighton School pioneered the editing of the film. By 1900, their films were extended scenes of up to 5 minutes long. Other filmmakers took up all these ideas including the American Edwin S. Porter, who started making films for the Edison Company in 1901. Porter worked on a number of minor films before making Life of an American Fireman in 1903; the film was the first American film with a plot, featuring action, a closeup of a hand pulling a fire alarm. The film comprised a continuous narrative over seven scenes, rendered in a total of nine shots, he put a dissolve between every shot, just as Georges Méliès was doing, he had the same action repeated across the dissolves. His film, The Great Train Robbery, had a running time of twelve minutes, with twenty separate shots and ten different indoor and outdoor locations.
He used cross-cutting editing method to show simultaneous action in different places. These early film directors discovered impor
Andrews McMeel Universal
Andrews McMeel Universal is an American media corporation based in Kansas City, Missouri. It was founded in 1970 by Jim Andrews and John McMeel as Universal Press Syndicate and was renamed in 1997 to AMU to reflect the diversification that had taken place since its founding, it now has the following subdivisions: Andrews McMeel Syndication, which includes GoComics Andrews McMeel Publishing AMUSE The company headquarters is located in downtown Kansas City, Missouri in the historic Boley Building. The six-story steel frame building was constructed in 1909 and was designed in the Art-Nouveau style by architect Louis Curtiss; the building is notable for being one of the world's first metal-and-glass curtain-wall buildings and the first to use rolled-steel columns. It was listed on the National Register of Historic Places in 1971. Official website
American Broadcasting Company
The American Broadcasting Company is an American commercial broadcast television network, a flagship property of Walt Disney Television, a subsidiary of the Disney Media Networks division of The Walt Disney Company. The network is headquartered in Burbank, California on Riverside Drive, directly across the street from Walt Disney Studios and adjacent to the Roy E. Disney Animation Building, But the network's second corporate headquarters and News headquarters remains in New York City, New York at their broadcast center on 77 West 66th Street in Lincoln Square in Upper West Side Manhattan. Since 2007, when ABC Radio was sold to Citadel Broadcasting, ABC has reduced its broadcasting operations exclusively to television; the fifth-oldest major broadcasting network in the world and the youngest of the Big Three television networks, ABC is nicknamed as "The Alphabet Network", as its initialism represents the first three letters of the English alphabet, in order. ABC launched as a radio network on October 12, 1943, serving as the successor to the NBC Blue Network, purchased by Edward J. Noble.
It extended its operations to television in 1948, following in the footsteps of established broadcast networks CBS and NBC. In the mid-1950s, ABC merged with United Paramount Theatres, a chain of movie theaters that operated as a subsidiary of Paramount Pictures. Leonard Goldenson, the head of UPT, made the new television network profitable by helping develop and greenlight many successful series. In the 1980s, after purchasing an 80 percent interest in cable sports channel ESPN, the network's corporate parent, American Broadcasting Companies, Inc. merged with Capital Cities Communications, owner of several print publications, television and radio stations. In 1996, most of Capital Cities/ABC's assets were purchased by The Walt Disney Company; the television network has eight owned-and-operated and over 232 affiliated television stations throughout the United States and its territories. Some of the ABC-affiliated stations can be seen in Canada via pay-television providers, certain other affiliates can be received over-the-air in areas within the Canada–United States border.
ABC News provides news and features content for select radio stations owned by Citadel Broadcasting, which purchased the ABC Radio properties in 2007. In the 1930s, radio in the United States was dominated by three companies: the Columbia Broadcasting System, the Mutual Broadcasting System, the National Broadcasting Company; the last was owned by electronics manufacturer Radio Corporation of America, which owned two radio networks that each ran different varieties of programming, NBC Blue and NBC Red. The NBC Blue Network was created in 1927 for the primary purpose of testing new programs on markets of lesser importance than those served by NBC Red, which served the major cities, to test drama series. In 1934, Mutual filed a complaint with the Federal Communications Commission regarding its difficulties in establishing new stations, in a radio market, being saturated by NBC and CBS. In 1938, the FCC began a series of investigations into the practices of radio networks and published its report on the broadcasting of network radio programs in 1940.
The report recommended that RCA give up control of either NBC NBC Blue. At that time, the NBC Red Network was the principal radio network in the United States and, according to the FCC, RCA was using NBC Blue to eliminate any hint of competition. Having no power over the networks themselves, the FCC established a regulation forbidding licenses to be issued for radio stations if they were affiliated with a network which owned multiple networks that provided content of public interest. Once Mutual's appeals against the FCC were rejected, RCA decided to sell NBC Blue in 1941, gave the mandate to do so to Mark Woods. RCA converted the NBC Blue Network into an independent subsidiary, formally divorcing the operations of NBC Red and NBC Blue on January 8, 1942, with the Blue Network being referred to on-air as either "Blue" or "Blue Network"; the newly separated NBC Red and NBC Blue divided their respective corporate assets. Between 1942 and 1943, Woods offered to sell the entire NBC Blue Network, a package that included leases on landlines, three pending television licenses, 60 affiliates, four operations facilities, contracts with actors, the brand associated with the Blue Network.
Investment firm Dillon, Read & Co. offered $7.5 million to purchase the network, but the offer was rejected by Woods and RCA president David Sarnoff. Edward J. Noble, the owner of Life Savers candy, drugstore chain Rexall and New York City radio station WMCA, purchased the network for $8 million. Due to FCC ownership rules, the transaction, to include the purchase of three RCA stations by Noble, would require him to resell his station with the FCC's approval; the Commission authorized the transaction on October 12, 1943. Soon afterward, the Blue Network was purchased by the new company Noble founded, the American Broadcasting System. Noble subsequently acquired the rights to the American Broadcasting Company name from George B. Storer in 1944. Meanwhile, in August 1944, the West Coast division of the Blue Network, which owned San Francisco radio station KGO, bought Los Angeles station KECA f