Frederiksstaden is a district in Copenhagen, Denmark. It was developed to commemorated the 300 years jubilee of the House of Oldenburg ascending to the Danish throne, a. G. Moltke was in charge of the project and Nicolai Eigtved was the main architect. The district is characterized by broad streets in a straight-angled street layout. The streets are lined by houses and palaces. Another important building in the district is the royal Frederiks Hospital which was Denmarks first hospital in the meaning of the word. It now houses the Danish Museum of Art & Design, amalienborg Frederiks Church The Odd Fellow Mansion Moltkes Mansion Royal Danish Playhouse
A lottery is a form of legalized government gambling that involves the drawing of numbers for a prize. Lotteries are outlawed by some governments, while others endorse it to the extent of organizing a national or state lottery. It is common to some degree of regulation of lottery by governments. This remained so well after World War II. In the 1960s casinos and lotteries began to re-appear throughout the world as a means for governments to raise revenue without raising taxes, for example, the prize can be a fixed amount of cash or goods. In this format there is risk to the organizer if insufficient tickets are sold, more commonly the prize fund will be a fixed percentage of the receipts. A popular form of this is the 50–50 draw where the promise that the prize will be 50% of the revenue. Many recent lotteries allow purchasers to select the numbers on the lottery ticket, the purchase of lottery tickets cannot be accounted for by decision models based on expected value maximization. The reason is that lottery tickets cost more than the gain, as shown by lottery mathematics.
Yet, lottery purchases can be explained by decision models based on expected utility maximization, more general models based on utility functions defined on things other than the lottery outcomes can account for lottery purchase. In addition to the prizes, the ticket may enable some purchasers to experience a thrill. If the entertainment value obtained by playing is enough for a given individual. The first recorded signs of a lottery are keno slips from the Chinese Han Dynasty between 205 and 187 BC and these lotteries are believed to have helped to finance major government projects like the Great Wall of China. From the Chinese The Book of Songs comes a reference to a game of chance as the drawing of wood, from the Celtic era, the Cornish words teulel pren translates into to throw wood and means to draw lots. The Iliad of Homer refers to lots being placed into Agamemnons helmet to determine who would fight Hector, the first known European lotteries were held during the Roman Empire, mainly as an amusement at dinner parties.
Each guest would receive a ticket, and prizes would often consist of items such as dinnerware. Every ticket holder would be assured of winning something and this type of lottery, was no more than the distribution of gifts by wealthy noblemen during the Saturnalian revelries. The earliest records of a lottery offering tickets for sale is the organized by Roman Emperor Augustus Caesar
Many cultures devoted considerable resources to their sacred architecture and places of worship. Religious and sacred spaces are amongst the most impressive and permanent monolithic buildings created by humanity, sacred architecture as a locale for meta-intimacy may be non-monolithic and intensely private and non-public. Sacred and holy structures often evolved over centuries and were the largest buildings in the world, while the various styles employed in sacred architecture sometimes reflected trends in other structures, these styles remained unique from the contemporary architecture used in other structures. With the rise of Abrahamic monotheisms, religious buildings increasingly became centres of worship, the Western scholarly discipline of the history of architecture itself closely follows the history of religious architecture from ancient times until the Baroque period, at least. Sacred geometry and the use of sophisticated semiotics such as signs, Sacred and/or religious architecture is sometimes called sacred space.
Architect Norman L. Koonce has suggested that the goal of sacred architecture is to make transparent the boundary between matter and mind and the spirit, Richard Kieckhefer suggests that entering into a religious building is a metaphor for entering into spiritual relationship. Sacred architecture spans a number of ancient architectural styles including Neolithic architecture, ancient Egyptian architecture, ancient religious buildings, particularly temples, were often viewed as the dwelling place, the temenos, of the gods and were used as the site of various kinds of sacrifice. Ancient tombs and burial structures are examples of architectural structures reflecting religious beliefs of their various societies. The Temple of Karnak at Thebes, Egypt was constructed across a period of 1300 years, ancient Egyptian religious architecture has fascinated archaeologists and captured the public imagination for millennia. Around 600 BCE the wooden columns of the Temple of Hera at Olympia were replaced by stone columns, with the spread of this process to other sanctuary structures a few stone buildings have survived through the ages.
Greek architecture preceded Hellenistic and Roman periods, since temples are the only buildings which survive in numbers, most of our concept of classical architecture is based on religious structures. The Parthenon which served as a building as well as a place for veneration of deity, is widely regarded as the greatest example of classical architecture. Indian architecture is related to the history and religions of the time periods as well as to the geography, the diversity of Indian culture is represented in its architecture. Indian architecture comprises a blend of ancient and varied native traditions, with building types and technologies from West, Central Asia, buddhist architecture developed in South Asia beginning in the third century BCE. Two types of structures are associated with early Buddhism and stupas, an existing example is at Nalanda. The initial function of the stupa was the veneration and safe-guarding of the relics of the Buddha, the earliest existing example of a stupa is in Sanchi.
In accordance with changes in practice, stupas were gradually incorporated into chaitya-grihas. These reached their highpoint in the first century BCE, exemplified by the cave complexes of Ajanta, the pagoda is an evolution of the Indian stupa that is marked by a tiered tower with multiple eaves common in China, Korea and other parts of Asia
Saltern is a word with a number of differing meanings. In English archaeology, a saltern is a used for salt making. There is an area called Salterns in Poole, which was in use for salt-making from before 1750 to the mid-1800s. A1748 map shows two Boiling Houses near the edge of the harbour, the name persists in the Salterns Hotel, Salterns Marina and Salterns Way—all in Lilliput, Poole—and in Salterns Road, in Lower Parkstone. Salterns usually begin with seawater as the source of brine but may use natural saltwater springs. The water is evaporated, usually over a series of ponds, to the point where NaCl and other salts precipitate out of the saturated brine, allowing pure salts to be harvested. In England, complete evaporation in this fashion was not routinely achievable due to weather, earliest examples of pans used in the solution mining of salt date back to prehistoric times and the pans were made of ceramics known as briquetage. Later examples were made from lead and iron, the change from lead to iron coincided with a change from wood to coal for the purpose of heating the brine.
Brine would be pumped into the pans, and concentrated by the heat of the fire burning underneath, as crystals of salt formed these would be raked out and more brine added. In warmer climates no additional heat would be supplied, the heat being sufficient to evaporate off the brine. com. Salt Making in the Adur Valley Archaeology, arable landscapes and drainage. Excavations at the Bourne–Morton Canal, arable landscapes and drainage in the Fenland of Eastern England. A medieval saltern mound at Millfields Caravan Park, West Medieval saltern mound Definition of Saltern Mound
Christian VI of Denmark
Christian VI was King of Denmark and Norway from 1730-46. He was the first king of the Oldenburg dynasty to refrain from entering in any war and he was married to Sophia Magdalene of Brandenburg-Kulmbach and was the father of Frederick V. His chosen motto was deo et populo, from 1706, Christian came to understand Danish but used German for everyday speaking and writing. He got an education and acquired more knowledge than his father and grandfather. As Crown Prince he was allowed by his father to find a wife by himself, Sophia Magdalene came from a minor margraviate of the Hohenzollern dynasty where able consciousness was inversely proportional to the funds, half of the land was mortgaged, and her father died young. She had 13 siblings and was considered a match for the Danish prince. In Christians letters, he describes his feelings for the princesss intense religiosity and they were married on 7 August 1721, while Christian was crown prince. The wedding was held at Pretzsch in Saxony, the king was shy and introverted by nature, and stayed away from the public.
For the first ten years of his government he consulted often with his cousin, the count took part in almost everything, from the dismissal of cooks in the Queens kitchen to determining alliance policy. He encouraged the king as long as possible to maintain the English alliance, around 1740, Count Christian Ernsts preference swung towards France and he ceased his influence. This coincided with the situation in Germany no longer allowing him, as a vassal German prince. In 1733, the couple travelled to Norway. A poem/speech by Peter Höyer was performed in his honor when he visited the city of Trondheim on 18 July, the act would be abolished in 1788. The Pietist views of King Christian influenced much of his ecclesiastical polity, on the surface the king was victorious, but both nobility and many common people secretly resisted the kings influence. This did not mean that it was without effect and it influenced much of the poetry of the age, among others, that of the great hymn writer Hans Adolph Brorson.
Another lasting result of the efforts was the introduction of mandatory confirmation in 1736. This resulted in a need for a school system, which was created by decree in 1739 and 1741. There were numerous building activities connected to Christian VI, and he was probably the greatest Danish builder of the 18th century and his queen made a notable effort
Christianshavn is a neighbourhood in Copenhagen, Denmark. Part of the Indre By District, it is located on artificial islands between the islands of Zealand and Amager and separated from the rest of the city centre by the Inner Harbour. It was founded in the early 17th century by Christian IV as part of his extension of the fortifications of Copenhagen, originally, it was laid out as an independent privileged merchants town with inspiration from Dutch cities but it was soon incorporated into Copenhagen proper. Dominated by canals, it is the part of Copenhagen with the most nautical atmosphere, students, artists and traditional families with children live side-by-side. Administratively, Christianshavn has been part of Indre By since 2007, Christianshavn covers an area of 3.43 km², and includes three minor islands to the north, jointly referred to as Holmen. It has a population of 10,140 and a density of 2,960 per km². To the south and east Christianshavn is defined by its old ramparts, to the west Christianshavn borders on the Inner Harbour that separates it from Slotsholmen and the rest of Copenhagens city centre.
In 1612, Christian IV initiated a programme to fortify Copenhagen. During the period 1618-1623, he erected earthen embarkments with five bastions in the area between Copenhagen and the island of Amager. At the same time the idea was hatched of creating a new merchant town in the area, in 1639 the little merchant and fortress town of Christianshavn was established. However, competition from Copenhagen soon proved too strong for the little town, the fortifications were further developed with six more bastions in the 1660s, and seven more bastions between 1682-1692. Additional reinforcements occurred between 1779–1791, and again in 1810-1813, even though the fortifications around the Inner City were being dismantled in the late 19th century, Christianshavns fortifications continued in use into the 20th century. Some areas were opened up in the late 1910s-1920s, and the areas were made public space in 1961. The fortifications are a part of the fortification system around the old part of Copenhagen.
Today the area around the fortifications is a park area, Christianshavn is a lively, primarily residential area. Where the canal and the street intersects, at the centre of Christianshavn. Along the eastern shoreline of the island runs Christianshavns Vold which now serves as the principal greenspace of the neighbourhood, on the other—Rampar Sidet—side of the canal, the area is dominated by historic residential buildings and institutions. Cultural institutions include Danish Architecture Centre and the North Atlantic House and it is in this area that the Church of Our Saviour and Christiania are found
A brick is building material used to make walls and other elements in masonry construction. Traditionally, the term referred to a unit composed of clay. A brick can be composed of clay-bearing soil and lime, Bricks are produced in numerous classes, types and sizes which vary with region and time period, and are produced in bulk quantities. Two basic categories of bricks are fired and non-fired bricks, block is a similar term referring to a rectangular building unit composed of similar materials, but is usually larger than a brick. Lightweight bricks are made from expanded clay aggregate, fired bricks are one of the longest-lasting and strongest building materials, sometimes referred to as artificial stone, and have been used since circa 5000 BC. Air-dried bricks, known as mudbricks, have an older than fired bricks. Bricks are laid in courses and numerous patterns known as bonds, collectively known as brickwork, the earliest bricks were dried brick, meaning that they were formed from clay-bearing earth or mud and dried until they were strong enough for use.
The oldest discovered bricks, originally made from shaped mud and dating before 7500 BC, were found at Tell Aswad, in the upper Tigris region, ceramic, or fired brick was used as early as 3000 BC in early Indus Valley cities. In pre-modern China, bricks were being used from the 2nd millennium BCE at a site near Xian, the carpenters manual Yingzao Fashi, published in 1103 at the time of the Song dynasty described the brick making process and glazing techniques in use. He had to know when to quench the kiln with water so as to produce the surface glaze, Early civilisations around the Mediterranean adopted the use of fired bricks, including the Ancient Greeks and Romans. The Roman legions operated mobile kilns, and built large brick structures throughout the Roman Empire, during the Early Middle Ages the use of bricks in construction became popular in Northern Europe, after being introduced there from Northern-Western Italy. An independent style of architecture, known as brick Gothic flourished in places that lacked indigenous sources of rocks.
Examples of this style can be found in modern-day Denmark, Poland. A clear distinction between the two styles developed at the transition to Baroque architecture. In Lübeck, for example, Brick Renaissance is clearly recognisable in buildings equipped with terracotta reliefs by the artist Statius von Düren, production of bricks increased massively with the onset of the Industrial Revolution and the rise in factory building in England. For reasons of speed and economy, bricks were increasingly preferred as building material to stone and it was at this time in London, that bright red brick was chosen for construction to make the buildings more visible in the heavy fog and to help prevent traffic accidents. The transition from the method of production known as hand-moulding to a mechanised form of mass-production slowly took place during the first half of the nineteenth century. His mechanical apparatus soon achieved widespread attention after it was adopted for use by the South Eastern Railway Company for brick-making at their factory near Folkestone, the Bradley & Craven Ltd ‘Stiff-Plastic Brickmaking Machine’ was patented in 1853, apparently predating Clayton
Christian IV of Denmark
Christian IV, sometimes colloquially referred to as Christian Firtal in Denmark and Christian Kvart or Quart in Norway, was king of Denmark-Norway and Duke of Holstein and Schleswig from 1588 to 1648. His 59-year reign is the longest of Danish monarchs, and of Scandinavian monarchies, a member of the house of Oldenburg, Christian began his personal rule of Denmark in 1596 at the age of 19. He is frequently remembered as one of the most popular, Christian IV obtained for his kingdom a level of stability and wealth that was virtually unmatched elsewhere in Europe. He engaged Denmark in numerous wars, most notably the Thirty Years War, which devastated much of Germany, undermined the Danish economy and he renamed the Norwegian capital Oslo as Christiania after himself, a name used until 1925. Christian was born at Frederiksborg Castle in Denmark on 12 April 1577 as the child and eldest son of King Frederick II of Denmark–Norway. He was descended, through his mothers side, from king John of Denmark, at the time, Denmark was still an elective monarchy, so in spite of being the eldest son Christian was not automatically heir to the throne.
However, in 1580, at the age of 3, his father had him elected Prince-Elect, at the death of his father on 4 April 1588, Christian was 11 years old. He succeeded to the throne, but as he was still under-age a regency council was set up to serve as the trustees of the power while Christian was still growing up. It was led by chancellor Niels Kaas and consisted of the Rigsraadet council members Peder Munk, Jørgen Ottesen Rosenkrantz and his mother Queen Dowager Sophie,30 years old, had wished to play a role in the government, but was denied by the Council. At the death of Niels Kaas in 1594, Jørgen Rosenkrantz took over leadership of the regency council, Christian continued his studies at Sorø Academy and received a good education with a reputation as a headstrong and talented student. In 1595, the Council of the Realm decided that Christian would soon be old enough to assume control of the reins of government. On 17 August 1596, at the age of 19, Christian signed his haandfæstning, twelve days later, on 29 August 1596, Christian IV was crowned at the Church of Our Lady in Copenhagen by the Bishop of Zealand, Peder Jensen Vinstrup.
He was crowned with a new Danish Crown Regalia which had made for him by Dirich Fyring. On 30 November 1597, he married Anne Catherine of Brandenburg, Christian took an interest in many and varied matters, including a series of domestic reforms and improving Danish national armaments. New fortresses were constructed under the direction of Dutch engineers, the Danish navy, which in 1596 had consisted of but twenty-two vessels, in 1610 rose to sixty, some of them built after Christians own designs. The formation of a national army proved more difficult, up until the early 1620s, Denmarks economy profited from general boom conditions in Europe. This inspired Christian to initiate a policy of expanding Denmarks overseas trade and he founded a number of merchant cities, and supported the building of factories. He built a number of buildings in Dutch Renaissance style
Rococo artists and architects used a more jocular and graceful approach to the Baroque. Their style was ornate and used light colours, asymmetrical designs, unlike the political Baroque, the Rococo had playful and witty themes. By the end of the 18th century, Rococo was largely replaced by the Neoclassic style. In 1835 the Dictionary of the French Academy stated that the word Rococo usually covers the kind of ornament and design associated with Louis XVs reign and it includes therefore, all types of art from around the middle of the 18th century in France. The word is seen as a combination of the French rocaille and coquilles, the term may be a combination of the Italian word barocco and the French rocaille and may describe the refined and fanciful style that became fashionable in parts of Europe in the 18th century. The Rococo love of shell-like curves and focus on decorative arts led some critics to say that the style was frivolous or merely modish, when the term was first used in English in about 1836, it was a colloquialism meaning old-fashioned.
While there is some debate about the historical significance of the style to art in general. Italian architects of the late Baroque/early Rococo were wooed to Catholic Germany and Austria by local princes, an exotic but in some ways more formal type of Rococo appeared in France where Louis XIVs succession brought a change in the court artists and general artistic fashion. By the end of the long reign, rich Baroque designs were giving way to lighter elements with more curves. These elements are obvious in the designs of Nicolas Pineau. During the Régence, court life moved away from Versailles and this change became well established, first in the royal palace. The delicacy and playfulness of Rococo designs is seen as perfectly in tune with the excesses of Louis XVs reign. The 1730s represented the height of Rococo development in France, the style had spread beyond architecture and furniture to painting and sculpture, exemplified by the works of Antoine Watteau and François Boucher. The Rococo style was spread by French artists and engraved publications, william Hogarth helped develop a theoretical foundation for Rococo beauty.
Though not intentionally referencing the movement, he argued in his Analysis of Beauty that the lines and S-curves prominent in Rococo were the basis for grace. The development of Rococo in Great Britain is considered to have connected with the revival of interest in Gothic architecture early in the 18th century. The beginning of the end for Rococo came in the early 1760s as figures like Voltaire and Jacques-François Blondel began to voice their criticism of the superficiality, Blondel decried the ridiculous jumble of shells, reeds, palm-trees and plants in contemporary interiors. By 1785, Rococo had passed out of fashion in France, replaced by the order, in Germany, late 18th century Rococo was ridiculed as Zopf und Perücke, and this phase is sometimes referred to as Zopfstil
The Ionic order forms one of the three classical orders of classical architecture, the other two canonic orders being the Doric and the Corinthian. There are two orders, the Tuscan, and the rich variant of Corinthian called the composite order. The Ionic columns are the thinnest and smallest columns out of the three canonic orders, the Ionic capital is characterized by the use of volutes. The Ionic columns normally stand on a base which separates the shaft of the column from the stylobate or platform, since Vitruvius a female character has been ascribed to the Ionic, in contrast to the masculine Doric. The major features of the Ionic order are the volutes of its capital, the only tools required to design these features were a straight-edge, a right angle, string and a compass. Originally the volutes lay in a plane, it was seen that they could be angled out on the corners. Ionic columns are most often fluted, after a little early experimentation, the number of hollow flutes in the shaft settled at 24.
This standardization kept the fluting in a proportion to the diameter of the column at any scale. Roman fluting leaves a little of the surface between each hollow, Greek fluting runs out to a knife edge that was easily scarred. In some instances, the fluting has been omitted, mohr included 8 unfluted Ionic frontal columns on his 1928 design for the railroads St. Louis suburban stop Delmar Station. Pictorial often narrative bas-relief frieze carving provides a feature of the Ionic order. Roman and Renaissance practice condensed the height of the entablature by reducing the proportions of the architrave, the Ionic order originated in the mid-6th century BC in Ionia, the southwestern coastland and islands of Asia Minor settled by Ionian Greeks, where an Ionian dialect was spoken. The Ionic order column was being practiced in mainland Greece in the 5th century BC and it was most popular in the Archaic Period in Ionia. The first of the great Ionic temples was the Temple of Hera on Samos and it stood for only a decade before it was leveled by an earthquake.
A longer-lasting 6th century Ionic temple was the Temple of Artemis at Ephesus, the Parthenon, although it conforms mainly to the Doric order, has some Ionic elements. A more purely Ionic mode to be seen on the Athenian Acropolis is exemplified in the Erechtheum, following the conquests of Alexander the Great in the east, a few examples of the Ionic order can be found as far as Pakistan with the Jandial temple near Taxila. Several examples of capitals displaying Ionic influences can seen as far away as Patna, especially with the Pataliputra capital. Renaissance architectural theorists took his hints, to interpret the Ionic order as matronly in comparison to the Doric order, the Ionic is a natural order for post-Renaissance libraries and courts of justice and civilized