Yale University is a private Ivy League research university in New Haven, Connecticut. Founded in 1701, it is the third-oldest institution of higher education in the United States and one of the nine Colonial Colleges chartered before the American Revolution. Chartered by Connecticut Colony, the "Collegiate School" was established by clergy to educate Congregational ministers, it moved to New Haven in 1716 and shortly after was renamed Yale College in recognition of a gift from British East India Company governor Elihu Yale. Restricted to theology and sacred languages, the curriculum began to incorporate humanities and sciences by the time of the American Revolution. In the 19th century, the college expanded into graduate and professional instruction, awarding the first Ph. D. in the United States in 1861 and organizing as a university in 1887. Its faculty and student populations grew after 1890 with rapid expansion of the physical campus and scientific research. Yale is organized into fourteen constituent schools: the original undergraduate college, the Yale Graduate School of Arts and Sciences and twelve professional schools.
While the university is governed by the Yale Corporation, each school's faculty oversees its curriculum and degree programs. In addition to a central campus in downtown New Haven, the university owns athletic facilities in western New Haven, a campus in West Haven and forest and nature preserves throughout New England; the university's assets include an endowment valued at $29.4 billion as of October 2018, the second largest endowment of any educational institution in the world. The Yale University Library, serving all constituent schools, holds more than 15 million volumes and is the third-largest academic library in the United States. Yale College undergraduates follow a liberal arts curriculum with departmental majors and are organized into a social system of residential colleges. All members of the Faculty of Arts and Sciences—and some members of other faculties—teach undergraduate courses, more than 2,000 of which are offered annually. Students compete intercollegiately as the Yale Bulldogs in the NCAA Division I – Ivy League.
As of October 2018, 61 Nobel laureates, 5 Fields Medalists and 3 Turing award winners have been affiliated with Yale University. In addition, Yale has graduated many notable alumni, including five U. S. Presidents, 19 U. S. Supreme Court Justices, 31 living billionaires and many heads of state. Hundreds of members of Congress and many U. S. diplomats, 78 MacArthur Fellows, 247 Rhodes Scholars and 119 Marshall Scholars have been affiliated with the university. Its wealth and influence have led to Yale being reported as amoungst the most prestigious universities in the United States. Yale traces its beginnings to "An Act for Liberty to Erect a Collegiate School", passed by the General Court of the Colony of Connecticut on October 9, 1701, while meeting in New Haven; the Act was an effort to create an institution to train ministers and lay leadership for Connecticut. Soon thereafter, a group of ten Congregational ministers, Samuel Andrew, Thomas Buckingham, Israel Chauncy, Samuel Mather, Rev. James Noyes II, James Pierpont, Abraham Pierson, Noadiah Russell, Joseph Webb, Timothy Woodbridge, all alumni of Harvard, met in the study of Reverend Samuel Russell in Branford, Connecticut, to pool their books to form the school's library.
The group, led by James Pierpont, is now known as "The Founders". Known as the "Collegiate School", the institution opened in the home of its first rector, Abraham Pierson, today considered the first president of Yale. Pierson lived in Killingworth; the school moved to Saybrook and Wethersfield. In 1716, it moved to Connecticut. Meanwhile, there was a rift forming at Harvard between its sixth president, Increase Mather, the rest of the Harvard clergy, whom Mather viewed as liberal, ecclesiastically lax, overly broad in Church polity; the feud caused the Mathers to champion the success of the Collegiate School in the hope that it would maintain the Puritan religious orthodoxy in a way that Harvard had not. In 1718, at the behest of either Rector Samuel Andrew or the colony's Governor Gurdon Saltonstall, Cotton Mather contacted the successful Boston born businessman Elihu Yale to ask him for financial help in constructing a new building for the college. Through the persuasion of Jeremiah Dummer, Elihu "Eli" Yale, who had made a fortune through trade while living in Madras as a representative of the East India Company, donated nine bales of goods, which were sold for more than £560, a substantial sum at the time.
Cotton Mather suggested that the school change its name to "Yale College".. Meanwhile, a Harvard graduate working in England convinced some 180 prominent intellectuals that they should donate books to Yale; the 1714 shipment of 500 books represented the best of modern English literature, science and theology. It had a profound effect on intellectuals at Yale. Undergraduate Jonathan Edwards discovered John Locke's works and developed his original theology known as the "new divinity". In 1722 the Rector and six of his friends, who had a study group to discuss the new ideas, announced that they had given up Calvinism, become Arminians and joined the Church of England, they were returned to the colonies as missionaries for the Anglican faith. Thomas Clapp became president in 1745 and struggled to return the college to Calvinist orthodoxy, but he did not close the library. Other students found Deist books in the library. Yale was swept up by the great intellectual movements of the peri
A harpsichord is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum; the term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals and spinet. The harpsichord was used in Renaissance and Baroque music. During the late 18th century, with the rise of the piano, it disappeared from the musical scene. In the 20th century, it made a resurgence, being used in informed performances of older music, in new compositions, in certain styles of popular music. Harpsichords vary in size and shape; the player depresses a key that rocks over a pivot in the middle of its length. The other end of the key lifts a jack; when the player releases the key, the far end returns to its rest position, the jack falls back. As the key reaches its rest position, a felt damper atop the jack stops the string's vibrations; these basic principles are explained in detail below.
The keylever is a simple pivot, which rocks on a balance pin that passes through a hole drilled through the keylever. The jack is a rectangular piece of wood that sits upright on the end of the keylever; the jacks are held in place by the registers. These are two long strips of wood, which run in the gap between bellyrail; the registers have rectangular mortises through which the jacks pass as they can move down. The registers hold the jacks in the precise location needed to pluck the string. In the jack, a plectrum juts out horizontally and passes just under the string. Plectra were made of bird quill or leather; when the front of the key is pressed, the back of the key rises, the jack is lifted, the plectrum plucks the string. The vertical motion of the jack is stopped by the jackrail, covered with soft felt to muffle the impact; when the key is released, the jack falls back down under its own weight, the plectrum passes back under the string. This is made possible by having the plectrum held in a tongue attached with a pivot and a spring to the body of the jack.
The bottom surface of the plectrum is cut at a slant. When the jack arrives in lowered position, the felt damper touches the string, causing the note to cease; each string is wound around a tuning pin at the end of the string closer to the player. When rotated with a wrench or tuning hammer, the tuning pin adjusts the tension so that the string sounds the correct pitch. Tuning pins are held in holes drilled in the pinblock or wrestplank, an oblong hardwood plank. Proceeding from the tuning pin, a string next passes over the nut, a sharp edge, made of hardwood and is attached to the wrestplank; the section of the string beyond the nut forms its vibrating length, plucked and creates sound. At the other end of its vibrating length, the string passes over the bridge, another sharp edge made of hardwood; as with the nut, the horizontal position of the string along the bridge is determined by a vertical metal pin inserted into the bridge, against which the string rests. The bridge itself rests on a soundboard, a thin panel of wood made of spruce, fir or—in some Italian harpsichords—cypress.
The soundboard efficiently transduces the vibrations of the strings into vibrations in the air. A string is attached at its far end by a loop to a hitchpin. While many harpsichords have one string per note, more elaborate harpsichords can have two or more strings for each note; when there are multiple strings for each note, these additional strings are called "choirs" of strings. This provides two advantages: the ability to vary ability to vary tonal quality. Volume is increased when the mechanism of the instrument is set up by the player so that the press of a single key plucks more than one string. Tonal quality can be varied in two ways. First, different choirs of strings can be designed to have distinct tonal qualities by having one set of strings plucked closer to the nut, which emphasizes the higher harmonics, produces a "nasal" sound quality; the mechanism of the instrument, called "stops" permits the player to select the other. Second, having one key pluck two strings at once changes not just volume but tonal quality.
A vivid effect is obtained when the strings plucked are an octave apart. This is heard by the ear not as two pitches but as one: the sound of the higher string is blended with that of the lower one, the ear hears the lower pitch, enriched in tonal quality by the additional strength in the upper harmonics of the note sounded by the higher string; when describing a harpsichord it is customary to specify its choirs of strings called its disposition. Strings at eight foot pitch sound at the normal expected pitch, strings at four foot pitch sound
The bassoon is a woodwind instrument in the double reed family that plays music written in the bass and tenor clefs, the treble. Appearing in its modern form in the 19th century, the bassoon figures prominently in orchestral, concert band, chamber music literature, it is known for its distinctive tone colour, wide range, variety of character, agility. One who plays the bassoon is called a bassoonist; the word bassoon comes from Italian bassone. However, the Italian name for the same instrument is fagotto, in Spanish and Romanian it is fagot, in German fagott. Fagot is an Old French word meaning a bundle of sticks; the dulcian came to be known as fagotto in Italy. However, the usual etymology that equates fagotto with "bundle of sticks" is somewhat misleading, as the latter term did not come into general use until later; however an early English variation, "faget," was used as early as 1450 to refer to firewood, 100 years before the earliest recorded use of the dulcian. Further citation is needed to prove the lack of relation between the meaning "bundle of sticks" and "fagotto" or variants.
Some think it may resemble the Roman Fasces, a standard of bound sticks with an ax. A further discrepancy lies in the fact that the dulcian was carved out of a single block of wood—in other words, a single "stick" and not a bundle. B♭1–C5 The range of the bassoon begins at B♭1 and extends upward over three octaves to the G above the treble staff. Higher notes are possible but difficult to produce, called for: orchestral and concert band parts go higher than C5 or D5. Stravinsky's famously difficult opening solo in The Rite of Spring only ascends to D5. A1 is possible with a special extension to the instrument—see "Extended techniques" below; the bassoon is non-transposing. The bassoon disassembles into six main pieces, including the reed; the bell, extending upward. Bassoons are double reed instruments like the oboe; the bore of the bassoon is conical, like that of the oboe and the saxophone, the two adjoining bores of the boot joint are connected at the bottom of the instrument with a U-shaped metal connector.
Both bore and tone holes are precision-machined, each instrument is finished by hand for proper tuning. The walls of the bassoon are thicker at various points along the bore; this ensures coverage by the fingers of the average adult hand. Playing is facilitated by closing the distance between the spaced holes with a complex system of key work, which extends throughout nearly the entire length of the instrument; the overall height of the bassoon stretches to 1.34 m tall, but the total sounding length is 2.54 m considering that the tube is doubled back on itself. There are short-reach bassoons made for the benefit of young or petite players. A modern beginner's bassoon is made of maple, with medium-hardness types such as sycamore maple and sugar maple preferred. Less-expensive models are made of materials such as polypropylene and ebonite for student and outdoor use; the art of reed-making has been practiced for several hundred years, some of the earliest known reeds having been made for the dulcian, a predecessor of the bassoon.
Current methods of reed-making consist of a set of basic methods. Advanced players goes as far as making their own reeds to match their individual playing style. With regards to commercially made reeds, many companies and individuals offer pre-made reeds for sale, but players find that such reeds still require adjustments to suit their particular playing style. Modern bassoon reeds, made of Arundo donax cane, are made by the players themselves, although beginner bassoonists tend to buy their reeds from professional reed makers or use reeds made by their teachers. Reeds begin with a length of tube cane, split into three or four pieces using a tool called a cane splitter; the cane is trimmed and gouged to the desired thickness, leaving the bark attached. After soaking, the gouged cane is cut to the proper shape and milled to the desired thickness, or profiled, by removing material from the bark side; this can be done by hand with a file. After the profiled cane has soaked once again it is folded over in the middle.
Prior to soaking, the reed maker will have scored the bark with parallel lines with a knife. On the bark portion, the reed maker binds on one, two, or three coils or loops of brass wire to aid in the final forming process; the exact placement of these loops can vary somewhat depending on the reed maker. The bound reed blank is wrapped with thick cotton or linen thread to protect it, a conical steel mandrel is inserted in between the blades. Using a special pair o
Norfolk Chamber Music Festival
The Norfolk Chamber Music Festival, hosted in Norfolk, Connecticut, is believed to be the oldest active summer music festival in North America. Set among the Litchfield Hills of the lower Berkshires, the Festival traces its roots to the Battell family who started hosting summer concerts on the Norfolk town green in the 1880s. Now under the auspices of the Yale University School of Music, the Festival hosts more than 30 concerts each summer featuring professional performers and graduate music students from around the globe. Among many others, guest performers and composers over the years have included the Tokyo String Quartet, Percy Grainger, Fritz Kreisler, Pinchas Zukerman, Dave Brubeck, Jean Sibelius and Sergei Rachmaninoff; the Norfolk Festival has played an elemental role in the cultivation and development of classical music in America. Today, with its history and setting, it continues to provide the New England experience with an offering of chamber music. Robbins Battell, the seventh son of a wealthy Norfolk, CT family, was a generous patron of music as well as a skilled amateur flutist and composer.
After graduating from Yale University in 1839, he returned to Norfolk to manage the family business enterprises. This reached New York City and beyond and generated a vast wealth that allowed him to become an important philanthropist. Passionate about the musical life of the community, he created a singing school and conducted concerts of the Litchfield County Musical Association in Norfolk and neighboring Winsted, he conducted a performance of the Hallelujah Chorus to celebrate the centennial of the county in 1851. As a composer, he wrote hymns and choral arrangements, set a great deal of poetry to music. Robbins was concerned about the economy of his home town. To attract visitors and tourists, he built a hotel and, beginning in the 1880s, financed a week-long series of concerts on the green; this concert series became. Robbins’ daughter, continued her father’s legacy of bringing music to Norfolk. In 1895 she married Carl Stoeckel, son of Gustave Stoeckel, awarded the first Doctor of Music degree at Yale.
After their marriage, in memory of Ellen’s father, Robbins and Ellen started the Litchfield County Choral Union which continues to perform at the Norfolk Festival to this day. Under Carl and Ellen, Norfolk soon became the first internationally known classical music festival in America; the Stoeckels assumed the entire expense of the concerts. These concerts became extravagant affairs with parties and picnics and were among the most popular summer social events in New England, they recruited a 70-piece orchestra of musicians from the New York Philharmonic and Metropolitan Opera, paid for a special train to transport the instrumentalists to the Litchfield Hills. In 1906, to accommodate the ever-growing crowds at the Festival, the couple built a concert hall known as now, as the Music Shed. Carl and Ellen Stoeckel’s philanthropy extended to presenting the festivals and concerts free of charge, they sought no public recognition for their role. They commissioned new works from many of the leading composers of their time and invited them to conduct their own premieres.
Sibelius, for example, composed his tone poem The Oceanides for the Stoeckels and conducted it in the Music Shed during his only trip to the United States on June 4, 1915. The autograph manuscript is now in the Music Library at Yale University; when Ellen Battell Stoeckel died in 1939 with no surviving children, she stipulated in her will that her estate was to be used in perpetuity for the “benefit and development of the School of Music of Yale University and for extending said University’s courses in music and literature.” The Yale Summer School of Music was established in 1941. Since that time, the Norfolk Chamber Music Festival has played host to thousands of emerging young professional musicians. Today the Festival offers intensive tuition-free programs each summer to eighty students in chamber music, new music and choral repertoire. Designed by New York architect, E. K. Rossiter, the Music Shed existed first as a separate prototype structure modeled after Steinway Hall in New York. A test concert was given in 1904.
The success of the experimental hall led to the construction of the Music Shed, built for the Litchfield County Choral Union and opened in 1906. The Shed had to be enlarged due to the number of chorus and audience members and, after an expansion in 1910, it could accommodate a chorus of 425 and an audience of 1,500; the Shed is built of cedar and lined with redwood, hand-picked and imported from California. The building’s extraordinary acoustics, not to mention the exquisite glow of its interior can be attributed to the redwood. Tickets were sold, but the Stoeckels decided that events in the Music Shed would be by invitation only. Movie stars, high society and professional musicians began to covet invitations from the prestigious Battells. By the beginning of the first world war, the Music Shed was one of the country’s most sought-out venues and a premier concert hall in New England. Frederick Stock Leopold Damrosch Lillian Nordica Emma Eames Louise Homer Frieda Hempel Alma Gluck Fritz Kreisler Nicholas McGegan Horatio Parker George Chadwick Maud Powell Sergei Rachmaninov Ralph Vaughan Williams Jean Sibelius Max Bruch Samuel Coleridge-Taylor Dave Brubeck Percy Grainger Richard Stoltzman Frederica von Stade Midori Dawn Ups
Atlanta Symphony Orchestra
The Atlanta Symphony Orchestra is an American orchestra based in Atlanta, Georgia, USA. Robert Spano has been its music director since 2001; the ASO's main concert venue is Atlanta Symphony Hall in the Woodruff Arts Center. Though earlier organizations bearing the same name date back as far as 1923, the Orchestra was founded in 1945 and played its first concert as the Atlanta Youth Symphony under the direction of Henry Sopkin, a Chicago music educator who remained its conductor until 1966; the organization changed to its current name in 1947 and soon began attracting well known soloists such as Isaac Stern and Glenn Gould. In 1967, with the departure of Sopkin, Robert Shaw became the Music Director, a year the orchestra became full-time. In 1970, Shaw founded the Atlanta Symphony Orchestra Chorus. In 1988, Yoel Levi became Principal Conductor. Under him, the Orchestra played at the opening and closing ceremonies of the Centennial 1996 Summer Olympics in Atlanta. Levi became Music Director Emeritus in 2000, was succeeded as Music Director by Robert Spano.
Allison Vulgamore was hired as president of the orchestra in 1993, remaining in the role until 2009. The orchestra toured Europe under Yoel Levi in 1991. In 2006 the orchestra and its chamber chorus, under Robert Spano, served as the resident ensemble for California's Ojai Festival; the full ASO Chorus has thrice visited Berlin, giving three performances on each occasion of Benjamin Britten's War Requiem, Hector Berlioz's Grande Messe des Morts, Johannes Brahms's Ein Deutsches Requiem with the Berlin Philharmonic Orchestra under ASO Principal Guest Conductor Donald Runnicles. In 2008 the ASO opened its new 12,000-seat Verizon Wireless Amphitheatre at Encore Park in north Fulton County in the town of Alpharetta, some 22 miles north of Atlanta, where it presents concerts of its own as well as those by various pops groups. Encore Park and the Amphitheatre are owned by the Woodruff Arts Center, the ASO's parent organization. Including Encore Park and its activities at Atlanta Symphony Hall and Chastain Park, the ASO expects to present more than 300 performances annually.
With a budget expected to increase to US $50 million with the completion of its new Amphitheatre, the ASO has become one of the six or seven largest orchestras in America, by budget size. The ASO's budget includes not only the costs of production, along with musician and staff salaries and benefits, but the Orchestra's significant expenditures on education, community outreach, special events and fundraising. According to the Atlanta Journal-Constitution, the Atlanta Symphony Orchestra management and principle musicians face a September 6, 2014 deadline to reach a collective bargaining agreement or face delaying the opening of the season; this continues a rancorous history between management and players, as they attempt to extricate themselves from operating in the red, as has been the case for many years now. The local paper indicates that their touted "operating budget" is unsustainable for a variety of reasons. Since 2005 the Orchestra has been planning for the construction of a new principal concert hall.
In addition to the Verizon Amphitheatre the Orchestra plays an extensive outdoor summer pops concert series at Atlanta's city-owned Chastain Park and at other parks in the area. On February 5, 2014, the ASO announced that Joseph Young would take over as Assistant Conductor, starting June 1, 2014. Jane Little, who debuted as a double bassist in Atlanta on February. 4, 1945, at the age of 16. She remained a member of the orchestra for the rest of her life, dying on May 15, 2016 a few hours after collapsing during a performance of the Atlanta Symphony Orchestra, she was said to be the longest tenured orchestra musician in the world. She was 87; the orchestra and chorus made their first recording, a 2-LP Christmas album entitled Nativity, for Turnabout/Vox Records in 1975, conducted by Robert Shaw. This was an album directly based on their annual Christmas concert. A shortened version of the 75-minute album was issued by Vox in the 1990s on compact disc under the title Christmas with Robert Shaw. In 1978, the ASO became the first American orchestra to make a digital recording intended for commercial release, when it played Igor Stravinsky's Firebird suite and excerpts from Alexander Borodin's opera, Prince Igor, for the Telarc label.
The Telarc association, which resulted in 26 Grammy awards, continued until 2010, one of the longest continuous associations of an orchestra with a record label. In 2011 the Orchestra began releasing recordings on its own ASO Media label. In 2004, the Orchestra began a project to record for the Deutsche Grammophon label several works by composer Osvaldo Golijov. One of the orchestra and chorus's best-known recordings, of Beethoven's Ninth Symphony conducted by Robert Shaw, was recorded for the now defunct Pro Arte label, is out of print, though excerpts from the "Ode to Joy" fourth movement may be found in anthologies issued on the Reference Gold and Classical Heritage labels. Another of the ASO's recordings now out-of-print because it was recorded for the Pro Arte label is that of Brahms's Piano Concerto No. 1, with Peter Serkin as soloist and Robert Shaw conducting. It is one of the few recordings without a chorus; the ASO has suffered from labor disputes between management and musicians in recent years.
In 2012, musicians agreed to decrease by ten weeks of pay yearly in order to help balance the ASO's budget, which had seen a major deficit in part due to years of mismanagement and declining ticket sales. As a result, the orchestra's status being changed from a full-time, 52-week orchestra to a part-time
An orchestra is a large instrumental ensemble typical of classical music, which combines instruments from different families, including bowed string instruments such as the violin, viola and double bass, brass instruments such as the horn, trumpet and tuba, woodwinds such as the flute, oboe and bassoon, percussion instruments such as the timpani, bass drum, snare drum and cymbals, each grouped in sections. Other instruments such as the piano and celesta may sometimes appear in a fifth keyboard section or may stand alone, as may the concert harp and, for performances of some modern compositions, electronic instruments. A full-size orchestra may sometimes be called philharmonic orchestra; the actual number of musicians employed in a given performance may vary from seventy to over one hundred musicians, depending on the work being played and the size of the venue. The term chamber orchestra refers to smaller-sized ensembles of about fifty musicians or fewer. Orchestras that specialize in the Baroque music of, for example, Johann Sebastian Bach and George Frideric Handel, or Classical repertoire, such as that of Haydn and Mozart, tend to be smaller than orchestras performing a Romantic music repertoire, such as the symphonies of Johannes Brahms.
The typical orchestra grew in size throughout the 18th and 19th centuries, reaching a peak with the large orchestras called for in the works of Richard Wagner, Gustav Mahler. Orchestras are led by a conductor who directs the performance with movements of the hands and arms made easier for the musicians to see by use of a conductor's baton; the conductor sets the tempo and shapes the sound of the ensemble. The conductor prepares the orchestra by leading rehearsals before the public concert, in which the conductor provides instructions to the musicians on their interpretation of the music being performed; the leader of the first violin section called the concertmaster plays an important role in leading the musicians. In the Baroque music era, orchestras were led by the concertmaster or by a chord-playing musician performing the basso continuo parts on a harpsichord or pipe organ, a tradition that some 20th century and 21st century early music ensembles continue. Orchestras play a wide range of repertoire, including symphonies and ballet overtures, concertos for solo instruments, as pit ensembles for operas and some types of musical theatre.
Amateur orchestras include those made up of students from an elementary school or a high school, youth orchestras, community orchestras. The term orchestra derives from the Greek ὀρχήστρα, the name for the area in front of a stage in ancient Greek theatre reserved for the Greek chorus; the typical symphony orchestra consists of four groups of related musical instruments called the woodwinds, brass and strings. Other instruments such as the piano and celesta may sometimes be grouped into a fifth section such as a keyboard section or may stand alone, as may the concert harp and electric and electronic instruments; the orchestra, depending on the size, contains all of the standard instruments in each group. In the history of the orchestra, its instrumentation has been expanded over time agreed to have been standardized by the classical period and Ludwig van Beethoven's influence on the classical model. In the 20th and 21st century, new repertory demands expanded the instrumentation of the orchestra, resulting in a flexible use of the classical-model instruments and newly developed electric and electronic instruments in various combinations.
The terms symphony orchestra and philharmonic orchestra may be used to distinguish different ensembles from the same locality, such as the London Symphony Orchestra and the London Philharmonic Orchestra. A symphony orchestra will have over eighty musicians on its roster, in some cases over a hundred, but the actual number of musicians employed in a particular performance may vary according to the work being played and the size of the venue. Chamber orchestra refers to smaller-sized ensembles; the term concert orchestra may be used, as in the BBC Concert Orchestra and the RTÉ Concert Orchestra. The so-called "standard complement" of doubled winds and brass in the orchestra from the first half of the 19th century is attributed to the forces called for by Beethoven; the composer's instrumentation always included paired flutes, clarinets, bassoons and trumpets. The exceptions to this are his Symphony No. 4, Violin Concerto, Piano Concerto No. 4, which each specify a single flute. Beethoven calculated the expansion of this particular timbral "palette" in Symphonies 3, 5, 6, 9 for an innovative effect.
The third horn in the "Eroica" Symphony arrives to provide not only some harmonic flexibility, but the effect of "choral" brass in the Trio movement. Piccolo and trombones add to the triumphal finale of his Symphony No. 5. A piccolo and a pair of trombones help deliver the effect of storm and sunshine in the Sixth known as the Pastoral Symphony; the Ninth asks for a second pair of horns, for reasons similar to the "Eroica".
The Boston Globe
The Boston Globe is an American daily newspaper founded and based in Boston, since its creation by Charles H. Taylor in 1872; the newspaper has won a total of 26 Pulitzer Prizes as of 2016, with a total paid circulation of 245,824 from September 2015 to August 2016, it is the 25th most read newspaper in the United States. The Boston Globe is the largest daily newspaper in Boston. Founded in the late 19th century, the paper was controlled by Irish Catholic interests before being sold to Charles H. Taylor and his family. After being held until 1973, it was sold to The New York Times in 1993 for $1.1 billion, making it one of the most expensive print purchases in U. S. history. The newspaper was purchased in 2013 by Boston Red Sox and Liverpool F. C. owner John W. Henry for $70 million from The New York Times Company, having lost 93.64% of its value in twenty years. The newspaper has been noted as "one of the nation’s most prestigious papers." The paper's coverage of the 2001–2003 Roman Catholic Church sex abuse scandal received international media attention and served as the basis of the 2015 American drama, Spotlight.
In 1967, The Globe became the first major paper in the United States to come out against the Vietnam War. The chief print rival of The Boston Globe is the Boston Herald; as of 2013, The Globe circulates the entire press run of its rival. The editor-in-chief, otherwise known as the editor, of the paper is Brian McGrory who took the helm in December 2012; the Boston Globe was founded in 1872 by six Boston businessmen, including Charles H. Taylor and Eben Jordan, who jointly invested $150,000; the first issue was published on March 4, 1872, cost four cents. A morning daily, it began a Sunday edition in 1877, which absorbed the rival Boston Weekly Globe in 1892. In 1878, The Boston Globe started an afternoon edition called The Boston Evening Globe, which ceased publication in 1979. By the 1890s, The Boston Globe had become a stronghold, with an editorial staff dominated by Irish American Catholics. In 1912, the Globe was one of a cooperative of four newspapers, including the Chicago Daily News, The New York Globe, the Philadelphia Bulletin, to form the Associated Newspapers syndicate.
In 1965, Thomas Winship succeeded Larry Winship, as editor. The younger Winship transformed The Globe from a mediocre local paper into a regional paper of national distinction, he served as editor until 1984, during which time the paper won a dozen Pulitzer Prizes, the first in the paper's history. The Boston Globe was a private company until 1973 when it went public under the name Affiliated Publications, it continued to be managed by the descendants of Charles H. Taylor. In 1993, The New York Times Company purchased Affiliated Publications for US$1.1 billion, making The Boston Globe a wholly owned subsidiary of The New York Times' parent. The Jordan and Taylor families received substantial New York Times Company stock, but the last Taylor family members have since left management. Boston.com, the online edition of The Boston Globe, was launched on the World Wide Web in 1995. Ranked among the top ten newspaper websites in America, it has won numerous national awards and took two regional Emmy Awards in 2009 for its video work.
Under the helm of editor Martin Baron and Brian McGrory, The Globe shifted away from coverage of international news in favor of Boston-area news. Globe reporters Michael Rezendes, Matt Carroll, Sacha Pfeiffer and Walter Robinson and editor Ben Bradlee Jr. were an instrumental part of uncovering the Roman Catholic Church sex abuse scandal in 2001–2003 in relation to Massachusetts churches. They were awarded the Pulitzer Prize for their work, one of several the paper has received for its investigative journalism, their work was dramatized in the 2015 Academy Award-winning film Spotlight, named after the paper's in-depth investigative division; the Boston Globe is credited with allowing Peter Gammons to start his Notes section on baseball, which has become a mainstay in all major newspapers nationwide. In 2004, Gammons was selected as the 56th recipient of the J. G. Taylor Spink Award for outstanding baseball writing, given by the BBWAA, was honored at the Baseball Hall of Fame on July 31, 2005.
In 2007, Charlie Savage, whose reports on President Bush's use of signing statements made national news, won the Pulitzer Prize for National Reporting. The Boston Globe has been ranked in the forefront of American journalism. Time magazine listed it as one of the ten best US daily newspapers in 1974 and 1984, the Globe tied for sixth in a national survey of top editors who chose "America's Best Newspapers" in the Columbia Journalism Review in 1999; the Boston Globe hosts 28 blogs covering a variety of topics including Boston sports, local politics and a blog made up of posts from the paper's opinion writers. On April 2, 2009, The New York Times Company threatened to close the paper if its unions did not agree to $20,000,000 of cost savings; some of the cost savings include reducing union employees' pay by 5%, ending pension contributions, ending certain employees' tenures. The Boston Globe eliminated the equivalent of fifty full-time jobs. However, early on the morning of May 5, 2009, The New York Times Company announced it had reached a tentative deal with the Boston Newspaper Guild, which represents most of the Globe's editorial staff, that allowed it to get the concessions it demanded.
The paper's other three major unions had agreed to concessions on May 3, 2009, after The New York Times Company threatened to give