Valencia València, on the east coast of Spain, is the capital of the autonomous community of Valencia and the third-largest city in Spain after Madrid and Barcelona, with around 800,000 inhabitants in the administrative centre. Its urban area extends beyond the administrative city limits with a population of around 1.6 million people. Valencia is Spain's third largest metropolitan area, with a population ranging from 1.7 to 2.5 million depending on how the metropolitan area is defined. The Port of Valencia is the 5th busiest container port in Europe and the busiest container port on the Mediterranean Sea; the city is ranked at Beta-global city in World Cities Research Network. Valencia is integrated into an industrial area on the Costa del Azahar. Valencia was founded as a Roman colony by the consul Decimus Junius Brutus Callaicus in 138 BC, called Valentia Edetanorum. In 714 Moroccan and Arab Moors occupied the city, introducing their language and customs. Valencia was the capital of the Taifa of Valencia.
In 1238 the Christian king James I of Aragon conquered the city and divided the land among the nobles who helped him conquer it, as witnessed in the Llibre del Repartiment. He created a new law for the city, the Furs of Valencia, which were extended to the rest of the Kingdom of Valencia. In the 18th century Philip V of Spain abolished the privileges as punishment to the kingdom of Valencia for aligning with the Habsburg side in the War of the Spanish Succession. Valencia was the capital of Spain when Joseph Bonaparte moved the Court there in the summer of 1812, it served as capital between 1936 and 1937, during the Second Spanish Republic. The city is situated on the banks of the Turia, on the east coast of the Iberian Peninsula, fronting the Gulf of Valencia on the Mediterranean Sea, its historic centre is one of the largest in Spain, with 169 ha. Due to its long history, this is a city with numerous popular celebrations and traditions, such as the Fallas, which were declared as Fiestas of National Tourist Interest of Spain in 1965 and Intangible cultural heritage by UNESCO in November 2016.
From 1991 to 2015, Rita Barberá Nolla was the mayor of the city, yet in 2015, Joan Ribó from Coalició Compromís, became mayor. The original Latin name of the city was Valentia, meaning "strength", or "valour", the city being named according to the Roman practice of recognising the valour of former Roman soldiers after a war; the Roman historian Livy explains that the founding of Valentia in the 2nd century BC was due to the settling of the Roman soldiers who fought against an Iberian rebel, Viriatus. During the rule of the Muslim kingdoms in Spain, it had the nickname Medina at-Tarab according to one transliteration, or Medina at-Turab according to another, since it was located on the banks of the River Turia, it is not clear if the term Balansiyya was reserved for the entire Taifa of Valencia or designated the city. By gradual sound changes, Valentia has in Castilian and València in Valencian. In Valencian, the grave accent ⟨è⟩ /ɛ/ contrasts with the acute accent ⟨é⟩ /e/—but the word València is an exception to this rule.
It is spelled according to Catalan etymology. Valencia stands on the banks of the Turia River, located on the eastern coast of the Iberian Peninsula and the western part of the Mediterranean Sea, fronting the Gulf of Valencia. At its founding by the Romans, it stood on a river island in 6.4 kilometres from the sea. The Albufera, a freshwater lagoon and estuary about 11 km south of the city, is one of the largest lakes in Spain; the City Council bought the lake from the Crown of Spain for 1,072,980 pesetas in 1911, today it forms the main portion of the Parc Natural de l'Albufera, with a surface area of 21,120 hectares. In 1976, because of its cultural and ecological value, the Generalitat Valenciana declared it a natural park. Valencia has a subtropical Mediterranean climate with short mild winters and long and dry summers, its average annual temperature is 18.4 °C. In the coldest month, the maximum temperature during the day ranges from 14 to 21 °C, the minimum temperature at night ranges from 5 to 11 °C.
In the warmest month – August, the maximum temperature during the day ranges from 28–34 °C, about 22 to 23 °C at night. Similar temperatures to those experienced in the northern part of Europe in summer last about 8 months, from April to November. March is transitional, the temperature exceeds 20 °C, with an average temperature of 19.3 °C during the day and 10.0 °C at night. December and February are the coldest months, with average temperatures around 17 °C during the day and 8 °C at night. Valencia has one of the mildest winters in Europe, owing to its southern location on the Mediterranean Sea and the Foehn phenomenon; the January average is comparable to temperatures expected for May and September in the major cities of northern Europe. Sunshine duration hours are 2,696 per year, from 15
The Valencian Community is an autonomous community of Spain. It is the fourth most populous autonomous community after Andalusia and Madrid with more than 4.9 million inhabitants. Its homonymous capital Valencia is metropolitan area in Spain, it is located along the Mediterranean coast on the east side of the Iberian peninsula. It borders with Catalonia to the north and Castilla–La Mancha to the west, Murcia to the south; the Valencian Community consists of three provinces which are Valencia and Alicante. According to its Statute of Autonomy, the Valencian people are a nationality, their origins date back to the Aragonese reconquest of the Moorish Taifa of Valencia, taken by James I of Aragon in 1238 during the Reconquista. The newly founded Kingdom of Valencia was granted wide self-government under the Crown of Aragon. Valencia experienced its golden age in the 15th century. Self-government continued after the unification of the Spanish Kingdom, but was suspended in 1707 by Phillip V of Spain as a result of the Spanish War of Succession.
Valencian nationalism resurged towards the end of the 19th century, which led to the modern conception of the Valencian Country. Self-government under the Generalitat Valenciana was reestablished in 1982 after Spanish transition to democracy. Many Valencian people speak Valencian, the region's own co-official language, a southwestern dialect of Catalan standardised by the Acadèmia Valenciana de la Llengua. Valencian is a diglossic language, repressed during Franco's dictatorship in favour of Spanish. Since it regained official status in 1982 in the Valencian Estatut d'Autonomia. Valencian has been implemented in public administration and the education system leading to an exponential increase in knowledge of its formal standard. Valencian is understood by more than half of the population living within the Valencian Community. Valencia was founded by the Romans under the name of "Valentia Edetanorum", which translates to'Valiance of the Land of the Lamb'. With the establishment of the Taifa of Valencia, the name developed to بلنسية, which became Valencia after the expulsion of the Moors.
"Valencian Community" is the standard translation of the official name in Valencian recognized by the Statute of Autonomy of 1982. This is the name most used in public administration, the media and Spanish written language. However, the variant of "Valencian Country" that emphasizes the nationality status of the Valencian people is still the preferred one by left-wing parties, civil associations, Catalan written language and major academic institutions like the University of Valencia. "Valencian Community" is a neologism, adopted after democratic transition in order to solve the conflict between two competing names: "Valencian Country" and "Former Kingdom of Valencia". On one hand, "Valencian Country" represented the modern conception of nationality that resurged in the 19th century, it became well-established during the Second Spanish Republic and on with the works of Joan Fuster in the 1960s, implying the existence of the "Catalan Countries". This nationalist subtext was opposed by anti-Catalan blaverists, who proposed "Former Kingdom of Valencia" instead in order to emphasize Valencian independence from Catalonia.
Blaverists have accepted the official denomination. The autonomous community can be homonymously identified with its capital "Valencia". However, this could be disregarding of the provinces of Castellón. Other more anecdotal translations have included "Land of Valencia", "Region of Valencia" and "Valencian Region"; the term "Region", carries negative connotations among many Valencians because it could deny their nationality status. The Pre-Roman autochthonous people of the Valencian Community were the Iberians, who were divided in several groups; the Greeks established colonies in the coastal towns of Saguntum and Dénia beginning in the 5th century BC, where they traded and mixed with the local Iberian populations. After the end of the First Punic War between Carthage and Rome in 241 BC, which established their limits of influence in the Ebro river, the Carthaginians occupied the whole region; the dispute over the hegemony of Saguntum, a Hellenized Iberian coastal city with diplomatic contacts with Rome, destroyed by Hannibal in 219 BC, ignited the Second Punic War, which ended with the incorporation of the region to the Roman Empire.
The Romans founded the city of Valentia in 138 BC, over the centuries overtook Saguntum in importance. After the Fall of the Western Roman Empire, during the Barbarian Invasions in the 5th century AD, the region was first invaded by the Alans and ruled by the Visigoths, until the arrival of the Arabs in 711, which left a broad impact in the region, still visible in today's Valencian landscape and culture. After the fall of the Caliphate of Cordoba, two main independent taifas were established at the region, Balansiya and Dénia, along with the small and short living taifas of Orihuela, Alpuente, Jérica and Sagunt and the short Christian conquest of Valencia by El Cid. However, the origins of present-day Valencia date back to the Kingdom of Valencia, which came into existence in the 13th century. James I of Aragon led the Christian conquest and colonization of the existing Islamic taifas with Aragonese and Catalan colonizers in 1208; the kingdom developed intensively in the 14th and 15th centuries, which are con
The Spanish Renaissance refers to a movement in Spain, emerging from the Italian Renaissance in Italy during the 14th century, that spread to Spain during the 15th and 16th centuries. This new focus in art, literature and science inspired by the Greco-Roman tradition of Classical antiquity, received a major impulse from several events in 1492: Unification of the longed-for Christian kingdom with the definitive taking of Granada, the last Islamic controlled territory in the Iberian Peninsula, the successive expulsions of thousands of Muslim and Jewish believers, The official discovery of the western hemisphere, the Americas, The publication of the first grammar of a vernacular European language, the Gramática by Antonio de Nebrija; the beginning of the Renaissance in Spain is linked to the historical-political life of the monarchy of the Catholic Monarchs. Its figures are the first to leave the medieval approaches that secured a feudal scheme of weak monarch over a powerful and restless nobility.
The Catholic Monarchs unite the forces of the incipient state and ally with the principal families of the nobility to maintain their power. One of these families, the Mendoza, use the new style like distinction of its clan and, by extension, of the protection of the monarchy. Little by little, the novel esthetic was introduced into the rest of the court and the clergy, mixing with purely Iberian styles, like the Nasrid art of the dying kingdom of Granada, the exalted and personal Gothic Castilian queen, the Flemish tendencies in the official painting of the court and the Church; the assimilation of elements gave way to a personal interpretation of the orthodox Renaissance, which came to be called Plateresque. Therefore, secondary artists were brought in from Italy, apprentices were sent to the Italian shops, they brought designs, architectural plans and engravings, etc. of which portraits and composition were copied. King Charles I was more predisposed to the new art, paradoxically called the old way, remitted to the Classical antiquity.
His direct patronage achieved some of the most beautiful works of the special and unique Spanish Renaissance style: the patronage of Almazan de Covarrubias, his commissions for Titian, who never agreed to relocate to Spain. Painters of great quality were, far from the courtier nucleus, Pedro Berruguete, Juan de Juanes, Paolo da San Leocadio, of whom the delicate Virgin of the Caballero de Montesa is highlighted, Yáñez de la Almazan and Gerardo de los Llanos; the painting of the Spanish Renaissance is completed in oil. It realizes interiors subject to the laws of perspective, without over-emphasis of the people; the figures are all of the same size and anatomically correct. The colors and the shading are applied according to the Italian teachings. To accentuate the Italian style, in addition, it is common to add elements directly copied from it, like the adornments a candelieri, or Roman ruins in the countrysides, including in scenes of the life of Christ. Miguel de Cervantes Saavedra, author of El Ingenioso Hidalgo Don Quijote de la Mancha Jorge Manrique author of the Coplas por la muerte de su padre Garcilaso de la Vega, poet.
San Juan de la Cruz and Santa Teresa de Jesús, mystic poets. Fernando de Rojas, author of La Celestina Fray Luis de León Juan Boscán Ausiàs March Alonso de Ercilla, author of La Araucana Lope de Rueda Fray Luis de Granada Marqués de Santillana Diego Hurtado de Mendoza Juan Latino, born Juan de Sessa and humanist. Alonzo de Santa Cruz Francisco de la Torre Juan de Valdés Lucio Marineo Siculo, Sicilian humanist and historian. Anonymous writers of the Romancero and of the Masterpiece of picaresque literature Vida de Lazarillo de Tormes Pedro Berruguete Alonso Berruguete Juan de Flandes Fernando Gallego El Greco Luis de Morales Juan Pantoja de la Cruz Alonso Sánchez Coello Fernando Yáñez de la Almedina Bartolomé González y Serrano Diego Velázquez The Burial of the Count of Orgaz by El Greco The Laocoön by El Greco Annunciation by Pedro Berruguete Pieta by Fernando Gallego Portrait of Isabel Clara Eugenia by Alonso Sánchez Coello Virgin of the Milk or Virgin with Child. Juan de Ancheta Gaspar Becerra Alonso Berruguete Felipe Bigarny Damià Forment Esteban Jordán Juan de Juni Bartolomé Ordóñez Diego Siloe Juan de Herrera Juan Bautista de Toledo Gil de Hontañón Diego Siloe Enrique Egas Alonso de Covarrubias Pedro Machuca Andrés de Vandelvira Diego de Riaño Juan de Álava Hernán Ruiz the Younger Arpa de dos ordenes Juan de Anchieta Antonio de Cabezón Juan del Encina Bartolomé de Escobedo Juan de Esquivel Barahona Juan Pérez de Gijón Francisco Guerrero Mateo Flecha Alonso Lobo Luis de Milán Cristóbal de Morales Alonso Mudarra Juan Navarro Diego Ortiz Francisco de Peñalosa Joan Pau Pujol Melchior Robles Francisco de Salinas Tomás de Santa María Francisco de la Torre Juan de Triana Juan Vásquez Tomás Luis de Victoria Sebástian de Vivanco Luis de Narvaez Miguel Servet School of Salamanca Jerónimo Muñoz Fernán Pérez de Oliva Spanish art Spanish Golden Age Renaissance of the 12th century Portuguese Renaissance Al-Andalus Plateresque
Spain the Kingdom of Spain, is a country located in Europe. Its continental European territory is situated on the Iberian Peninsula, its territory includes two archipelagoes: the Canary Islands off the coast of Africa, the Balearic Islands in the Mediterranean Sea. The African enclaves of Ceuta, Peñón de Vélez de la Gomera make Spain the only European country to have a physical border with an African country. Several small islands in the Alboran Sea are part of Spanish territory; the country's mainland is bordered to the south and east by the Mediterranean Sea except for a small land boundary with Gibraltar. With an area of 505,990 km2, Spain is the largest country in Southern Europe, the second largest country in Western Europe and the European Union, the fourth largest country in the European continent. By population, Spain is the fifth in the European Union. Spain's capital and largest city is Madrid. Modern humans first arrived in the Iberian Peninsula around 35,000 years ago. Iberian cultures along with ancient Phoenician, Greek and Carthaginian settlements developed on the peninsula until it came under Roman rule around 200 BCE, after which the region was named Hispania, based on the earlier Phoenician name Spn or Spania.
At the end of the Western Roman Empire the Germanic tribal confederations migrated from Central Europe, invaded the Iberian peninsula and established independent realms in its western provinces, including the Suebi and Vandals. The Visigoths would forcibly integrate all remaining independent territories in the peninsula, including Byzantine provinces, into the Kingdom of Toledo, which more or less unified politically and all the former Roman provinces or successor kingdoms of what was documented as Hispania. In the early eighth century the Visigothic Kingdom fell to the Moors of the Umayyad Islamic Caliphate, who arrived to rule most of the peninsula in the year 726, leaving only a handful of small Christian realms in the north and lasting up to seven centuries in the Kingdom of Granada; this led to many wars during a long reconquering period across the Iberian Peninsula, which led to the creation of the Kingdom of Leon, Kingdom of Castile, Kingdom of Aragon and Kingdom of Navarre as the main Christian kingdoms to face the invasion.
Following the Moorish conquest, Europeans began a gradual process of retaking the region known as the Reconquista, which by the late 15th century culminated in the emergence of Spain as a unified country under the Catholic Monarchs. Until Aragon had been an independent kingdom, which had expanded toward the eastern Mediterranean, incorporating Sicily and Naples, had competed with Genoa and Venice. In the early modern period, Spain became the world's first global empire and the most powerful country in the world, leaving a large cultural and linguistic legacy that includes more than 570 million Hispanophones, making Spanish the world's second-most spoken native language, after Mandarin Chinese. During the Golden Age there were many advancements in the arts, with world-famous painters such as Diego Velázquez; the most famous Spanish literary work, Don Quixote, was published during the Golden Age. Spain hosts the world's third-largest number of UNESCO World Heritage Sites. Spain is a secular parliamentary democracy and a parliamentary monarchy, with King Felipe VI as head of state.
It is a major developed country and a high income country, with the world's fourteenth largest economy by nominal GDP and sixteenth largest by purchasing power parity. It is a member of the United Nations, the European Union, the Eurozone, the Council of Europe, the Organization of Ibero-American States, the Union for the Mediterranean, the North Atlantic Treaty Organization, the Organisation for Economic Co-operation and Development, Organization for Security and Co-operation in Europe, the Schengen Area, the World Trade Organization and many other international organisations. While not an official member, Spain has a "Permanent Invitation" to the G20 summits, participating in every summit, which makes Spain a de facto member of the group; the origins of the Roman name Hispania, from which the modern name España was derived, are uncertain due to inadequate evidence, although it is documented that the Phoenicians and Carthaginians referred to the region as Spania, therefore the most accepted etymology is a Semitic-Phoenician one.
Down the centuries there have been a number of accounts and hypotheses: The Renaissance scholar Antonio de Nebrija proposed that the word Hispania evolved from the Iberian word Hispalis, meaning "city of the western world". Jesús Luis Cunchillos argues that the root of the term span is the Phoenician word spy, meaning "to forge metals". Therefore, i-spn-ya would mean "the land where metals are forged", it may be a derivation of the Phoenician I-Shpania, meaning "island of rabbits", "land of rabbits" or "edge", a reference to Spain's location at the end of the Mediterranean. The word in question means "Hyrax" due to Phoenicians confusing the two animals. Hispania may derive from the poetic use of the term Hesperia, reflecting the Greek perception of Italy as a "western land" or "land of the setting sun" (Hesperia
Louis Bertrand (saint)
St. Louis Bertrand, O. P. was a Spanish Dominican friar who preached in South America during the 16th century, is known as the "Apostle to the Americas". He is venerated as a saint by the Catholic Church. Bertrand was born in Valencia to Juana Angela Exarch. Through his father he was related to a thaumaturgus of the Dominican Order. At an early age he conceived the idea of becoming a Dominican Friar, despite the efforts of his father to dissuade him, was clothed with the Dominican habit in the Convent of St. Dominic, Valencia, on 26 August 1539. After the usual period of probation, he pronounced, he was grave In demeanour and without any sense of humour, yet had a gentle and sweet disposition that endeared him to those with whom he came in contact. While he could lay no claim to great intellectual gifts, he applied. In 1547 he was ordained to the priesthood by the archbishop of St. Thomas of Villanova, he was appointed to the office of master of novices in the convent at Valencia, the duties of which he discharged at different intervals for an aggregate of thirty years.
When the plague broke out in Valencia in 1557 he devoted himself to the sick and dying. When the plague had subsided, the zeal of the holy novice master sought to extend the scope of his large ministry into the apostolate of preaching. Although it is said that "his voice was raucous, his memory treacherous, his carriage without grace", he became a fervent preacher; the cathedral and the most spacious churches were placed at his disposal, but they proved wholly inadequate to accommodate the multitude that desired to hear him. It became necessary for him to resort to the public squares of the city, it was the fame of his preaching that brought him to the attention of St. Teresa, who at this time sought his counsel in the matter of reforming her order. Louis had long cherished the desire to enter the mission fields of the New World. Receiving permission he sailed for America in 1562 and landed at Cartagena, where he entered upon the career of a missionary; the bull of canonization asserts that he was favored with the gift of miracles, while preaching in his native Spanish, was understood in various languages.
With the encouragement of Bartolomé de las Casas, he defended the natives' rights against the Spanish conquerors. From Cartagena, the scene of his first labours, St. Louis was sent to Panama, where in a comparatively short time he converted some 6,000 people, his next mission was at Tubará, situated near the seacoast and midway between the city of Cartagena and the Magdalena River. The success of his efforts at this place is witnessed by the entries of the baptismal registers, in the saint's own handwriting, which show that all the inhabitants of the place were received into the Church. Turon places the number of converts in Tubará at 10,000. From Tubará, Louis went to Paluato, his success at the former place was nearly equal to that at Tubará. At Paluato the results of his zealous efforts were somewhat disheartening. From this unfruitful soil the saint withdrew to the province of Santa Marta, where his former successes were repeated, yielding 15,000 souls. While labouring at Santa Marta, a tribe of 1,500 natives came to him from Paluato to receive baptism, which before they had rejected.
The work at Santa Marta finished, the tireless missionary undertook the work of converting the warlike Caribs inhabitants of the Leeward Islands. His efforts among the tribesmen seem not to have been attended with any great success. Louis used the occasion again to make manifest the protection which overshadowed his ministry. According to legend, a deadly draught was administered to him by one of the native priests. Through Divine interposition, the poison failed to accomplish its purpose. Tenerife in the Canary Islands became the next field of the saint's apostolic labours. There are no records extant to indicate the result of his preaching there. At Mompax, 37 leagues south-east of Cartagena, we are told, rather indefinitely, that many thousands were converted to the faith. Several of the West Indies islands, notably those of St. Vincent and St. Thomas, were visited by Louis. After seven years as a missionary in South America, Bertrand returned to Spain in 1569, to plead the cause of the oppressed Indians, but he was not permitted to return and labour among them.
He used his own growing reputation for sanctity, as well as family and other contacts, to lobby on behalf of the native peoples he had encountered, as well as serving in his native diocese of Valencia. There he became a spiritual counselor to many, including St. Teresa of Ávila. In 1580, Louis was carried down from the pulpit of the Valencia cathedral, he died on 9 October 1582. Louis Bertrand is sometimes called the "Apostle of South America", he was canonized by Pope Clement X in 1671. His feast day, as reported in the 2004 Martyrologium Romanum, is observed on October 9. There is a statue of Louis Bertrand on the north colonnade of St. Peter's Basilica in Rome; the festival known as La Tomatina is held in Buñol, Valencia, in honor of the town's patron saints, Louis Bertrand and the Mare de Déu dels Desemparats, a title of the Virgin Mary. List of Colombian saints Wilberforce, The Life of St. Louis Bertrand Touron, Histoire des Hommes Illustres de l'Ordre de Saint Dominique, IV 485-526 Roze, Les Dominicains in Amérique (Par
An architect is a person who plans and reviews the construction of buildings. To practice architecture means to provide services in connection with the design of buildings and the space within the site surrounding the buildings that have human occupancy or use as their principal purpose. Etymologically, architect derives from the Latin architectus, which derives from the Greek, i.e. chief builder. Professionally, an architect's decisions affect public safety, thus an architect must undergo specialized training consisting of advanced education and a practicum for practical experience to earn a license to practice architecture. Practical and academic requirements for becoming an architect vary by jurisdiction. Throughout ancient and medieval history, most of the architectural design and construction was carried out by artisans—such as stone masons and carpenters, rising to the role of master builder; until modern times, there was no clear distinction between engineer. In Europe, the titles architect and engineer were geographical variations that referred to the same person used interchangeably.
It is suggested that various developments in technology and mathematics allowed the development of the professional'gentleman' architect, separate from the hands-on craftsman. Paper was not used in Europe for drawing until the 15th century but became available after 1500. Pencils were used more for drawing by 1600; the availability of both allowed pre-construction drawings to be made by professionals. Concurrently, the introduction of linear perspective and innovations such as the use of different projections to describe a three-dimensional building in two dimensions, together with an increased understanding of dimensional accuracy, helped building designers communicate their ideas. However, the development was gradual; until the 18th-century, buildings continued to be designed and set out by craftsmen with the exception of high-status projects. In most developed countries, only those qualified with an appropriate license, certification or registration with a relevant body may practice architecture.
Such licensure requires a university degree, successful completion of exams, as well as a training period. Representation of oneself as an architect through the use of terms and titles is restricted to licensed individuals by law, although in general, derivatives such as architectural designer are not protected. To practice architecture implies the ability to practice independently of supervision; the term building design professional, by contrast, is a much broader term that includes professionals who practice independently under an alternate profession, such as engineering professionals, or those who assist in the practice architecture under the supervision of a licensed architect such as intern architects. In many places, non-licensed individuals may perform design services outside the professional restrictions, such design houses and other smaller structures. In the architectural profession and environmental knowledge and construction management, an understanding of business are as important as design.
However, the design is the driving force throughout the project and beyond. An architect accepts a commission from a client; the commission might involve preparing feasibility reports, building audits, the design of a building or of several buildings and the spaces among them. The architect participates in developing the requirements. Throughout the project, the architect co-ordinates a design team. Structural and electrical engineers and other specialists, are hired by the client or the architect, who must ensure that the work is co-ordinated to construct the design; the architect, once hired by a client, is responsible for creating a design concept that both meets the requirements of that client and provides a facility suitable to the required use. The architect must meet with, question, the client in order to ascertain all the requirements of the planned project; the full brief is not clear at the beginning: entailing a degree of risk in the design undertaking. The architect may make early proposals to the client, which may rework the terms of the brief.
The "program" is essential to producing a project. This is a guide for the architect in creating the design concept. Design proposal are expected to be both imaginative and pragmatic. Depending on the place, finance and available crafts and technology in which the design takes place, the precise extent and nature of these expectations will vary. F oresight is a prerequisite as designing buildings is a complex and demanding undertaking. Any design concept must at a early stage in its generation take into account a great number of issues and variables which include qualities of space, the end-use and life-cycle of these proposed spaces, connections and aspects between spaces including how they are put together as well as the impact of proposals on the immediate and wider locality. Selection of appropriate materials and technology must be considered and reviewed at an early stage in the design to ensure there are no setbacks which may occur later; the site and its environs, as well as the culture and history of the place, will influence the design.
The design must countenance increasing concerns with environmental sustainability. The architect may introduce, to greater or lesser degrees, aspects of mathematics and a
Neoclassical architecture is an architectural style produced by the neoclassical movement that began in the mid-18th century. In its purest form, it is a style principally derived from the architecture of classical antiquity, the Vitruvian principles, the work of the Italian architect Andrea Palladio. In form, neoclassical architecture emphasizes the wall rather than chiaroscuro and maintains separate identities to each of its parts; the style is manifested both in its details as a reaction against the Rococo style of naturalistic ornament, in its architectural formulae as an outgrowth of some classicising features of the Late Baroque architectural tradition. Neoclassical architecture is still designed today, but may be labelled New Classical Architecture for contemporary buildings. In Central and Eastern Europe, the style is referred to as Classicism, while the newer revival styles of the 19th century until today are called neoclassical. Intellectually, neoclassicism was symptomatic of a desire to return to the perceived "purity" of the arts of Rome, to the more vague perception of Ancient Greek arts and, to a lesser extent, 16th-century Renaissance Classicism, a source for academic Late Baroque architecture.
Many early 19th-century neoclassical architects were influenced by the drawings and projects of Étienne-Louis Boullée and Claude Nicolas Ledoux. The many graphite drawings of Boullée and his students depict spare geometrical architecture that emulates the eternality of the universe. There are Edmund Burke's conception of the sublime. Ledoux addressed the concept of architectural character, maintaining that a building should communicate its function to the viewer: taken such ideas give rise to "architecture parlante". A return to more classical architectural forms as a reaction to the Rococo style can be detected in some European architecture of the earlier 18th century, most vividly represented in the Palladian architecture of Georgian Britain and Ireland; the baroque style had never been to the English taste. Four influential books were published in the first quarter of the 18th century which highlighted the simplicity and purity of classical architecture: Vitruvius Britannicus, Palladio's Four Books of Architecture, De Re Aedificatoria and The Designs of Inigo Jones... with Some Additional Designs.
The most popular was the four-volume Vitruvius Britannicus by Colen Campbell. The book contained architectural prints of famous British buildings, inspired by the great architects from Vitruvius to Palladio. At first the book featured the work of Inigo Jones, but the tomes contained drawings and plans by Campbell and other 18th-century architects. Palladian architecture became well established in 18th-century Britain. At the forefront of the new school of design was the aristocratic "architect earl", Richard Boyle, 3rd Earl of Burlington; this House was a reinterpretation of Palladio's Villa Capra, but purified of 16th century elements and ornament. This severe lack of ornamentation was to be a feature of the Palladianism. In 1734 William Kent and Lord Burlington designed one of England's finest examples of Palladian architecture with Holkham Hall in Norfolk; the main block of this house followed Palladio's dictates quite but Palladio's low detached, wings of farm buildings were elevated in significance.
This classicising vein was detectable, to a lesser degree, in the Late Baroque architecture in Paris, such as in Perrault's east range of the Louvre. This shift was visible in Rome at the redesigned façade for S. Giovanni in Laterano. By the mid 18th century, the movement broadened to incorporate a greater range of Classical influences, including those from Ancient Greece. An early centre of neoclassicism was Italy Naples, where by the 1730s, court architects such as Luigi Vanvitelli and Ferdinando Fuga were recovering classical and Mannierist forms in their Baroque architecture. Following their lead, Giovanni Antonio Medrano began to build the first neoclassical structures in Italy in the 1730s. In the same period, Alessandro Pompei introduced neoclassicism to the Venetian Republic, building one of the first lapidariums in Europe in Verona, in the Doric style. During the same period, neoclassical elements were introduced to Tuscany by architect Jean Nicolas Jadot de Ville-Issey, the court architect of Francis Stephen of Lorraine.
On Jadot's lead, an original neoclassical style was developed by Gaspare Paoletti, transforming Florence into the most important centre of neoclassicism in the peninsula. In the second half of the century, Neoclassicism flourished in Turin and Trieste. In the latter two cities, just as in Tuscany, the sober neoclassical style was linked to the reformism of the ruling Habsburg enlightened monarchs; the Rococo style remained much popular in Italy until the Napoleonic regimes, which brought a new archaeological classicism, embraced as a political statement by young, urban Italians with republican leanings. The shift to neoclassical architecture is conventionally dated to the 1750s, it first gained influence in France. In France, the movement was propelled by a generation of French art students trained in Rome, was influenced by the writings of