1.
Patera
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In the material culture of classical antiquity, a phiale or patera is a shallow ceramic or metal libation bowl. It often has an indentation in the center underside to facilitate holding it. It typically has no handles, and no feet, although the two terms may be used interchangeably, particularly in the context of Etruscan culture, phiale is more common in reference to Greek forms, and patera in a Roman setting. Libation was a central and vital aspect of ancient Greek religion and it is one of the basic religious acts that define piety in ancient Greece, dating back to the Bronze Age and even prehistoric Greece. Libations were a part of life, and the pious might perform them every day in the morning and evening. A libation most often consisted of mixed wine and water, but could also be unmixed wine, honey, oil, water, the form of libation called spondē is typically the ritualized pouring of wine from a jug or bowl held in the hand. The most common ritual was to pour the liquid from an oinochoē into a phiale, the Greeks stood when they prayed, either with their arms uplifted, or in the act of libation with the right arm extended to hold the phiale. After the wine offering was poured from the phiale, the remainder of the contents was drunk by the celebrant, in Roman art, the libation is shown performed at an altar, mensa, or tripod. It was the simplest form of sacrifice, and could be a sufficient offering by itself, the introductory rite to an animal sacrifice included an incense and wine libation onto a burning altar. Both emperors and divinities are frequently depicted, especially on coins, scenes of libation and the patera itself commonly signify the quality of pietas, religious duty or reverence. In architecture, oval features on plaster friezes on buildings may be called paterae, parabiago patera, which is actually a platter or plate
2.
Cornucopia
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In classical antiquity, the cornucopia or horn of plenty was a symbol of abundance and nourishment, commonly a large horn-shaped container overflowing with produce, flowers or nuts. Mythology offers multiple explanations of the origin of the cornucopia, one of the best-known involves the birth and nurturance of the infant Zeus, who had to be hidden from his devouring father Kronus. In a cave on Mount Ida on the island of Crete, baby Zeus was cared for and protected by a number of attendants, including the goat Amalthea. In another myth, the cornucopia was created when Heracles wrestled with the river god Achelous and wrenched off one of his horns and this version is represented in the Achelous and Hercules mural painting by the American Regionalist artist Thomas Hart Benton. In modern depictions, the cornucopia is typically a hollow, horn-shaped wicker basket filled with various kinds of festive fruit, in most of North America, the cornucopia has come to be associated with Thanksgiving and the harvest. Cornucopia is also the name of the annual November Food and Wine celebration in Whistler, British Columbia, two cornucopias are seen in the flag and state seal of Idaho. The Great Seal of North Carolina depicts Liberty standing and Plenty holding a cornucopia, the coat of arms of Colombia, Panama, Peru and Venezuela, and the Coat of Arms of the State of Victoria, Australia, also feature the cornucopia, symbolising prosperity. In the book and film series The Hunger Games, the Cornucopia is filled with weapons, and is the point of the Games. The horn of plenty is used for art and at Halloween, as it is a symbol of fertility, fortune
3.
Religion in ancient Rome
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The Romans thought of themselves as highly religious, and attributed their success as a world power to their collective piety in maintaining good relations with the gods. According to legends, most of Romes religious institutions could be traced to its founders, particularly Numa Pompilius, the Sabine second king of Rome, who negotiated directly with the gods. This archaic religion was the foundation of the mos maiorum, the way of the ancestors or simply tradition, as Rome came into contact with foreign cultures, and conquered them, foreign religions increasingly attracted devotees among Romans, who increasingly had ancestry from elsewhere in the Empire. The emperors promoted the Imperial cult around the empire, and this, ultimately, Roman polytheism was brought to an end with the adoption of Christianity as the official religion of the empire. The priesthoods of public religion were held by members of the elite classes, there was no principle analogous to separation of church and state in ancient Rome. During the Roman Republic, the men who were elected public officials might also serve as augurs. Priests married, raised families, and led politically active lives, Julius Caesar became pontifex maximus before he was elected consul. The augurs read the will of the gods and supervised the marking of boundaries as a reflection of universal order, Roman religion was thus practical and contractual, based on the principle of do ut des, I give that you might give. Even the most skeptical among Romes intellectual elite such as Cicero, for ordinary Romans, religion was a part of daily life. Each home had a shrine at which prayers and libations to the familys domestic deities were offered. Neighborhood shrines and sacred such as springs and groves dotted the city. The Roman calendar was structured around religious observances, women, slaves, and children all participated in a range of religious activities. The Romans are known for the number of deities they honored. The Romans looked for common ground between their major gods and those of the Greeks, adapting Greek myths and iconography for Latin literature, etruscan religion was also a major influence, particularly on the practice of augury. The mysteries, however, involved exclusive oaths and secrecy, conditions that conservative Romans viewed with suspicion as characteristic of magic, conspiratorial, or subversive activity. Sporadic and sometimes brutal attempts were made to suppress religionists who seemed to threaten traditional morality and unity, one way that Rome incorporated diverse peoples was by supporting their religious heritage, building temples to local deities that framed their theology within the hierarchy of Roman religion. Inscriptions throughout the Empire record the worship of local and Roman deities. Because Romans had never been obligated to one god or one cult only
4.
Interpretatio graeca
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It is thus a comparative methodology that looks for equivalencies and shared characteristics. Interpretatio romana is comparative discourse in reference to ancient Roman religion and myth, both the Romans and the Gauls reinterpreted Gallic religious traditions in relation to Roman models, particularly Imperial cult. …The meaning of a deity is his or her character as it unfolded in myths, hymns, rites. This character makes a deity comparable to other deities with similar traits, the similarity of gods makes their names mutually translatable. … The practice of translating the names of the created a concept of similarity. Pliny the Elder expressed the translatability of deities as different names to different peoples and this capacity made possible the religious syncretism of the Hellenistic era and the pre-Christian Roman Empire. Herodotus was one of the earliest authors to engage in this form of interpretation, in his observations regarding the Egyptians, he establishes Greco-Egyptian equivalents that endured into the Hellenistic era, including Amon/Zeus, Osiris/Dionysus, and Ptah/Hephaestus. Some pairs of Greek and Roman gods, such as Zeus and Jupiter, are thought to derive from a common Indo-European archetype, some deities dating to Romes oldest religious stratum, such as Janus and Terminus, had no Greek equivalent. Other Greek divine figures, most notably Apollo, were adopted directly into Roman culture, the phrase interpretatio romana was first used by the Imperial-era historian Tacitus in the Germania. Tacitus reports that in a grove of the Nahanarvali, a priest adorned as a woman presides. Elsewhere, he identifies the god of the Germans as Mercury. Some information about the deities of the ancient Gauls, who left no written literature other than inscriptions, is preserved by Greco-Roman sources under the names of Greek, a large number of Gaulish theonyms or cult titles are preserved, for instance, in association with Mars. As with some Greek and Roman divine counterparts, the similarities between a Gallic and a Roman or Greek deity may reflect a common Indo-European origin. Lugh was identified with Mercury, Nodens with Mars as healer and protector, in some cases, however, a Gallic deity is given an interpretatio romana by means of more than one god, varying among literary texts or inscriptions. These tendencies extended to cross-cultural identifications, in the Eastern empire, the Anatolian storm god with his double-headed axe became Jupiter Dolichenus, a favorite cult figure among soldiers. Roman scholars such as Varro interpreted the monotheistic god of the Jews into Roman terms as Caelus or Jupiter Optimus Maximus, some Greco-Roman authors seem to have understood the Jewish invocation of Yahweh Sabaoth as Sabazius. Interpretatio germanica is the practice by the Germanic peoples of identifying Roman gods with the names of Germanic deities, according to Rudolf Simek, this occurred around the 1st century of the common era, when both cultures came into closer contact. This is also the case with Saturn in some West Germanic languages, such as the English Saturday, the West Frisian Saterdei, the Low German Saterdag and the Dutch zaterdag all meaning Saturns day
5.
Roman Republic
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It was during this period that Romes control expanded from the citys immediate surroundings to hegemony over the entire Mediterranean world. During the first two centuries of its existence, the Roman Republic expanded through a combination of conquest and alliance, by the following century, it included North Africa, most of the Iberian Peninsula, and what is now southern France. Two centuries after that, towards the end of the 1st century BC, it included the rest of modern France, Greece, and much of the eastern Mediterranean. By this time, internal tensions led to a series of wars, culminating with the assassination of Julius Caesar. The exact date of transition can be a matter of interpretation, Roman government was headed by two consuls, elected annually by the citizens and advised by a senate composed of appointed magistrates. Over time, the laws that gave exclusive rights to Romes highest offices were repealed or weakened. The leaders of the Republic developed a tradition and morality requiring public service and patronage in peace and war, making military. Many of Romes legal and legislative structures can still be observed throughout Europe and much of the world in modern nation states, the exact causes and motivations for Romes military conflicts and expansions during the republic are subject to wide debate. While they can be seen as motivated by outright aggression and imperialism and they argue that Romes expansion was driven by short-term defensive and inter-state factors, and the new contingencies that these decisions created. In its early history, as Rome successfully defended itself against foreign threats in central and then northern Italy, with some important exceptions, successful wars in early republican Rome generally led not to annexation or military occupation, but to the restoration of the way things were. But the defeated city would be weakened and thus able to resist Romanizing influences. It was also able to defend itself against its non-Roman enemies. It was, therefore, more likely to seek an alliance of protection with Rome and this growing coalition expanded the potential enemies that Rome might face, and moved Rome closer to confrontation with major powers. The result was more alliance-seeking, on the part of both the Roman confederacy and city-states seeking membership within that confederacy. While there were exceptions to this, it was not until after the Second Punic War that these alliances started to harden into something more like an empire and this shift mainly took place in parts of the west, such as the southern Italian towns that sided with Hannibal. In contrast, Roman expansion into Spain and Gaul occurred as a mix of alliance-seeking, in the 2nd century BC, Roman involvement in the Greek east remained a matter of alliance-seeking, but this time in the face of major powers that could rival Rome. This had some important similarities to the events in Italy centuries earlier, with some major exceptions of outright military rule, the Roman Republic remained an alliance of independent city-states and kingdoms until it transitioned into the Roman Empire. It was not until the time of the Roman Empire that the entire Roman world was organized into provinces under explicit Roman control
6.
Glossary of ancient Roman religion
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The vocabulary of ancient Roman religion was highly specialized. Its study affords important information about the religion, traditions and beliefs of the ancient Romans and this legacy is conspicuous in European cultural history in its influence on later juridical and religious vocabulary in Europe, particularly of the Western Church. For theonyms, or the names and epithets of gods, see List of Roman deities, for public religious holidays, see Roman festivals. For temples see the List of Ancient Roman temples, individual landmarks of religious topography in ancient Rome are not included in this list, see Roman temple. The verb abominari was a term of augury for an action that rejects or averts an unfavourable omen indicated by a signum, the noun is abominatio, from which English abomination derives. At the taking of formally solicited auspices, the observer was required to acknowledge any potentially bad sign occurring within the templum he was observing, regardless of the interpretation. He might, however, take actions in order to ignore the signa, including avoiding the sight of them. The latter tactic required promptness, wit and skill based on discipline, thus the omen had no validity apart from the observation of it. The aedes was the place of a god. It was thus a structure that housed the image, distinguished from the templum or sacred district. Aedes is one of several Latin words that can be translated as shrine or temple, for instance, the Temple of Vesta, as it is called in English, was in Latin an aedes. See also the diminutive aedicula, a small shrine, in his work On Architecture, Vitruvius always uses the word templum in the technical sense of a space defined through augury, with aedes the usual word for the building itself. The design of an aedes, he writes, should be appropriate to the characteristics of the deity. Thus in theory, though not always in practice, architectural aesthetics had a theological dimension, the word aedilis, a public official, is related by etymology, among the duties of the aediles was the overseeing of public works, including the building and maintenance of temples. The temple of Flora, for instance, was built in 241 BC by two aediles acting on Sibylline oracles, the plebeian aediles had their headquarters at the aedes of Ceres. In religious usage, ager was terrestrial space defined for the purposes of augury in relation to auspicia, there were five kinds of ager, Romanus, Gabinus, peregrinus, hosticus and incertus. The ager Romanus originally included the space outside the pomerium. According to Varro, the ager Gabinus pertained to the circumstances of the oppidum of Gabii
7.
Imperial cult (ancient Rome)
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The Imperial cult of ancient Rome identified emperors and some members of their families with the divinely sanctioned authority of the Roman State. Augustuss reforms transformed Romes Republican system of government to a de facto monarchy, couched in traditional Roman practices, the princeps was expected to balance the interests of the Roman military, Senate and people, and to maintain peace, security and prosperity throughout an ethnically diverse empire. A deceased emperor held worthy of the honor could be voted a state divinity by the Senate, in the development of Imperial rule from Principate to Dominate, the role of the Senate was increasingly marginalised and military loyalty became the key to Imperial authority. The Imperial cult was inseparable from that of Romes official deities, whose cult was essential to Romes survival, Traditional cult was a focus of Imperial revivalist legislation under Decius and Diocletian. Christian apologists and martyrologists saw the cult of the Emperor as a particularly offensive instrument of pagan impiety and it therefore became a focus of theological and political debate during the ascendancy of Christianity under Constantine I. The emperor Julian failed to reverse the declining support for Romes official religious practices, Romes traditional gods and Imperial cult were officially abandoned. However, many of the rites, practices and status distinctions that characterized the cult to emperors were perpetuated in the theology, for five centuries, the Roman Republic did not give worship to any historic figure, or any living man, although surrounded by divine and semi-divine monarchies. Romes legendary kings had been its masters, with their removal, Republican Romans could identify Romulus, similarly, Aeneas was worshipped as Jupiter Indiges. The aristocrats who held almost all Roman magistracies, and thereby occupied almost all of the Senate, among the highest of honors was the triumph. The triumphator rode in a chariot, bearing divine emblems, in a supposed to be inherited from the ancient kings of Rome. Whatever his personal ambitions, his victory and his triumph alike served the Roman Senate, people, in private life, however, tradition required that some human beings be treated as more or less divine, cult was due from familial inferiors to their superiors. A client could call his patron Jupiter on earth, the dead, collectively and individually, were gods of the underworld or afterlife. A prominent clan might claim divine influence and quasi-divine honors for its leader, death masks were made for all notable Romans and were displayed in the atria of their houses, they were used to represent their ghostly presence at family funerals. The mask of Scipio Africanus, Cornelias father and victor over Hannibal, was stored in the temple of Jupiter, a tradition arose in the centuries after his death that Africanus had been inspired by prophetic dreams, and was himself the son of Jupiter. There are several cases of unofficial cult directed at men viewed as saviors and this celebration, in Spain, featured a lavish banquet with local and imported delicacies, and a mechanical statue of Victory to crown Metellus, who wore a triumphators toga picta for the occasion. These festivities were organized by the quaestor Gaius Urbinus, but were not acts of the state, Metellus liked all this, but his older and pious contemporaries thought it arrogant and intolerable. After Gaius Marius defeated the Teutones, private citizens would offer food and drink to him alongside their household gods, when the Romans began to dominate large parts of the Greek world, Romes senior representatives there were given the same divine honours as were Hellenistic rulers. There were similar instances of divine cult to humans in the century, although some rulers, like Agesilaus
8.
Caduceus
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The caduceus is the staff carried by Hermes Trismegistus in Greco-Egyptian mythology and Hermes in Greek mythology. The same staff was also borne by heralds in general, for example by Iris and it is a short staff entwined by two serpents, sometimes surmounted by wings. C. to 3000 B. C. As a symbolic object, it represents Hermes, and by extension trades, occupations, in later Antiquity, the caduceus provided the basis for the astrological symbol representing the planet Mercury. Thus, through its use in astrology and alchemy, it has come to denote the elemental metal of the same name and it is said the wand would wake the sleeping and send the awake to sleep. If applied to the dying, their death was gentle, if applied to the dead and this association is ancient, and consistent from the Classical period to modern times. The caduceus is also used as a symbol representing printing, again by extension of the attributes of Mercury, the term kerukeion denoted any heralds staff, not necessarily associated with Hermes in particular. In his study of the cult of Hermes, Lewis Richard Farnell assumed that the two snakes had simply developed out of ornaments of the crook used by heralds as their staff. This view has been rejected by later authors pointing to parallel iconography in the Ancient Near East and it has been argued that the staff or wand entwined by two snakes was itself representing a god in the pre-anthropomorphic era. Like the herm or priapus, it would thus be a predecessor of the anthropomorphic Hermes of the classical era, william Hayes Ward discovered that symbols similar to the classical caduceus sometimes appeared on Mesopotamian cylinder seals. He suggested the symbol originated some time between 3000 and 4000 BCE, and that it might have been the source of the Greek caduceus. From this perspective, the caduceus was originally representative of Hermes himself, in his form as the Underworld god Ningishzida. The caduceus is mentioned in passing by Walter Burkert as really the image of copulating snakes taken over from Ancient Near Eastern tradition, in Egyptian iconography, the Djed pillar is depicted as containing a snake in a frieze of the Dendera Temple complex. The caduceus also appears as a symbol of the coins of the Maurya Empire in India. Numismatic research suggest that this symbol was the symbol of the Buddhist king Ashoka, the Homeric hymn to Hermes relates how Hermes offered his lyre fashioned from a tortoise shell as compensation for the cattle he stole from his half brother Apollo. Apollo in return gave Hermes the caduceus as a gesture of friendship, the association with the serpent thus connects Hermes to Apollo, as later the serpent was associated with Asclepius, the son of Apollo. The association of Apollo with the serpent is a continuation of the older Indo-European dragon-slayer motif, one Greek myth of origin of the caduceus is part of the story of Tiresias, who found two snakes copulating and killed the female with his staff. Tiresias was immediately turned into a woman, and so remained until he was able to repeat the act with the male snake seven years later and this staff later came into the possession of the god Hermes, along with its transformative powers. Another myth suggests that Hermes saw two serpents entwined in mortal combat, separating them with his wand he brought about peace between them, and as a result the wand with two serpents came to be seen as a sign of peace
9.
Fortuna
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Fortuna was the goddess of fortune and personification of luck in Roman religion. She might bring good or bad luck, she could be represented as veiled and blind, as in modern depictions of Lady Justice, and came to represent lifes capriciousness. She was also a goddess of fate, as Atrox Fortuna, she claimed the lives of the princeps Augustus grandsons Gaius and Lucius. Her father was said to be Jupiter and like him, she could also be bountiful, as Annonaria she protected grain supplies. June 11 was sacred to her, on June 24 she was given cult at the festival of Fors Fortuna, fortunas Roman cult was variously attributed to Servius Tullius – whose exceptional good fortune suggested their sexual intimacy – and to Ancus Marcius. The two earliest temples mentioned in Roman Calendars were outside the city, on the bank of the Tiber. After undisclosed rituals they then rowed back, garlanded and inebriated, also Fortuna had a temple at the Forum Boarium. Here Fortuna was twinned with the cult of Mater Matuta, and the temples have been revealed in the excavation beside the church of SantOmobono. Fortuna Primigenia of Praeneste was adopted by Romans at the end of 3rd century BC in an important cult of Fortuna Publica Populi Romani on the Quirinalis outside the Porta Collina, no temple at Rome, however, rivalled the magnificence of the Praenestine sanctuary. Fortunas identity as personification of chance events was closely tied to virtus, an oracle at the Temple of Fortuna Primigena in Praeneste used a form of divination in which a small boy picked out one of various futures that were written on oak rods. Cults to Fortuna in her many forms are attested throughout the Roman world, dedications have been found to Fortuna Dubia, Fortuna Brevis and Fortuna Mala. She is found in a variety of domestic and personal contexts, during the early Empire, an amulet from the House of Menander in Pompeii links her to the Egyptian goddess Isis, as Isis-Fortuna. She is functionally related to the god Bonus Eventus, who is represented as her counterpart. Her name seems to derive from Vortumna, the earliest reference to the Wheel of Fortune, emblematic of the endless changes in life between prosperity and disaster, is from 55 BC. Never have sceptres obtained calm peace or certain tenure, care on care weighs them down, great kingdoms sink of their own weight, and Fortune gives way ‘neath the burden of herself. Sails swollen with favouring breezes fear blasts too strongly theirs, the tower which rears its head to the clouds is beaten by rainy Auster. Whatever Fortune has raised on high, she lifts but to bring low. ”Fortuna did not disappear from the imagination with the ascendancy of Christianity. Let the bad worship her. this supposed deity, Fortuna, then, was a servant of God, and events, individual decisions, the influence of the stars were all merely vehicles of Divine Will
10.
Hercules
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Hercules is the Roman adaptation of the Greek divine hero Heracles, who was the son of Zeus and the mortal Alcmene. In classical mythology, Hercules is famous for his strength and for his numerous far-ranging adventures, the Romans adapted the Greek heros iconography and myths for their literature and art under the name Hercules. In later Western art and literature and in culture, Hercules is more commonly used than Heracles as the name of the hero. Hercules was a figure with contradictory characteristics, which enabled later artists and writers to pick. This article provides an introduction to representations of Hercules in the later tradition, Hercules is known for his many adventures, which took him to the far reaches of the Greco-Roman world. One cycle of these adventures became canonical as the Twelve Labours, one traditional order of the labours is found in the Bibliotheca as follows, Slay the Nemean Lion. Capture the Golden Hind of Artemis, clean the Augean stables in a single day. Obtain the girdle of Hippolyta, Queen of the Amazons, obtain the cattle of the monster Geryon. Steal the apples of the Hesperides, Hercules was a favorite subject for Etruscan art, and appears often on bronze mirrors. The Etruscan form Herceler derives from the Greek Heracles via syncope, a mild oath invoking Hercules was a common interjection in Classical Latin. Hercules had a number of myths that were distinctly Roman, one of these is Hercules defeat of Cacus, who was terrorizing the countryside of Rome. The hero was associated with the Aventine Hill through his son Aventinus, Mark Antony considered him a personal patron god, as did the emperor Commodus. Roman brides wore a belt tied with the knot of Hercules. The comic playwright Plautus presents the myth of Hercules conception as a sex comedy in his play Amphitryon, during the Roman Imperial era, Hercules was worshipped locally from Hispania through Gaul. Tacitus records a special affinity of the Germanic peoples for Hercules, in chapter 3 of his Germania, Tacitus states. They say that Hercules, too, once visited them, and they have also those songs of theirs, by the recital of this barditus as they call it, they rouse their courage, while from the note they augur the result of the approaching conflict. For, as their line shouts, they inspire or feel alarm, some have taken this as Tacitus equating the Germanic Þunraz with Hercules by way of interpretatio romana. In the Roman era Hercules Club amulets appear from the 2nd to 3rd century, distributed over the empire, mostly made of gold, a specimen found in Köln-Nippes bears the inscription DEO HER, confirming the association with Hercules
11.
Mercury (mythology)
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Mercury is a major Roman god, being one of the Dii Consentes within the ancient Roman pantheon. He is the god of financial gain, commerce, eloquence, messages/communication, travelers, boundaries, luck, trickery and thieves. He was considered the son of Maia and Jupiter in Roman mythology, in his earliest forms, he appears to have been related to the Etruscan deity Turms, both gods share characteristics with the Greek god Hermes. He is often depicted holding the caduceus in his left hand, similar to his Greek equivalent he was awarded the caduceus by Apollo who handed him a magic wand, which later turned into the caduceus. Mercury did not appear among the di indigetes of early Roman religion. Rather, he subsumed the earlier Dei Lucrii as Roman religion was syncretized with Greek religion during the time of the Roman Republic, starting around the 4th century BC. He was often accompanied by a cockerel, herald of the new day, a ram or goat, symbolizing fertility, like Hermes, he was also a god of messages, eloquence and of trade, particularly of the grain trade. Mercury was also considered a god of abundance and commercial success, particularly in Gaul and he was also, like Hermes, the Romans psychopomp, leading newly deceased souls to the afterlife. Additionally, Ovid wrote that Mercury carried Morpheus dreams from the valley of Somnus to sleeping humans, archeological evidence from Pompeii suggests that Mercury was among the most popular of Roman gods. The god of commerce was depicted on two bronze coins of the Roman Republic, the Sextans and the Semuncia. This is probably because in the Roman syncretism, Mercury was equated with the Celtic god Lugus, Romans associated Mercury with the Germanic god Wotan, by interpretatio Romana, 1st-century Roman writer Tacitus identifies him as the chief god of the Germanic peoples. The Romans also made use of small statues of Mercury. Mercurius Arvernus, a syncretism of the Celtic Arvernus with Mercury, Mercurius Cimbrianus, a syncretism of Mercury with a god of the Cimbri sometimes thought to represent Odin. Mercurius Cissonius, a combination of Mercury with the Celtic god Cissonius, Mercurius Esibraeus, a syncretism of the Iberian deity Esibraeus with the Roman deity Mercury. Esibraeus is mentioned only in an inscription found at Medelim, Portugal, and is possibly the deity as Banda Isibraiegus. Mercurius Gebrinius, a syncretism of Mercury with the Celtic or Germanic Gebrinius, known from an inscription on an altar in Bonn, Mercurius Moccus, from a Celtic god, Moccus, who was equated with Mercury, known from evidence at Langres, France. The name Moccus implies that this deity was connected to boar-hunting, Mercurius Visucius, a syncretism of the Celtic god Visucius with the Roman god Mercury, attested in an inscription from Stuttgart, Germany. Visucius was worshiped primarily in the area of the empire in Gaul
12.
Roman Forum
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The Roman Forum is a rectangular forum surrounded by the ruins of several important ancient government buildings at the center of the city of Rome. Citizens of the ancient city referred to this space, originally a marketplace, as the Forum Magnum, here statues and monuments commemorated the citys great men. The teeming heart of ancient Rome, it has called the most celebrated meeting place in the world. Many of the oldest and most important structures of the ancient city were located on or near the Forum, the Roman kingdoms earliest shrines and temples were located on the southeastern edge. Other archaic shrines to the northwest, such as the Umbilicus Urbis and this is where the Senate—as well as Republican government itself—began. The Senate House, government offices, tribunals, temples, memorials, over time the archaic Comitium was replaced by the larger adjacent Forum and the focus of judicial activity moved to the new Basilica Aemilia. Some 130 years later, Julius Caesar built the Basilica Julia, along with the new Curia Julia, eventually much economic and judicial business would transfer away from the Forum Romanum to the larger and more extravagant structures to the north. The reign of Constantine the Great saw the construction of the last major expansion of the Forum complex—the Basilica of Maxentius and this returned the political center to the Forum until the fall of the Western Roman Empire almost two centuries later. This is the case despite attempts, with success, to impose some order there, by Sulla, Julius Caesar, Augustus. By the Imperial period, the public buildings that crowded around the central square had reduced the open area to a rectangle of about 130 by 50 metres. Its long dimension was oriented northwest to southeast and extended from the foot of the Capitoline Hill to that of the Velian Hill, the Forums basilicas during the Imperial period—the Basilica Aemilia on the north and the Basilica Julia on the south—defined its long sides and its final form. The Forum proper included this square, the buildings facing it and, sometimes, originally, the site of the Forum had been a marshy lake where waters from the surrounding hills drained. This was drained by the Tarquins with the Cloaca Maxima, because of its location, sediments from both the flooding of the Tiber and the erosion of the surrounding hills have been raising the level of the Forum floor for centuries. Excavated sequences of remains of paving show that sediment eroded from the hills was already raising the level in early Republican times. As the ground around buildings rose, residents simply paved over the debris that was too much to remove and its final travertine paving, still visible, dates from the reign of Augustus. Excavations in the 19th century revealed one layer on top of another, the deepest level excavated was 3.60 metres above sea level. Archaeological finds show human activity at that level with the discovery of carbonised wood, an important function of the Forum, during both Republican and Imperial times, was to serve as the culminating venue for the celebratory military processions known as Triumphs. Victorious generals entered the city by the western Triumphal Gate and circumnavigated the Palatine Hill before proceeding from the Velian Hill down the Via Sacra, from here they would mount the Capitoline Rise up to the Temple of Jupiter Optimus Maximus on the summit of the Capitol
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