Daniel Robbins (art historian)
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Daniel J. Robbins was an American art historian, art critic, and curator, who specialized in avant-garde 20th-century art and helped encourage the study of it. Robbins' area of scholarship was on the theoretical and philosophical origins of Cubism. His writings centered on the importance of artists such as Albert Gleizes, Jean Metzinger, Henri Le Fauconnier and Jacques Villon. He was a specialist in early Modernism, writing on Salon Cubists and championed contemporaries such as Louise Bourgeois and the Color Field painters. Art historian Peter Brooke referred to Robbins as "the great pioneer of the broader history of Cubism".
Daniel Robbins (art historian)
Daniel Robbins, Albert Gleizes, 1881–1953, a Retrospective Exhibition, Solomon R Guggenheim Museum, 1964. Published by The Solomon R. Guggenheim Foundation, New York, in collaboration with Musée National d'Art Moderne, Paris; Museum am Ostwall, Dortmund.
Daniel Robbins, Joann Moser, Jean Metzinger in Retrospect, University of Iowa Museum of Art, Iowa City, 1985 (catalogue cover)
Art critic
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An art critic is a person who is specialized in analyzing, interpreting, and evaluating art. Their written critiques or reviews contribute to art criticism and they are published in newspapers, magazines, books, exhibition brochures, and catalogues and on websites. Some of today's art critics use art blogs and other online platforms in order to connect with a wider audience and expand debate about art.
John Ruskin (1819–1900), whom Leo Tolstoy described as "one of those rare men who think with their heart." A champion of the work of J. M. W. Turner, Ruskin detested the work of James McNeill Whistler.
Jean-Honoré Fragonard, Portrait of Denis Diderot, 1769, Louvre, Paris. His art criticism was highly influential. His Essais sur la peinture was described by Johann Wolfgang von Goethe, as "a magnificent work, which speaks even more helpfully to the poet than to the painter, though to the painter too it is as a blazing torch." Diderot's favorite painter was Jean-Baptiste Greuze.
Portrait of John Neal by Sarah Miriam Peale, 1823. Neal is regarded as the first American art critic and was also an influential writer and literary critic.
Charles Baudelaire 1855, Photo by Nadar. Baudelaire is associated with the Decadent movement. His book of poetry Les Fleurs du mal is acknowledged as a classic of French literature