Carroll Richard Gibbons was an American-born pianist and popular composer who made his career in England during the British dance band era. He was born and raised in Clinton, one of three children of Peter and Mary Gibbons. In his late teens he travelled to London to study at the Royal Academy of Music. In 1924 he returned to London with the brassless Boston Orchestra for an engagement at the Savoy Hotel in the Strand, he liked Britain so much that he settled there and became the co-leader of the Savoy Orpheans and the bandleader of the New MayFair Orchestra, which recorded for the Gramophone Company on the HMV label. In 1929, Gibbons appeared in the British film Splinters as "Carroll Gibbons and His Masters Voice Orchestra". Ray Noble led the New Mayfair Orchestra starting in 1929. Gibbons made occasional return trips to the United States but settled permanently in England, though he did spend a couple of years in Hollywood, where he worked as a staff composer for MGM films, he took exclusive leadership of the Savoy Hotel Orpheans, which recorded hundreds of popular songs between June 1932 and his death in 1954, all featuring Gibbons on piano.
Starting in about 1931, he recorded many sophisticated records featuring a piano-led small group playing pop tunes and medleys under the name of Carroll Gibbons and his Boy Friends, of which some contained tracks by singer Hildegarde. As a composer, Gibbons's most popular songs included "A Garden in the Rain" and "On The Air"; the latter was covered by Rudy Vallée in 1933 and by Lud Gluskin in 1936. Gibbons' instrumental numbers "Bubbling Over" and "Moonbeam Dance" were quite successful in the United Kingdom. Gibbons and his orchestra had a weekly show on Radio Luxembourg in the 1930s, sponsored by Hartley's Jam. Carroll married Joan Muriel in 1951. Gibbons died at the London Clinic in 1954 at the age of a coronary thrombosis, he is one of several famous musicians buried in Brookwood Cemetery in England. Specialist dance band radio stations, such as Swing Street Radio and Radio Dismuke, continue to play his records. Gibbons features on the weekly Manx Radio programme Sweet & Swing, presented by Jim and Howard Caine.
The UK 1940s Radio Station, a dedicated Internet radio station regularly plays Gibbons's records. Looking on the Bright Side Call Me Mame Romance in Rhythm Falling in Love Hello, Sweetheart Calling All Stars The Common Touch - accompanies Greta Gynt on piano and vocals I Live in Grosvenor Square *"Internet Archive Search: Carroll Gibbons - archive.org". Retrieved 29 April 2012. "British Pathé Search: Carroll Gibbons - britishpathe.com". Retrieved 2 May 2012. "An Extraordinary Town, How one of America's smallest towns shaped the world" A book on Carroll Gibbon's hometown with an extensive section on the life and contributions of Carroll Gibbons. Written jointly with The Savoy in London. Carroll Gibbons on IMDb Carroll Gibbons at Find a Grave
MTV is an American pay television channel owned by Viacom Media Networks and headquartered in New York City. The channel was launched on August 1, 1981, aired music videos as guided by television personalities known as "video jockeys". At first, MTV's main target demographic was young adults, but today it is teenagers high school and college students. Since its inception, MTV has toned down its music video programming and its programming now consists of original reality and drama programming and some off-network syndicated programs and films, with limited music video programming in off-peak time periods. MTV had struggled with the secular decline of music-related subscription-based media, its ratings had been said to be failing systematically, as younger viewers shift towards other media platforms, with yearly ratings drops as high as 29%. In April 2016, then-appointed MTV president Sean Atkins announced plans to restore music programming to the channel. Under current MTV president Chris McCarthy, reality programming has once again become prominent.
MTV has spawned numerous sister channels in the U. S. and affiliated channels internationally, some of which have gone independent, with 90.6 million American households in the United States receiving the channel as of January 2016. Several earlier concepts for music video-based television programming had been around since the early 1960s; the Beatles had used music videos to promote their records starting in the mid-1960s. The creative use of music videos within their 1964 film A Hard Day's Night the performance of the song "Can't Buy Me Love", led MTV on June 26, 1999, to honor the film's director Richard Lester with an award for "basically inventing the music video". In his book The Mason Williams FCC Rapport, author Mason Williams states that he pitched an idea to CBS for a television program that featured "video-radio", where disc jockeys would play avant-garde art pieces set to music. CBS rejected the idea, but Williams premiered his own musical composition "Classical Gas" on the Smothers Brothers Comedy Hour, where he was head writer.
In 1970, Philadelphia-based disc jockey Bob Whitney created The Now Explosion, a television series filmed in Atlanta and broadcast in syndication to other local television stations throughout the United States. The series featured promotional clips from various popular artists, but was canceled by its distributor in 1971. Several music programs originating outside of the US, including Australia's Countdown and the United Kingdom's Top of the Pops, which had aired music videos in lieu of performances from artists who were not available to perform live, began to feature them by the mid-1970s. In 1974, Gary Van Haas, vice president of Televak Corporation, introduced a concept to distribute a music video channel to record stores across the United States, promoted the channel, named Music Video TV, to distributors and retailers in a May 1974 issue of Billboard; the channel, which featured video disc jockeys, signed a deal with US Cable in 1978 to expand its audience from retail to cable television.
The service was no longer active by the time MTV launched in 1981. In 1977, Warner Cable a division of Warner Communications and the precursor of Warner-Amex Satellite Entertainment launched the first two-way interactive cable television system named QUBE in Columbus, Ohio; the QUBE system offered many specialized channels. One of these specialized channels was Sight on Sound, a music channel that featured concert footage and music-oriented television programs. With the interactive QUBE service, viewers could vote for their favorite artists; the original programming format of MTV was created by media executive Robert W. Pittman, who became president and chief executive officer of MTV Networks. Pittman had test-driven the music format by producing and hosting a 15-minute show, Album Tracks, on New York City television station WNBC-TV in the late 1970s. Pittman's boss Warner-Amex executive vice president John Lack had shepherded PopClips, a television series created by former Monkee-turned solo artist Michael Nesmith, whose attention had turned to the music video format in the late 1970s.
The inspiration for PopClips came from a similar program on New Zealand's TVNZ network named Radio with Pictures, which premiered in 1976. The concept itself had been in the works since 1966, when major record companies began supplying the New Zealand Broadcasting Corporation with promotional music clips to play on the air at no charge. Few artists made the long trip to New Zealand to appear live. On Saturday, August 1, 1981, at 12:01 AM Eastern Time, MTV was launched with the words "Ladies and gentlemen and roll," spoken by John Lack and played over footage of the first Space Shuttle launch countdown of Columbia and of the launch of Apollo 11; those words were followed by the original MTV theme song, a crunching rock tune composed by Jonathan Elias and John Petersen, playing over the American flag changed to show MTV's logo changing into various textures and designs. MTV producers Alan Goodman and Fred Seibert used this public domain footage as a concept. A shortened version of the shuttle launch ID ran at the top of every hour in various forms, from MTV's first day until it was pulled in early 1986 in the wake of the Challenger disaster.
Monty Python were a British surreal comedy group who created their sketch comedy show Monty Python's Flying Circus, which first aired on the BBC in 1969. Forty-five episodes were made over four series; the Python phenomenon developed from the television series into something larger in scope and impact, including touring stage shows, numerous albums, several books, musicals. The Pythons' influence on comedy has been compared to the Beatles' influence on music, their sketch show has been referred to as "not only one of the more enduring icons of 1970s British popular culture, but an important moment in the evolution of television comedy". Broadcast by the BBC between 1969 and 1974, Monty Python's Flying Circus was conceived and performed by its members Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, Michael Palin. Loosely structured as a sketch show, but with an innovative stream-of-consciousness approach, aided by Gilliam's animation, it pushed the boundaries of what was acceptable in style and content.
A self-contained comedy team responsible for both writing and performing their work, the Pythons had creative control which allowed them to experiment with form and content, discarding rules of television comedy. Following their television work, they began making films, which include Monty Python and the Holy Grail, Life of Brian and The Meaning of Life, their influence on British comedy has been apparent for years, while in North America, it has coloured the work of cult performers from the early editions of Saturday Night Live through to more recent absurdist trends in television comedy. "Pythonesque" has entered the English lexicon as a result. In a 2005 poll of over 300 comics, comedy writers and directors throughout the English-speaking world to find "The Comedian's Comedian", three of the six Pythons members were voted to be among the top 50 greatest comedians ever: Cleese at No. 2, Idle at No. 21, Palin at No. 30. Jones and Palin met at Oxford University. Chapman and Cleese met at Cambridge University.
Idle was at Cambridge, but started a year after Chapman and Cleese. Cleese met Gilliam in New York City while on tour with the Cambridge University Footlights revue Cambridge Circus. Chapman and Idle were members of the Footlights, which at that time included the future Goodies, Jonathan Lynn. During Idle's presidency of the club, feminist writer Germaine Greer and broadcaster Clive James were members. Recordings of Footlights' revues at Pembroke College include sketches and performances by Cleese and Idle, along with tapes of Idle's performances in some of the drama society's theatrical productions, are kept in the archives of the Pembroke Players; the six Python members appeared in or wrote these shows before Flying Circus: I'm Sorry, I'll Read That Again – The Frost Report – – At Last the 1948 Show – Twice a Fortnight Do Not Adjust Your Set – + Bonzo Dog Band: musical interludes We Have Ways of Making You Laugh – How to Irritate People – The Complete and Utter History of Britain Doctor in the House The BBC’s satirical television show, The Frost Report, broadcast from March 1966 to December 1967, is credited as first uniting the British Pythons and providing an environment in which they could develop their particular styles.
Following the success of Do Not Adjust Your Set, broadcast on ITV in the UK from December 1967 to May 1969, ITV offered Gilliam, Idle and Palin their own late-night adult comedy series together. At the same time and Cleese were offered a show by the BBC, impressed by their work on The Frost Report and At Last the 1948 Show. Cleese was reluctant to do a two-man show for various reasons, including Chapman's difficult and erratic personality. Cleese had fond memories of working with Palin on How to Irritate People and invited him to join the team. With no studio available at ITV until summer 1970 for the late-night show, Palin agreed to join Cleese and Chapman, suggested the involvement of his writing partner Jones and colleague Idle—who in turn wanted Gilliam to provide animations for the projected series. Much has been made of the fact that the Monty Python troupe is the result of Cleese's desire to work with Palin and the chance circumstances that brought the other four members into the fold.
By contrast, according to John Cleese's autobiography, the origins of Monty Python lay in the admiration that writing partners Cleese and Chapman had for the new type of comedy being done on Do Not Adjust Your Set. According to their official website, the group was born from a Kashmir tandoori restaurant in Hampstead in 1969; the Pythons had a definite idea about. They were admirers of the work of Pete
The Walt Disney Company
The Walt Disney Company known as Walt Disney or Disney, is an American diversified multinational mass media and entertainment conglomerate headquartered at the Walt Disney Studios in Burbank, California. It is the world's largest media conglomerate in terms of revenue, ahead of NBCUniversal and WarnerMedia. Disney was founded on October 16, 1923 by brothers Walt and Roy O. Disney as the Disney Brothers Cartoon Studio; the company established itself as a leader in the American animation industry before diversifying into live-action film production and theme parks. Since the 1980s, Disney has created and acquired corporate divisions in order to market more mature content than is associated with its flagship family-oriented brands; the company is known for its film studio division, Walt Disney Studios, which includes Walt Disney Pictures, Walt Disney Animation Studios, Marvel Studios, Lucasfilm, 20th Century Fox, Fox Searchlight Pictures, Blue Sky Studios. Disney's other main divisions are Disney Parks and Products, Disney Media Networks, Walt Disney Direct-to-Consumer and International.
Disney owns and operates the ABC broadcast network. The company has been a component of the Dow Jones Industrial Average since 1991. Cartoon character Mickey Mouse, created in 1928 by Walt Disney and Ub Iwerks, is one of the world's most recognizable characters, serves as the company's official mascot. In early 1923, Kansas City, animator Walt Disney created a short film entitled Alice's Wonderland, which featured child actress Virginia Davis interacting with animated characters. After the bankruptcy in 1923 of his previous firm, Laugh-O-Gram Studio, Disney moved to Hollywood to join his brother, Roy O. Disney. Film distributor Margaret J. Winkler of M. J. Winkler Productions contacted Disney with plans to distribute a whole series of Alice Comedies purchased for $1,500 per reel with Disney as a production partner. Walt and Roy Disney formed Disney Brothers Cartoon Studio that same year. More animated films followed after Alice. In January 1926, with the completion of the Disney studio on Hyperion Street, the Disney Brothers Studio's name was changed to the Walt Disney Studio.
After the demise of the Alice comedies, Disney developed an all-cartoon series starring his first original character, Oswald the Lucky Rabbit, distributed by Winkler Pictures through Universal Pictures. The distributor owned Oswald, so Disney only made a few hundred dollars. Disney completed 26 Oswald shorts before losing the contract in February 1928, due to a legal loophole, when Winkler's husband Charles Mintz took over their distribution company. After failing to take over the Disney Studio, Mintz hired away four of Disney's primary animators to start his own animation studio, Snappy Comedies. In 1928, to recover from the loss of Oswald the Lucky Rabbit, Disney came up with the idea of a mouse character named Mortimer while on a train headed to California, drawing up a few simple drawings; the mouse was renamed Mickey Mouse and starred in several Disney produced films. Ub Iwerks refined Disney's initial design of Mickey Mouse. Disney's first sound film Steamboat Willie, a cartoon starring Mickey, was released on November 18, 1928 through Pat Powers' distribution company.
It was the first Mickey Mouse sound cartoon released, but the third to be created, behind Plane Crazy and The Gallopin' Gaucho. Steamboat Willie was an immediate smash hit, its initial success was attributed not just to Mickey's appeal as a character, but to the fact that it was the first cartoon to feature synchronized sound. Disney used Pat Powers' Cinephone system, created by Powers using Lee de Forest's Phonofilm system. Steamboat Willie premiered at B. S. Moss's Colony Theater in New York City, now The Broadway Theatre. Disney's Plane Crazy and The Gallopin' Gaucho were retrofitted with synchronized sound tracks and re-released in 1929. Disney continued to produce cartoons with Mickey Mouse and other characters, began the Silly Symphony series with Columbia Pictures signing on as Symphonies distributor in August 1929. In September 1929, theater manager Harry Woodin requested permission to start a Mickey Mouse Club which Walt approved. In November, test comics strips were sent to King Features, who requested additional samples to show to the publisher, William Randolph Hearst.
On December 16, the Walt Disney Studios partnership was reorganized as a corporation with the name of Walt Disney Productions, Limited with a merchandising division, Walt Disney Enterprises, two subsidiaries, Disney Film Recording Company and Liled Realty and Investment Company for real estate holdings. Walt and his wife held Roy owned 40 % of WD Productions. On December 30, King Features signed its first newspaper, New York Mirror, to publish the Mickey Mouse comic strip with Walt's permission. In 1932, Disney signed an exclusive contract with Technicolor to produce cartoons in color, beginning with Flowers and Trees. Disney released cartoons through Powers' Celebrity Pictures, Columbia Pictures, United Artists; the popularity of the Mickey Mouse series allowed Disney to plan for his first feature-length animation. The feature film Walt
Amsterdam is the capital city and most populous municipality of the Netherlands. Its status as the capital is mandated by the Constitution of the Netherlands, although it is not the seat of the government, The Hague. Amsterdam has a population of 854,047 within the city proper, 1,357,675 in the urban area and 2,410,960 in the metropolitan area; the city is located in the province of North Holland in the west of the country but is not its capital, Haarlem. The Amsterdam metropolitan area comprises much of the northern part of the Randstad, one of the larger conurbations in Europe, which has a population of 8.1 million. Amsterdam's name derives from Amstelredamme, indicative of the city's origin around a dam in the river Amstel. Originating as a small fishing village in the late 12th century, Amsterdam became one of the most important ports in the world during the Dutch Golden Age, as a result of its innovative developments in trade. During that time, the city was the leading centre for trade. In the 19th and 20th centuries the city expanded, many new neighbourhoods and suburbs were planned and built.
The 17th-century canals of Amsterdam and the 19–20th century Defence Line of Amsterdam are on the UNESCO World Heritage List. Since the annexation of the municipality of Sloten in 1921 by the municipality of Amsterdam, the oldest historic part of the city lies in Sloten, dating to the 9th century; as the commercial capital of the Netherlands and one of the top financial centres in Europe, Amsterdam is considered an alpha- world city by the Globalization and World Cities study group. The city is the cultural capital of the Netherlands. Many large Dutch institutions have their headquarters there, including Philips, AkzoNobel, TomTom and ING. Many of the world's largest companies are based in Amsterdam or established their European headquarters in the city, such as leading technology companies Uber and Tesla. In 2012, Amsterdam was ranked the second best city to live in by the Economist Intelligence Unit and 12th globally on quality of living for environment and infrastructure by Mercer; the city was ranked 4th place globally as top tech hub in the Savills Tech Cities 2019 report, 3rd in innovation by Australian innovation agency 2thinknow in their Innovation Cities Index 2009.
The Port of Amsterdam to this day remains the second in the country, the fifth largest seaport in Europe. Famous Amsterdam residents include the diarist Anne Frank, artists Rembrandt van Rijn and Vincent van Gogh, philosopher Baruch Spinoza; the Amsterdam Stock Exchange, the oldest stock exchange in the world, is located in the city centre. Amsterdam's main attractions include its historic canals, the Rijksmuseum, the Van Gogh Museum, the Stedelijk Museum, Hermitage Amsterdam, the Anne Frank House, the Scheepvaartmuseum, the Amsterdam Museum, the Heineken Experience, the Royal Palace of Amsterdam, Natura Artis Magistra, Hortus Botanicus Amsterdam, NEMO, the red-light district and many cannabis coffee shops, they draw more than 5 million international visitors annually. The city is well known for its nightlife and festival activity, it is one of the world's most multicultural cities, with at least 177 nationalities represented. After the floods of 1170 and 1173, locals near the river Amstel built a bridge over the river and a dam across it, giving its name to the village: "Aemstelredamme".
The earliest recorded use of that name is in a document dated 27 October 1275, which exempted inhabitants of the village from paying bridge tolls to Count Floris V. This allowed the inhabitants of the village of Aemstelredamme to travel through the County of Holland, paying no tolls at bridges and dams; the certificate describes the inhabitants. By 1327, the name had developed into Aemsterdam. Amsterdam is much younger than Dutch cities such as Nijmegen and Utrecht. In October 2008, historical geographer Chris de Bont suggested that the land around Amsterdam was being reclaimed as early as the late 10th century; this does not mean that there was a settlement since reclamation of land may not have been for farming—it may have been for peat, for use as fuel. Amsterdam was granted city rights in either 1300 or 1306. From the 14th century on, Amsterdam flourished from trade with the Hanseatic League. In 1345, an alleged Eucharistic miracle in the Kalverstraat rendered the city an important place of pilgrimage until the adoption of the Protestant faith.
The Miracle devotion was kept alive. In the 19th century after the jubilee of 1845, the devotion was revitalized and became an important national point of reference for Dutch Catholics; the Stille Omgang—a silent walk or procession in civil attire—is the expression of the pilgrimage within the Protestant Netherlands since the late 19th century. In the heyday of the Silent Walk, up to 90,000 pilgrims came to Amsterdam. In the 21st century this has reduced to about 5000. In the 16th century, the Dutch rebelled against Philip II of his successors; the main reasons for the uprising were the imposition of new taxes, the tenth penny, the religious persecution of Protestants by the newly introduced Inquisition. The revolt escalated into the Eighty Years' War, which led to Dutch independence. Pushed by Dutch Revolt leader William the Silent, the Dutch Republic became known for its relative religious tolerance. Jews from the Iberian Peninsula, Huguenots from France, prosperous merchants and printers from Flanders, economic and religious refugees
The double bass, or the bass, is the largest and lowest-pitched bowed string instrument in the modern symphony orchestra. It is a standard member of the orchestra's string section, as well as the concert band, is featured in concertos and chamber music in Western classical music; the bass is used in a range of other genres, such as jazz, 1950s-style blues and rock and roll, psychobilly, traditional country music, bluegrass and many types of folk music. The bass is a transposing instrument and is notated one octave higher than tuned to avoid excessive ledger lines below the staff; the double bass is the only modern bowed string instrument, tuned in fourths, rather than fifths, with strings tuned to E1, A1, D2 and G2. The instrument's exact lineage is still a matter of some debate, with scholars divided on whether the bass is derived from the viol or the violin family; however the body shape where it curves into the neck matches the viol family whereas in the rest of the violin family, the body meets the neck with no blending curve.
The double bass is played by plucking the strings. In orchestral repertoire and tango music, both arco and pizzicato are employed. In jazz and rockabilly, pizzicato is the norm. Classical music uses the natural sound produced acoustically by the instrument, as does traditional bluegrass. In jazz and related genres, the bass is amplified; the double bass stands around 180 cm from scroll to endpin. However, other sizes are available, such as a 1⁄2 or 3⁄4, which serve to accommodate a player's height and hand size; these sizes do not reflect the size relative to 4⁄4 bass. It is constructed from several types of wood, including maple for the back, spruce for the top, ebony for the fingerboard, it is uncertain whether the instrument is a descendant of the viola da gamba or of the violin, but it is traditionally aligned with the violin family. While the double bass is nearly identical in construction to other violin family instruments, it embodies features found in the older viol family. Like other violin and viol-family string instruments, the double bass is played either with a bow or by plucking the strings.
In orchestral repertoire and tango music, both arco and pizzicato are employed. In jazz and rockabilly, pizzicato is the norm, except for some solos and occasional written parts in modern jazz that call for bowing. In classical pedagogy all of the focus is on performing with the bow and producing a good bowed tone. Bowed notes in the lowest register of the instrument produce a dark, mighty, or menacing effect, when played with a fortissimo dynamic. Classical bass students learn all of the different bow articulations used by other string section players, such as détaché, staccato, martelé, sul ponticello, sul tasto, tremolo and sautillé; some of these articulations can be combined. Classical bass players do play pizzicato parts in orchestra, but these parts require simple notes, rather than rapid passages. Classical players perform both bowed and pizz notes using vibrato, an effect created by rocking or quivering the left hand finger, contacting the string, which transfers an undulation in pitch to the tone.
Vibrato is used to add expression to string playing. In general loud, low-register passages are played with little or no vibrato, as the main goal with low pitches is to provide a clear fundamental bass for the string section. Mid- and higher-register melodies are played with more vibrato; the speed and intensity of the vibrato is varied by the performer for an emotional and musical effect. In jazz and other related genres, much or all of the focus is on playing pizzicato. In jazz and jump blues, bassists are required to play rapid pizzicato walking basslines for extended periods; as well and rockabilly bassists develop virtuoso pizzicato techniques that enable them to play rapid solos that incorporate fast-moving triplet and sixteenth note figures. Pizzicato basslines performed by leading jazz professionals are much more difficult than the pizzicato basslines that Classical bassists encounter in the standard orchestral literature, which are whole notes, half notes, quarter notes, occasional eighth note passages.
In jazz and related styles, bassists add semi-percussive "ghost notes" into basslines, to add to the rhythmic feel and to add fills to a bassline. The double bass player stands, or sits on a high stool, leans the instrument against their body, turned inward to put the strings comfortably in reach; this stance is a key reason for the bass's sloped shoulders, which mark it apart from the other members of the violin family—the narrower shoulders facilitate playing the strings in their higher registers. The double bass is regarded as a modern descendant of the string family of instruments that originated in Europe in the 15th century, as such has been described as a bass Violin. Before the 20th century many double basses had only three strings, in contrast to the five to six strings typical of instruments in the viol family or the four strings of instruments in the violin family; the double bass's proportions are di
SpongeBob SquarePants is an American animated television series created by marine science educator and animator Stephen Hillenburg for Nickelodeon. The series chronicles the adventures and endeavors of the title character and his various friends in the fictional underwater city of Bikini Bottom; the series' popularity has made it a media franchise, as well as the highest rated series to air on Nickelodeon, the most distributed property of MTV Networks. As of late 2017, the media franchise has generated $13 billion in merchandising revenue for Nickelodeon. Many of the ideas for the series originated in an unpublished educational comic book titled The Intertidal Zone, which Hillenburg created in 1989, he began developing SpongeBob SquarePants into a television series in 1996 upon the cancellation of Rocko's Modern Life, turned to Tom Kenny, who had worked with him on that series, to voice the title character. SpongeBob was going to be named SpongeBoy, the series was to be called SpongeBoy Ahoy!, but both of these were changed, as the name was trademarked.
Nickelodeon held a preview for the series in the United States on May 1, 1999, following the television airing of the 1999 Kids' Choice Awards. The series premiered on July 17, 1999, it has received worldwide critical acclaim since its premiere and gained enormous popularity by its second season. A feature film, The SpongeBob SquarePants Movie, was released in theaters on November 19, 2004, a sequel was released on February 6, 2015. In 2018, the series began airing its twelfth season; the series has won a variety of awards, including six Annie Awards, eight Golden Reel Awards, four Emmy Awards, 16 Kids' Choice Awards, two BAFTA Children's Awards. Despite its widespread popularity, the series has been involved in several public controversies, including one centered on speculation over SpongeBob's intended sexual orientation. In 2011, a newly described species of fungus, Spongiforma squarepantsii, was named after the cartoon's title character. A Broadway musical based on the series opened in 2017 to critical acclaim.
On February 14, 2019, it was announced. The series takes place in the benthic underwater city of Bikini Bottom, located in the Pacific Ocean beneath the real-life coral reef known as Bikini Atoll. In 2015, Tom Kenny confirmed that the fictitious city was named after Bikini Atoll, but denied an Internet fan theory that connected the series' characters to actual nuclear testing that occurred in the atoll; the citizens are multicolored fish who live in buildings made from ship funnels and use "boatmobiles," amalgamations of cars and boats, as a mode of transportation. Recurring locations within Bikini Bottom include the neighboring houses of SpongeBob and Squidward; when the SpongeBob crew began production on the series' pilot episode, they were tasked with designing the stock locations where "the show would return to again and again, in which most of the action would take place, such as the Krusty Krab and SpongeBob's pineapple house". The idea for the series was "to keep everything nautical", so the crew used a great amount of rope, wooden planks, ships' wheels, anchors and rivets in creating the show's setting.
Transitions between scenes are marked by bubbles filling up the screen, accompanied by the sound of water rushing. The series features "sky flowers" as a main setting material, they first have since become a common feature throughout the series. When series background designer Kenny Pittenger was asked what they were, he answered, "They function as clouds in a way, but since the show takes place underwater, they aren't clouds; because of the tiki influence on the show, the background painters use a lot of pattern." Pittenger said that the sky flowers were meant to "evoke the look of a flower-print Hawaiian shirt". The series revolves around an ensemble cast of his aquatic friends. SpongeBob SquarePants is an energetic and optimistic sea sponge who physically resembles a rectangular kitchen sponge, he lives in a submerged pineapple with his pet snail Gary. SpongeBob has a childlike enthusiasm for life, which carries over to his job as a fry cook at a fast food restaurant called the Krusty Krab, his greatest goal in life is to receive a license to drive a boatmobile.
His favorite pastimes include "jellyfishing," which involves catching jellyfish with a net in a manner similar to butterfly catching, blowing soap bubbles into elaborate shapes. Living two houses down from SpongeBob is his best friend Patrick Star, a dim-witted yet friendly pink starfish who resides under a rock. Despite his mental setbacks, Patrick still sees himself as intelligent. Squidward Tentacles, SpongeBob's next-door neighbor and co-worker at the Krusty Krab, is an arrogant and ill-tempered octopus who lives in an Easter Island moai, he enjoys playing the clarinet and painting self-portraits, but hates his job as a cashier and dislikes living between SpongeBob and Patrick, due to their childish nature. The owner of the Krusty Krab is a miserly red crab named Mr. Krabs who talks like a sailor and runs his restaurant as if it were a pirate ship. Mr. Krabs is a single parent with one teenage daughter, a sperm whale named Pearl, to whom he wants to pass down his riches. Pearl does not want to continue the family business and would rather spend her time