1.
Dictyostelium discoideum
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Dictyostelium discoideum is a species of soil-living amoeba belonging to the phylum Amoebozoa, infraphylum Mycetozoa. Commonly referred to as slime mold, D. discoideum is a eukaryote that transitions from a collection of unicellular amoebae into a multicellular slug and its unique asexual lifecycle consists of four stages, vegetative, aggregation, migration, and culmination. The lifecycle of D. discoideum is relatively short, which allows for viewing of all stages. The cells involved in the lifecycle undergo movement, chemical signaling, and development, the simplicity of its lifecycle makes D. discoideum a valuable model organism to study genetic, cellular, and biochemical processes in other organisms. In the wild, D. discoideum can be found in soil and its primary diet consists of bacteria, such as Escherichia coli, found in the soil and decaying organic matter. Uninucleate amoebae of D. discoideum consume bacteria found in its natural habitat, the life cycle of D. discoideum begins as spores are released from a mature sorocarp. Myxamoebae hatch from the spores under warm and moist conditions, during their vegetative stage, the myxamoebae divide by mitosis as they feed on bacteria. The bacteria secrete folic acid, attracting the myxamoebae, when the supply of bacteria is depleted, the myxamoebae enter the aggregation stage. During aggregation, starvation initiates the creation of a biochemical machinery that includes glycoproteins, the glycoproteins allow for cell-cell adhesion, and adenylyl cyclase creates cyclic AMP. Cyclic AMP is secreted by the amoebae to attract neighboring cells to a central location, as they move toward the signal, they bump into each other and stick together by the use of glycoprotein adhesion molecules. The migration stage begins once the amoebae have formed a tight aggregate, the amoebae work together as a motile pseudoplasmodium, also known as a slug. The slug is about 2–4 mm long, composed of up to 100,000 cells, part of this sheath is left behind as a slimy trail as it moves toward attractants such as light, heat, and humidity in a forward-only direction. Cyclic AMP and a substance called differentiation-inducing factor, help to form different cell types, the slug becomes differentiated into prestalk and prespore cells that move to the anterior and posterior ends, respectively. Once the slug has found an environment, the anterior end of the slug forms the stalk of the fruiting body. Anterior-like cells, which have only recently discovered, are also dispersed throughout the posterior region of the slug. These anterior-like cells form the bottom of the fruiting body. After the slug settles into one spot, the posterior end spreads out with the end raised in the air, forming what is called the Mexican hat. The prestalk cells and prespore cells switch positions in the stage to form the mature fruiting body
Dictyostelium discoideum
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Dictyostelium discoideum
Dictyostelium discoideum
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D. discoideum exhibiting chemotaxis through aggregation
Dictyostelium discoideum
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Lifecycle of farmer D. discoideum
2.
Ancient Greek
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Ancient Greek includes the forms of Greek used in ancient Greece and the ancient world from around the 9th century BC to the 6th century AD. It is often divided into the Archaic period, Classical period. It is antedated in the second millennium BC by Mycenaean Greek, the language of the Hellenistic phase is known as Koine. Koine is regarded as a historical stage of its own, although in its earliest form it closely resembled Attic Greek. Prior to the Koine period, Greek of the classic and earlier periods included several regional dialects, Ancient Greek was the language of Homer and of fifth-century Athenian historians, playwrights, and philosophers. It has contributed many words to English vocabulary and has been a subject of study in educational institutions of the Western world since the Renaissance. This article primarily contains information about the Epic and Classical phases of the language, Ancient Greek was a pluricentric language, divided into many dialects. The main dialect groups are Attic and Ionic, Aeolic, Arcadocypriot, some dialects are found in standardized literary forms used in literature, while others are attested only in inscriptions. There are also several historical forms, homeric Greek is a literary form of Archaic Greek used in the epic poems, the Iliad and Odyssey, and in later poems by other authors. Homeric Greek had significant differences in grammar and pronunciation from Classical Attic, the origins, early form and development of the Hellenic language family are not well understood because of a lack of contemporaneous evidence. Several theories exist about what Hellenic dialect groups may have existed between the divergence of early Greek-like speech from the common Proto-Indo-European language and the Classical period and they have the same general outline, but differ in some of the detail. The invasion would not be Dorian unless the invaders had some relationship to the historical Dorians. The invasion is known to have displaced population to the later Attic-Ionic regions, the Greeks of this period believed there were three major divisions of all Greek people—Dorians, Aeolians, and Ionians, each with their own defining and distinctive dialects. Often non-west is called East Greek, Arcadocypriot apparently descended more closely from the Mycenaean Greek of the Bronze Age. Boeotian had come under a strong Northwest Greek influence, and can in some respects be considered a transitional dialect, thessalian likewise had come under Northwest Greek influence, though to a lesser degree. Most of the dialect sub-groups listed above had further subdivisions, generally equivalent to a city-state and its surrounding territory, Doric notably had several intermediate divisions as well, into Island Doric, Southern Peloponnesus Doric, and Northern Peloponnesus Doric. The Lesbian dialect was Aeolic Greek and this dialect slowly replaced most of the older dialects, although Doric dialect has survived in the Tsakonian language, which is spoken in the region of modern Sparta. Doric has also passed down its aorist terminations into most verbs of Demotic Greek, by about the 6th century AD, the Koine had slowly metamorphosized into Medieval Greek
Ancient Greek
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Inscription about the construction of the statue of
Athena Parthenos in the
Parthenon, 440/439 BC
Ancient Greek
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Ostracon bearing the name of
Cimon,
Stoa of Attalos
Ancient Greek
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The words ΜΟΛΩΝ ΛΑΒΕ as they are inscribed on the marble of the 1955
Leonidas Monument at
Thermopylae
3.
Greek mythology
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It was a part of the religion in ancient Greece. Greek mythology is explicitly embodied in a collection of narratives. Greek myth attempts to explain the origins of the world, and details the lives and adventures of a variety of gods, goddesses, heroes, heroines. These accounts initially were disseminated in a tradition, today the Greek myths are known primarily from ancient Greek literature. The oldest known Greek literary sources, Homers epic poems Iliad and Odyssey, focus on the Trojan War, archaeological findings provide a principal source of detail about Greek mythology, with gods and heroes featured prominently in the decoration of many artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Trojan cycle as well as the adventures of Heracles, in the succeeding Archaic, Classical, and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an influence on the culture, arts. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes, Greek mythology is known today primarily from Greek literature and representations on visual media dating from the Geometric period from c. Mythical narration plays an important role in every genre of Greek literature. Nevertheless, the only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus and this work attempts to reconcile the contradictory tales of the poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens lived from c, 180–125 BC and wrote on many of these topics. His writings may have formed the basis for the collection, however the Library discusses events that occurred long after his death, among the earliest literary sources are Homers two epic poems, the Iliad and the Odyssey. Other poets completed the cycle, but these later and lesser poems now are lost almost entirely. Despite their traditional name, the Homeric Hymns have no connection with Homer. They are choral hymns from the part of the so-called Lyric age. Hesiods Works and Days, a poem about farming life, also includes the myths of Prometheus, Pandora. The poet gives advice on the best way to succeed in a dangerous world, lyrical poets often took their subjects from myth, but their treatment became gradually less narrative and more allusive. Greek lyric poets, including Pindar, Bacchylides and Simonides, and bucolic poets such as Theocritus and Bion, additionally, myth was central to classical Athenian drama
Greek mythology
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Bust of
Zeus,
Otricoli (Sala Rotonda,
Museo Pio-Clementino,
Vatican).
Greek mythology
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Greek Mythology
Greek mythology
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Prometheus (1868 by
Gustave Moreau). The myth of Prometheus first was attested by
Hesiod and then constituted the basis for a tragic trilogy of plays, possibly by Aeschylus, consisting of
Prometheus Bound,
Prometheus Unbound, and
Prometheus Pyrphoros.
Greek mythology
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The Roman poet
Virgil, here depicted in the fifth-century manuscript, the
Vergilius Romanus, preserved details of Greek mythology in many of his writings.
4.
Fisherman
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A fisherman or fisher is someone who captures fish and other animals from a body of water, or gathers shellfish. Worldwide, there are about 38 million commercial and subsistence fishermen, the term can also be applied to recreational fishermen and may be used to describe both men and women. Fishing has existed as a means of obtaining food since the Mesolithic period, fishing has existed as a means of obtaining food since the Mesolithic period. During the time of the Ancient Egyptians, fishermen provided the majority of food for Egyptians, fishing had become a major means of survival as well as a business venture. Fishing and the fisherman have also influenced Ancient Egyptian religion, mullets were worshiped as a sign of the flood season. Bastet was often manifested in the form of a catfish, in ancient Egyptian literature, the method that Amun used to create the world is associated with the tilapias method of mouth-brooding. According to the FAO, there were about 39 million fishers in countries producing more than 200,000 tonnes in 2012, the total fishery production of 66 million tonnes equated to an average productivity of 3.5 tonnes per person. Most of this took place in Asian countries, where four-fifths of world fishers. Most fishermen are men involved in offshore and deep-sea fisheries, women fish in some regions inshore from small boats or collect shellfish and seaweed. In many artisanal fishing communities, women are responsible for making and repairing nets, recreational fishing is fishing for pleasure or competition. It can be contrasted with fishing, which is fishing for economic profit, or subsistence fishing. The most common form of fishing is done with a rod, reel, line, hooks. Lures are frequently used in place of bait, some people make handmade lures, including plastic lures and artificial flies. The practice of catching or attempting to catch fish with a hook is called angling, when angling, it is sometimes expected or required that the fish be caught and released. Big-game fishing is fishing from boats to catch large species such as tuna, sharks. Noodling and trout tickling are also recreational activities, for some communities, fishing provides not only a source of food and work but also community and cultural identity. The fishing industry is hazardous for fishermen, between 1992 and 1999, US commercial fishing vessels averaged 78 deaths per year. The main contributors to fatalities are, inadequate preparation for emergencies poor vessel maintenance, many fishermen, while accepting that fishing is dangerous, staunchly defend their independence
Fisherman
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Fisherman and his catch, including small sharks, hooked on hand lines many miles off shore in the
Seychelles
Fisherman
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Egyptians bringing in fish and splitting them for salting
Fisherman
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The fisherman – by
Charles Napier Hemy, 1888
Fisherman
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A Royal Air Force search and rescue Sea King helicopter comes to the aid of the French fishing vessel Alf during a storm in the Irish Sea.
5.
Seriphos
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Serifos is a Greek island municipality in the Aegean Sea, located in the western Cyclades, south of Kythnos and northwest of Sifnos. It is part of the Milos regional unit, the area is 75.207 square kilometres and the population was 1,420 at the 2011 census. It is located about 170 kilometres ESE of Piraeus, in antiquity the island was proverbial for the alleged muteness of its frogs. During the Roman imperial period, Serifos was a place of exile, after 1204 it became a minor dependency of the Venetian dukes of the Archipelago. In the late 19th century Serifos experienced a modest economic boom from exploitation of the extensive iron ore deposits. The mines closed in the 1960s, and Serifos now depends on tourism, worked blocks of island marble built into the walls of the medieval castle crowning Chora, the hilltop main town of Serifos, show that the ancient capital was there as well. Chance finds, primarily marble funerary sculpture, are displayed in the Archaeological Collection in Chora, work began in 2011 to study the fallen blocks for an eventual reconstruction. At least four other ancient towers have been located, including the megalithic Psaros Pyrgos or Couch of the Cyclops in the SW corner of the island. The so-called Castle of the Old Lady above Ganema and Koutalas preserves scant remains of a collapsed dry-stone construction in a notch below the rocky summits. Rough fragments of marble and rooftile, and archaic fine-ware potsherds on the SE terraces of the hillside. The fortified Monastery of the Taxiarchs, dedicated to the Archangels Michael and Gabriel, was built in 1572 just E of the village of Galani, the sole monk is Archimandrite Makarios, who entered the monastery as a youth in 1958 and continues to maintain it with admirable devotion. In the 20th century, the mines of Serifos were exploited by the mining company Societe des mines Seriphos-Spiliazeza and their leader was Constantinos Speras, a Serifos native educated in Egypt, who was an anarcho-syndicalist with long experience of labour struggles on the Greek mainland. In response to the strike, Grohman asked for the help of Greek authorities, four workers were killed and a dozen wounded. The workers, supported by their wives, attacked the gendarmes with stones, the freed leadership took control of island institutions and send a message placing Serifos under protection of the French fleet at Milos. This effort at collective proletarian self-organisation was cut short by the refusal of the French navy to intervene, Speras was arrested and charged with high treason, but released a few months later when the royalist government was ousted. Grohmann was given once again the control of the mines, after granting improved working conditions, Speras would return to Athens and resumed his labor activities, but was assassinated in 1943, allegedly by Communist Party maximalists
Seriphos
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Airview
Seriphos
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View of Chora
Seriphos
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Headquarters of the former mine company of Serifos, Megalo Livadi
Seriphos
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The mines
6.
Naiad
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In Greek mythology, the Naiads are a type of female spirit, or nymph, presiding over fountains, wells, springs, streams, brooks and other bodies of fresh water. They are distinct from gods, who embodied rivers. Arethusa, the nymph of a spring, could make her way through subterranean flows from the Peloponnesus, the Greek word is Ναϊάς, plural Ναϊάδες It derives from νάειν, to flow, or νᾶμα, running water. Naiad has several English pronunciations, /ˈneɪæd/, /ˈneɪəd/, /ˈnaɪæd/, /ˈnaɪəd/ and they were often the object of archaic local cults, worshipped as essential to humans. Boys and girls at coming-of-age ceremonies dedicated their childish locks to the local naiad of the spring, in places like Lerna their waters ritual cleansings were credited with magical medical properties. Oracles might be situated by ancient springs, Naiads could be dangerous, Hylas of the Argos crew was lost when he was taken by naiads fascinated by his beauty. The naiads were also known to exhibit jealous tendencies, salmacis forced the youth Hermaphroditus into a carnal embrace and, when he sought to get away, fused with him. The loves and rapes of Zeus, according to Graves readings, so, in the back-story of the myth of Aristaeus, Hypseus, a king of the Lapiths, married Chlidanope, a naiad, who bore him Cyrene. Aristaeus had more than ordinary mortal experience with the naiads, when his bees died in Thessaly and his aunt Arethusa invited him below the waters surface, where he was washed with water from a perpetual spring and given advice. St. Charles Avenue in New Orleans was formerly known as Nyades Street, and is parallel to Dryades Street. Crinaeae Eleionomae Limnades or Limnatides Pegaeae Potameides Bibliotheca 2.95,2.11,2.21,2.23,1.61,1.81,1.7.6 Homer. Odyssey 13.355,17.240, Iliad 14.440,20.380 Ovid, theogony Burkert, Walter, Greek Religion, Harvard University Press,1985. Robert Graves, The Greek Myths 1955 Edgar Allan Poe, Sonnet to Science 1829 The Naiades Naiad Nymphs
Naiad
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A Naiad by
John William Waterhouse, 1893; a water nymph approaches the sleeping
Hylas.
Naiad
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Undine, by
John William Waterhouse
Naiad
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Gioacchino Pagliei - The Naiads, 1881
Naiad
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Fountain of the Naiads,
Piazza della Repubblica, Rome, Italy
7.
Poseidon
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Poseidon was one of the twelve Olympian deities of the pantheon in Greek mythology. His main domain was the ocean, and he is called the God of the Sea, additionally, he is referred to as Earth-Shaker due to his role in causing earthquakes, and has been called the tamer of horses. He is usually depicted as a male with curly hair. The name of the sea-god Nethuns in Etruscan was adopted in Latin for Neptune in Roman mythology, both were sea gods analogous to Poseidon. According to some folklore, he was saved by his mother Rhea, who concealed him among a flock of lambs and pretended to have birth to a colt. There is a Homeric hymn to Poseidon, who was the protector of many Hellenic cities, according to the references from Plato in his dialogues Timaeus and Critias, the island of Atlantis was the chosen domain of Poseidon. The form Ποτειδάϝων appears in Corinth, the origins of the name Poseidon are unclear. Walter Burkert finds that the second element da- remains hopelessly ambiguous, another theory interprets the second element as related to the word *δᾶϝον dâwon, water, this would make *Posei-dawōn into the master of waters. There is also the possibility that the word has Pre-Greek origin, Plato in his dialogue Cratylus gives two alternative etymologies, either the sea restrained Poseidon when walking as a foot-bond, or he knew many things. If surviving Linear B clay tablets can be trusted, the name occurs with greater frequency than does di-u-ja. A feminine variant, po-se-de-ia, is found, indicating a lost consort goddess. Poseidon carries frequently the title wa-na-ka in Linear B inscriptions, as king of the underworld, the chthonic nature of Poseidon-Wanax is also indicated by his title E-ne-si-da-o-ne in Mycenean Knossos and Pylos, a powerful attribute. In the cave of Amnisos Enesidaon is related with the cult of Eileithyia and she was related with the annual birth of the divine child. During the Bronze Age, a goddess of nature, dominated both in Minoan and Mycenean cult, and Wanax was her companion in Mycenean cult. It is possible that Demeter appears as Da-ma-te in a Linear B inscription, in Linear B inscriptions found at Pylos, E-ne-si-da-o-ne is related with Poseidon, and Si-to Po-tini-ja is probably related with Demeter. Tablets from Pylos record sacrificial goods destined for the Two Queens, the Two Queens may be related with Demeter and Persephone, or their precursors, goddesses who were not associated with Poseidon in later periods. The violated Demeter was Demeter Erinys, in Arcadia, Demeters mare-form was worshiped into historical times. Her xoanon of Phigaleia shows how the local cult interpreted her, a Medusa type with a horses head with snaky hair, holding a dove and a dolphin, probably representing her power over air and water
Poseidon
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Poseidon from
Milos, 2nd century BC (
National Archaeological Museum of Athens)
Poseidon
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Poseidon, Paella Museum
Poseidon
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Poseidon in
Kadriorg Palace,
Tallinn
Poseidon
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Poseidon holding a
trident. Corinthian plaque, 550-525 BC. From Penteskouphia.
8.
Perseus
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Perseus beheaded the Gorgon Medusa and saved Andromeda from the sea monster Cetus. Perseus was the son of the mortal Danaë and the god Zeus and he was also the half-brother and great grandfather of Heracles. There is some prospect that it descended into Greek from the Proto-Indo-European language, in that regard Robert Graves has espoused the only Greek derivation available. Perseus might be from the Greek verb, πέρθειν, “to waste, ravage, sack, destroy”, according to Carl Darling Buck, the –eus suffix is typically used to form an agent noun, in this case from the aorist stem, pers-. Pers-eus therefore is a sacker of cities, that is, a soldier by occupation, the origin of perth- is more obscure. J. B. Hofmann lists the possible root as *bher-, from which Latin ferio and this corresponds to Julius Pokorny’s *bher-, “scrape, cut. ”Ordinarily *bh- descends to Greek as ph-. This difficulty can be overcome by presuming a dissimilation from the –th– in perthein, that is, Graves carries the meaning still further, to the perse- in Persephone, goddess of death. the classical Perse. daughter of Oceanus. Whether it may be identified with the first element of Persephone is only speculative. ”A Greek folk etymology connected the name of the Persian people. The native name, however, has always had an -a- in Persian, herodotus recounts this story, devising a foreign son, Perses, from whom the Persians took the name. Apparently the Persians themselves knew the story, as Xerxes tried to use it to suborn the Argives during his invasion of Greece, Perseus was the son of Zeus and Danaë, the daughter of Acrisius, King of Argos. Disappointed by his lack of luck in having a son, Acrisius consulted the oracle at Delphi, who warned him that he would one day be killed by his daughters son. In order to keep Danaë childless, Acrisius imprisoned her in a chamber, open to the sky, in the courtyard of his palace, This mytheme is also connected to Ares, Oenopion, Eurystheus. Zeus came to her in the form of a shower of gold, soon after, their child was born, Perseus—Perseus Eurymedon, for his mother gave him this name as well. Fearful for his future, but unwilling to provoke the wrath of the gods by killing the offspring of Zeus and his daughter, danaës fearful prayer, made while afloat in the darkness, has been expressed by the poet Simonides of Ceos. Mother and child washed ashore on the island of Serifos, where they were taken in by the fisherman Dictys, the brother of Dictys was Polydectes, the king of the island. When Perseus was grown, Polydectes came to fall in love with the beautiful Danaë, Perseus believed Polydectes was less than honourable, and protected his mother from him, then Polydectes plotted to send Perseus away in disgrace. He held a banquet where each guest was expected to bring a gift. Polydectes requested that the guests bring horses, under the pretense that he was collecting contributions for the hand of Hippodamia, Perseus had no horse to give, so he asked Polydectes to name the gift, he would not refuse it
Perseus
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Perseus
Perseus
–
Greek Mythology
Perseus
–
"
Perseus with the Head of Medusa '" is a common subject for sculpture, here in an 1801 example by
Antonio Canova
9.
Medusa (mythology)
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In Greek mythology Medusa was a monster, a Gorgon, generally described as a winged human female with living venomous snakes in place of hair. Gazers upon her hideous face would turn to stone, most sources describe her as the daughter of Phorcys and Ceto, though the author Hyginus makes her the daughter of Gorgon and Ceto. According to Hesiod and Aeschylus, she lived and died on an island named Sarpedon, the 2nd-century BCE novelist Dionysios Skytobrachion puts her somewhere in Libya, where Herodotus had said the Berbers originated her myth, as part of their religion. In classical antiquity the image of the head of Medusa appeared in the device known as the Gorgoneion. The three Gorgon sisters—Medusa, Stheno, and Euryale—were all children of the ancient marine deities Phorcys and his sister Ceto, in an ode written in 490 BC Pindar already speaks of fair-cheeked Medusa. In Ovids telling, Perseus describes Medusas punishment by Minerva as just, in most versions of the story, she was beheaded by the hero Perseus, who was sent to fetch her head by King Polydectes of Seriphus because Polydectes wanted to marry his mother. The gods were well aware of this, and Perseus received help and he received a mirrored shield from Athena, gold, winged sandals from Hermes, a sword from Hephaestus and Hadess helm of invisibility. Since Medusa was the one of the three Gorgons who was mortal, Perseus was able to slay her while looking at the reflection from the mirrored shield he received from Athena. During that time, Medusa was pregnant by Poseidon, when Perseus beheaded her, Pegasus, a winged horse, and Chrysaor, a giant wielding a golden sword, sprang from her body. Jane Ellen Harrison argues that her potency only begins when her head is severed, the basis of the Gorgoneion is a cultus object, a ritual mask misunderstood. In the Odyssey xi, Homer does not specifically mention the Gorgon Medusa, Lest for my daring Persephone the dread, harrisons translation states the Gorgon was made out of the terror, not the terror out of the Gorgon. According to Ovid, in northwest Africa, Perseus flew past the Titan Atlas, who stood holding the sky aloft, and transformed him into stone when he tried to attack him. Furthermore, the poisonous vipers of the Sahara, in the Argonautica 4.1515, Ovids Metamorphoses 4.770, the blood of Medusa also spawned the Amphisbaena. Perseus then flew to Seriphos, where his mother was about to be forced into marriage with the king, King Polydectes was turned into stone by the gaze of Medusas head. It is immediately obvious that the Gorgons are not really three but one + two, the two unslain sisters are mere appendages due to custom, the real Gorgon is Medusa. A number of early scholars interpreted the myth of the Medusa as a quasi-historical. According to Joseph Campbell, In 1940, Sigmund Freuds Das Medusenhaupt was published posthumously and this article laid the framework for his significant contribution to a body of criticism surrounding the monster. Medusa is presented by Freud as the supreme talisman who provides the image of castration — associated in the mind with the discovery of maternal sexuality —
Medusa (mythology)
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Medusa, by
Caravaggio (1595)
Medusa (mythology)
–
Greek Mythology
Medusa (mythology)
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An
archaic Medusa wearing the belt of the intertwined snakes, a fertility symbol, as depicted on the west
pediment of the
Artemis Temple in Corfu, exhibited at the
Archaeological Museum of Corfu
Medusa (mythology)
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Coins of the reign of
Seleucus I Nicator of Syria, (312-280 BC.)
10.
Andromeda (mythology)
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In Greek mythology, Andromeda is the daughter of the Aethiopian king Cepheus and his wife Cassiopeia. When Cassiopeias hubris leads her to boast that Andromeda is more beautiful than the Nereids, Andromeda is stripped and chained naked to a rock as a sacrifice to sate the monster, but is saved from death by Perseus. Her name is the Latinized form of the Greek Ἀνδρομέδα or Ἀνδρομέδη, ruler of men, from ἀνήρ, ἀνδρός man, from the Renaissance, interest revived in the original story, typically as derived from Ovids account. In Greek mythology, Andromeda was the daughter of Cepheus and Cassiopeia, king and her mother Cassiopeia boasted that her daughter was more beautiful than the Nereids, the nymph-daughters of the sea god Nereus and often seen accompanying Poseidon. To punish the queen for her arrogance, Poseidon, brother to Zeus and god of the sea, the desperate king consulted the Oracle of Apollo, who announced that no respite would be found until the king sacrificed his daughter, Andromeda, to the monster. Stripped naked, she was chained to a rock on the coast, Perseus was returning from having slain the Gorgon, Medusa. After he happened upon the chained Andromeda, he approached Cetus while invisible and he set Andromeda free, and married her in spite of her having been previously promised to her uncle Phineus. At the wedding a quarrel took place between the rivals and Phineus was turned to stone by the sight of the Gorgons head, Andromeda followed her husband, first to his native island of Serifos, where he rescued his mother Danaë, and then to Tiryns in Argos. Together, they became the ancestors of the family of the Perseidae through the line of their son Perses, Perseus and Andromeda had seven sons, Perses, Alcaeus, Heleus, Mestor, Sthenelus, Electryon, and Cynurus as well as two daughters, Autochthe and Gorgophone. Their descendants ruled Mycenae from Electryon down to Eurystheus, after whom Atreus attained the kingdom, according to this mythology, Perseus is the ancestor of the Persians. Andromeda is represented in the sky by the constellation Andromeda. Four constellations are associated with the myth, jean-Baptiste Lullys opera, Persée, also dramatizes the myth. Andromeda has been the subject of ancient and modern works of art, which typically show the moment of rescue, with Andromeda usually still chained. Examples include, one of Titians poesies, and compositions by Joachim Wtewael, Veronese, many versions by Rubens, Ingres, from the Renaissance onward the chained nude figure of Andromeda typically was the centre of interest. Rembrandts Andromeda Chained to the Rocks is unusual in showing her alone, the Italian composer Salvatore Sciarrino composed an hour-long operatic drama called Perseo e Andromeda in 2000. In 1973, a film called Perseus was made in the Soviet Union as part of the Soviet animated film collection called Legends. The 1981 film Clash of the Titans retells the story of Perseus, Andromeda, and Cassiopeia, thetis was indeed a Nereid and also the future mother of Achilles. Andromeda is depicted as being strong-willed and independent, whereas in the stories she is only mentioned as being the princess whom Perseus saves from the sea monster
Andromeda (mythology)
–
Perseus and Andromeda (Andromeda tied to a rock.
Perseus on his winged horse flies above), by
Frederic Leighton
Andromeda (mythology)
–
A small Roman fresco from
Pompeii
Andromeda (mythology)
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Andromeda (1869)
Edward Poynter
Andromeda (mythology)
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Cesari: Perseus saving Andromeda, 1596,
Gemäldegalerie, Berlin
11.
Athens
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Athens is the capital and largest city of Greece. In modern times, Athens is a cosmopolitan metropolis and central to economic, financial, industrial, maritime. In 2015, Athens was ranked the worlds 29th richest city by purchasing power, Athens is recognised as a global city because of its location and its importance in shipping, finance, commerce, media, entertainment, arts, international trade, culture, education and tourism. It is one of the biggest economic centres in southeastern Europe, with a financial sector. The municipality of Athens had a population of 664,046 within its limits. The urban area of Athens extends beyond its administrative city limits. According to Eurostat in 2011, the Functional urban areas of Athens was the 9th most populous FUA in the European Union, Athens is also the southernmost capital on the European mainland. The city also retains Roman and Byzantine monuments, as well as a number of Ottoman monuments. Athens is home to two UNESCO World Heritage Sites, the Acropolis of Athens and the medieval Daphni Monastery, Athens was the host city of the first modern-day Olympic Games in 1896, and 108 years later it welcomed home the 2004 Summer Olympics. In Ancient Greek, the name of the city was Ἀθῆναι a plural, in earlier Greek, such as Homeric Greek, the name had been current in the singular form though, as Ἀθήνη. It was possibly rendered in the later on, like those of Θῆβαι and Μυκῆναι. During the medieval period the name of the city was rendered once again in the singular as Ἀθήνα, an etiological myth explaining how Athens has acquired its name was well known among ancient Athenians and even became the theme of the sculpture on the West pediment of the Parthenon. The goddess of wisdom, Athena, and the god of the seas, Poseidon had many disagreements, in an attempt to compel the people, Poseidon created a salt water spring by striking the ground with his trident, symbolizing naval power. However, when Athena created the tree, symbolizing peace and prosperity. Different etymologies, now rejected, were proposed during the 19th century. Christian Lobeck proposed as the root of the name the word ἄθος or ἄνθος meaning flower, ludwig von Döderlein proposed the stem of the verb θάω, stem θη- to denote Athens as having fertile soil. In classical literature, the city was referred to as the City of the Violet Crown, first documented in Pindars ἰοστέφανοι Ἀθᾶναι. In medieval texts, variant names include Setines, Satine, and Astines, today the caption η πρωτεύουσα, the capital, has become somewhat common
Athens
–
From upper left: the
Acropolis, the
Hellenic Parliament, the
Zappeion, the
Acropolis Museum,
Monastiraki Square, Athens view towards the sea
Athens
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Athena, patron goddess of Athens;
National Archaeological Museum
Athens
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Acropolis of Athens, with
Odeon of Herodes Atticus seen on bottom left
12.
Dionysus
–
Dionysus is the god of the grape harvest, winemaking and wine, of ritual madness, fertility, theatre and religious ecstasy in ancient Greek religion and myth. Wine played an important role in Greek culture, and the cult of Dionysus was the religious focus for its unrestrained consumption. He may have been worshipped as early as c, 1500–1100 BC by Mycenean Greeks, traces of Dionysian-type cult have also been found in ancient Minoan Crete. His origins are uncertain, and his cults took many forms, some are described by ancient sources as Thracian, in some cults, he arrives from the east, as an Asiatic foreigner, in others, from Ethiopia in the South. He is a god of epiphany, the god that comes and his festivals were the driving force behind the development of Greek theatre. The earliest cult images of Dionysus show a male, bearded and robed. He holds a staff, tipped with a pine-cone and known as a thyrsus. Later images show him as a beardless, sensuous, naked or half-naked androgynous youth, in its fully developed form, his central cult imagery shows his triumphant, disorderly arrival or return, as if from some place beyond the borders of the known and civilized. His procession is made up of female followers and bearded satyrs with erect penises, some are armed with the thyrsus. The god himself is drawn in a chariot, usually by exotic beasts such as lions or tigers and this procession is presumed to be the cult model for the followers of his Dionysian Mysteries. He is also known as Bacchus, the adopted by the Romans. His thyrsus, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a used to destroy those who oppose his cult and the freedoms he represents. As Eleutherios, his wine, music and ecstatic dance free his followers from self-conscious fear and care and those who partake of his mysteries are possessed and empowered by the god himself. The cult of Dionysus is also a cult of the souls, his maenads feed the dead through blood-offerings and he is sometimes categorised as a dying-and-rising god. Some scholars believe that Dionysus is a syncretism of a local Greek nature deity, Dionysus had a strange birth that evokes the difficulty in fitting him into the Olympian pantheon. His mother was a woman, Semele, the daughter of king Cadmus of Thebes, and his father was Zeus. Zeus wife, Hera, discovered the affair while Semele was pregnant, appearing as an old crone, Hera befriended Semele, who confided in her that Zeus was the actual father of the baby in her womb. Hera pretended not to believe her, and planted seeds of doubt in Semeles mind, curious, Semele demanded of Zeus that he reveal himself in all his glory as proof of his godhood
Dionysus
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2nd-century Roman statue of Dionysus, after a
Hellenistic model (ex-coll.
Cardinal Richelieu,
Louvre)
Dionysus
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Marble sarcophagus with the Triumph of Dionysos and the Seasons. Roman ca. AD 260–270
Dionysus
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Birth of Dionysus, on a small sarcophagus that may have been made for a child (
Walters Art Museum)
Dionysus
–
Hermes and the Infant Dionysus by
Praxiteles, (
Archaeological Museum of Olympia).
13.
Pirithous
–
Pirithous was a son of heavenly Dia, fathered either by Ixion or by Zeus. No trace of such a tradition, which Homers listeners would have recognized in Nestors allusion. In disjointed episodes that have survived, Pirithous had heard rumors about Theseus courage and strength in battle and he rustled Theseus herd of cattle from Marathon, and Theseus set out to pursue him. Pirithous took up arms and the pair met, then became so impressed by each other took a oath of friendship. They were among the company of heroes that hunted the Calydonian Boar, later, Pirithous was set to marry Hippodamia. The centaurs were guests at the party, but they got drunk and tried to abduct the women, the Lapiths won the ensuing battle, the Centauromachy, a favorite motif of Greek art. Theseus and Pirithous pledged to carry off daughters of Zeus, Theseus chose Helen of Sparta and together they kidnapped her when she was 13 years of age and decided to hold on to her until she was old enough to marry. Pirithous chose a more dangerous prize, Persephone herself and they left Helen with Theseus mother, Aethra, and traveled to the underworld domain of Persephone and her husband Hades. When they stopped to rest, they found themselves unable to stand up from the rock as they saw the Furies appear before them, Heracles freed Theseus from the stone, but the earth shook when he attempted to liberate Pirithous. He had committed too great a crime for wanting the wife of one of the gods as his own bride. Homer, Odyssey XXI, 295-305, XI,631, Bibliotheca 2.5.12, virgil, Aeneid VI.393, Ovid, Metamorphoses, XII.218. Hyginus, Fabulae,79 Horace, Odes, IV,7 Pirithous appears in the Class of the Titans episode Recipe for Disaster voiced by Michael Donovan. His mythology of being trapped in the Underworld and being unable to be freed by Heracles remains unchanged in the series, Pirithous appears in the video game God of War III voiced by Simon Templeman. His name is spelled Peirithous here, Peirithous is shown as a prisoner of Hades for trying to make off with Persephone. Peirithous offers Kratos to free him in exchange for giving him the Bow of Apollo, Kratos ends up burning him to a skeleton with a Cerberus Mongrel and claims the Bow of Apollo
Pirithous
–
Pirithous, Hippodamia (here labeled under the name Laodameia), a Centaur, and Theseus, on an
Apulian red-figure calyx-krater, 350-340 BC
Pirithous
–
Greek Mythology
14.
Lapiths
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The Lapiths are a legendary people of Greek mythology, whose home was in Thessaly, in the valley of the Peneus and on the mountain Pelion. Like the Myrmidons and other Thessalian tribes, the Lapiths were natives of Thessaly, lapithes was a valiant warrior, but Centaurus was a deformed being who later mated with mares from whom the race of half-man, half-horse Centaurs then came. Lapithes was the ancestor of the Lapith people, and his descendants include Lapith warriors and kings, such as Ixion, Pirithous, Caeneus, and Coronus. In the Iliad the Lapiths send forty manned ships to join the Greek fleet in the Trojan War, commanded by Polypoetes, the Lapiths were credited with inventing the bridles bit. In fiction, the Lapith king Pirithous was marrying the horsewoman Hippodameia, tamer of horses, at the wedding feast that made a battle, the best-known legend with which the Lapiths are connected is their battle with the Centaurs at the wedding feast of Pirithous, the Centauromachy. The Centaurs had been invited, but, unused to wine, when the bride was presented to greet the guests, the centaur Eurytion leapt up and attempted to rape her. All the other centaurs were up in a moment, straddling women, in the battle that ensued, Theseus came to the Lapiths aid. They cut off Eurytions ears and nose and threw him out, in the battle the Lapith Caeneus was killed, and the defeated Centaurs were expelled from Thessaly to the northwest. Caeneus was a well-known Lapith, originally a girl named Caenis and the favorite of Poseidon, such warrior women, indistinguishable from men, were familiar among the Scythian horsemen too. In the Centaur battle, Caeneus proved invulnerable, until the Centaurs simply crushed him with rocks and trunks of trees and he disappeared into the depths of the earth unharmed and was released as a sandy-headed bird. In later contests, the Centaurs were not so easily beaten, mythic references explained the presence into historic times of primitive Lapiths in Malea and in the brigand stronghold of Pholoe in Elis as remnants of groups driven there by the Centaurs. Some historic Greek cities bore names connected with Lapiths, and the Kypselides of Corinth claimed descent from Cæneus, the Battle of the Lapiths and Centaurs was a familiar symposium theme for the vase-painters. A sonnet vividly evoking the battle by the French poet José María de Heredia was included in his volume Les Trophées, in the Renaissance, the battle became a favorite theme for artists, an excuse to display close-packed bodies in violent confrontation. The young Michelangelo executed a marble bas-relief of the subject in Florence about 1492, piero di Cosimos panel Battle of Centaurs and Lapiths, now at the National Gallery, London, was painted during the following decade. If it was part of a marriage chest, or cassone. A frieze with a Centauromachy was also painted by Luca Signorelli in his Virgin Enthroned with Saints, inspired by a Roman sarcophagus found at Cortona, in Tuscany, during the early 15th century. Dictionary of Greek and Roman Biography and Mythology vol.11 p.721 Ovid Metamorphoses XII passim, Odyssey XXI,330 –340, Iliad xii. 128,181, Pausanias 1.17.2,5.10.8, Strabo ix.39, Greek Mythology Link - Lapiths, an annotated list of Lapith names, mainly in Metamorphoses, and some Lapith descendants Theoi Project
Lapiths
–
Battle of Centaurs and Lapiths, by
Piero di Cosimo (notice the female
centaur with a male centaur in the foreground).
15.
Agamede
–
Agamede was a name attributed to two separate women in classical Greek mythology and legendary history. Agamede was, according to Homer, a Greek physician acquainted with the powers of all the plants that grow upon the earth. She was born in Elis, the eldest daughter of Augeas, King of the Epeans, and was married to Mulius, hyginus makes her the mother of Belus, Actor, and Dictys, by Poseidon. She was called Perimede by both Propertius and Theocritus, by the Hellenistic period, Agamede had become a sorceress-figure, much like Circe or Medea. Agamede was a daughter of Macar, from whom Agamede, a place in Lesbos, was believed to have derived its name, the town had already disappeared in Plinys day. Ancient Agamede has been identified recently with the ancient ruins on a hill called “Vounaros”3 km north of ancient Pyrrha. This article incorporates text from a now in the public domain, Smith, William. Dictionary of Greek and Roman Biography and Mythology
Agamede
–
The hill Vounaros was the location of ancient Agemede
16.
Augeas
–
In Greek mythology, Augeas, whose name means bright, was king of Elis and father of Epicaste. Some say that Augeas was one of the Argonauts and he is best known for his stables, which housed the single greatest number of cattle in the country and had never been cleaned, until the time of the great hero Heracles. Augeass lineage varies in the sources, he was said to be either the son of Helios and Nausidame or of Eleios, king of Elis and his children were Epicaste, Phyleus, Agamede, Agasthenes, and Eurytus. The fifth Labour of Heracles was to clean the Augean stables, Eurystheus intended this assignment both as humiliating and as impossible, since the livestock were divinely healthy and therefore produced an enormous quantity of dung. These stables had not been cleaned in over 30 years, and 3,000 cattle lived there, however, Heracles succeeded by rerouting the rivers Alpheus and Peneus to wash out the filth. Augeas reacted angrily because he had promised Heracles one tenth of his if the job was finished in one day. He refused to honour the agreement, and Heracles killed him after completing the tasks, Heracles gave his kingdom to Phyleus, Augeas son, who had been exiled for supporting Heracles against his father. Stating that Heracles still had seven labours to do, Eurystheus then sent Heracles to defeat the Stymphalian Birds
Augeas
–
Heracles rerouting the rivers
Alpheus and
Peneus, to clean out the Augean stables. Roman mosaic, 3rd century AD.
17.
Apollonius Rhodius
–
Apollonius of Rhodes, is best known as the author of the Argonautica, an epic poem about Jason and the Argonauts and their quest for the Golden Fleece. In fact almost nothing at all is known about Apollonius and even his connection with Rhodes is a matter for speculation, the most reliable information we have about ancient poets is largely drawn from their own works. Unfortunately, Apollonius of Rhodes reveals nothing about himself. Oxy,1241, which provides names of several heads of the Library of Alexandria. Other scraps can be gleaned from miscellaneous texts, the reports from all the above sources however are scanty and often self-contradictory. The two Lives and the Suda name Apollonius father as Silleus or Illeus, but both names are rare and may derive from σίλλος or lampoon, suggesting a comic source. The second Life names his mother as Rhode, but this is unlikely, Rhodē means Rhodian woman, and is almost certainly derived from an attempt to explain Apollonius epithet Rhodian. The Lives, the Suda, and the geographical writer Strabo say that he came from Alexandria, Athenaeus and Aelian say that he came from Naucratis, no source gives the date of his birth. The Lives and the Suda agree that Apollonius was a student of the poet, Vita B states that Callimachus was his instructor in rhetoric, but the terminology is anachronistic. Moreover, in ancient biographies pupil and student are figures of speech designating the influence one poet may have exercised over another, head of the Library of Alexandria. The second Life, the Suda, and P. Oxy,1241 attest that Apollonius held this post. 1241 bears some signs of confusion since it lists Apollonius under Ptolemy I Soter, the Suda says that Apollonius succeeded Eratosthenes, but this doesnt fit the evidence either. There was another Alexandrian librarian named Apollonius and this may have caused some of the confusion, the epithet Rhodios or Rhodian indicates that Apollonius had some kind of association with the island of that name. The Lives and the Suda attest to his move there from Alexandria and they differ about whether he died in Rhodes or came back to Alexandria to take up the position of head of the Library. According to Vita A, he was a teacher in Rhodes. In fact the epithet of Rhodes need not indicate any physical association with the island and it might simply reflect the fact that he once wrote a poem about Rhodes. According to Athenaeus, he was called the Naucratite. Some modern scholars doubt that he was given that title but, if he was. Only the two Lives give information about Apollonius death, and they disagree, the first reports that he died in Rhodes, the second reports that he died after returning to Alexandria and adds that some say he was buried with Callimachus
Apollonius Rhodius
–
A coin showing Ptolemy III Euergetes; a pupil of Apollonius?
18.
Tzetzes
–
John Tzetzes was a Byzantine poet and grammarian, known to have lived at Constantinople during the 12th century. His most important work is the Chiliades, Tzetzes was Greek on his fathers side and Iberian on his mothers side. Tzetzes was described as vain, seems to have resented any attempt at rivalry, owing to a lack of written material, he was obliged to trust to his memory, therefore caution has to be exercised in reading his work. However, he was learned, and made a contribution to the furtherance of the study of ancient Greek literature. The most important of his works is considered to be the Book of Histories. The whole production suffers from a display of learning, the total number of authors quoted being more than 400. The author subsequently brought out an edition with marginal notes in prose and verse. His collection of 107 Letters addressed partly to fictitious personages, and partly to the men and women of the writers time. Tzetzes supplemented Homers Iliad by a work that begins with the birth of Paris, in the Antehomerica, Tzetzes recalled the events taking place before Homers Iliad. This work was followed by the Homerica, covering the events of the Iliad, all three are currently available in English translations. For the other works of Tzetzes see J. A. Fabricius, Bibliotheca graeca, xi.228, litt. monograph by G. Hart, De Tzetzarum nomine, vitis, scriptis, in Jahns Jahrbucher für classische Philologie. This article incorporates text from a now in the public domain, Chisholm, Hugh, ed. Tzetzes. Gautier, Paul, La curieuse ascendance de Jean Tzetzes, revue des Études Byzantines,28, 207-20
Tzetzes
–
16th-century manuscript of
Hesiod 's
Theogony with commentaries by John Tzetze
19.
Pausanias (geographer)
–
Pausanias was a Greek traveler and geographer of the 2nd century AD, who lived in the time of Roman emperors Hadrian, Antoninus Pius and Marcus Aurelius. He is famous for his Description of Greece, a work that describes ancient Greece from his first-hand observations. This work provides crucial information for making links between classical literature and modern archaeology, andrew Stewart assesses him as, A careful, pedestrian writer. interested not only in the grandiose or the exquisite but in unusual sights and obscure ritual. He is occasionally careless, or makes unwarranted inferences, and his guides or even his own notes sometimes mislead him, yet his honesty is unquestionable, before visiting Greece, he had been to Antioch, Joppa and Jerusalem, and to the banks of the River Jordan. In Egypt, he had seen the pyramids, while at the temple of Ammon, in Macedonia, he appears to have seen the alleged tomb of Orpheus in Libethra. Crossing over to Italy, he had something of the cities of Campania. He was one of the first to write of seeing the ruins of Troy, Alexandria Troas, Pausanias Description of Greece is in ten books, each dedicated to some portion of Greece. He begins his tour in Attica, where the city of Athens, subsequent books describe Corinthia, Laconia, Messenia, Elis, Achaea, Arcadia, Boetia, Phocis and Ozolian Locris. He famously leaves out key portions of Greece such as Crete, the project is more than topographical, it is a cultural geography. Pausanias digresses from description of architectural and artistic objects to review the mythological and historical underpinnings of the society that produced them and his work bears the marks of his attempt to navigate that space and establish an identity for Roman Greece. He is not a naturalist by any means, though he does from time to comment on the physical realities of the Greek landscape. He notices the pine trees on the sandy coast of Elis, the deer and the boars in the oak woods of Phelloe. Pausanias is most at home in describing the art and architecture of Olympia. Yet, even in the most secluded regions of Greece, he is fascinated by all kinds of depictions of gods, holy relics, Pausanias has the instincts of an antiquary. Some magnificent and dominating structures, such as the Stoa of King Attalus in the Athenian Agora or the Exedra of Herodes Atticus at Olympia are not even mentioned. While he never doubts the existence of the gods and heroes, he criticizes the myths. His descriptions of monuments of art are plain and unadorned and they bear the impression of reality, and their accuracy is confirmed by the extant remains. He is perfectly frank in his confessions of ignorance, when he quotes a book at second hand he takes pains to say so
Pausanias (geographer)
–
Manuscript (1485), of Pausanias' Description of Greece at the
Laurentian Library
20.
Ovid
–
Publius Ovidius Naso, known as Ovid in the English-speaking world, was a Roman poet who lived during the reign of Augustus. He was a contemporary of the older Virgil and Horace, with whom he is ranked as one of the three canonical poets of Latin literature. The Imperial scholar Quintilian considered him the last of the Latin love elegists and he enjoyed enormous popularity, but, in one of the mysteries of literary history, was sent by Augustus into exile in a remote province on the Black Sea, where he remained until his death. Ovid himself attributes his exile to carmen et error, a poem and a mistake and his poetry was much imitated during Late Antiquity and the Middle Ages, and greatly influenced Western art and literature. The Metamorphoses remains one of the most important sources of classical mythology, Ovid talks more about his own life than most other Roman poets. Information about his biography is drawn primarily from his poetry, especially Tristia 4.10, other sources include Seneca the Elder and Quintilian. Ovid was born in Sulmo, in an Apennine valley east of Rome, to an important equestrian family and that was a significant year in Roman politics. He was educated in rhetoric in Rome under the teachers Arellius Fuscus and Porcius Latro with his brother who excelled at oratory and his father wanted him to study rhetoric toward the practice of law. According to Seneca the Elder, Ovid tended to the emotional, after the death of his brother at 20 years of age, Ovid renounced law and began travelling to Athens, Asia Minor, and Sicily. Ovids first recitation has been dated to around 25 BC, when he was eighteen and he was part of the circle centered on the patron Marcus Valerius Messalla Corvinus, and seems to have been a friend of poets in the circle of Maecenas. 4.10. 41–54, Ovid mentions friendships with Macer, Propertius, Horace, Ovid was very popular at the time of his early works, but was later exiled by Augustus in AD8. He married three times and divorced twice by the time he was thirty years old and he had one daughter, who eventually bore him grandchildren. His last wife was connected in some way to the influential gens Fabia, the first 25 years of Ovids literary career were spent primarily writing poetry in elegiac meter with erotic themes. The chronology of early works is not secure, tentative dates. 2.18. 19–26 that seems to describe the collection as a published work. The authenticity of some of these poems has been challenged, between the publications of the two editions of the Amores can be dated the premiere of his tragedy Medea, which was admired in antiquity but is no longer extant. Ovid may identify this work in his poetry as the carmen, or song. The Ars Amatoria was followed by the Remedia Amoris in the same year and this corpus of elegiac, erotic poetry earned Ovid a place among the chief Roman elegists Gallus, Tibullus, and Propertius, of whom he saw himself as the fourth member
Ovid
–
Statue (1887) by
Ettore Ferrari commemorating Ovid's exile in Tomis (present-day
Constanța, Romania)
Ovid
–
A second statue of Ovid by
Ettore Ferrari in the Piazza XX Settembre,
Sulmona, Italy.
Ovid
–
Ovid Banished from Rome (1838) by
J.M.W. Turner.
Ovid
–
Medea in a fresco from
Herculaneum.
