CBC News, stylized as CBCnews, is the division of the Canadian Broadcasting Corporation responsible for the news gathering and production of news programs on the corporation's English-language operations, namely CBC Television, CBC Radio, CBC News Network, CBC.ca. Founded in 1941, CBC News is the largest news broadcaster in Canada and has local and national broadcasts and stations, it collaborates with its French-language counterpart, Radio-Canada Info, although the two are organizationally separate. The CBC follows the Journalistic Standards and Practices which provides the policy framework within which CBC journalism seeks to meet the expectations and obligations it faces from the public; the first CBC newscast was a bilingual radio report on November 2, 1936. The CBC News Service was inaugurated during World War II on January 1, 1941 when Dan McArthur, chief news editor, had Wells Ritchie prepare for the announcer Charles Jennings a national report at 8:00 pm. Readers who followed Jennings were Frank Herbert and Earl Cameron.
CBC News Roundup startet on August 16, 1943 at 7:45 pm, being replaced by The World at Six on October 31, 1966. On English-language television the first newscast, part of CBC Newsmagazine, was given on September 8, 1952 on CBLT, the only English station telecasting; that year CBC National News was introduced changing its name to The National in 1970. CBC began delivering news online in 1996 via the Newsworld Online website; the CBC News Online site launched in 1998. In 2009, CBC's Television News, Radio News and Digital News departments were merged into CBC News with a central assignment and reporting structure. In 2013, CBC News relaunched its CBC Aboriginal website, based in Winnipeg, with journalists in Toronto and other cities. In 2016, the site was renamed CBC Indigenous. In 2017, CBC News relaunched its flagship newscast, The National, with four co-anchors based in Toronto and Vancouver. CBC News has won Canadian awards including Michener, Canadian Screen, Canadian Association of Journalists and RTDNA awards and internationally, Prix Italia, Monte Carlo, Gabriel and International Emmys.
Thousands of hours of archival CBC News programming are available at the CBC Digital Archives Website and Facebook page. The Television News section of CBC News is responsible for the news programs on CBC Television and CBC News Network, including national news programs like The National, The Fifth Estate, The Investigators with Diana Swain and The Weekly with Wendy Mesley, they are responsible for news, business and sports information for Air Canada's inflight entertainment. The distinctive music on all CBC television news programs was introduced in 2006 as part of the extensive rebranding of all news programming under the CBC News title. Most local newscasts on CBC Television are branded as CBC News:, such as CBC News: Toronto at Six. Local radio newscasts are heard on the half-hour during morning and afternoon drive shows and on the hour at other times during the day; the Radio News section of CBC News produces on-the-hour updates for the CBC's national radio newscasts and provides content for regional updates.
Major radio programs include World Report, The World at Six, The World This Hour and The World this Weekend. The majority of news and information is aired on CBC Radio One. All newscasts are available via apps or via voice-activated virtual assistants. CBC News Online is the CBC's CBC.ca news website. Launched in 1996, it was named one of the most popular news websites in Canada in 2012; the website provides regional and international news coverage, investigative, business and entertainment. Investigative, business, Indigenous, health and tech news. An Opinion section was reintroduced in November 2016. Many reports are accompanied by podcasting and video from the CBC's television and radio news services. CBC News content is available on multiple platforms including Facebook, Instagram, etc. CBC News Network is an English-language news channel owned and operated by the CBC, it began broadcasting on July 31, 1989 from several regional studios in Halifax, Toronto and Calgary. It was revamped and relaunched as the CBC News Network in 2009 as part of a larger renewal of the CBC News division.
Current programs include CBC News Now, Power & Politics, The National with Adrienne Arsenault and, Ian Hanomansing, Andrew Chang and Rosemary Barton. In November 2005, the CBC News Weather Centre was established to cover local and international weather, using in part data provided by Environment Canada. Claire Martin was hired to serve as the primary face of the Weather Centre. In April 2014, the national Weather Centre was disbanded due to CBC budget cuts. In November 2014, citing difficulties implementing this new system, CBC announced a one-year trial content sharing partnership with The Weather Network, the owned cable specialty channel, which went into effect on December 8. Under the partnership, in exchange for access to weather-related news coverage from the CBC, The Weather Network provides the national weather reports seen on The National and CBCNN da
What It Is (Mark Knopfler song)
"What It Is" is a song written and recorded by the British rock musician Mark Knopfler. It was released on 4 September 2000 as the lead single from his second solo studio album, Sailing to Philadelphia; the song's lyrics pay homage to the city of Edinburgh, Scotland
The Globe and Mail
The Globe and Mail is a Canadian newspaper printed in five cities in western and central Canada. With a weekly readership of 2,018,923 in 2015, it is Canada's most read newspaper on weekdays and Saturdays, although it falls behind the Toronto Star in overall weekly circulation because the Star publishes a Sunday edition while the Globe does not; the Globe and Mail is regarded by some as Canada's "newspaper of record". The newspaper is owned based in Toronto; the predecessor to The Globe and Mail was called The Globe. Brown's liberal politics led him to court the support of the Clear Grits, precursor to the modern Liberal Party of Canada; the Globe began in Toronto as a weekly party organ for Brown's Reform Party, but seeing the economic gains that he could make in the newspaper business, Brown soon targeted a wide audience of liberal minded freeholders. He selected as the motto for the editorial page a quotation from Junius, "The subject, loyal to the Chief Magistrate will neither advise nor submit to arbitrary measures."
The quotation is carried on the editorial page to this day. By the 1850s, The Globe had become an well-regarded daily newspaper, it began distribution by railway to other cities in Ontario shortly after Confederation. At the dawn of the twentieth century, The Globe added photography, a women's section, the slogan "Canada's National Newspaper", which remains on its front-page banner, it began opening bureaus and offering subscriptions across Canada. On 23 November 1936, The Globe merged with The Mail and Empire, itself formed through the 1895 merger of two conservative newspapers, The Toronto Mail and Toronto Empire. Press reports at the time stated, "the minnow swallowed the whale" because The Globe's circulation was smaller than The Mail and Empire's; the merger was arranged by George McCullagh, who fronted for mining magnate William Henry Wright and became the first publisher of The Globe and Mail. McCullagh committed suicide in 1952, the newspaper was sold to the Webster family of Montreal.
As the paper lost ground to The Toronto Star in the local Toronto market, it began to expand its national circulation. The newspaper was unionised under the banner of the American Newspaper Guild. From 1937 until 1974, the newspaper was produced at the William H. Wright Building, located at 140 King Street West on the northeast corner of King Street and York Street, close to the homes of the Toronto Daily Star at Old Toronto Star Building at 80 King West and the Old Toronto Telegram Building at Bay and Melinda; the building at 130 King Street West was demolished in 1974 to make way for First Canadian Place, the newspaper moved to 444 Front Street West, the headquarters of the Toronto Telegram newspaper, built in 1963. In 1965, the paper was bought by Winnipeg-based FP Publications, controlled by Bryan Maheswary, which owned a chain of local Canadian newspapers. FP put a strong emphasis on the Report on Business section, launched in 1962, thereby building the paper's reputation as the voice of Toronto's business community.
FP Publications and The Globe and Mail were sold in 1980 to The Thomson Corporation, a company run by the family of Kenneth Thomson. After the acquisition there were few changes made in news policy. However, there was more attention paid to national and international news on the editorial, op-ed, front pages in contrast to its previous policy of stressing Toronto and Ontario material; the Globe and Mail has always been a morning newspaper. Since the 1980s, it has been printed in separate editions in six Canadian cities: Montreal, Winnipeg and Vancouver. Southern Ontario Newspaper Guild employees took their first strike vote at The Globe in 1982 marking a new era in relations with the company; those negotiations ended without a strike, the Globe unit of SONG still has a strike-free record. SONG members voted in 1994 to sever ties with the American-focused Newspaper Guild. Shortly afterwards, SONG affiliated with the Communications and Paperworkers Union of Canada. Under the editorship of William Thorsell in the 1980s and 1990s, the paper endorsed the free trade policies of Progressive Conservative Prime Minister Brian Mulroney.
The paper became an outspoken proponent of the Meech Lake Accord and the Charlottetown Accord, with their editorial the day of the 1995 Quebec Referendum quoting a Mulroney speech in favour of the Accord. During this period, the paper continued to favour such liberal policies as decriminalizing drugs and expanding gay rights. In 1995, the paper launched globeandmail.com. Since the launch of the National Post as another English-language national paper in 1998, some industry analysts had proclaimed a "national newspaper war" between The Globe and Mail and the National Post; as a response to this threat, in 2001, The Globe and Mail was combined with broadcast assets held by Bell Canada to form the joint venture Bell Globemedia. In 2004, access to some features of globeandmail.com became restricted to paid subscribers only. The subscription service was reduced a few years to include an electronic edition of the newspaper, access to its archives, membership to a premium investment site
Canada is a country in the northern part of North America. Its ten provinces and three territories extend from the Atlantic to the Pacific and northward into the Arctic Ocean, covering 9.98 million square kilometres, making it the world's second-largest country by total area. Canada's southern border with the United States is the world's longest bi-national land border, its capital is Ottawa, its three largest metropolitan areas are Toronto and Vancouver. As a whole, Canada is sparsely populated, the majority of its land area being dominated by forest and tundra, its population is urbanized, with over 80 percent of its inhabitants concentrated in large and medium-sized cities, many near the southern border. Canada's climate varies across its vast area, ranging from arctic weather in the north, to hot summers in the southern regions, with four distinct seasons. Various indigenous peoples have inhabited what is now Canada for thousands of years prior to European colonization. Beginning in the 16th century and French expeditions explored, settled, along the Atlantic coast.
As a consequence of various armed conflicts, France ceded nearly all of its colonies in North America in 1763. In 1867, with the union of three British North American colonies through Confederation, Canada was formed as a federal dominion of four provinces; this began an accretion of provinces and territories and a process of increasing autonomy from the United Kingdom. This widening autonomy was highlighted by the Statute of Westminster of 1931 and culminated in the Canada Act of 1982, which severed the vestiges of legal dependence on the British parliament. Canada is a parliamentary democracy and a constitutional monarchy in the Westminster tradition, with Elizabeth II as its queen and a prime minister who serves as the chair of the federal cabinet and head of government; the country is a realm within the Commonwealth of Nations, a member of the Francophonie and bilingual at the federal level. It ranks among the highest in international measurements of government transparency, civil liberties, quality of life, economic freedom, education.
It is one of the world's most ethnically diverse and multicultural nations, the product of large-scale immigration from many other countries. Canada's long and complex relationship with the United States has had a significant impact on its economy and culture. A developed country, Canada has the sixteenth-highest nominal per capita income globally as well as the twelfth-highest ranking in the Human Development Index, its advanced economy is the tenth-largest in the world, relying chiefly upon its abundant natural resources and well-developed international trade networks. Canada is part of several major international and intergovernmental institutions or groupings including the United Nations, the North Atlantic Treaty Organization, the G7, the Group of Ten, the G20, the North American Free Trade Agreement and the Asia-Pacific Economic Cooperation forum. While a variety of theories have been postulated for the etymological origins of Canada, the name is now accepted as coming from the St. Lawrence Iroquoian word kanata, meaning "village" or "settlement".
In 1535, indigenous inhabitants of the present-day Quebec City region used the word to direct French explorer Jacques Cartier to the village of Stadacona. Cartier used the word Canada to refer not only to that particular village but to the entire area subject to Donnacona. From the 16th to the early 18th century "Canada" referred to the part of New France that lay along the Saint Lawrence River. In 1791, the area became two British colonies called Upper Canada and Lower Canada collectively named the Canadas. Upon Confederation in 1867, Canada was adopted as the legal name for the new country at the London Conference, the word Dominion was conferred as the country's title. By the 1950s, the term Dominion of Canada was no longer used by the United Kingdom, which considered Canada a "Realm of the Commonwealth"; the government of Louis St. Laurent ended the practice of using'Dominion' in the Statutes of Canada in 1951. In 1982, the passage of the Canada Act, bringing the Constitution of Canada under Canadian control, referred only to Canada, that year the name of the national holiday was changed from Dominion Day to Canada Day.
The term Dominion was used to distinguish the federal government from the provinces, though after the Second World War the term federal had replaced dominion. Indigenous peoples in present-day Canada include the First Nations, Métis, the last being a mixed-blood people who originated in the mid-17th century when First Nations and Inuit people married European settlers; the term "Aboriginal" as a collective noun is a specific term of art used in some legal documents, including the Constitution Act 1982. The first inhabitants of North America are hypothesized to have migrated from Siberia by way of the Bering land bridge and arrived at least 14,000 years ago; the Paleo-Indian archeological sites at Old Crow Flats and Bluefish Caves are two of the oldest sites of human habitation in Canada. The characteristics of Canadian indigenous societies included permanent settlements, complex societal hierarchies, trading networks; some of these cultures had collapsed by the time European explorers arrived in the late 15th and early 16th centuries and have only been discovered through archeological investigations.
The indigenous population at the time of the first European settlements is estimated to have been between 200,000
Radio documentary is a spoken word radio format devoted to non-fiction narrative. It is broadcast on radio as well as distributed through media such as tape, CD, podcast. A radio documentary, or feature, covers a topic in depth from one or more perspectives featuring interviews and sound pictures. A radio feature may include original music compositions and creative sound design or can resemble traditional journalistic radio reporting, but covering an issue in greater depth; the early stages of fiction audio storytelling did not resemble what would be called radio documentary. In the 1930s, with radio stations like WNYC entering the airspace, reporters documented real people and real life scenarios through short on-the-ground interviews rather than dramatization. Other notable documentary broadcasts include the unrefined one-shot audio recordings of events, such as the Hindenburg disaster in 1937. By 1939, CBS responded to growing anxieties about immigration in the U. S. with a six-month series, titled "Americans All…Immigrants All," that highlighted the stories of immigrant communities.
The lack of documentary style reporting in this era can be attributed, in part, to technological limitations. An important moment in the establishment of radio documentary as a used and discussed format is the expansion of portable audio recording devices. In 1945, sound archivist and radio producer, Tony Schwartz began to use portable audio recording equipment to collect the sounds of his neighborhood in New York City to share on his WNYC radio show; this style of sharing true-life sound bytes would remain in public radio documentary. In 1946, one of the most pivotal developments in the spread and stylization of radio documentary was the creation of the CBS Documentary Unit, it was the first sector of a major media network dedicated to this format of radio. The unit was "'devoted to the production of programs dealing with major domestic and international issues and involving extraordinary research and preparation'". Not only did the content deviate from programming that favors advertisers, the style deviated from the standard, creating a well known format.
The style of reporting for the CBS features was melded by ABC and NBC networks. The format included extensive interviews to gain multiple perspectives of an issue, an adherence to journalistic ethics, a call to action. Examples of these first documentary projects include CBS' 1946 war feature, The Empty Noose, ABC's 1949 program, V. D. A Conspiracy of Silence, addressing the lack of public attention to venereal disease. With the founding of National Public Radio in 1971, radio documentary began shifting again due to non-commercial educational media. For a short time, programs such as All Things Considered explored creative styles of presenting non-fiction by deviating from now traditional styles of radio documentary by hiring reporters outside of the radio sphere. Important shifts in technology have allowed radio documentary to travel beyond the analog. In the advent of podcasting and internet radio, the FCC provides no guidelines for these media. Programs are allowed to skirt FCC regulation, marking yet another shift in content and style of documentary programming.
Current features that exemplify the new possibilities opened by podcasting include the gritty subject matter of Love + Radio and the critical success of the podcast Serial due to the ability of listeners across the globe to access the content for free. At its best, radio combines the power and immediacy of great documentary films with the intimacy and poetry of a New Yorker-style magazine piece. Staring red-eyed at the mirror in front of me, having spent another day and half of the night with my computer, I ask myself fundamental questions: Why radio? Why documentary? Answer: No other medium can provide me with more freedom of creation and investigation, it meets the desire for a ` musical' expression. The material is sound, and sound always surrounds us. And: I'm not so much interested in processes. Our medium is not time. That's why! So what is a radio feature? Technically speaking, it is a 30- to 60-minute, elaborate broadcast from a semantic field related to a radio drama, that can contain all the elements from original sound and author texts to noise and music.
There has been tremendous interest in the field of Radio Documentaries in the developing nations such as India, South Korea and Malaysia. In India for example, Radio Documentary is gaining in popularity due to the flexibility and accessibility to the masses. Producers such as Chitra Narain and Danish Iqbal have been accredited with its revival and popularity in the region. Danish Iqbal, a Drama Producer combined the elements of Dramatic narrative to produce some memorable Radio Documentaries, his Documentary "Yeh Rishta Kya Kehlata Hai' is considered a Classic for the use of effective narrative and ambient sounds. This Documentary presents a heartfelt account of unseen bridges between a Kashmiri Shikarah Wala and his Auto Rickshaw Driver friend in Delhi. Although they never met each other but their unseen bond is the subject of this rare Documentary which transcends the barriers of political and regional prejudices; because both Chitra and Danish had a long tenure at Delhi and had creative collaboration with many Media Institutes
World music is a musical category encompassing many different styles of music from around the globe, which includes many genres including some forms of Western music represented by folk music, Jazz, as well as selected forms of ethnic music, indigenous music, neotraditional music, music where more than one cultural tradition, such as ethnic music and Western popular music, intermingle. World music's inclusive nature and elasticity as a musical category may pose for some obstacles to a universal definition, but its ethic of interest in the culturally exotic is encapsulated in Roots magazine's description of the genre as "local music from out there"; the term was popularized in the 1980s as a marketing category for non-Western traditional music. Globalization has facilitated the expansion of scope, it has grown to include hybrid subgenres such as world fusion, global fusion, ethnic fusion, worldbeat. The term has been credited to ethnomusicologist Robert E. Brown, who coined it in the early 1960s at Wesleyan University in Connecticut, where he developed undergraduate through the doctoral programs in the discipline.
To enhance the process of learning, he invited more than a dozen visiting performers from Africa and Asia and began a world music concert series. The term became current in the 1980s as a marketing/classificatory device in the media and the music industry. There are several conflicting definitions for world music. One is that it consists of "all the music in the world", though such a broad definition renders the term meaningless; the term is taken as a classification of music that combines Western popular music styles with one of many genres of non-Western music that are described as folk music or ethnic music. However, world music is not traditional folk music, it may include cutting edge pop music styles as well. Succinctly, it can be described as "local music from out there", or "someone else's local music", it is a nebulous term with an increasing number of genres that fall under the umbrella of world music to capture musical trends of combined ethnic style and texture, including Western elements.
World music may incorporate distinctive non-Western scales, modes and/or musical inflections, features distinctive traditional ethnic instruments, such as the kora, the steel drum, the sitar or the didgeridoo. Music from around the world exerts wide cross-cultural influence as styles influence one another, in recent years world music has been marketed as a successful genre in itself. Academic study of world music, as well as the musical genres and individual artists associated with it appear in such disciplines as anthropology, performance studies and ethnomusicology. In the age of digital music production the increased availability of high-quality, ethnic music samples, sound bites and loops from every known region are used in commercial music production, which has exposed a vast spectrum of indigenous music texture to developing, independent artists; these influences proliferate in a web-based music industry, now percolating as a much larger, predominantly self-promoted menu, via an increasing number of indie-artist-friendly, streaming Internet options, such as Last.fm, Live365, Jango Artist Airplay and ReverbNation.
An amalgamation of roots music in the global, contemporary listening palette has become apparent, which weakens the role major entertainment labels can play in the cultural perception of genre boundaries. As a result, definitions of the genre have become varied, determined by wide-ranging and varied opinions. Similar terminology between distinctly different sub-categories under primary music genres, such as world and pop can be as ambiguous and confusing to industry moguls as it is to consumers; this is true in the context of world music, where branches of ethnically influenced pop trends are as genre-defined by consumer perception as they are by the music industry forums that govern the basis for categorical distinction. Academic scholars tend to agree that, in today's world of consumer music reviews and blogging, global music culture's public perception is what distils a prevailing basis for definition from genre ambiguity, regardless of how a category has been outlined by corporate marketing forums and music journalism.
The world music genre's gradual migration from a clear spectrum of roots music traditions to an extended list of hybrid subgenres is a good example of the motion genre boundaries can exhibit in a globalizing pop culture. The classic, original definition of world music was in part created to instill a perceived authenticity and distinction between indigenous music traditions and those that become diluted by pop culture, the modern debate over how possible it is to maintain that perception in the richly diverse genre of world music is ongoing. In a report on the 2014 globalFEST National Public Radio's Anastasia Tsioulcas said "Even within the "world music" community, nobody likes the term "world music." It smacks of all kinds of loaded issues, from cultural colonialism to questions about what's "authentic" and what isn't, forces an incredible array of styles that don't have anything in common under the label of "exotic Other." What's more: I believe that in many people's imaginations, "world music" means a kind of awful, hippy-ish, worldbeat fusion.
It's a problematic, horrible term that satisfies no one." Examples of popular forms of world music include the various forms of non-European classical music (e.g. Japanese koto and Chinese guzheng music, In