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Serbian Cyrillic alphabet
The Serbian Cyrillic alphabet is an adaptation of the Cyrillic script for Serbo-Croatian, developed in 1818 by Serbian linguist Vuk Karadžić. It is one of the two alphabets used to write standard modern Serbian and Montenegrin, the other being Latin. In Croatian and Bosnian, only the Latin alphabet is used. Karadžić based his alphabet on the previous "Slavonic-Serbian" script, following the principle of "write as you speak and read as it is written", removing obsolete letters and letters representing iotified vowels, introducing ⟨J⟩ from the Latin alphabet instead, adding several consonant letters for sounds specific to Serbian phonology. During the same period, Croatian linguists led by Ljudevit Gaj adapted the Latin alphabet, in use in western South Slavic areas, using the same principles; as a result of this joint effort and Latin alphabets for Serbo-Croatian have a complete one-to-one congruence, with the Latin digraphs Lj, Nj, Dž counting as single letters. Vuk's Cyrillic alphabet was adopted in Serbia in 1868, was in exclusive use in the country up to the inter-war period.
Both alphabets were co-official in the Kingdom of Yugoslavia and in the Socialist Federal Republic of Yugoslavia. Due to the shared cultural area, Gaj's Latin alphabet saw a gradual adoption in Serbia since, both scripts are used to write modern standard Serbian and Bosnian. In Serbia, Cyrillic is seen as being more traditional, has the official status, it is an official script in Bosnia-Herzegovina and Montenegro, along with Latin. The Serbian Cyrillic alphabet was used as a basis for the Macedonian alphabet with the work of Krste Misirkov and Venko Markovski. Cyrillic is in official use in Serbia and Bosnia and Herzegovina. Although the Bosnian language "officially accept both alphabets", the Latin script is always used in the Federation of Bosnia and Herzegovina, whereas Cyrillic is in everyday use in Republika Srpska; the Serbian language in Croatia is recognized as a minority language, the use of Cyrillic in bilingual signs has sparked protests and vandalism. Cyrillic is an important symbol of Serbian identity.
In Serbia, official documents are printed in Cyrillic only though, according to a 2014 survey, 47% of the Serbian population write in the Latin alphabet whereas 36% write in Cyrillic. The following table provides the upper and lower case forms of the Serbian Cyrillic alphabet, along with the equivalent forms in the Serbian Latin alphabet and the International Phonetic Alphabet value for each letter: According to tradition, Glagolitic was invented by the Byzantine Christian missionaries and brothers Cyril and Methodius in the 860s, amid the Christianization of the Slavs. Glagolitic appears to be older, predating the introduction of Christianity, only formalized by Cyril and expanded to cover non-Greek sounds. Cyrillic was created by the orders of Boris I of Bulgaria by Cyril's disciples at the Preslav Literary School in the 890s; the earliest form of Cyrillic was the ustav, based on Greek uncial script, augmented by ligatures and letters from the Glagolitic alphabet for consonants not found in Greek.
There was no distinction between lowercase letters. The literary Slavic language was based on the Bulgarian dialect of Thessaloniki. Part of the Serbian literary heritage of the Middle Ages are works such as Vukan Gospels, St. Sava's Nomocanon, Dušan's Code, Munich Serbian Psalter, others; the first printed book in Serbian was the Cetinje Octoechos. Vuk Stefanović Karadžić fled Serbia during the Serbian Revolution to Vienna. There he met a linguist with interest in slavistics. Kopitar and Sava Mrkalj helped Vuk to reform its orthography, he finalized the alphabet in 1818 with the Serbian Dictionary. Karadžić reformed the Serbian literary language and standardised the Serbian Cyrillic alphabet by following strict phonemic principles on the Johann Christoph Adelung' model and Jan Hus' Czech alphabet. Karadžić's reforms of the Serbian literary language modernised it and distanced it from Serbian and Russian Church Slavonic, instead bringing it closer to common folk speech to the dialect of Eastern Herzegovina which he spoke.
Karadžić was, together with Đuro Daničić, the main Serbian signatory to the Vienna Literary Agreement of 1850 which, encouraged by Austrian authorities, laid the foundation for the Serbian language, various forms of which are used by Serbs in Serbia, Montenegro and Herzegovina and Croatia today. Karadžić translated the New Testament into Serbian, published in 1868, he wrote several books. In his letters from 1815-1818 he used: Ю, Я, Ы and Ѳ. In his 1815 song book he dropped the Ѣ; the alphabet was adopted in 1868, four years after his death. From the Old Slavic script Vuk retained these 24 letters: He added one Latin letter: And 5 new ones: He removed: Orders issued on the 3 and 13 October 1914 banned the use of Serbian Cyrillic in the Kingdom of Croatia-Slavonia, limiting it for use in religious instruction. A decree was passed on January 3, 1915, that banned Serbian Cyrillic from public use. An imperial order in October 25, 1915, banned the use of Serbian Cyrillic in the Condominium of Bosnia and Herzegovina, except "within the scope of Serb Orthodox Church
A diary is a record with discrete entries arranged by date reporting on what has happened over the course of a day or other period. A personal diary may include a person's experiences, and/or feelings, excluding comments on current events outside the writer's direct experience. Someone who keeps a diary is known as a diarist. Diaries undertaken for institutional purposes play a role in many aspects of human civilization, including government records, business ledgers, military records. In British English, the word may denote a preprinted journal format. A diary is a collection of notes. Today the term is employed for personal diaries intended to remain private or to have a limited circulation amongst friends or relatives; the word "journal" may be sometimes used for "diary," but a diary has daily entries, whereas journal-writing can be less frequent. Although a diary may provide information for a memoir, autobiography or biography, it is written not with the intention of being published as it stands, but for the author's own use.
In recent years, there is internal evidence in some diaries that they are written with eventual publication in mind, with the intention of self-vindication, or for profit. By extension the term diary is used to mean a printed publication of a written diary; the word diary comes from the Latin diarium. The word journal comes from the same root through Old French jurnal; the earliest use of the word refers to a book in which a daily record was written was in Ben Jonson's comedy Volpone in 1605. The oldest extant diaries come from Middle Eastern and East Asian cultures, although the earlier work To Myself, today known as the Meditations, written in Greek by the Roman Emperor Marcus Aurelius in the second half of the 2nd century AD displays many characteristics of a diary. Pillowbooks of Japanese court ladies and Asian travel journals offer some aspects of this genre of writing, although they consist of diurnal records; the scholar Li Ao, for example, kept a diary of his journey through southern China.
In the medieval Near East, Arabic diaries were written from before the 10th century. The earliest surviving diary of this era which most resembles the modern diary was that of Ibn Banna' in the 11th century, his diary is the earliest known to be arranged in order of date much like modern diaries. The precursors of the diary in the modern sense include daily notes of medieval mystics, concerned with inward emotions and outward events perceived as spiritually important. From the Renaissance on, some individuals wanted not only to record events, as in medieval chronicles and itineraries, but to put down their own opinions and express their hopes and fears, without any intention to publish these notes. One of the early preserved examples is the anonymous Journal d'un bourgeois de Paris that covers the years 1405–49, giving subjective commentaries on the current events. Famous 14th- to 16th-century Renaissance examples, which appeared much as books, were the diaries by the Florentines Buonaccorso Pitti and Gregorio Dati and the Venetian Marino Sanuto the Younger.
Here we find records of less important everyday occurrences together with much reflection, emotional experience and personal impressions. In 1908 the Smythson company created the first featherweight diary, enabling diaries to be carried about. Many diaries of notable figures have been published and form an important element of autobiographical literature. Samuel Pepys is the earliest diarist, well known today. Pepys was amongst the first who took the diary beyond mere business transaction notation, into the realm of the personal. Pepys' contemporary John Evelyn kept a notable diary, their works are among the most important primary sources for the English Restoration period, consist of eyewitness accounts of many great events, such as the Great Plague of London, the Great Fire of London; the practice of posthumous publication of diaries of literary and other notables began in the 19th century. As examples, the Grasmere Journal of Dorothy Wordsworth was published in 1897. Among important U. S. Civil War diaries are those of George Templeton Strong, a New York City lawyer, Mary Chesnut, the wife of a Confederate officer.
The diary of Jemima Condict, living in the area of what is now West Orange, New Jersey, includes local observations of the American Revolutionary War. Since the 19th century the publication of diaries by their authors has become commonplace – notably amongst politicians seeking justification but amongst artists and litterateurs of all descriptions. Amongst late 20th-century British published political diaries, those of Richard Crossman, Tony Benn and Alan Clark are representative, the latter being more indiscreet in the tradition of the diaries of Chips Channon. In Britain in the field of the arts notable diaries were published by James Lees-Milne, Roy Strong and Peter Hall. Harold Nicolson in the mid-20th century covered the arts. One of the m