Paryushana is the most important annual holy events for Jains and is celebrated in August or September in Hindi calendar Bhadrapad Month's Shukla Paksha. It lasts 10 days for Digambara sect of Jains. Jains increase their level of spiritual intensity using fasting and prayer/meditation to help; the five main vows are emphasized during this time. There are no set rules, followers are encouraged to practice according to their ability and desires. Digambaras refer it as Das Lakshana Dharma while Śvētāmbaras refer to it as Paryushana; the duration of Paryushana is for eight days for Śvētāmbara Jains and ten days for Jains belonging to the Digambara sect. The festival ends with the celebration of Kshamavani. Paryushana means "abiding and coming together", it is a time when the Jains take on vows of fasting. The Digambara Jains recite the ten chapters of the sacred Jain text, Tattvartha Sutra on ten days of fasting. Digambaras celebrate Ananta Chaturdashi. Many towns have a procession leading to the main Jain temple.
Ananta Chaturdashi marks the day. At the conclusion of the festival, followers request forgiveness from others for any offenses committed during the last year. Forgiveness is asked by saying Micchami Dukkadam to others, which means, "If I have offended you in any way, knowingly or unknowingly, in thought, word or action I seek your forgiveness." During the eight-day festival, the Śvētāmbara Murtipujakas recite the Kalpa Sūtra, which includes a recitation of the section on birth of Mahavira on the fifth day. Some Śvētāmbara Sthānakavāsīs recite the Antagada Sutra, which details the life of great men and women who attained moksha during the eras of Neminatha and Mahavira. During Paryushana, Jains observe a fast; the span of the fast can last from a day to 30 days or more. In Digambara Jainism, śrāvakas do not take food and/or water more than once in a day when observing fasts, while Śvētāmbaras observing a fast survive on boiled water, consumed only between sunrise and sunset. At the conclusion of the festival, śrāvakas request each other for forgiveness for all offenses committed during the last year.
This occurs on the Paryusha day for Śvētāmbaras and on the Prathama of the month of Ashvin Krashna for Digambaras. Forgiveness is asked by saying Micchami Uttam Kshama to each other, it means "If I have caused you offence in any way, knowingly or unknowingly, in thought word or deed I seek your forgiveness". Das-Dharma are mentioned in Tattvartha Sutra; these are: Uttam Kshama - उत्तम क्षमा Uttam Mardava - उत्तम मार्दव Uttam Aarjava - उत्तम आर्जव Uttam Satya - उत्तम सत्य Uttam Soch - उत्तम सोच Uttam Sanyam - उत्तम संयम Uttam Tap - उत्तम तप Uttam Tyaga - उत्तम त्याग Uttam Aakinchanya and - उत्तम अकिंचन्य Uttam Brahmcharya - उत्तम बह्मचर्यIn the full form, it is a 10-day vrata that comes every year. It may be undertaken during Shukla Panchami to Chaturdashi of Magh or Chaitra months; however it is common to do it during Bhadrapada. The Das-dharmas are all prefixed by the word ‘Uttam’ to signify that they are practiced at the highest level by the Jain monks; the householder practises them to a lesser extent.
It lasts over a period of ten days, each day being dedicated to one of the ten Dharmas. In the sections below a) stands for the temporary point of view of modes and modification b) stands for the permanent point of view of underlying substance. A) We forgive those who have wronged us and seek forgiveness from those we have wronged. Forgiveness is sought not just from human colleagues, but from all living beings ranging from one sensed to five sensed. If we do not forgive or seek forgiveness but instead harbor resentment, we bring misery and unhappiness on ourselves and in the process shatter our peace of mind and make enemies. Forgiving and seeking forgiveness oils the wheel of life allowing us to live in harmony with our fellow beings, it attracts meritorious karma. B) Forgiveness here is directed to oneself; the soul, in a state of mistaken identity or false belief, assumes that it consists of the body, the karmas and the emotions – likes, anger, pride etc. As a result of this incorrect belief, it inflicts pain upon itself and is thus the cause of its own misery.
Nischay Kshama Dharma teaches the soul to identify itself by encouraging it to contemplate in its true nature and hence achieve the state of right Belief. It is only by achieving Samyak Darshan that the soul ceases to inflict pain on itself and attains supreme happiness. A) Wealth, good looks, reputable family or intelligence lead to pride. Pride means to believe one to look down on others. By being proud you are measuring your worth by temporary material objects; these objects will either leave you or you will be forced to leave them when you die. These eventualities will cause you unhappiness as a result of the ‘dent’ caused to your self-worth. Being humble will prevent this. Pride leads to the influx of the bad karmas. B) All the souls are equal, none being superior or inferior to another; the Nischay view encourages one to understand their true nature. All souls have the potential to be liberated souls; the only difference between the liberated souls and those in bondage is that the former have attained liberation as a result of their ‘effort’.
With effort the latter can achieve liberation. A) The action of a deceitful pe
Dravyasaṃgraha is a 10th-century Jain text in Jain Sauraseni Prakrit by Acharya Nemicandra belonging to the Digambara Jain tradition. It is a composition of 58 gathas giving an exposition of the six dravyas that characterize the Jain view of the world: sentient, non-sentient, principle of motion, principle of rest and time, it has gained widespread popularity. Dravyasaṃgraha has played an important role in Jain education and is memorized because of its comprehensiveness as well as brevity. 10th century Jain Acarya, Nemicandra Siddhānta Cakravartin is regarded as the author of Dravyasaṃgraha. He was the teacher of Camundaraya—the general of the Western Ganga Dynasty of Karnataka. Nemicandra was a prolific author and a specialist in summarizing and giving lucidly the essence of teachings in various fields, he wrote Trilokasāra, Labdhisāra, Kṣapaṇasāra, Gommaṭasāra. Although not much is known about him from his own works, at the end of the Trilokasāra and of the Gommaṭasāra, he introduces himself as a pupil of Abhayanandi, Vīranandi and Kanakanandi.
He is said to have inspired Camundaraya to build the famous Bāhubali statue at Shravanabelagola. Vahuvali Charitra notes. After establishing the statue of Bāhubali, Camundaraya offered villages yielding a revenue of 96,000 gold coins to Nemicandra for daily worship of and festivals for Gommatesvara. Dravyasaṃgraha has played an important role in Jain education and is memorized because of its comprehensiveness and brevity; the composition of Dravyasaṃgraha is influenced from the earlier Jain works such as Umāsvāti's Tattvārthasūtra and Kundakunda's Pañcāstikāyasara because these works are based on the same topics as the Dravyasaṃgraha. According to Nalini Balbir, the Dravyasaṃgraha is a work of definitions of concepts with mnemonic perspective. In its 58 verses, the author makes skillful use of āryā metre. Nemicandra's presentation is articulated around the opposition between the conventional and the absolute points of view, or around the contrast between the material and the spiritual angles.
Sarat Chandra Ghoshal, the translator of Dravyasaṃgraha, divides the entire text in three convenient parts—the first part deals with six dravyas, the second with seven tattvas and the third part describes the way to attain liberation. In tine opening verse, along with the usual mangalacharana, it is mentioned that dravya consists of jiva and ajiva. In the second verse Jiva is defined:The sentient substance is characterized by the function of understanding, is incorporeal, performs actions, is co-extensive with its own body, it is the enjoyer, located in the world of rebirth emancipated has the intrinsic movement upwards. The various characteristics of Jiva mentioned in the definition are taken up one by one in verses 3–14. Dravyasaṃgraha classifies the embodied souls on the basis of the number of senses possessed by it: from one to five senses. After this detailed description of Jivas the author proceeds to describe Ajivas—Pudgala, adharma and Kala, each of, defined in verses 16–22. Among these, as per verse 23, the Jiva, dharma and akasa are called astikayas, the extensibles or conglomerates.
The second part deals with the seven tattvas: jīva, ajīva, āsrava, bandha, saṃvara, nirjarā and mokṣa. Together with puṇya and pāpa they form nine padārtha; some call all nine as nine tattvas. The third part of Dravyasaṃgraha begins with verse 39 describing the means to attain liberation from conventional and real point of views; the three jewels of Jainism known as Ratnatraya—Samyak darśana, samyak jñāna and samyak cāritra —which are essential in achieving liberation—are defined and the importance of dhyāna is emphasized. On meditation, Nemicandra says: Do not be deluded, do not be attached, do not feel aversion for things which are dear or not dear, if you desire a steady mind for the attainment of extraordinary meditation. Do not act, do not talk, do not think at all, so that the soul is steady and is content in the self; this indeed is supreme meditation. Verses 49 to 54 of the Dravyasaṃgraha, succinctly characterizes the five Supreme Beings and their characteristics. Having destroyed the four inimical varieties of karmas, possessed of infinite faith, happiness and power, housed in most auspicious body, that pure soul of the World Teacher should be meditated on.
One of the most popular commentaries of Dravyasaṃgraha is that by Brahmadeva from around the 14th century. Other commentaries on the work include: Balacandra – Tika on Nemicandra's Dravyasamgraha Mallisena – Commentary on Nemicandra Siddhantin's Dravyasamgraha Brahmadeva – Vrtti on Nemicandra's Dravyasamgraha Hamsaraja – Commentary on Nemicandra's Dravyasamgraha. Ramacandra – Commentary on Nemicandra's Dravyasamgraha. Jain Agama
Bhaktamara Stotra is a famous Jain Sanskrit prayer. It was composed by Acharya Manatunga; the name Bhaktamara comes from a combination of two Sanskrit names, "Bhakta" and "Amar". The prayer praises the first Tirthankara of Jainism in this time cycle. There are forty-eight verses in total; the last verse gives the name of the author Manatunga. Bhaktamar verses have been recited as a stotra, sung as a stavan, somewhat interchangeably. Other Jain prayers have taken after these. Bhaktamar stotra word by word meaning in hindi. Https://drive.google.com/folderview?id=1RdKg9zmOevWA40Z7aXK4boUHN2I9GtF4 According to legends, Manatunga Āchārya was chained and imprisoned by the local King Bhoja. Mantunga Āchārya composed this stotra in the prison. With the completion of each verse, a chain broke. Manatunga was free. Legends associate Manatunga with a ruler named Bhoja; however Manatunga lived a few centuries before Raja Bhoja of Dhara. He is identified by some scholars as Kshapanaka, one of the Navaratnas in the court of legendary Vikramaditya.
An unidentified Sanskrit poet Matanga, composer of "Brahaddeshi" on music theory, may have been the same person. Bhaktamara stotra was composed sometime in the Gupta or the post-Gupta period, making Manatunga contemporary with other navaratnas like Kalidasa and Varahamihira. Several spots near Bhopal and Dhar are traditionally associated with Manatunga. Bhaktamara Stotra is believed to be at least a thousand years old, though many believe it to be still older. Bhaktamara Stotra has been passed down from generation to generation, it is an ageless panegyric. The importance and effectiveness is believed to have increased with the passage of time. Bhaktamara Stotra is recited by many with religious regularity; the original Stotra is in Sanskrit and written in Devnagiri script. The Bhaktamar Stotra has 48 stanzas; every stanza has four parts. Every part has 14 letters; the complete panegyric is formed by 26 88 letters. It is said that some specific stanzas are miraculously effective for fulfilment of different purposes.
Bhaktamara stotra is illustrated in paintings. At the Sanghiji temple at Sanganer, there is a panel illustrating each verse; the verses of Bhaktamar are thought to possess magical properties. A mystical diagram, yantra, is associated with each verse. "Sadhak Shivaanand Saraswati" has painted a number of yantras associated with Bhaktamar stotra. There is a temple at Bharuch with a section dedicated to its author Manatunga; the Bhaktamara Stotra is composed in the meter "Vasantatilka". All the fourteen syllables of this meter are divided between short and long syllables i.e. seven laghu and seven gurus and this belongs to sakvari group of meters. It is believed that such an equal division into short and long syllables will help an aspirant attain the state of equanimity the meter itself serving as a catalyst. Jain, Vijay K. Acharya Amritchandra's Purushartha Siddhyupaya, ISBN 9788190363945 Dundas, The Jains, Routledge, ISBN 0-415-26605-X
Shikharji, Giridih district, India, is located on Parasnath hill, the highest mountain in the state of Jharkhand. It is the most important Jain Tirtha for the Jains, believed to be the place where twenty of the twenty-four Jain tirthankaras along with many other monks attained Moksha, according to Nirvana Kanda and other texts.. Its distance to cover is 23 kms by walk and takes to climb up and down the hill. If a short route is taken it takes approx 12 hours to complete.. Shikharji means the "venerable peak"; the site is called Sammed Śikhar or Sammet Shikhar "peak of concentration." Because it is a place where twenty of twenty-four Tirthankaras attained Moksha through meditation. The word "Parasnath" is derived from Parshvanatha, the twenty-third Jain tirthankara, one of those, believed to have attained Moksha at the site. Shikarji is located in an inland part of rural east India, it lies on NH-2, the Delhi-Kolkata highway in a section called the Grand Trunk road. Shikharji rises to 4,429 feet making it the highest mountain in Jharkhand state.
The earliest reference to Shikharji as a tirth is found in the Jñātṛdhārmakātha, one of the twelve core texts of Jainism. Shikharji is mentioned in the Pārśvanāthacarita, a twelfth century biography of Pārśva; the popularity of Shikharji as a site of pilgrimage followed that of Vulture Peak, where it is believed the Buddhist Sariputta attained enlightenment. Jharkhand acquired Shikharji under the Bihar Land Reforms Act. Use of Shikharji as a tourist destination impacts on the religious beliefs of the Jain; the pilgrimage to Shikharji is a round trip of 27 km through the Madhuban forest. The section from Gandharva Nala stream to the summit is the most sacred to Jains; the pilgrimage is made on foot or by a litter or doli carried by a doliwallah along a concrete paved track. Along the track are shrines to each of the twenty four tirthankaras and vendors of tea, water and snacks. There is an option for parikrama of a pilgrimage of 54 kilometres; the parikrama path is walking only. The temple at Shikharji is a new construction with some parts dating to the eighteenth century.
However, the idol itself is old. Sanskrit inscriptions at the foot of the image date to 1678. At the base of Shikharji is a temple to Bhomiyaji. On the walls of the Jain temple at the village of Madhuban, there is a mural painting depicting all the temples on Parasnath Hill. Temples along the track include: In Jainism, the building of replica temples is seen as auspicious and worthwhile. On August 13, 2012, the world's first to-scale complete replication of Shikharji was opened in Siddhachalam in New Jersey over 120 acres of hilly terrain. Called Shikharji at Siddhachalam, it has become an important place of pilgrimage for the Jain diaspora. There is a small scale replica of Shikharji at Mehrauli; the nearest railway station named "Parasnath Station" is situated in Isri Bazar, Jharkhand. Its around 25 km from Madhuban, at the base of Shikharji. Parasnath station is situated on Grand Chord, part of Howrah-Gaya-Delhi line and Howrah-Allahabad-Mumbai line. Many long distance trains have halts at Parasnath Station.
Daily connectivities to Mumbai, Jaipur, Kolkata, Allahbad, Jammutawi, Kalka etc. are available. 12301-12302 Howrah Rajdhani Express via Gaya Junction has a halt on Parasnath station which run 6 days in a week. By Airway. Durgapur has direct flights from Kolkata and Delhi "Save Shikharji" is a protest movement by Jain sects who are against the state's development plans for Shikharji. Jain community members have opposed the plans of the state government to improve the infrastructure in the hill to boost tourism as alleged attempts to commercialize the Shikharji hill; this movement is headed by Yugbhushan Surishwarji, demands Shikharji Hill to be declared as a place of worship by Government of Jharkhand. List of Jain temples Tirth Pat Nirvana Kanda Tourist Places in Giridih Parasnath Hills travel guide from Wikivoyage
The flag of Jainism has five colours: red, white and black. These five colours represent the Pañca-Parameṣṭhi, it represents the five main vows, which are small as well as great. These five colours represent the "Pañca-Parameṣṭhi" and the five vows, small as well as great: White - represents the arihants, souls who have conquered all passions and have attained omniscience and eternal bliss through self-realization, it denotes peace or ahimsa. Red - represents souls that have attained salvation and truth, it denotes truthfulness. Yellow - represents the acharya the Masters of Adepts; the colour stands for non-stealing. Green - represents those who teach scriptures to monks, it signifies chastity. Dark blue or black - represents monks and nuns, it signifies non-possession. It is believed that the complexion of all the 24 Tirthankaras was of one of these 5 colours. For instance and Pushpadanta were white and Neminatha were blue or dark colour and Vasupujya were red, Mallinatha and Pārśva were green, while the remaining were golden or yellowish.
The swastika in the centre of the flag represents the four states of existence of soul. The four stages may be: heaven-beings or deities human beings animal/birds/insects/plants hell beingsIt represents that the soul can embody any of these forms, owing to karma, which may escalate it to higher-level forms such as heavenly beings, or degrade it to lower-level forms such as lesser animals or hell beings; the purpose of soul is to liberate itself from these four stages and be arihants or Siddha eventually. The three dots above the swastika represent the Ratnatraya of Jainism: Samyak Darshana - "Right Faith" or "Right Vision" Samyak Gyana - "Right Knowledge" Samyak Charita - "Right Conduct"These are part of the Jainist paradigm by which jīva seek to rid themselves of karma and the cycle of rebirth, saṃsāra, which it develops; the curve above the three dots denotes Siddhashila, a place in the highest realms of Universe, composed of pure energy. It is above earth, or heaven, it is the place where souls that have attained salvation, for instance and Siddhas reside eternally with supreme bliss.
Respect for Jain Flag is respect for Pañca-Parameṣṭhi. According to Jainism, respect for Pañca-Parameṣṭhi abiding the Ratnatraya destroys the sorrow of the four states of existence and guides one to the sweet home of infinite bliss. Jain symbols Jain rituals
Samantabhadra (Jain monk)
Samantabhadra was a Digambara acharya who lived about the part of the second century CE He was a proponent of the Jaina doctrine of Anekantavada. The Ratnakaranda śrāvakācāra is the most popular work of Samantabhadra. Samantabhadra lived before Pujyapada. Samantabhadra is said to have lived from 150 CE to 250 CE, he was from southern India during the time of Chola dynasty. He was a poet, eulogist and an accomplished linguist, he is credited with spreading Jainism in southern India. Samantabhadra, in his early stage of asceticism, was attacked with a disease known as bhasmaka. As, digambara monks don't eat more than once in a day, he endured great pain, he sought the permission of his preceptor to undertake the vow of Sallekhana. The preceptor asked him to leave monasticism and get the disease cured. After getting cured he became a great Jain Acharya. Samantabhadra affirmed Kundakunda's theory of the two nayas - niścayanaya, he argued however that the mundane view is not false, but is only a relative form of knowledge mediated by language and concepts, while the ultimate view is an immediate form of direct knowledge.
Samantabhadra developed further the Jain theory of syādvāda. Jain texts authored by Acharya Samantabhadra are: Ratnakaranda śrāvakācāra - The Ratnakaranda śrāvakācāra discusses the conduct of a Śrāvaka in detail. Gandhahastimahabhasya, a monumental commentary on the Tattvartha Sutra; the Gandhahaslimahahhasya, with the exception of its Manglacharana, is extant now. The Manglacharana is known as the'Devagama stotra' or Āpta-mīmāṁsā. Āpta-mīmāṁsā- A treatise of 114 verses, it discusses the Jaina concept of omniscience and the attributes of the Omniscient. Svayambhustotra- An adoration of The Twenty-four Tirthankaras - 143 verses Yuktyanusasana- Sixty-four verses in praise of Tirthankara Vardhamāna Mahāvīra Jinasatakam - Poetical work written in Sanskrit in praise of twenty-four Jinas. Tattvanusasana Vijayadhavala tika Jinasena, in his celebrated work, Ādi purāṇa praises the Samantabhadra as Ghoshal, Saratchandra, Āpta-mīmāṁsā of Āchārya Samantabhadra, ISBN 9788126307241 Jain, Vijay K. Acarya Samantabhadra's Svayambhustotra: Adoration of The Twenty-four Tirthankara, Vikalp Printers, ISBN 978-81-903639-7-6, This article incorporates text from this source, in the public domain.
Jain, Samantabhadrabhāratī, Budhānā, Muzaffarnagar: Achārya Shāntisāgar Chani Smriti Granthmala, ISBN 978-81-90468879 Jain, Champat Rai, The Ratna Karanda Sravakachara, The Central Jaina Publishing House, This article incorporates text from this source, in the public domain. Long, Jeffery D. Jainism: An Introduction, I. B. Tauris, ISBN 978-1-84511-625-5 Shah, Jainism: The World of Conquerors, I, Motilal Banarsidass, ISBN 81-208-1938-1
Jain cosmology is the description of the shape and functioning of the Universe and its constituents according to Jainism. Jain cosmology considers the universe, as an uncreated entity, existing since infinity, having neither beginning nor end. Jain texts describe the shape of the universe as similar to a man standing with legs apart and arm resting on his waist; this Universe, according to Jainism, is broad at the top, narrow at the middle and once again becomes broad at the bottom. According to Jains, the Universe is made up of six simple and eternal substances called dravya which are broadly categorized under Jiva and Ajiva as follows: Jīva Jīva i.e. Souls – Jīva exists as a reality, having a separate existence from the body that houses it, it is characterised by upayoga. Though the soul experiences both birth and death, it is neither destroyed nor created. Decay and origin refer to the disappearing of one state of soul and appearing of another state, these being the modes of the soul. Ajīva Pudgala – Matter is classified as solid, gaseous, fine Karmic materials and extra-fine matter i.e. ultimate particles.
Paramāṇu or ultimate particle is the basic building block of all matter. The Paramāṇu and Pudgala are indestructible. Matter combines and changes its modes but its basic qualities remain the same. According to Jainism, it destroyed. Dharma-dravya and Adharma-dravya – Dharmastikāya and Adharmastikāya are distinctly peculiar to Jaina system of thought depicting the principle of Motion and Rest, they are said to pervade the entire universe. Dharma and Adharma are by itself not motion or rest but mediate motion and rest in other bodies. Without Dharmastikāya motion is not possible and without Adharmastikāya rest is not possible in the universe. Ākāśa – Space is a substance that accommodates the living souls, the matter, the principle of motion, the principle of rest and time. It is all-pervading and made of infinite space-points. Kāla – Kāla is an eternal substance according to Jainism and all activities, changes or modifications can be achieved only through the progress of time. According to the Jain text, Dravyasaṃgraha: Conventional time is perceived by the senses through the transformations and modifications of substances.
Real time, however, is the cause of imperceptible, minute changes that go on incessantly in all substances. The Jain doctrine postulates an eternal and ever-existing world which works on universal natural laws; the existence of a creator deity is overwhelmingly opposed in the Jain doctrine. Mahāpurāṇa, a Jain text authored by Ācārya Jinasena is famous for this quote: According to Jains, the universe has a firm and an unalterable shape, measured in the Jain texts by means of a unit called Rajju, supposed to be large; the Digambara sect of Jainism postulates that the universe is fourteen Rajju high and extends seven Rajjus from north to south. Its breadth is seven Rajjus at the bottom and decreases till the middle where it is one Rajju; the width increases till it is five Rajju and again decreases till it is one Rajju. The apex of the universe is one Rajju wide and eight Rajju high; the total space of the world is thus 343 cubic Rajju. The svetambara view differs and postulates that there is constant increase and decrease in the breadth and the space is 239 cubic Rajju.
Apart from the apex, the abode of liberated beings, the universe is divided into three parts. The world is surrounded by three atmospheres: dense-wind and thin-wind, it is surrounded by infinitely large non-world, empty. The whole world is said to be filled with living beings. In all the three parts, there is the existence of small living beings called nigoda. Nigoda are of two types: Itara-nigoda. Nitya-nigoda are those which will reborn as nigoda throughout eternity where as Itara-nigoda will be reborn as other beings too; the mobile region of universe is one Rajju broad and fourteen Rajju high. Within this, there are animals and plants everywhere where as Human beings are restricted to 2.5 continents of middle world. The beings inhabiting lower world are called Naraki. Deva live in top three realms of lower world. Living beings are divided in fourteen classes: 1. Fine beings with one sense. 2. Crude beings with one sense. 3. Beings with two sense. 4. Beings with three sense. 5. Beings with four sense. 6.
Beings with five sense without mind. 7. Beings with five sense with a mind; these can be developed which makes it a total of fourteen. Human beings are the only ones which can attain salvation; the early Jains contemplated the nature of the earth and universe and developed a detailed hypothesis on the various aspects of astronomy and cosmology. According to the Jain texts, the universe is divided into 3 parts: Urdhva Loka – the realms of the gods or heavens Madhya Loka – the realms of the humans and plants Adho Loka – the realms of the hellish beings or the infernal regionsThe following Upanga āgamas describe the Jain cosmology and geography in a great detail: Sūryaprajñapti – Treatise on Sun Jambūdvīpaprajñapti - Treatise on the island of Roseapple tree.