1.
Single (music)
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In music, a single or record single is a type of release, typically a song recording of fewer tracks than an LP record, an album or an EP record. This can be released for sale to the public in a variety of different formats, in most cases, a single is a song that is released separately from an album, although it usually also appears on an album. Typically, these are the songs from albums that are released separately for promotional uses such as digital download or commercial radio airplay and are expected to be the most popular, in other cases a recording released as a single may not appear on an album. As digital downloading and audio streaming have become prevalent, it is often possible for every track on an album to also be available separately. Nevertheless, the concept of a single for an album has been retained as an identification of a heavily promoted or more popular song within an album collection. Despite being referred to as a single, singles can include up to as many as three tracks on them. The biggest digital music distributor, iTunes, accepts as many as three tracks less than ten minutes each as a single, as well as popular music player Spotify also following in this trend. Any more than three tracks on a release or longer than thirty minutes in total running time is either an Extended Play or if over six tracks long. The basic specifications of the single were made in the late 19th century. Gramophone discs were manufactured with a range of speeds and in several sizes. By about 1910, however, the 10-inch,78 rpm shellac disc had become the most commonly used format, the inherent technical limitations of the gramophone disc defined the standard format for commercial recordings in the early 20th century.26 rpm. With these factors applied to the 10-inch format, songwriters and performers increasingly tailored their output to fit the new medium, the breakthrough came with Bob Dylans Like a Rolling Stone. Singles have been issued in various formats, including 7-inch, 10-inch, other, less common, formats include singles on digital compact cassette, DVD, and LD, as well as many non-standard sizes of vinyl disc. Some artist release singles on records, a more common in musical subcultures. The most common form of the single is the 45 or 7-inch. The names are derived from its speed,45 rpm. The 7-inch 45 rpm record was released 31 March 1949 by RCA Victor as a smaller, more durable, the first 45 rpm records were monaural, with recordings on both sides of the disc. As stereo recordings became popular in the 1960s, almost all 45 rpm records were produced in stereo by the early 1970s
2.
Mariah Carey
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Mariah Carey is an American singer, songwriter, record producer, and actress. In 1990, Carey rose to fame with the release of Vision of Love from her eponymous debut album, the album produced four chart-topping singles in the US and began what would become a string of commercially successful albums which solidified the singer as Columbias highest selling act. Carey and Boyz II Men spent a record sixteen weeks atop the Billboard Hot 100 in 1995–1996 with One Sweet Day, following a contentious divorce from Sony Music head Tommy Mottola, Carey adopted a new image and traversed towards hip hop with the release of Butterfly. In 1998, she was honored as the worlds best-selling recording artist of the 1990s at the World Music Awards, Carey parted with Columbia in 2000, and signed a record-breaking $100 million recording contract with Virgin Records America. In the weeks prior to the release of her film Glitter and its soundtrack in 2001. The project was received and led to a general decline in the singers career. Careys recording contract was out for $50 million by Virgin. After a relatively unsuccessful period, she returned to the top of music charts with The Emancipation of Mimi, Carey once again ventured into film with a well-received supporting role in Precious, and was awarded the Breakthrough Performance Award at the Palm Springs International Film Festival. Throughout her career, Carey has sold more than 200 million records worldwide, according to the RIAA, she is the third-best-selling female artist in the United States, with 63.5 million certified albums. With the release of Touch My Body, Carey gained her 18th number-one single in the United States, in 2012, the singer was ranked second on VH1s list of the 100 Greatest Women in Music. Mariah Carey was born in Huntington, New York, to Patricia and her mother is of Irish descent, while her father had African-American and Afro-Venezuelan ancestry. The surname Carey was adopted by her Venezuelan grandfather, Francisco Núñez, Patricia was an occasional opera singer and vocal coach before she met Alfred in 1960. As he began earning a living as an engineer, the couple married later that year. After their elopement, Patricias family disowned her for marrying a black man, Carey later explained that she felt neglected by her maternal family while growing up, which affected her greatly. In the years between the births of Careys older sister Alison and herself, the Carey family struggled within the community due to their ethnicity, Careys name was derived from the song They Call the Wind Maria, originally from the 1951 Broadway musical Paint Your Wagon. When Carey was three, her parents divorced, after their separation, Alison moved in with her father, while the other two children, Mariah and brother Morgan, remained with their mother. Carey grew apart from her father and would stop seeing him altogether. By age four, she recalled that she had begun to sneak the radio under her covers at night, during elementary school, she excelled in subjects that she enjoyed, such as music, art, and literature, but did not find interest in others
3.
Glitter (soundtrack)
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Glitter is the soundtrack album from the film of the same name, and the eighth studio album by American singer Mariah Carey. It was released on September 11,2001, by Virgin Records America, the album was a complete musical departure from any of Careys previous releases, focusing heavily on recreating a 1980s disco era to accompany the film, set in 1983. By covering or heavily sampling several older tunes and songs, Carey created Glitter as an album that would help connect with the film. The singer collaborated with Jimmy Jam and Terry Lewis and DJ Clue, musically, Glitter was structured to be a retro-influenced album and have more of a dance-oriented element. On several songs, critics noted Carey to be sexually suggestive lyrically than before. Glitter featured several musical acts such as Eric Benét, Ludacris, Busta Rhymes, Fabolous. Universally, Glitter was viewed as a commercial and critical failure, leading to Virgin Records cancelling Careys $100 million five-album contract, while it debuted at number seven on the US Billboard 200, it was Careys lowest-first week sales of any album she had ever released. Internationally, it peaked outside the top-ten in many countries, Glitter remains one of Careys lowest selling albums. Several singles were released but attained weak charting positions, Loverboy served as the first single from the album and quickly became Careys lowest charting lead single globally. As the song stalled on the American charts, Virgin dropped the price to 0.99 cents to spur sales, the reduction helped the single peak at number two on the US Billboard Hot 100. Internationally, the failed to garner much traction. Never Too Far, the second single, became a minor American hit. Subsequent singles failed to make much of an impact on prominent global charts, following the release of Careys album Butterfly in 1997, she began working on a film and soundtrack project titled at that time as All That Glitters. However, Columbia Records and Carey were also working on a greatest hits album to be released in time for Thanksgiving season in November 1998, Carey put All That Glitters on hold and her greatest hits album #1s was released in November 1998. Another studio album, Rainbow, was released in 1999, after the album ran its course, Carey wanted to finish the film and soundtrack project. But by this time, Carey and her now ex-husband Tommy Mottola, head of her record company Columbia, Mottola wanted Carey off the label and Carey wanted to leave, however, she still owed Columbia one more album to fulfill her contract. Virgin Records stepped in and offered to pay Columbia $20 million to let Carey out of her contract early so that they could sign her for an $100 million deal, Carey signed with Virgin and aimed to complete the film and soundtrack project. As part of her contract on her $100 million five-album record deal with Virgin Records and she opted to record an album partly mixed with 1980s influenced disco and other similar genres, in order to go with the films setting
4.
CD single
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This article is about the 12cm single. Not to be confused with 8cm single, the standard in the Red Book for the term CD single. A CD single is a single in the form of a standard size compact disc. It is not to be confused with the Mini CD single, the format was introduced in the mid-1980s but did not gain its place in the market until the early 1990s. With the rise in digital downloads in the early 2010s, sales of CD singles have decreased, commercially released CD singles can vary in length from two songs up to six songs like an EP. Some contain multiple mixes of one or more songs, in the tradition of 12 vinyl singles, depending on the nation, there may be limits on the number of songs and total length for sales to count in singles charts. Containing four tracks, it had a limited print run. CD singles were first made eligible for the UK Singles Chart in 1987, the Mini CD single format was originally created for use for singles in the late 1980s, but met with limited success, particularly in the US. The smaller CDs were more successful in Japan and have become more common in Europe. By 1989, the CD3 was in decline in the US and it was common in the 1990s for US record companies to release both a two-track CD and a multi-track maxi CD. In the UK, record companies would also release two CDs but, usually, these consisted of three tracks or more each. Pressure from record labels made singles charts in some countries become song charts, allowing album cuts to chart based only on airplay, without a single ever being released. At the end of the 1990s, the CD was the single format in the UK, but in the US. In Australia, the Herald Sun reported the CD single is set to become extinct, while CD singles no longer maintain their own section of the store, copies are still distributed but placed with the artists albums. That is predominantly the case for popular Australian artists such as Jessica Mauboy, Kylie Minogue and, most recently, Delta Goodrem, the ARIA Singles Chart are now predominantly compiled from legal downloads, and ARIA also stopped compiling their physical singles sales chart. On a Mission by Gabriella Cilmi was the last CD single to be stocked in Kmart, Target and Big W, sanity Entertainment, having resisted the decline for longer than the other major outlets, has also ceased selling CD singles. In Greece and Cyprus, the term CD single is used to describe a play in which there may be anywhere from three to six different tracks. These releases charted on the Greek Singles Chart with songs released as singles, in September 2003, there was talk of ringtones for mobile phones outstripping CD singles sales for the year 2004
5.
12-inch single
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The 12-inch single is a type of gramophone record that has wider groove spacing and shorter playing time compared to typical LPs. This allows for levels to be cut on the disc by the cutting engineer, which in turn gives a wider dynamic range. This record type is used in disco and dance music genres. They are played at either 33 1⁄3 or 45 rpm, 12-inch singles typically have much shorter playing time than full-length LPs, thus require fewer grooves per inch. This extra space permits a broader dynamic range or louder recording level as the grooves excursions can be greater in amplitude. Many record companies began producing 12-inch singles at 33 1⁄3 rpm, although 45 rpm gives better treble response and was used on many 12-inch singles, the gramophone records cut especially for dance-floor DJs came into existence with the advent of recorded Jamaican mento music in the 1950s. With the 1967 Jamaican invention of remix, called dub on the island, those specials became valuable items sold to allied sound system DJs, who could draw crowds with their exclusive hits. The popularity of sound engineer King Tubby, who singlehandedly invented and perfected dub remixes from as early as 1967. By then 10-inch records were used to cut those dubs, by 1971, most reggae singles issued in Jamaica included on their B-side a dub remix of the A-side, many of them first tested as exclusive dub plates on dances. Those dubs basically included drum and bass-oriented remixes used by sound system selecters, the 10-inch acetate specials would remain popular until at least the 2000s in Jamaica. Most likely, the use of exclusive dub acetates in Jamaica also led American DJs to do the same. In the United States, the 12-inch single gramophone record came into popularity with the advent of music in the 1970s after earlier market experiments. In early 1970, Cycle/Ampex Records test-marketed a 12-inch single by Buddy Fite, the experiment aimed to energize the struggling singles market, offering a new option for consumers who had stopped buying traditional singles. The record was pressed at 33 rpm, with run times to the 7-inch 45-rpm pressing of the single. Several hundred copies were available for sale for 98 cents each at two Tower Records stores. Another early 12-inch single was released in 1973 by soul/R&B musician/songwriter/producer Jerry Williams, 12-inch promotional copies of Straight From My Heart were released on his own Swamp Dogg Presents label, with distribution by Jamie/Guyden Distribution Corporation. It was manufactured by Jamie Record Co. of Philadelphia, PA, the B-side of the record is blank. The first 12-inch single made specifically for DJs was actually a 10-inch acetate used by a mix engineer in need of a Friday-night test copy for famed disco mixer Tom Moulton, the song was Ill be holding on by Al Downing
6.
Contemporary R&B
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Contemporary R&B, also known as simply R&B, is a music genre that combines elements of rhythm and blues, soul, funk, pop, hip hop and dance. The genre features a record production style, drum machine-backed rhythms, an occasional saxophone-laced beat to give a jazz feel. Electronic influences are becoming a trend and the use of hip hop or dance-inspired beats are typical, although the roughness. Contemporary R&B vocalists are often known for their use of melisma, popularized by such as Michael Jackson, R. Kelly, Craig David, Stevie Wonder, Whitney Houston. That same year, Teddy Riley began producing R&B recordings that included hip hop influences and this combination of R&B style and hip hop rhythms was termed new jack swing and was applied to artists such as Bobby Brown, Keith Sweat, Al B. Guy, Jodeci and Bell Biv DeVoe, the style became less popular by the end of the 1990s, but later experienced a resurgence. In 1990 Mariah Carey released Vision of Love as her debut single and it was immensely popular peaking at number 1 in many worldwide charts including the Billboard Hot 100, and it propelled Mariahs carrier. The song is said to have popularized the use of melisma. During the mid-1990s, Whitney Houstons The Bodyguard, Original Soundtrack Album sold over 40 million copies becoming the best-selling soundtrack of all time. Janet Jacksons self-titled fifth studio album janet. which came after her historic multimillion-dollar contract with Virgin Records, sold over twenty million copies worldwide. Boyz II Men and Mariah Carey recorded several Billboard Hot 100 No.1 hits, including One Sweet Day, Carey also released a remix of her 1995 single Fantasy, with Ol Dirty Bastard as a feature, a collaboration format that was unheard of at this point. Carey, Boyz II Men and TLC released albums in 1994 and 1995—Daydream, II and CrazySexyCool. In the late 1990s, neo soul, which added 1970s soul influences to the hip hop soul blend, arose, led by such as DAngelo, Erykah Badu. Hill and Missy Elliott further blurred the line between R&B and hip hop by recording both styles, beginning in 1995, the Grammy Awards enacted the Grammy Award for Best R&B Album, with II by Boyz II Men becoming the first recipient. The award was received by TLC for CrazySexyCool in 1996, Tony Rich for Words in 1997, Erykah Badu for Baduizm in 1998. At the end of 1999, Billboard magazine ranked Mariah Carey and Janet Jackson as the first, simultaneously, in the second half of the 1990s, The Neptunes and Timbaland set influential precedence on contemporary R&B and hip hop music. R&B acts such as Michael Jackson, Whitney Houston, Janet Jackson, Mariah Carey, Usher, in 2001, Alicia Keys released Fallin as her debut single. It peaking at one on the Billboard Hot 100, Mainstream Top 40
7.
Hip hop music
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It developed as part of hip hop culture, a subculture defined by four key stylistic elements, MCing/rapping, DJing/scratching with turntables, break dancing, and graffiti writing. Other elements include sampling beats or bass lines from records, while often used to refer solely to rapping, hip hop more properly denotes the practice of the entire subculture. Hip hops early evolution occurred as sampling technology and drum machines became available and affordable. Turntablist techniques such as scratching and beatmatching developed along with the breaks and Jamaican toasting, rapping developed as a vocal style in which the artist speaks or chants along rhythmically with an instrumental or synthesized beat. The Sugarhill Gangs 1979 song Rappers Delight is widely regarded to be the first hip hop record to gain popularity in the mainstream. The 1980s marked the diversification of hip hop as the genre developed more complex styles, prior to the 1980s, hip hop music was largely confined within the United States. However, during the 1980s, it began to spread to scenes in dozens of countries. New school hip hop was the wave of hip hop music, originating in 1983–84 with the early records of Run-D. M. C. The Golden age hip hop period was a period between the mid-1980s and the early 1990s. Notable artists from this era include the Juice Crew, Public Enemy, & Rakim, Boogie Down Productions and KRS-One, EPMD, Slick Rick, Beastie Boys, Kool G Rap, Big Daddy Kane, Ultramagnetic MCs, De La Soul, and A Tribe Called Quest. Gangsta rap is a subgenre of hip hop that often focuses on the violent lifestyles, in the West Coast hip hop style, G-funk dominated mainstream hip hop for several years during the 1990s. I. G. In the 1990s, hip hop began to diversify with other regional styles emerging, such as Southern rap, at the same time, hip hop continued to be assimilated into other genres of popular music, examples being Neo soul and nu metal. Hip hop became a pop music genre in the mid-1990s. The popularity of hip hop music continued through the 2000s, with hip hop influences also increasingly finding their way into mainstream pop, the United States also saw the success of regional styles such as crunk, a Southern genre that emphasized the beats and music more than the lyrics. Starting in 2005, sales of hip hop music in the United States began to severely wane, during the mid-2000s, alternative hip hop secured a place in the mainstream, due in part to the crossover success of artists such as OutKast and Kanye West. Creation of the hip hop is often credited to Keith Cowboy, rapper with Grandmaster Flash. However, Lovebug Starski, Keith Cowboy, and DJ Hollywood used the term when the music was known as disco rap. Cowboy later worked the hip hop cadence into a part of his stage performance, the first use of the term in print was in The Village Voice, by Steven Hager, later author of a 1984 history of hip hop
8.
Funk
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Funk is a music genre that originated in the mid- 1960s when African American musicians created a rhythmic, danceable new form of music through a mixture of soul music, jazz, and rhythm and blues. Like much of African-inspired music, funk typically consists of a groove with rhythm instruments playing interlocking grooves. Funk uses the same richly-colored extended chords found in jazz, such as minor chords with added sevenths and elevenths. Other musical groups, including Sly and the Family Stone and Parliament-Funkadelic, soon began to adopt, Funk samples have been used extensively in genres including hip hop, house music, and drum and bass. It is also the influence of go-go, a subgenre associated with funk. The word funk initially referred to a strong odor and it is originally derived from Latin fumigare via Old French fungiere and, in this sense, it was first documented in English in 1620. In 1784 funky meaning musty was first documented, which, in turn, in early jam sessions, musicians would encourage one another to get down by telling one another, Now, put some stank on it. At least as early as 1907, jazz songs carried titles such as Funky, as late as the 1950s and early 1960s, when funk and funky were used increasingly in the context of jazz music, the terms still were considered indelicate and inappropriate for use in polite company. According to one source, New Orleans-born drummer Earl Palmer was the first to use the word funky to explain to other musicians that their music should be made more syncopated, the style later evolved into a rather hard-driving, insistent rhythm, implying a more carnal quality. This early form of the set the pattern for later musicians. The music was identified as slow, sexy, loose, riff-oriented, a great deal of funk is rhythmically based on a two-celled onbeat/offbeat structure, which originated in sub-Saharan African music traditions. New Orleans appropriated the bifurcated structure from the Afro-Cuban mambo and conga in the late 1940s, New Orleans funk, as it was called, gained international acclaim largely because James Browns rhythm section used it to great effect. Funk creates an intense groove by using strong guitar riffs and bass lines, like Motown recordings, funk songs used bass lines as the centerpiece of songs. Slap basss mixture of thumb-slapped low notes and finger popped high notes allowed the bass to have a rhythmic role. In funk bands, guitarists typically play in a style, often using the wah-wah sound effect. Guitarist Ernie Isley of The Isley Brothers and Eddie Hazel of Funkadelic were notably influenced by Jimi Hendrixs improvised solos, Eddie Hazel, who worked with George Clinton, is one of the most notable guitar soloists in funk. Ernie Isley was tutored at an age by Jimi Hendrix himself. Jimmy Nolen and Phelps Collins are famous funk rhythm guitarists who both worked with James Brown, on Browns Give It Up or Turnit a Loose, Jimmy Nolens guitar part has a bare bones tonal structure
9.
Disco
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Disco is a genre of dance music containing elements of funk, soul, pop, and salsa. It achieved popularity during the mid-1970s to the early 1980s, Disco can be seen as a reaction against both the domination of rock music and the stigmatization of dance music by the counterculture during this period. It was popular with men and women, from many different backgrounds. The disco sound often has several components, a beat, an eighth note or 16th note hi-hat pattern with an open hi-hat on the off-beat. In most disco tracks, string sections, horns, electric piano, Orchestral instruments such as the flute are often used for solo melodies, and lead guitar is less frequently used in disco than in rock. Many disco songs use electronic synthesizers, particularly in the late 1970s, well-known 1970s disco performers included Donna Summer, the Bee Gees, Boney M. KC and the Sunshine Band, The Trammps, Sylvester, Village People, Gloria Gaynor and Chic. While performers and singers garnered much attention, record producers working behind the scenes played an important role in developing the disco sound. Many non-disco artists recorded songs at the height of discos popularity. Disco was the last mass popular movement that was driven by the baby boom generation. Disco was a phenomenon, but its popularity drastically declined in the United States in 1980. Disco Demolition Night, an anti-disco protest held in Chicago on 12 July 1979, is thought of as a factor in discos fast. By the late 1970s most major U. S. cities had thriving disco club scenes, Studio 54, a venue popular amongst celebrities, is a well-known example of a disco club. Popular dances included the Hustle, a suggestive dance. Discotheque-goers often wore expensive, extravagant and sexy fashions, Disco clubs were also associated with promiscuity. Disco was a key influence on the 1980s electronic dance style called house. The term is derived from discothèque, by the early 1940s, the terms disc jockey and DJ were in use to describe radio presenters. During WWII, because of restrictions set in place by the Nazi occupiers, eventually more than one of these jazz venues had the proper name discothèque. By 1959, the term was used in Paris to describe any of these type of nightclubs and that year a young reporter named Klaus Quirini started to select and introduce records at the Scotch-Club in Aachen, West Germany
10.
Virgin Records
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Virgin Records is a British-founded record label originally founded by English entrepreneurs Richard Branson, Simon Draper, Nik Powell, and musician Tom Newman in 1972. It was later sold to Thorn EMI in 1992, today, the operations of Virgin Records America, Inc. are still active and headquartered in Hollywood, California, as it operates exclusively under the Capitol Music Group since 2007. US artists include Knox Hamilton, LTric and Rise Against, in fact the first real store was above a shoe shop at the Tottenham Court Road end of Oxford Street. After making the shop into a success, they turned their business into a fully fledged record label, the name Virgin, according to Branson, arose from Tessa Watts, a colleague of his, when they were brainstorming business ideas. She suggested Virgin – as they were all new to business – like virgins, the original Virgin logo was designed by English artist and illustrator Roger Dean, a young naked woman in mirror image with a large long-tailed serpent and the word Virgin in Deans familiar script. A variation on the logo was used for the spin-off Caroline Records label and this was soon followed by some notable krautrock releases, including electronic breakthrough album Phaedra by Tangerine Dream, and The Faust Tapes and Faust IV by Faust. The Faust Tapes album retailed for 49p and as a result allowed this relatively unknown band to reach number 12 in the album charts, other early albums include Gongs Flying Teapot, which Daevid Allen has been quoted as having never been paid for. Under the guidance of Tessa Watts, Virgins Head of Publicity, shortly afterwards, the Notting Hill record shop was raided by police for having a window display of the Sex Pistols album Never Mind the Bollocks, Heres the Sex Pistols in the window. After modified versions of the label came the red, white and blue design introduced in 1975. The current Virgin logo was created in 1978, commissioned by Simon Draper, brian Cooke of Cooke Key Associates commissioned a graphic designer to produce a stylised signature. In 1983 Virgin purchased Charisma Records, renaming it Charisma/Virgin, then later Virgin/Charisma, before folding the label in 1986, in the process they acquired Genesis and comedy group Monty Python. The Charisma label was reactivated in the US in 1990 and enjoyed success with such as Maxi Priest, Right Said Fred,38 Special. When this Charisma label was retired in 1992, all of its artists were, as before, in 1987, Venture Records was created for new age and modern classical artists including Klaus Schulze, who had been associated with Virgin since the early 1970s. 10 Records Immortal Records Delabel Caroline Records was a label used from 1973 to 1977. The name and logo were used for some American editions of Virgin records in the 1980s and 1990s. Caroline was primarily used for independent distribution until the label was reactivated in 2013, today, Caroline Records acts as an independent label taking the place of EMI Label Services, after Virgins former parent company EMI was purchased by Universal Music Group. Front Line Records was a label for issuing Jamaican and English reggae music from 1978 to approximately 1987, a short-lived associated label, Dindisc, had Orchestral Manoeuvres in the Dark and The Monochrome Set during its brief existence, after which its recordings became part of Virgins catalogue. Noo Trybe Records was a hip hop label that existed from 1994 to 1999
11.
Songwriter
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A songwriter is an individual who writes the lyrics, melodies and chord progressions for songs, typically for a popular music genre such as rock or country music. A songwriter can also be called a composer, although the term tends to be used mainly for individuals from the classical music genre. The pressure from the industry to produce popular hits means that songwriting is often an activity for which the tasks are distributed between a number of people. For example, a songwriter who excels at writing lyrics might be paired with a songwriter with a gift for creating original melodies, pop songs may be written by group members from the band or by staff writers – songwriters directly employed by music publishers. Some songwriters serve as their own publishers, while others have outside publishers. The old-style apprenticeship approach to learning how to write songs is being supplemented by university degrees and college diplomas, a knowledge of modern music technology, songwriting elements and business skills are necessary requirements to make a songwriting career in the 2010s. Several music colleges offer songwriting diplomas and degrees with music business modules, the legal power to grant these permissions may be bought, sold or transferred. This is governed by international copyright law, song pitching can be done on a songwriters behalf by their publisher or independently using tip sheets like RowFax, the MusicRow publication and SongQuarters. Skills associated with song-writing include entrepreneurism and creativity, songwriters who sign an exclusive songwriting agreement with a publisher are called staff writers. In the Nashville country music scene, there is a staff writer culture where contracted writers work normal 9-to-5 hours at the publishing office and are paid a regular salary. This salary is in effect the writers draw, an advance on future earnings, the publisher owns the copyright of songs written during the term of the agreement for a designated period, after which the songwriter can reclaim the copyright. In an interview with HitQuarters, songwriter Dave Berg extolled the benefits of the set-up, unlike contracted writers, some staff writers operate as employees for their respective publishers. Under the terms of work for hire agreements, the compositions created are fully owned by the publisher. In Nashville, young writers are often encouraged to avoid these types of contracts. Staff writers are common across the industry, but without the more office-like working arrangements favored in Nashville. All the major publishers employ writers under contract, songwriter Allan Eshuijs described his staff writer contract at Universal Music Publishing as a starter deal. His success under the arrangement eventually allowed him to found his own publishing company, so that he could. keep as much as possible, songwriters are also often skilled musicians. In addition to selling their songs and musical concepts for other artists to sing, songwriters need to create a number of elements for a song
12.
Record producer
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A record producer or music producer oversees and manages the sound recording and production of a band or performers music, which may range from recording one song to recording a lengthy concept album. A producer has many roles during the recording process, the roles of a producer vary. The producer may perform these roles himself, or help select the engineer, the producer may also pay session musicians and engineers and ensure that the entire project is completed within the record companies budget. A record producer or music producer has a broad role in overseeing and managing the recording. Producers also often take on an entrepreneurial role, with responsibility for the budget, schedules, contracts. In the 2010s, the industry has two kinds of producers with different roles, executive producer and music producer. Executive producers oversee project finances while music producers oversee the process of recording songs or albums. In most cases the producer is also a competent arranger, composer. The producer will also liaise with the engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as the person who creatively guides or directs the process of making a record, indeed, in Bollywood music, the designation actually is music director. The music producers job is to create, shape, and mold a piece of music, at the beginning of record industry, producer role was technically limited to record, in one shot, artists performing live. The role of producers changed progressively over the 1950s and 1960s due to technological developments, the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously, all of these singers and musicians had to be assembled in a large studio and the performance had to be recorded. As well, for a song that used 20 instruments, it was no longer necessary to get all the players in the studio at the same time. Examples include the rock sound effects of the 1960s, e. g. playing back the sound of recorded instruments backwards or clanging the tape to produce unique sound effects. These new instruments were electric or electronic, and thus they used instrument amplifiers, new technologies like multitracking changed the goal of recording, A producer could blend together multiple takes and edit together different sections to create the desired sound. For example, in jazz fusion Bandleader-composer Miles Davis album Bitches Brew, producers like Phil Spector and George Martin were soon creating recordings that were, in practical terms, almost impossible to realise in live performance. Producers became creative figures in the studio, other examples of such engineers includes Joe Meek, Teo Macero, Brian Wilson, and Biddu
13.
Never Too Far
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Never Too Far is a song recorded by American singer and songwriter Mariah Carey for her first soundtrack and eighth studio album, Glitter. It was written and produced by herself and Jimmy Jam and Terry Lewis, the song was released as the albums second single on October 23,2001, by Virgin Records America. The song is a ballad which lyrically deals with heartbreak. The single did not make impact on the U. S. charts, however, it did reach the top forty in the UK and Australia. A radio edit of Never Too Far is release and found as the track of the songs release. Carey was unable to film a video for the single as she was recovering from a breakdown. Instead, a video was created using a scene taken directly from the film Glitter, Carey promoted Never Too Far/Hero medley through live performances at the 2001 Radio Music Awards and her A Home For The Holidays With Mariah Carey TV special. In April 2001, Carey signed a US$100 million record deal with Virgin Records, following commencement for Glitter — her first album under the new label — and the film of same name, Carey embarked on a short promotional campaign for the project. On July 19,2001, Carey made a appearance on the MTV program Total Request Live. She came out onto the stage, pushing an ice cream cart while wearing an oversized shirt. Carey then walked to Dalys platform and began a striptease, in which she shed her shirt to reveal a yellow and green ensemble. Following her induction at an hospital in Connecticut, Carey remained hospitalized. However, her company had begun promoting Never Too Far as the second single from the soundtrack. The song was released on October 23,2001. In the film, Careys character Billie Frank argues with her boyfriend and producer Dice and her emotional pain leads her to solo songwriting. Dice also misses Billie, and also writing a song. Billie goes to Dices apartment in an attempt to reconcile and he was not home, but the music he has written is and Billie realizes they wrote the same song, Never Too Far. She kisses the sheet music, leaving an imprint, which Dice later discovers
14.
Never Too Far/Hero Medley
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As the latter did not receive co-production credits due to the change in instrumentation, Randy Jackson was named as producer alongside Carey instead. The single was meant to express a message of unity and love in the aftermath of the September 11 attacks, though Carey did not promote Glitter, due to her hospitalization, she embarked on a short promotional tour for the single, and attended several charitable events. Following the singles release, the managed to attain a peak position of number eighty-one on the Billboard Hot 100. Though promoted throughout Europe, the single was never given a release outside the United States. Following the weak commercial success of Glitter, her debut release under Virgin Records, Carey suffered an emotional and physical breakdown, during this period, Careys older label, Columbia records, planned to release a compilation album of her biggest hits, titled Greatest Hits. As they had one album to release from Carey under her old contract. Though still signed to Virgin, Carey composed a charity single in which all proceeds would go towards helping rebuild America, consequently, she re-recorded her 1993 song Hero, and made a medley of it with a single from Glitter, Never Too Far. The song features a different instrumental introduction, and begins with the first verse and chorus of Never Too Far, several writers for the medley are credited, with Carey having written Never Too Far with Jimmy Jam and Terry Lewis, and the latter with Walter Afanasieff. Aside from Jam and Lewis, Randy Jackson assisted Carey in the songs production, in an interview with MTV, Carey described the single and its conception, I started doing different charity events where I did a combination of Never Too Far and Hero. We made it into a medley and put them in the same key, people responded really well to it. Its been interesting for me, since the events of September 11, I figured that it would be a nice thing to do, to put them both out for Christmas. Theres also a track on the B-side, which is called There for Me which kind of has the same sentiment. The proceeds from Never Too Far and Hero and There for Me are going to go to the Heroes Fund, the songs B-side, titled There For Me, was a leftover track from Careys Rainbow, which she wrote alongside David Foster and Diane Warren. After Carey abandoned work with longtime collaborator Walter Afanasieff, she began working with Foster throughout Rainbow, during their many creative meetings, Foster introduced Carey to Warren, a song-writer in which he had collaborated several times in the past. After they completed the song, Carey wrote two ballads with Warren for Rainbow, entitled After Tonight and Cant Take That Away. Never Too Far/Hero is a ballad, drawing influence from pop. The song was written and produced by Carey and Walter Afanasieff, Jimmy Jam and Terry Lewis and Randy Jackson and it incorporates music from several musical instruments, including the piano, guitar and organ. According to the music published at Musicnotes. com by Alfred Music Publishing
15.
Funkin' for Jamaica (N.Y.)
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Funkin for Jamaica is a 1980 single by jazz trumpeter Tom Browne. The single—a memoir of the neighborhood in the New York City borough of Queens where Browne was born and raised—is from his solo album. Browne got the idea for the song while he was at his parents home, the vocals for the single were provided by Toni Smith, who also helped compose the song. The song hit number one on the U. S. R&B chart for a month, Funkin for Jamaica peaked at number nine on the dance chart and made the Top 10 on the UK singles chart. In 1981 British group the Evasions released a hit song titled Wikka Wrap and this is a parody of UK broadcaster Alan Whicker, but also a parody of Funkin For Jamaica. In 2000, the song was featured on the Bob Baldwin album BobBaldwin. com with Tom Browne performing, in 2001, the songs intro was sampled on the Mariah Carey single Dont Stop for the soundtrack to Careys film Glitter. The song has also sampled by N. W. A, EPMD, Snoop Dogg, Keith Murray, Smooth, Erykah Badu, Shaquille O Neal. In 2006, contemporary jazz guitarist Patrick Yandall covered the song from his album Samoa Soul
16.
Music journalism
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Music journalism is media criticism and reporting about popular music topics, including pop music, rock music, and related styles. Journalists began writing music in the eighteenth century, providing commentary on what is now thought of as classical music. An influential English 19th-century music critic, for example, was James William Davison of The Times, the composer Hector Berlioz also wrote reviews and criticisms for the Paris press of the 1830s and 1840s. The 1840s could be considered a point, in that music critics after the 1840s generally were not also practicing musicians. However, counterexamples include Alfred Brendel, Charles Rosen, Paul Hindemith, in the early 1980s, a decline in the quantity of classical criticism began occurring when classical-music criticism visibly started to disappear from the media. Also of concern in classical music journalism was how American reviewers can write about ethnic and folk music from other than their own, such as Indian ragas. The performers be treated as human beings and their music be treated as human activity rather than a mystical or mysterious phenomenon, the review should show an understanding of the musics cultural backgrounds and intentions. A key finding in a 2005 study of journalism in America was that the profile of the average classical music critic is a white, 52-year old male. Demographics indicated that the group was 74% male, 92% white, davis, one of the most respected voices of the craft, said he had been forced out after 26 years. Music writers only started treating pop and rock music seriously in 1964 after the breakthrough of the Beatles, one of the early music magazines in Britain, Melody Maker, complained in 1967 about how newspapers and magazines are continually hammering pop music. Melody Maker magazine advocated the new forms of pop music of the late 1960s, by 1999, the quality press was regularly carrying reviews of popular music gigs and albums, which had a key role in keeping pop in the public eye. As more pop music critics began writing, this had the effect of legitimating pop as an art form, as a result, in the world of pop music criticism, there has tended to be a quick turnover. In the realm of music, as in that of classical music. Frank Zappa declared that, Most rock journalism is people who cant write, interviewing people who cant talk, in the 2000s, online music bloggers began to supplement, and to some degree displace, music journalists in print media. In 2006, Martin Edlund of the New York Sun criticized the trend, arguing that while the Internet has democratized music criticism, slate magazine writer Jody Rosen discussed the 2000s-era trends in pop music criticism in his article The Perils of Poptimism. Rosen noted that much of the debate is centered on a perception that rock critics regard rock as normative … the standard state of popular music … to which everything else is compared. At a 2006 pop critic conference, attendees discussed their guilty pop pleasures, reconsidering musicians and genres which rock critics have dismissed as lightweight. Rosen stated that this new paradigm is called popism — or, more evocatively
17.
Billboard Hot 100
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The Billboard Hot 100 is the music industry standard record chart in the United States for singles, published weekly by Billboard magazine. Chart rankings are based on sales, radio play and online streaming, the weekly sales period was originally Monday to Sunday, when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. Radio airplay, which, unlike sales figures and streaming data, is available on a real-time basis. A new chart is compiled and officially released to the public by Billboard on Tuesdays, as of the issue for the week ending on April 15,2017, the Hot 100 has had 1,061 different number one hits. The current number one song is Shape of You by Ed Sheeran, prior to 1955, Billboard did not have a unified, all-encompassing popularity chart, instead measuring songs by individual metrics. At the start of the era in 1955, three such charts existed, Best Sellers in Stores was the first Billboard chart, established in 1936. This chart ranked the biggest selling singles in retail stores, as reported by merchants surveyed throughout the country, Most Played by Jockeys was Billboards original airplay chart. It ranked the most played songs on United States radio stations, as reported by radio disc jockeys, Most Played in Jukeboxes ranked the most played songs in jukeboxes across the United States. On the week ending November 12,1955, Billboard published The Top 100 for the first time, the Top 100 combined all aspects of a singles performance, based on a point system that typically gave sales more weight than radio airplay. The Best Sellers In Stores, Most Played by Jockeys and Most Played in Jukeboxes charts continued to be published concurrently with the new Top 100 chart. The week ending July 28,1958 was the publication of the Most Played By Jockeys and Top 100 charts. On August 4,1958, Billboard premiered one main all-genre singles chart, the Hot 100 quickly became the industry standard and Billboard discontinued the Best Sellers In Stores chart on October 13,1958. The Billboard Hot 100 is still the standard by which a songs popularity is measured in the United States, the Hot 100 is ranked by radio airplay audience impressions as measured by Nielsen BDS, sales data compiled by Nielsen Soundscan and streaming activity provided by online music sources. There are several component charts that contribute to the calculation of the Hot 100. Charts are ranked by number of gross audience impressions, computed by cross-referencing exact times of radio airplay with Arbitron listener data. Hot Singles Sales, the top selling singles compiled from a sample of retail store, mass merchant and internet sales reports collected, compiled. The chart is released weekly and measures sales of commercial singles. With the decline in sales of singles in the US
18.
A-side and B-side
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The terms A-side and B-side refer to the two sides of 78,45, and 33 1/3 rpm phonograph records, whether singles, extended plays, or long-playing records. Creedence Clearwater Revival had hits with both A-side and B-side releases, others took the opposite approach, producer Phil Spector was in the habit of filling B-sides with on-the-spot instrumentals that no one would confuse with the A-side. With this practice, Spector was assured that airplay was focused on the side he wanted to be the hit side, the earliest 10-inch,78 rpm, shellac records were single sided. Double-sided recordings, with one song on side, were introduced in Europe by Columbia Records. There were no record charts until the 1930s, and radio stations did not play recorded music until the 1950s, in this time, A-sides and B-sides existed, but neither side was considered more important, the side did not convey anything about the content of the record. The term single came into use with the advent of vinyl records in the early 1950s. At first, most record labels would randomly assign which song would be an A-side, under this random system, many artists had so-called double-sided hits, where both songs on a record made one of the national sales charts, or would be featured on jukeboxes in public places. As time wore on, however, the convention for assigning songs to sides of the record changed. By the early sixties, the song on the A-side was the song that the company wanted radio stations to play. It was not until 1968, for instance, that the production of albums on a unit basis finally surpassed that of singles in the United Kingdom. In the late 1960s stereo versions of pop and rock songs began to appear on 45s. The majority of the 45s were played on AM radio stations, by the early 1970s, double-sided hits had become rare. Album sales had increased, and B-sides had become the side of the record where non-album, non-radio-friendly, with the advent of cassette and compact disc singles in the late 1980s, the A-side/B-side differentiation became much less meaningful. With the decline of cassette singles in the 1990s, the A-side/B-side dichotomy became virtually extinct, as the dominant medium. However, the term B-side is still used to refer to the tracks or coupling tracks on a CD single. With the advent of downloading music via the Internet, sales of CD singles and other media have declined. B-side songs may be released on the record as a single to provide extra value for money. There are several types of material released in this way, including a different version, or, in a concept record
19.
Music video
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A music video is a short film integrating a song and imagery, produced for promotional or artistic purposes. Modern music videos are made and used as a marketing device intended to promote the sale of music recordings. There are also cases where songs are used in tie in marketing campaigns that allow them to more than just a song. Tie ins and merchandising could be used in toys or marketing campaigns for food, although the origins of music videos date back to musical short films that first appeared in the 1920s, they came into prominence in the 1980s when MTV based their format around the medium. Prior to the 1980s, these works were described by terms including illustrated song, filmed insert, promotional film, promotional clip, promotional video, song video. Music videos use a range of styles of contemporary videomaking techniques, including animation, live action filming, documentaries. Some music videos blend different styles, such as animation, music, combining these styles and techniques has become more popular because of the variation it presents to the audience. Many music videos interpret images and scenes from the songs lyrics, other music videos may be without a set concept, being merely a filmed version of the songs live performance. Product placement is a technique in music videos, exemplified by the appearance of the Beats Pill in numerous hip hop videos. In 1894, sheet music publishers Edward B, marks and Joe Stern hired electrician George Thomas and various performers to promote sales of their song The Little Lost Child. Using a magic lantern, Thomas projected a series of images on a screen simultaneous to live performances. This would become a form of entertainment known as the illustrated song. In 1926, with the arrival of many musical short films were produced. Vitaphone shorts featured many bands, vocalists and dancers, early 1930s cartoons featured popular musicians performing their hit songs on-camera in live-action segments during the cartoons. The early animated films by Walt Disney, such as the Silly Symphonies shorts and especially Fantasia, the Warner Brothers cartoons, even today billed as Looney Tunes and Merrie Melodies, were initially fashioned around specific songs from upcoming Warner Brothers musical films. Live action musical shorts, featuring such performers as Cab Calloway, were also distributed to theaters. Blues singer Bessie Smith appeared in a short film called St. Louis Blues featuring a dramatized performance of the hit song. Numerous other musicians appeared in short musical subjects during this period, soundies, produced and released from 1940 to 1947, were musical films that often included short dance sequences, similar to later music videos
20.
EMI Records
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The label was later launched worldwide. Records Ltd. legal entity was created in 1957 as the record manufacturing and it oversaw EMIs various labels, including The Gramophone Co. Ltd. Columbia Graphophone Company, and Parlophone Co. Ltd, in July 1965, the standalone EMI Record companies were extracted from E. M. I. Records Ltd. and folded into The Gramophone Company Ltd, on 1 July 1973, The Gramophone Co. Ltd. was renamed EMI Records Ltd. Records Ltd. was wound down and its activities were absorbed into EMI Records Ltd, earlier, on 1 January 1973, all of The Gramophone Company Ltd. pop labels had been rebranded as EMI. EMI Records then signed new acts that became global successes, Kraftwerk, Renaissance, Queen, Olivia Newton-John, Iron Maiden, Kate Bush, Sheena Easton, Pink Floyd, in 1997, EMI Records American division was folded into Virgin Records. In 2010, EMI Records opened a music division, EMI Records Nashville, which includes on its roster Troy Olsen, Alan Jackson, Kelleigh Bannen. EMI Records Nashville is a label to the Capitol Nashville unit of Universal Music Group. EMI Christian Music Group was renamed Capitol Christian Music Group, EMI Classics was sold to Warner Music Group on February 2013. After EU regulatory approval, EMI Classics was absorbed into Warner Classics on July 2013, abbey Road Studios List of record labels
21.
Glitter (film)
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Glitter is a 2001 American romantic musical drama film produced by 20th Century Fox and Columbia Pictures, starring American R&B singer-songwriter Mariah Carey and featuring rapper Da Brat. The film was written by Kate Lanier and directed by Vondie Curtis Hall, set in 1982, Carey plays Billie Frank, who wants to be a famous singer, and along with her friends Louise and Roxanne is a club dancer. Timothy Walker offers them a contract as backup singers/dancers to a singer, in the premiere of the song they recorded, Frank meets Julian Dice Black, who is a DJ in a night club, and helps her in her solo career. In the process, Frank and Dice fall in love each other. Carey began working on a film and soundtrack project titled All That Glitters in 1997, however, during that period, her record company Columbia Records pressured Carey to release a compilation album, in time for the favorable holiday season in November 1998. Consequently, Carey put All That Glitters on hold, following this, Carey aimed to complete the film and album project for the summer of 2001. Shooting began in Toronto and New York at the end of September 2000, Carey utilized the time to work on the soundtrack of the film, along with Eric Benét and Da Brat, who also appeared on the film. The film was released on September 21,2001, ten days after the release of the soundtrack on September 11,2001. Before its release, Carey was suddenly hospitalized, citing extreme exhaustion, due to this, the film and its soundtrack were postponed for three weeks. Glitter was a commercial failure and critical flop. Reviewers were highly disappointed with the film, and Careys performance as an actress was considered by many to be amateur and this also caused the film to receive negative commentary along social media sites. Some went on to call it one of the worst films to be released, Glitter opened in 1,996 American theatres, and grossed $2.5 million in its first week. Its worldwide total was about $5.3 million, the soundtrack of the film had some commercial success and it went on to sell three million copies worldwide, considerably less compared with Careys previous releases. Lillian Frank is a performer at a nightclub, Lillian tries to rouse the crowd with her torch song, Lillies Blues, with her daughter Billie Frank accompanying her on vocals. The plot fails and Lillian is fired, lilian feels defeated and lights a cigarette, accidentally falls asleep with it and starts a fire, causing the building to be evacuated. Due to her mothers actions, Billie is fostered, years later, in 1983, the adult Billie is a club dancer along with her foster-care friends Louise and Roxanne. They meet Timothy Walker, who offers a contract as backup singers and dancers to the singer Sylk, later at a nightclub hosted by Julian Dice Black, Sylk debuts All My Life. Dice discovers that Billie is the singer of the song
22.
MTV
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MTV is an American cable and satellite television channel owned by Viacom Media Networks and headquartered in New York City. Launched on August 1,1981, the originally aired music videos as guided by television personalities known as video jockeys. In its early years, MTVs main target demographic was young adults and it has received criticism towards this change of focus, both by certain segments of its audience and musicians. MTVs influence on its audience, including issues involving censorship and social activism, has also been a subject of debate for several years, in recent years, MTV had struggled with the secular decline of music-related cable media. In April 2016, MTV announced it would start to return to its original music roots with the reintroduction of the classic MTV series MTV Unplugged. It was also reported that the series MTV Cribs would be making a return on Snapchat, MTV has spawned numerous sister channels in the US and affiliated channels internationally, some of which have gone independent. As of July 2015, approximately 92,188,000 US households have received MTV, several earlier concepts for music video-based television programming had been around since the early 1960s. The Beatles had used music videos to promote their records starting in the mid-1960s, CBS rejected the idea, but Williams premiered his own musical composition Classical Gas on the Smothers Brothers Comedy Hour, where he was head writer. The series featured clips from various popular artists, but was canceled by its distributor in 1971. The channel, which featured video disc jockeys, signed a deal with US Cable in 1978 to expand its audience from retail to cable television, the service was no longer active by the time MTV launched in 1981. The QUBE system offered many specialized channels, One of these specialized channels was Sight on Sound, a music channel that featured concert footage and music-oriented television programs. With the interactive QUBE service, viewers could vote for their favorite songs, the original programming format of MTV was created by media executive Robert W. Pittman, who later became president and chief executive officer of MTV Networks. Pittman had test-driven the music format by producing and hosting a 15-minute show, Album Tracks, the inspiration for PopClips came from a similar program on New Zealands TVNZ network named Radio with Pictures, which premiered in 1976. The concept itself had been in the works since 1966, when record companies began supplying the New Zealand Broadcasting Corporation with promotional music clips to play on the air at no charge. Few artists made the trip to New Zealand to appear live. A shortened version of the shuttle launch ID ran at the top of hour in various forms. The first music video shown on MTV was The Buggles Video Killed the Radio Star and this was followed by the video for Pat Benatars You Better Run. Sporadically, the screen would go black when an employee at MTV inserted a tape into a VCR, MTVs lower third graphics that appeared near the beginning and end of music videos would eventually use the recognizable Kabel typeface for about 25 years
23.
Total Request Live
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Total Request Live was a television series on MTV that featured popular music videos. TRL was MTVs prime outlet for music videos as the continued to concentrate on reality-based programming. In addition to videos, TRL featured daily guests. The show was a promotion tool used by musicians, actors. TRL played the ten most requested videos of the day. The show generally aired Monday through Thursday for one hour, though the scheduling, despite the word Live in the title of the show, many episodes were actually pre-recorded. MTV announced the cancellation of TRL on September 15,2008, the special three-hour finale episode, Total Finale Live, aired on November 16,2008. An international version of TRL aired on MTV Italy until 2010, origin of TRL can be traced back to 1997 when MTV began producing MTV Live from the newly opened MTV studios in Times Square in New York City. MTV Live featured celebrity interviews, musical performances, and regular news updates, music videos were not the major focus of the program. For a time, the show more than 750,000 viewers. During the same period, MTV aired a countdown show simply called Total Request. Total Request was far more subdued, as Daly introduced music videos from an empty, as the show progressed and gained more momentum with viewers tuning in, it was soon added to the list of daytime programming during MTVs Summer Share in Seaside Heights, New Jersey. In Fall 1998, MTV producers merged the real-time aspect of MTV Live with the fan-controlled countdown power of Total Request into Total Request Live, the series made its debut from MTV Studios on September 14,1998. The show then grew to become MTVs unofficial flagship program, the original host of TRL, Carson Daly, brought popularity to the show. The widely known abbreviation of TRL was adopted as the title of the show in February 1999, after Daly. In the years following, the program was referred to by its complete title. TRL spent its first year developing a cult-type following, in the fall of 1999, a live studio audience was added to the show. By spring 2000, the countdown reached its peak, becoming a recognizable pop culture icon in its first two years of existence
24.
Times Square
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It stretches from West 42nd to West 47th Streets. One of the worlds busiest pedestrian areas, it is also the hub of the Broadway Theater District, Times Square is one of the worlds most visited tourist attractions, drawing an estimated 50 million visitors annually. Approximately 330,000 people pass through Times Square daily, many of them tourists, the southern triangle of Times Square has no specific name, but the northernmost of the two triangles is called Father Duffy Square. Since 2008, the booth has been backed by a red, sloped, triangular set of stairs, which is used by people to sit, talk, eat. When Manhattan Island was first settled by the Dutch, three small streams united near what is now 10th Avenue and 40th street and these three streams formed the Great Kill. From there the Great Kill wound through the low-lying Reed Valley, known for fish and waterfowl, the name was retained in a tiny hamlet, Great Kill, that became a center for carriage-making, as the upland to the south and east became known as Longacre. Before and after the American Revolution, the area belonged to John Morin Scott, scotts manor house was at what is currently 43rd Street, surrounded by countryside used for farming and breeding horses. By 1872, the area had become the center of New Yorks horse carriage industry, the locality had not previously been given a name, and city authorities called it Longacre Square after Long Acre in London, where the horse and carriage trade was centered in that city. William Henry Vanderbilt owned and ran the American Horse Exchange there, in 1910 it became the Winter Garden Theatre. The first theater on the square, the Olympia, was built by cigar manufacturer, by the early 1890s this once sparsely settled stretch of Broadway was ablaze with electric light and thronged by crowds of middle- and upper-class theatre, restaurant and cafe patrons. In 1904, New York Times publisher Adolph S. Ochs persuaded Mayor George B, mcClellan, Jr. to construct a subway station there, and the area was renamed Times Square on April 8,1904. Just three weeks later, the first electrified advertisement appeared on the side of a bank at the corner of 46th Street, the north end later became Duffy Square, and the former Horse Exchange became the Winter Garden Theatre. The New York Times, according to Nolan, moved to spacious offices west of the square in 1913. The old Times Building was later named the Allied Chemical Building in 1963, now known simply as One Times Square, it is famed for the Times Square Ball drop on its roof every New Years Eve. In 1913, the Lincoln Highway Association, headed by entrepreneur Carl G. Fisher, chose the intersection of 42nd Street and Broadway to be the Eastern Terminus of the Lincoln Highway. This was the first road across the United States, which originally spanned 3,389 miles coast-to-coast through 13 states to its terminus in Lincoln Park in San Francisco. Times Square grew dramatically after World War I and it became a cultural hub full of theatres, music halls, and upscale hotels. Times Square quickly became New Yorks agora, a place to gather to await great tidings and to celebrate them, advertising also grew significantly in the 1920s, growing from $25 million to $85 million over the decade
25.
Striptease
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A striptease is an erotic or exotic dance in which the performer gradually undresses, either partly or completely, in a seductive and sexually suggestive manner. The person who performs a striptease is commonly known as a stripper or exotic dancer. In Western countries, the venues where stripteases are performed on a regular basis are now usually called strip clubs, though they may be performed in such as pubs, theaters. At times, a stripper may be hired to perform at a bachelor or bachelorette party, in addition to providing adult entertainment, stripping can be a form of sexual play between partners. Striptease involves a slow, sensuous undressing, the emphasis is on the act of undressing along with sexually suggestive movement, rather than the state of being undressed. In the past, the performance often finished as soon as the undressing was finished, the costume the stripper wears before disrobing can form part of the act. In some cases, audience interaction can form part of the act, with audience urging the stripper to remove more clothing, Striptease and public nudity have been subject to legal and cultural prohibitions and other aesthetic considerations and taboos. Restrictions on venues may be through venue licensing requirements and constraints and these laws vary considerably around the world, and even between different parts of the same country. H. L. Gypsy Rose Lee, one of the most famous artists of all time. The origins of striptease as a performance art are disputed and various dates, the term striptease was first recorded in 1932, though stripping, in the sense of women removing clothing to sexually excite men, seems to go back to at least the late 19th century. There is an aspect in the ancient Sumerian myth of the descent of the goddess Inanna into the Underworld. At each of the seven gates, she removed an article of clothing or a piece of jewelry, as long as she remained in hell, the earth was barren. Some believe this myth was embodied in the dance of the seven veils of Salome, however, although the Bible records Salomes dance, the first mention of her removing seven veils occurs in Oscar Wildes play of Salome, in 1893. In ancient Greece, the lawgiver Solon established several classes of prostitutes in the late 6th century BC, among these classes of prostitutes were the auletrides, female dancers, acrobats, and musicians, noted for dancing naked in an alluring fashion in front of audiences of men. In ancient Rome, dance featuring stripping was part of the entertainments at the Floralia and she was famous for her striptease performance of Leda and the Swan. From these accounts, it appears that the practice was hardly exceptional nor new and it was, however, actively opposed by the Christian Church, which succeeded in obtaining statutes banning it in the following century. The degree to which these statutes were subsequently enforced is, of course, what is certain is that no practice of the sort is reported in texts of the European Middle Ages. An early version of strip-tease became popular in England at the time of the Restoration, a strip tease was incorporated into the Restoration comedy The Rover, written by Aphra Behn in 1677
26.
Connecticut
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Connecticut is the southernmost state in the New England region of the northeastern United States. Connecticut is also often grouped along with New York and New Jersey as the Tri-State Area and it is bordered by Rhode Island to the east, Massachusetts to the north, New York to the west, and Long Island Sound to the south. Its capital city is Hartford, and its most populous city is Bridgeport, the state is named for the Connecticut River, a major U. S. river that approximately bisects the state. The word Connecticut is derived from various anglicized spellings of an Algonquian word for long tidal river, Connecticut is the third smallest state by area, the 29th most populous, and the fourth most densely populated of the 50 United States. It is known as the Constitution State, the Nutmeg State, the Provisions State, and it was influential in the development of the federal government of the United States. Connecticuts center of population is in Cheshire, New Haven County, Connecticuts first European settlers were Dutch. They established a small, short-lived settlement in present-day Hartford at the confluence of the Park, initially, half of Connecticut was a part of the Dutch colony New Netherland, which included much of the land between the Connecticut and Delaware rivers. The first major settlements were established in the 1630s by England, the Connecticut and New Haven Colonies established documents of Fundamental Orders, considered the first constitutions in North America. In 1662, the three colonies were merged under a charter, making Connecticut a crown colony. This colony was one of the Thirteen Colonies that revolted against British rule in the American Revolution, the Connecticut River, Thames River, and ports along the Long Island Sound have given Connecticut a strong maritime tradition which continues today. The state also has a history of hosting the financial services industry, including insurance companies in Hartford. As of the 2010 Census, Connecticut features the highest per-capita income, Human Development Index, and median household income in the United States. Landmarks and Cities of Connecticut Connecticut is bordered on the south by Long Island Sound, on the west by New York, on the north by Massachusetts, and on the east by Rhode Island. The state capital and third largest city is Hartford, and other cities and towns include Bridgeport, New Haven, Stamford, Waterbury, Norwalk, Danbury, New Britain, Greenwich. Connecticut is slightly larger than the country of Montenegro, there are 169 incorporated towns in Connecticut. The highest peak in Connecticut is Bear Mountain in Salisbury in the northwest corner of the state, the highest point is just east of where Connecticut, Massachusetts, and New York meet, on the southern slope of Mount Frissell, whose peak lies nearby in Massachusetts. At the opposite extreme, many of the towns have areas that are less than 20 feet above sea level. Connecticut has a maritime history and a reputation based on that history—yet the state has no direct oceanfront
27.
James Brown
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James Joseph Brown was an American singer, songwriter, record producer, dancer, and bandleader. The creator of music and a major figure of 20th century popular music and dance. In a career spanned six decades, he influenced the development of several music genres. Brown began his career as a singer in Toccoa, Georgia. He joined an R&B vocal group, the Gospel Starlighters, in which he was the lead singer. His success peaked in the 1960s with the live album Live at the Apollo and hit singles such as Papas Got a Brand New Bag, I Got You and Its a Mans Mans Mans World. During the late 1960s he moved from a continuum of blues and gospel-based forms, by the early 1970s, Brown had fully established the funk sound after the formation of the J. B. s with records such as Get Up Sex Machine and The Payback. He also became noted for songs of social commentary, including the 1968 hit Say It Loud – Im Black, Brown continued to perform and record until his death from congestive heart failure in 2006. Brown recorded 16 singles that reached number one on the Billboard R&B charts and he also holds the record for the most singles listed on the Billboard Hot 100 chart which did not reach number one. Brown has received honors from many institutions, including inductions into the Rock and Roll Hall of Fame, in Joel Whitburns analysis of the Billboard R&B charts from 1942 to 2010, James Brown is ranked as number one in The Top 500 Artists. He is ranked seventh on the music magazine Rolling Stones list of its 100 greatest artists of all time, Rolling Stone has also cited Brown as the most sampled artist of all time. Brown was born on May 3,1933, in Barnwell, South Carolina, to 16-year-old Susie and 22-year-old Joseph Joe Gardner Brown, in a small wooden shack. Browns name was supposed to have been Joseph James Brown, Jr. however, his first and he later legally changed his name to remove Jr. His parents were black, in his autobiography, Brown stated that he also had Chinese and Native American ancestry. The Brown family lived in poverty in Elko, South Carolina. They later moved to Augusta, Georgia, when James was four or five and his family first settled at one of his aunts brothels. They later moved into a house shared with another aunt, Browns mother later left the family after a contentious marriage and moved to New York. Brown spent long stretches of time on his own, hanging out in the streets and he managed to stay in school until the sixth grade
28.
The Cincinnati Enquirer
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The Cincinnati Enquirer is a morning daily newspaper published by Gannett Company in Cincinnati, Ohio, United States. The Enquirer has the highest circulation of any print publication in the Cincinnati metropolitan area, a daily local edition for Northern Kentucky is published as The Kentucky Enquirer. The Enquirer is available online at the Cincinnati. com website, the Enquirer is regarded as a conservative, Republican-leaning newspaper, in contrast to The Cincinnati Post, a former competing daily. From 1920 to 2012, the board endorsed every Republican candidate for United States president. By contrast, the current editorial board claims to take a pragmatic editorial stance, according to editor Peter Bhatia, It is made up of pragmatic, solution-driven members who, frankly, don’t have much use for extreme ideologies from the right or the left. The board’s mantra in our editorials has been about problem-solving and improving the quality of life for everyone in greater Cincinnati, on September 24,2016, the Enquirer endorsed Hillary Clinton for president, the first endorsement of a Democrat for president since Woodrow Wilson in 1916. The Kentucky Enquirer consists of an additional section wrapped around the Cincinnati Enquirer, the front page is remade from the Ohio edition, although it may contain similar elements. Since September 2015, the Enquirer and local Fox affiliate WXIX-TV have partnered on news gathering and have shared news coverage and video among the paper, broadcasts, the Enquirers predecessor was the Phoenix, edited by Moses Dawson as early as 1828. It later became the Commercial Advertiser and in 1838 the Cincinnati Advertiser, by the time John and Charles Brough purchased it and renamed it the Daily Cincinnati Enquirer, it was considered a newspaper of record for the city. The Enquirers first issue, on April 10,1841, consisted of just four pages of squint-inducing text that was, at times and it declared its staunch support for the Democratic Party, in contrast to the three Whig papers and two ostensibly independent papers then in circulation. A weekly digest edition for regional farmers, the Weekly Cincinnati Enquirer, began publishing on April 14 and would continue until November 25,1843, in November 1843, the Enquirer merged with the Daily Morning Message to become the Enquirer and Message. In January 1845, the dropped the Message name, becoming The Cincinnati Daily Enquirer. Finally, in May 1849, the paper became The Cincinnati Enquirer, on April 20,1848, the Enquirer became one of the first newspapers in the United States to publish a Sunday edition. In 1844, James J. Faran took an interest in the Enquirer, in 1848, Washington McLean and his brother S. B. Wiley McLean acquired an interest in the Enquirer. On March 22,1866, a gas leak caused Pikes Opera House to explode, a competitor, the Cincinnati Daily Times, allowed the Enquirer to print on its presses in the wake of the disaster. As a result, the Enquirer missed only one day of publication, however, archives of the papers first 25 years were lost. Washington McLean was a leading Copperhead whose editorial policies led to the suppression of the paper by the United States government during the Civil War, after the war, McLean pursued an anti-Republican stance. One of his star writers was Lafcadio Hearn, who wrote for the paper from 1872 to 1875, James W. Faulkner served as the papers political correspondent, covering the Ohio State Legislature and Statehouse, from 1887 until his death in 1923
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Los Angeles Times
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The Los Angeles Times, commonly referred to as the Times or LA Times, is a paid daily newspaper published in Los Angeles, California, since 1881. It was the largest metropolitan newspaper in circulation in the United States in 2008, the Times is owned by tronc. The Times was first published on December 4,1881, as the Los Angeles Daily Times under the direction of Nathan Cole Jr. and it was first printed at the Mirror printing plant, owned by Jesse Yarnell and T. J. Unable to pay the bill, Cole and Gardiner turned the paper over to the Mirror Company. Mathes had joined the firm, and it was at his insistence that the Times continued publication, in July 1882, Harrison Gray Otis moved from Santa Barbara to become the papers editor. Otis made the Times a financial success, in an era where newspapers were driven by party politics, the Times was directed at Republican readers. As was typical of newspapers of the time, the Times would sit on stories for several days, historian Kevin Starr wrote that Otis was a businessman capable of manipulating the entire apparatus of politics and public opinion for his own enrichment. Otiss editorial policy was based on civic boosterism, extolling the virtues of Los Angeles, the efforts of the Times to fight local unions led to the October 1,1910 bombing of its headquarters, killing twenty-one people. Two union leaders, James and Joseph McNamara, were charged, the American Federation of Labor hired noted trial attorney Clarence Darrow to represent the brothers, who eventually pleaded guilty. Upon Otiss death in 1917, his son-in-law, Harry Chandler, Harry Chandler was succeeded in 1944 by his son, Norman Chandler, who ran the paper during the rapid growth of post-war Los Angeles. Family members are buried at the Hollywood Forever Cemetery near Paramount Studios, the site also includes a memorial to the Times Building bombing victims. The fourth generation of family publishers, Otis Chandler, held that position from 1960 to 1980, Otis Chandler sought legitimacy and recognition for his familys paper, often forgotten in the power centers of the Northeastern United States due to its geographic and cultural distance. He sought to remake the paper in the model of the nations most respected newspapers, notably The New York Times, believing that the newsroom was the heartbeat of the business, Otis Chandler increased the size and pay of the reporting staff and expanded its national and international reporting. In 1962, the paper joined with the Washington Post to form the Los Angeles Times-Washington Post News Service to syndicate articles from both papers for news organizations. During the 1960s, the paper won four Pulitzer Prizes, more than its previous nine decades combined, eventually the coupon-clipping branches realized that they could make more money investing in something other than newspapers. Under their pressure the companies went public, or split apart, thats the pattern followed over more than a century by the Los Angeles Times under the Chandler family. The papers early history and subsequent transformation was chronicled in an unauthorized history Thinking Big and it has also been the whole or partial subject of nearly thirty dissertations in communications or social science in the past four decades. In 2000, the Tribune Company acquired the Times, placing the paper in co-ownership with then-WB -affiliated KTLA, which Tribune acquired in 1985
30.
People (magazine)
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People is an American weekly magazine of celebrity and human-interest stories, published by Time Inc. With a readership of 46.6 million adults, People has the largest audience of any American magazine, People had $997 million in advertising revenue in 2011, the highest advertising revenue of any American magazine. In 2006, it had a circulation of 3.75 million and it was named Magazine of the Year by Advertising Age in October 2005, for excellence in editorial, circulation and advertising. People ranked #6 on Advertising Ages annual A-list and #3 on Adweeks Brand Blazers list in October 2006, the magazine runs a roughly 50/50 mix of celebrity and human-interest articles. Peoples website, People. com, focuses on celebrity news, in February 2015, the website broke a new record,72 million unique visitors. People is perhaps best known for its special issues naming the Worlds Most Beautiful, Best & Worst Dressed. The magazines headquarters are in New York and it maintains editorial bureaus in Los Angeles, for economic reasons it closed bureaus in Austin, Miami, and Chicago in 2006. In December 2016, LaTavia Roberson engaged in a feud with People after alleging they misquoted and misrepresented her interview online. The concept for People has been attributed to Andrew Heiskell, Time Inc. s chief executive officer at the time, the founding managing editor of People was Richard B. Stolley, an assistant managing editor at Life and the journalist who acquired the Zapruder tapes of the John F. Kennedy assassination for Time Inc. in 1963. Peoples first publisher was Richard J. Durrell, another Time Inc. veteran, Stolley characterized the magazine as getting back to the people who are causing the news and who are caught up in it, or deserve to be in it. Our focus is on people, not issues, stolleys almost religious determination to keep the magazine people-focused contributed significantly to its rapid early success. It is said that although Time Inc. pumped an estimated $40 million into the venture, initially, the magazine was sold primarily on newsstands and in supermarkets. To get the magazine out each week, founding staff members regularly slept on the floor of their offices two or three nights each week and severely limited all non-essential outside engagements. The premier edition for the week ending March 4,1974 featured actress Mia Farrow, then starring in the movie The Great Gatsby and that issue also featured stories on Gloria Vanderbilt, Aleksandr Solzhenitsyn and the wives of U. S. Vietnam veterans who were Missing In Action, the magazine was, apart from its cover, printed in black-and-white. The initial cover price was 35 cents, the core of the small founding editorial team included other editors, writers, photographers and photo editors from Life magazine, which had ceased publication just 13 months earlier. This group included managing editor Stolley, senior editors Hal Wingo, Sam Angeloff and Robert Emmett Ginna, writers James Watters and Ronald B
31.
Loverboy (Mariah Carey song)
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Loverboy is a song by American singer and songwriter Mariah Carey. It was released on July 16,2001 by Virgin Records America as the single from Glitter. Written and produced by Carey, Larry Blackmon, Thomas Jenkins and Clark Kent, Loverboy is built around a sample from Candy by Cameo, lyrically, the song finds Carey fantasizing about her loverboy, a man that will fulfill her physical and sexual desires. The recording was accompanied by a remix, titled Loverboy, featuring guest artists Ludacris, Da Brat, Shawnna. Since Careys Glitter was to be released over a month after Lopezs album, controversy ensued following its release, Carey was hospitalized for severe mental and physical exhaustion, following poorly received television appearances involving the song and album. After the songs release in the United States, Loverboy stalled on the Billboard Hot 100, the song reached a peak of number two on the Hot 100 but failed to top the chart due to weak radio airplay. The single jumped 60-2 on The Billboard Hot 100 the week after it was released as a commercial single, though finishing as the best-selling song of 2001 in the United States, Loverboy became Careys first lead single to not reach number one. Internationally, the failed to garner strong charting, reaching the top-ten in Australia and Canada, and the top-twenty in Portugal, Italy. Loverboy received generally mixed reviews from critics, many called the song unoriginal and dated while others felt that the featured artists overpowered Carey. A music video, directed by David LaChapelle, was shot for both versions of the song, the first version features Carey as a scantily-clad car girl, waving a flag as her loverboy finishes a race. The video for the version features similar footage, only including shots of the songs guests in race-cars during their verses. Finally, she performed Loverboy live on The Sweet Sweet Fantasy Tour in 2016, following the release of Loverboy, Carey embarked on a short promotional campaign for the song. On July 19,2001, Carey made a appearance on the MTV program Total Request Live. As the shows host Carson Daly began taping following a break, Carey came out onto the filming stage. Carey then walked to Dalys platform and began a striptease, in which she shed her shirt to reveal a yellow and green ensemble. Careys appearance on TRL garnered strong media attention, with critics and newspapers citing her behavior as troubled. In the days following her appearance on TRL, Carey had begun displaying erratic behavior during a record signing for the single at Tower Records in New York. As the appearance was filmed, she began rambling on several points, leading her to discuss radio-host Howard Stern, at that point, Careys publicist Cindi Berger grabbed the microphone from her hand, and ordered the cameras to stop filming
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ARIA Charts
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The ARIA Charts are the main Australian music sales charts, issued weekly by the Australian Recording Industry Association. The charts are a record of the highest selling singles and albums in various genres in Australia, ARIA became the official Australian music chart in June 1988, succeeding the Kent Music Report which had been Australias national charts since 1974. The Go-Set charts were Australias first national singles and albums charts published from 5 October 1966 until 24 August 1974, succeeding Go-Set, the Kent Music Report began issuing the national top 100 charts in Australia from May 1974. The compiler, David Kent, also published Australias national charts from 1940–1974 in a retrospective fashion using state based data, in mid 1983, the Australian Recording Industry Association commenced licensing the Kent Music Report chart. The first printed national top 50 chart available in record stores, ARIA began compiling its own charts in-house from the chart dated week ending 26 June 1988. Various artists compilation albums were included in the albums chart, as they had been on the Kent Report chart, until 2 July 1989. The ARIA Report, detailing the top 100 singles and albums charts, was first available via subscription in January 1990, the printed top 50 chart ceased publication in June 1998, but resumed publication later in the year. The printed top 50 chart again ceased publication at the end of 2000, the ARIA charts are based on data collected from physical and digital retailers in Australia. Data of physical sales come from such as Sanity and JB Hi-Fi, while data of digital sales come from online retailers such as iTunes, Bandit FM, GetMusic. Since 17 February 1997, all physical sales data contributing towards the chart has been recorded electronically at point of sale. In March 1991, Do the Bartman by The Simpsons was the first single to reach #1 in Australia that was not available on 7 inch vinyl, but cassingle only. Starting from 8 October 2006, due to low physical single sales at the time, in 2006, it was announced that the Brazin retailing group, comprising major retailers HMV, Sanity and Virgin music/DVD stores would no longer contribute sales data to the ARIA charts. However, after an absence, Brazin reportedly re-commenced contributing sales figures to the ARIA Charts on 26 November 2006. The ARIA website publishes the top 50 singles and albums charts, top 40 digital tracks chart, the ARIA Report lists all charts in full and is available via paid e-mail subscription each week. These reports are uploaded to the Pandora Archive periodically, on 5 February 2006, the ARIA Chart Show was a radio program launched on the Nova network and broadcast throughout Australia, playing the official ARIA top 50 singles. The live music program was hosted by Jabba each Sunday afternoon at 3, the show was aired before the top 50 chart, dated for the following Monday, is published on the ARIA website at 6,00 pm. The charts were published online at 6,00 pm each Sunday. The diamond certification was created for albums in November 2015 to mark 500,000 sales/shipments, for music DVDs, a gold accreditation originally represented 7,500 copies shipped, with a platinum accreditation representing 15,000 units shipped. co. uk
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Federazione Industria Musicale Italiana
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The Federazione Industria Musicale Italiana is an umbrella organization that keeps track of virtually all aspects of the music recording industry in Italy. It was established in 1992, when major corporate labels left the previously existing Associazione dei Fonografici Italiani, during the following years, most of the remaining Italian record labels left AFI to join the new organization. As of 2011, FIMI represents 2,500 companies operating in the music business, FIMI is a member of the International Federation of the Phonographic Industry and of the Italian employers federation, Confindustria. Its main purpose is to protect the interests of the Italian record industry, starting in March 1995, the Italian Music Industry Federation began providing the Italian official albums chart. In January 1997, FIMI also became the provider of the Italian official singles chart, due to the decrease of CD singles sales in Italy, FIMI replaced its physical singles chart with a digital downloads chart—based on legal internet and mobile downloads—on 1 January 2008. In July 2011, Enzo Mazza was confirmed as FIMI chairman, the Italian Music Industry Federation compiled its first album chart in March 1995. Issued on 7 March 1995, it was based on sales between 23 February 1995 and 1 March 1995 and this period coincided with the first week of sales for the albums released by the 45th Sanremo Music Festival contestants, the most important music event in Italy. The first number-one album was Bruce Springsteens Greatest Hits, between 1995 and 2009, the FIMI Album Chart was based on data provided by Nielsen. From January 2010, the FIMI Album Charts positions have been derived from GfK Retail, in 1995, the chart was based on data digitally gathered by 130 sellers. The number of sellers was later increased and, as of 2011, starting from 14 October 2011, the FIMI Albums Chart also includes digital sales. In March 1995, alongside the FIMI Album Chart, the Italian Music Industry Federation also began the FIMI Compilations Chart and these albums are not included in the FIMI Album Chart. The first number-one was Sanremo 95, released by RTI Music, in January 1997, the Italian Music Industry Federation also started an official singles chart. The first number-one single was Depeche Modes Barrel of a Gun, compiled by Nielsen, the chart listed the best-selling physical singles in Italy, but on 1 January 2008 it was replaced by the Top Digital Download, listing the best-selling digital singles. The last number one on the physical FIMI Singles Chart was The Singles Collection by Vasco Rossi, the Italian DVD Chart was established by the Italian Music Industry Federation in October 2003. The first Italian DVD Chart listed only the first ten positions, as of July 2011, it lists the 20 best-selling music DVDs in Italy, and is compiled by ACNielsen. On 10 April 2006, FIMI published the first chart listing the best-selling digital singles in Italy, compiled by Nielsen SoundScan, the chart was based on data provided by 10 digital stores. The first number-one single was Sei nellanima by Gianna Nannini, due to the decrease of CD singles sales in Italy, on 1 January 2008 the Top Digital Download became the Italian official singles chart, replacing the chart based on physical sales. A certification system has existed in Italy since the mid 1970s, during that period, albums had to sell 500,000 units to qualify for a Silver status, while for Gold, the requirement was 1,000,000 units
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