Ode Music is a Will Oldham LP released in 2000. It is the soundtrack to the film of the same name by Kelly Reichardt; the LP is instrumental, featuring acoustic guitar and organ. The album's cover art is by film director Todd Haynes. "Ode #1" – 7:41 "Ode #2" – 4:07 "Ode #3" – 2:03 "Ode #4" – 3:19 "Ode #1a" - 2:51 "Ode #1b" - 3:31 "Ode #2a" - 2:33 "Ode #5" - 2:40 "Ode #3a" - 1:56 "Ode #4a" - 3:01
The Letting Go
The Letting Go is a 2006 studio album by Bonnie "Prince" Billy. It was released on Drag City; the album was recorded in Reykjavík, Iceland and produced by Valgeir Sigurðsson, known for his work with the Icelandic artist Björk. The arrangement was done by Nico Muhly. Dawn McCarthy of Faun Fables sings on the album; the album's title comes from the last lines of the Emily Dickinson poem that starts "After a Great Pain, A Formal Feeling Comes." This is the hour of lead Remembered if outlived, As freezing persons recollect the snow, First chill stupor the letting go. At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, The Letting Go received an average score of 84% based on 24 reviews, indicating "universal acclaim". Pitchfork placed The Letting Go at number 195 on their list of top 200 albums of the 2000s. Credits adapted from liner notes. Emmett Kelly – guitar Dawn McCarthy – singing Paul Oldham – bass Valgeir Sigurdsson – recording, mixing Jim White – drums The Letting Go at Discogs
John Robert Parker Ravenscroft, known professionally as John Peel, was an English disc jockey, radio presenter, record producer and journalist. He was the longest serving of the original BBC Radio 1 DJs, broadcasting from 1967 until his death in 2004, he was one of the first broadcasters to play psychedelic rock and progressive rock records on British radio, he is acknowledged for promoting artists working in a multitude of genres including pop, dub reggae, punk rock and post-punk, electronic music and dance music, indie rock, extreme metal, British hip hop. Fellow DJ Paul Gambaccini described Peel as "the most important man in music for about a dozen years". In 2012 he was among the British cultural icons selected by artist Sir Peter Blake to appear in a new version of his most famous artwork – the Beatles' Sgt. Pepper's Lonely Hearts Club Band album cover. Peel's Radio 1 shows were notable for the regular "Peel sessions", which consisted of four songs recorded by an artist live in the BBC's studios, which provided the first major national coverage to bands that would achieve great fame.
Another popular feature of his shows was the annual Festive Fifty countdown of his listeners' favourite records of the year. Peel appeared on British television as one of the presenters of Top of the Pops in the 1980s, he provided voice-over commentary for a number of BBC programmes, he became popular with the audience of BBC Radio 4 for his Home Truths programme, which ran from the 1990s, featuring unusual stories from listeners' domestic lives. John Peel was born in Heswall Cottage Hospital in Heswall near Liverpool, his father was an upper middle-class cotton merchant, he grew up in the nearby village of Burton. He was educated as a boarder at Shrewsbury School, where one of his contemporaries was future Monty Python member Michael Palin; the solitary Peel was an avid radio listener and record collector from an early age, cutting his teeth on fare offered by the American Forces Network and Radio Luxembourg. He recalled an early desire to host a radio programme of his own "so that I could play music that I heard and wanted others to hear."His housemaster, R. H. J. Brooke, whom Peel described as "extraordinarily eccentric" and "amazingly perceptive", wrote on one of his school reports, "Perhaps it's possible that John can form some kind of nightmarish career out of his enthusiasm for unlistenable records and his delight in writing long and facetious essays."In his posthumously published autobiography, Peel said that he had been raped by an older pupil while at Shrewsbury.
After finishing his National Service in 1959 in the Royal Artillery as a B2 radar operator, he worked as a mill operative at Townhead Mill in Rochdale and travelled home each weekend to Heswall on a scooter borrowed from his sister. Whilst in Rochdale during the week, he stayed in a bed-and-breakfast in the area of Milkstone Road and Drake Street and would develop long-term associations with the town as the years progressed. In 1960, aged 21, he went to the United States to work for a cotton producer who had business dealings with his father. Once this job finished, he took a number of others, including working as a travelling insurance salesman. While in Dallas, where the insurance company he worked for was based, he conversed with the presidential candidate John F. Kennedy, his running mate Lyndon B. Johnson, who were touring the city during the 1960 election campaign, took photographs of them. Following Kennedy's assassination in November 1963, Peel passed himself off as a reporter for the Liverpool Echo in order to attend the arraignment of Lee Harvey Oswald, he and a friend can be seen in the footage of the 22/23 November midnight press conference at Dallas Police Department when Oswald was paraded before the media.
He phoned in the story to the Liverpool Echo. While working for the insurance company, Peel wrote programs for punched card entry for an IBM 1410 computer, he got his first radio job, albeit unpaid, working for WRR in Dallas. There, he presented the second hour of the Monday night programme Kat's Karavan, hosted by the American singer and radio personality Jim Lowe. Following this, as Beatlemania hit the United States, Peel got a job with the Dallas radio station KLIF as the official Beatles correspondent on the strength of his connection to Liverpool, he worked for KOMA in Oklahoma City, until 1965 when he moved to KMEN in San Bernardino, using the name John Ravencroft to present the breakfast show. While in Dallas, in 1965, he married his first wife, Shirley Anne Milburn aged 15, in what Peel described as a "mutual defence pact"; the marriage was never happy and although she accompanied Peel back to Britain in 1967, they were soon separated. The divorce became final in 1973. Milburn took her own life.
Peel returned to England in early 1967 and found work with the offshore pirate radio station Radio London. He was offered the midnight-to-two shift, which developed into a programme called The Perfumed Garden, it was on "Big L" that he first adopted the name "John Peel" and established himself as a distinctive radio voice. Peel's show was an outlet for the music of the UK underground scene, he played classic blues, folk music and psychedelic rock, with an emphasis on the new music emerging from Los Angeles and San Francisco. As important as the musical content of the programme was the personal – sometimes confessional – tone of Peel's pres
Uncut magazine, trademarked as UNCUT, is a monthly publication based in London. It is available across the English-speaking world, focuses on music, but includes film and books sections. A DVD magazine under the Uncut brand was published quarterly from 2005 to 2006. Uncut was launched in May 1997 as "a monthly magazine aimed at 25- to 45-year-old men that focuses on music and movies", edited by Allan Jones. Jones has stated that "he idea for Uncut came from my own disenchantment about what I was doing with Melody Maker. There was a publishing initiative to make the audience younger. According to IPC Media, 86% of the magazine's readers are male and their average age is 37 years. Uncut's contents include lengthy features on old albums, interviews with film directors and film news, reviews of all major new album, film and DVD releases, its music features tend to focus on genres such as Americana and alternative country. Each month the magazine includes a free CD. Special Issues have covered U2, Bob Dylan, Bruce Springsteen, The Byrds, David Bowie, Demon Records, Eric Clapton, John Lennon, Pink Floyd, Martin Scorsese, Motown Records, George Harrison, Jimmy Page, Led Zeppelin, The Beach Boys, Paul McCartney, Neil Young, The Beatles, Elvis Costello, The Kinks, Fleetwood Mac and more.
Uncut underwent a radical redesign in May 2006, as a result of which the magazine no longer catered for books and reduced its film content. Allan Jones writes a regular monthly column, recounting stories from his long career in music journalism. Uncut's monthly circulation has dropped from over 90,000 in 2007 to 47,890 in the second half of 2015. Uncut produces themed spin-off titles celebrating the career of one artist; this series has been known as Uncut Legends. Artists who have so far had magazines devoted to them include Radiohead, Kurt Cobain, U2, Bruce Springsteen, Tom Waits and John Lennon; the Lennon magazine was produced to commemorate the 25th anniversary of the death of the former Beatle. The majority of these titles have been produced by magazine editor Chris Hunt; the series started in 2003 with an inaugural issue devoted to Bob Dylan, edited by Nigel Williamson. In 2008 Uncut launched their inaugural Uncut Music Award, described as "a quest to find the most inspiring and rewarding musical experience of the past 12 months."
A list of 25 nominees is selected by a panel of 10 judges, who are all musicians or music industry professionals, they come together to decide a winner. Past winners have included Fleet Foxes, Paul Weller and P. J. Harvey. In late 2005, Allan Jones and publishing director Andrew Sumner launched a spin-off of the main movies and music magazine, that focused its attention on DVD releases of classic movies. Billed as "the only great movie magazine," Uncut DVD was designed to compete with such established titles as Ultimate DVD, DVD Review and DVD Monthly. Despite strong reviews in the UK trade press, Uncut DVD folded after three quarterly issues
Harmony Korine is an American film director and screenwriter. He is best known for writing Kids and for writing and directing Gummo, Julien Donkey-Boy, Mister Lonely and Spring Breakers, his film Trash Humpers premiered at the Toronto International Film Festival and won the main prize, the DOX Award, at the CPH:DOX. In 2019, Korine directed his first project in The Beach Bum. Korine was born in Bolinas and raised in Nashville, the son of Eve and Sol Korine, his family is Jewish. His father was a tapdancer and produced documentaries for PBS in the 1970s about an "array of colorful Southern characters"; as a child, Korine watched movies with his father, who rented Buster Keaton films and took him to see Even Dwarfs Started Small in the theater. Korine reminisces, "I knew there was a poetry in cinema that I had never seen before, so powerful." As a child, Korine changed his name from "Harmony" and went by "Harmful," as he thought it made him sound tougher when he got into fights. Korine spent his childhood in Nashville, attending Hillsboro High School before moving to New York City to live with his grandmother.
Korine spent some time living with his parents in a commune, which helped to inspire the commune setting of Mister Lonely. As a teenager, Korine frequented revival theaters, watching classic films by John Cassavetes, Werner Herzog, Jean-Luc Godard, Rainer Werner Fassbinder, Alan Clarke. In an interview with Bruce LaBruce, Korine mentioned that he studied Business Administration in college. Other sources state that he studied Dramatic Writing at Tisch School of the Arts at New York University for one semester before dropping out to pursue a career as a professional skateboarder. Korine was skating with friends in Washington Square Park. Impressed, the photographer asked him to compose a script about skaters and to include in the plot a teenage AIDS experience. Korine told Clark, "I've been waiting all my life to write this story." Within three weeks, Korine wrote Kids, a film about 24 hours in the sex and drug-filled lives of several Manhattan teenagers, touted as a realistic viewpoint of youth in New York City during the AIDS crisis.
Kids received mixed reviews, but due to its NC-17 rating, few audiences saw the film upon its debut. However, it has since become a significant cult film. Among others, the film features Chloë Rosario Dawson in their first movie roles; the film, while controversial, jumpstarted Korine's career. This put him into contact with film producer Cary Woods who budgeted about $1 million to produce Gummo, Korine's personal vision. In 1997, Korine wrote and directed Gummo, a film based on life in Xenia, Ohio, a town devastated by a tornado in the early 1970s. Forgoing conventional narrative, Gummo embodies sketches written by Korine, hence the nonlinear, fragmented events over the course of the film capitalizing on the obscure. Much of the cast was found during preproduction where it was filmed in Tennessee, of all those who appeared in the film, only five were experienced actors; the film is notable for having unsettling bizarre scenes, as well as its dreamlike soundtrack, which strengthens the disconcerting atmosphere.
It features "an eclectic soundtrack including death metal and Roy Orbison. It premiered at the 24th Telluride Film Festival on August 29, 1997. During the screening, numerous people left during the initial cat drowning sequence. Three months Werner Herzog called Korine to give praise to the film overall the bacon taped to the wall during the bathtub scene, he told The New York Times, "When I saw a piece of fried bacon fixed to the bathroom wall in Gummo, it knocked me off my chair. A clear voice of a generation of filmmakers, taking a new position. It's not going to dominate world cinema, but so what?"Although a majority of mainstream critics derided it as an unintelligible mess, it won top prizes at that year's Venice Film Festival and earned Korine the respect of noted filmmakers such as Gus Van Sant, among others. Its stature has only grown since, gaining a cult classic status as a shocking and experimental film "unlike anything you've seen in a while – maybe ever" – and that "if you're the kind of person who claims to be frustrated by the predictability of commercial filmmaking, a rare opportunity to put your money where your mouth is."In 1998, Korine released The Diary of Anne Frank Pt II, a 40-minute three-screen collage featuring a boy burying his dog, kids in satanic dress vomiting on a Bible, a man in black-face dancing and singing "My Bonnie Lies over the Ocean".
It utilizes some of the same actors and themes as Gummo, can be considered a companion piece as the film utilises footage that didn't make the final cut of Gummo. The film "further disgusted critics" and solidified his status as a notoriously shocking and experimental director. Julien Donkey-Boy, released in 1999, included a signed Dogme 95 manifesto. While it broke a number of the movement's basic tenets, Lars Von Trier lauded Korine's ability to interpret the rules creatively; the story is told from the perspective of a young man suffering from untreated schizophrenia, played by Ewen Bremner, as he tries to understand his deteriorating world. Julien's abusive and arguably hypersensitive father is played by Werner Herzog. At one point, Korine was to play the son. Like Gummo and Kids, it too has since become something of a cult classic, a go-to film for those seeking cinema that is, as Roger Ebert said in his three star review, "shocking for most movie
New Musical Express is a British music journalism website and former magazine, published since 1952. It was the first British paper to include a singles chart, in the edition of 14 November 1952. In the 1970s it became the best-selling British music newspaper. During the period 1972 to 1976, it was associated with gonzo journalism became associated with punk rock through the writings of Julie Burchill, Paul Morley and Tony Parsons, it started as a music newspaper, moved toward a magazine format during the 1980s and 1990s, changing from newsprint in 1998. An online version, NME.com, was launched in 1996. It became the world's biggest standalone music site, with over sixteen million users per month. With newsstand sales falling across the UK magazine sector, the magazine's paid circulation in the first half of 2014 was 15,830. In 2013, the list of NME's The 500 Greatest Albums of All Time and the way it was conceived was criticized by the media; the printed magazine NME was relaunched in September 2015 to be distributed nationally as a free publication.
The first average circulation published in February 2016 of 307,217 copies per week was the highest in the brand's history, beating the previous best of 306,881, recorded in 1964 at the height of the Beatles' fame. By December 2017, according to the Audit Bureau of Circulations, average distribution of NME had fallen to 289,432 copies a week, although its publisher Time Inc. UK claimed to have more than 13m global unique users per month, including 3m in the UK. In March 2018, the publisher announced that the print edition of NME would cease publication after 66 years, leaving it as an online-only title. NME's headquarters are in Southwark, England; the brand's current editor is Charlotte Gunn, replacing Mike Williams, who stepped down in February 2018. The paper was established in 1952; the Accordion Times and Musical Express was bought by London music promoter Maurice Kinn, for the sum of £1,000, just 15 minutes before it was due to be closed. It was relaunched as the New Musical Express, was published in a non-glossy tabloid format on standard newsprint.
On 14 November 1952, taking its cue from the US magazine Billboard, it created the first UK Singles Chart, a list of the Top Twelve best-selling singles. The first of these was, in contrast to more recent charts, a top twelve sourced by the magazine itself from sales in regional stores around the UK; the first number one was "Here in My Heart" by Al Martino. During the 1960s the paper championed the new British groups emerging at the time; the NME circulation peaked under Andy Gray with a figure of 306,881 for the period from January to June 1964. The Beatles and the Rolling Stones were featured on the front cover; these and other artists appeared at the NME Poll Winners' Concert, an awards event that featured artists voted as most popular by the paper's readers. The concert featured a ceremony where the poll winners would collect their awards; the NME Poll Winners' Concerts took place between 1959 and 1972. From 1964 onwards they were filmed and transmitted on British television a few weeks after they had taken place.
In the mid-1960s, the NME was dedicated to pop while its older rival, Melody Maker, was known for its more serious coverage of music. Other competing titles included Record Mirror, which led the way in championing American rhythm and blues, Disc, which focused on chart news; the latter part of the decade saw the paper chart the rise of psychedelia and the continued dominance of British groups of the time. During this period some sections of pop music began to be designated as rock; the paper became engaged in a sometimes tense rivalry with Melody Maker. By the early 1970s, NME had lost ground to Melody Maker, as its coverage of music had failed to keep place with the development of rock music during the early years of psychedelia and progressive rock. In early 1972 the paper found itself on the verge of closure by its owner IPC. According to Nick Kent: After sales had plummeted to 60,000 and a review of guitar instrumentalist Duane Eddy had been printed which began with the immortal words "On this, his 35th album, we find Duane in as good as voice as ever," the NME had been told to rethink its policies or die on the vine.
Alan Smith was made editor in 1972, was told by IPC to turn things around or face closure. To achieve this and his assistant editor Nick Logan raided the underground press for writers such as Charles Shaar Murray and Nick Kent, recruited other writers such as Tony Tyler, Ian MacDonald and Californian Danny Holloway. According to The Economist, the New Musical Express "started to champion underground, up-and-coming music.... NME became the gateway to a more rebellious world. First came glamrock, bands such as T. Rex, came punk....by 1977 it had become the place to keep in touch with a cultural revolution, enthralling the nation's listless youth. Bands such as Sex Pistols, X-Ray Spex and Generation X were regular cover stars, eulogised by writers such as Julie Burchill and Tony Parsons, whose nihilistic tone narrated the punk years perfectly." By the time Smith handed the editor's chair to Logan in mid-1973, the paper was selling nearly 300,000 copies per week and was outstripping Melody Maker, Record Mirror and Sounds.
According to MacDonald: I think all the other papers knew by 1974 that NME had become the best music paper in Britain. We had most of the best writers and photographers, the best layouts
A record producer or music producer oversees and manages the sound recording and production of a band or performer's music, which may range from recording one song to recording a lengthy concept album. A producer has varying roles during the recording process, they may gather musical ideas for the project, collaborate with the artists to select cover tunes or original songs by the artist/group, work with artists and help them to improve their songs, lyrics or arrangements. A producer may also: Select session musicians to play rhythm section accompaniment parts or solos Co-write Propose changes to the song arrangements Coach the singers and musicians in the studioThe producer supervises the entire process from preproduction, through to the sound recording and mixing stages, and, in some cases, all the way to the audio mastering stage; the producer may perform these roles themselves, or help select the engineer, provide suggestions to the engineer. The producer may pay session musicians and engineers and ensure that the entire project is completed within the record label's budget.
A record producer or music producer has a broad role in overseeing and managing the recording and production of a band or performer's music. A producer has many roles that may include, but are not limited to, gathering ideas for the project, composing the music for the project, selecting songs or session musicians, proposing changes to the song arrangements, coaching the artist and musicians in the studio, controlling the recording sessions, supervising the entire process through audio mixing and, in some cases, to the audio mastering stage. Producers often take on a wider entrepreneurial role, with responsibility for the budget, schedules and negotiations. Writer Chris Deville explains it, "Sometimes a producer functions like a creative consultant — someone who helps a band achieve a certain aesthetic, or who comes up with the perfect violin part to complement the vocal melody, or who insists that a chorus should be a bridge. Other times a producer will build a complete piece of music from the ground up and present the finished product to a vocalist, like Metro Boomin supplying Future with readymade beats or Jack Antonoff letting Taylor Swift add lyrics and melody to an otherwise-finished “Out Of The Woods.”The artist of an album may not be a record producer or music producer for his/her album.
While both contribute creatively, the official credit of "record producer" may depend on the record contract. Christina Aguilera, for example, did not receive record producer credits until many albums into her career. In the 2010s, the producer role is sometimes divided among up to three different individuals: executive producer, vocal producer and music producer. An executive producer oversees project finances, a vocal producers oversees the vocal production, a music producer oversees the creative process of recording and mixings; the music producer is often a competent arranger, musician or songwriter who can bring fresh ideas to a project. As well as making any songwriting and arrangement adjustments, the producer selects and/or collaborates with the mixing engineer, who takes the raw recorded tracks and edits and modifies them with hardware and software tools to create a stereo or surround sound "mix" of all the individual voices sounds and instruments, in turn given further adjustment by a mastering engineer for the various distribution media.
The producer oversees the recording engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as "the person who creatively guides or directs the process of making a record", like a director would a movie. Indeed, in Bollywood music, the designation is music director; the music producer's job is to create and mold a piece of music. The scope of responsibility may be one or two songs or an artist's entire album – in which case the producer will develop an overall vision for the album and how the various songs may interrelate. At the beginning of record industry, the producer role was technically limited to record, in one shot, artists performing live; the immediate predecessors to record producers were the artists and repertoire executives of the late 1920s and 1930s who oversaw the "pop" product and led session orchestras. That was the case of Ben Selvin at Columbia Records, Nathaniel Shilkret at Victor Records and Bob Haring at Brunswick Records.
By the end of the 1930s, the first professional recording studios not owned by the major companies were established separating the roles of A&R man and producer, although it wouldn't be until the late 1940s when the term "producer" became used in the industry. The role of producers changed progressively over the 1960s due to technology; the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously. All of these singers and musicians had to be assembled in a large studio where the performance was recorded. With multitrack recording, the "bed tracks" (rhythm section accompaniment parts such as the bassline and rhythm guitar could be recorded first, the vocals and solos could be added using as many "takes" as necessary, it was no longer necessary to get all the players in the studio at the same time. A pop band could record their backing tracks one week, a horn section could be brought in a week to add horn shots and punches, a string section could be brought in a week after that.
Multitrack recording had another pro