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Egilona (or Egilo) was a Visigothic noblewoman and the last known queen of the Visigoths. She was the wife first of Roderic, the Visigothic king (710–11), and then of ʿAbd al-ʿAzīz, Muslim governor (walī ) of al-Andalus (714–16), she is given the name Aylū or Umm ʿAṣim ("mother of ʿAṣim") by Arabic writers.[1] She was independently wealthy.[2]

Egilona may have married ʿAbd al-ʿAzīz when he was still merely the son of the conquering general, Mūsā bin Nuṣayr, who had overthrown the Visigothic kingdom.[2] There is no reference in the sources to Egilona converting to Islam, and scholars are divided on whether it is likely that she did.[3] Although both Arabic and Latin sources depict Egilona and her husband as communicating, it is not clear whether they could have done so directly, since Egilona would have spoken a vulgar Latin dialect and did not likely have time or reason to learn Arabic quickly. Likewise, ʿAbd al-ʿAzīz could have had little reason to learn Latin, although he was criticised for certain foreign (ʿajamī) practices.[2]

Both Christian and Muslims sources make her responsible for the governor's assassination, and there is no reason to doubt the general portrayal of her role;[4] the Christian Chronicle of 754 records that "on the advice of Queen Egilona, wife of the late king Roderic, whom he had joined to himself, [ʿAbd al-ʿAzīz] tried to throw off the Arab yoke from his neck and retain the conquered kingdom of Iberia for himself."[1] The ninth-century Muslim historian ʿAbd al-Ḥakam, on the other hand, says that he ʿAbd al-ʿAzīz was killed because Eglina "had made him a Christian"; this seems unlikely, since he took refuge in a mosque and recited from the Koran when attacked. Al-Ḥakam does corroborate the Chronicle of 754's claim that Egilona stoked his royal ambitions, urging him to act so as to attain the respect her first husband had;[2] the Akhbār majmūʿa of 858 even claims that Egilona had a crown made out of her own jewels and forced her husband to wear it on the grounds that "a king without a crown is a king without a kingdom".[3] She also tried to have his men perform acts of obeisance to him in Seville.[4]

Egilona's life and legend have been given dramatic treatment several times in the modern era. In 1760, Cándido María Trigueros published the play La Egilona, viuda del rey don Rodrigo. In 1785, Antontio Valladares de Sotomayor staged a similar play that has been called by the same title, La Egilona, viuda del rey don Rodrigo. In 1788, an anonymous play entitled La Egilona, drama heroica en prosa was put on during the coronation ceremonies of Charles IV.[5] In 1845, the Cuban playwright Gertrudis Gómez de Avellaneda published a play titled Egilona.[6]


  1. ^ a b Simon Barton, Conquerors, Brides, and Concubines: Interfaith Relations and Social Power in Medieval Iberia (University of Pennsylvania Press, 2015), 15–16.
  2. ^ a b c d Richard Hitchcock, Mozarabs in Medieval and Early Modern Spain: Identities and Influences (Routledge, 2016), 13–14.
  3. ^ a b José Orlandis Rovira, "La reina en la monarquía visigoda", Anuario de Historia del Derecho Español 27–8 (1957–58), 123–24.
  4. ^ a b Roger Collins, The Arab Conquest of Spain, 710–797 (Oxford: Basil Blackwell, 1989), pp. 37–38.
  5. ^ Elizabeth Drayson, The King and the Whore: King Roderick and La Cava (Palgrave Macmillan, 2007), 110.
  6. ^ Elizabeth Drayson, "Reinventing the Legend of King Roderick: Gertrudis Gómez de Avellaneda’s Egilona", Romance Studies 32, 4 (2014).

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