Superman is a fictional character, a superhero appearing in American comic books published by DC Comics. Created by writer Jerry Siegel and artist Joe Shuster, the character first appeared in Action Comics #1 on April 18, 1938 which marked the rise of the Golden Age of Comic Books. Since his inception, Superman has been depicted as an hero that that originated the planet Krypton and named Kal-El; as a baby, he was sent to Earth in a small spaceship by his biological family, Jor-El and Lara, moments before Krypton was destroyed in a natural cataclysm. His ship landed in the American countryside. Clark displayed various superhuman abilities from the start as a young boy, such as incredible strength and impervious skin, his foster parents advised him to use his abilities for the benefit of humanity, he decided to fight crime as a vigilante. To protect his privacy, he changes into a colorful costume and uses the alias "Superman" when fighting crime. Clark Kent resides in the fictional American city of Metropolis in his adult life, where he works as a journalist for the Daily Planet disguising himself among the people there.
Depicted supporting characters of Superman are depicted as residing in Metropolis such as prominent love interest of Superman, Lois Lane, good friend of Superman, Jimmy Olsen, Daily Planet chief editor Perry White. He has many foes such as the genius inventor Lex Luthor, he is a friend of many other superheroes such as Batman and Wonder Woman. Although Superman was not the first superhero character, he popularized the superhero genre and defined its conventions, he remains the best selling superhero in comic books of all time and endured as one of the most lucrative franchises outside of comic books. He is regarded as the greatest superhero / comic book character of all time. Superman was created by Joe Shuster. A duo who met met in 1932 in a high school in Cleveland and bonded over their mutual love of fiction. Siegel aspired to become a writer and Shuster aspired to become an illustrator. Siegel wrote amateur science fiction stories, which he self-published a magazine called Science Fiction: The Advance Guard of Future Civilization.
His friend Shuster provided illustrations for his work. In January 1933, Siegel published a short story in his magazine titled "The Reign of the Superman"; the titular character is a vagrant named Bill Dunn, tricked by an evil scientist into consuming an experimental drug. The drug gives Dunn the powers of mind-reading, mind-control, clairvoyance, he uses these powers maliciously for profit and amusement, but the drug wears off, leaving him a powerless vagrant again. Shuster provided illustrations. Siegel and Shuster shifted with a focus on adventure and comedy, they wanted to become syndicated newspaper strip authors, so they showed their ideas to various newspaper editors. However, the newspaper editors told them. If they wanted to make a successful comic strip, it had to be something more sensational than anything else on the market; this prompted Siegel to revisit Superman as a comic strip character. Siegel modified Superman's powers to make him more sensational: Like Bill Dunn, the second prototype of Superman is given powers against his will by an unscrupulous scientist, but instead of psychic abilities, he acquires superhuman strength and bullet-proof skin.
Additionally, this new Superman was a crime-fighting hero instead of a villain, because Siegel noted that comic strips with heroic protagonists tended to be more successful. In years, Siegel once recalled that this Superman wore a "bat-like" cape in some panels, but he and Shuster agreed there was no costume yet, there is none apparent in the surviving artwork. Siegel and Shuster showed this second concept of Superman to Consolidated Book Publishers, based in Chicago. In May 1933, Consolidated had published a comic book titled Detective Dan: Secret Operative 48, it contained all-original stories as opposed to reprints of newspaper strips, a novelty at the time. Siegel and Shuster put together a comic book in similar format called The Superman. A delegation from Consolidated visited Cleveland that summer on a business trip, Siegel and Shuster took the opportunity to present their work in person. Although Consolidated expressed interest, they pulled out of the comics business without offering a book deal because the sales of Detective Dan were disappointing.
Siegel believed publishers kept rejecting them because he and Shuster were young and unknown, so he looked for an established artist to replace Shuster. When Siegel told Shuster what he was doing, Shuster reacted by burning their rejected Superman comic, sparing only the cover, they continued collaborating on other projects, but for the time being Shuster was through with Superman. Siegel wrote to numerous artists; the first response came in July 1933 from Leo O'Mealia, who drew the Fu Manchu strip for the Bell Syndicate. In the script that Siegel sent O'Mealia, Superman's origin story changes: He is a "scientist-adventurer" from the far future, when humanity has evolved "super powers". Just before the Earth explodes, he escapes in a time-machine to the modern era, whereupon he begins using his super powers to fight crime. O'Mealia produced a few strips and showed them to his newspaper syndicate. Nothing of Siegel and O'Mealia's collaboration survives, except in Siegel's memoir. In June 1934, Siegel found another partner: an artist in Chicago named Russell Keaton.
Keaton drew the Buck R
Richard John Grayson is a fictional superhero appearing in American comic books published by DC Comics in association with Batman. Created by writer Bill Finger and artist Bob Kane, he first appeared in Detective Comics #38 in April 1940 as the original incarnation of Robin. In Tales of the Teen Titans #44 the character retires his role as Robin and assumes the superhero persona of Nightwing, created by Marv Wolfman and artist George Pérez; the youngest in a family of acrobats known as the "Flying Graysons", Dick watches a mafia boss named Tony Zucco kill his parents in order to extort money from the circus that employed them. After the tragic murder, Batman takes Dick in as his legal ward and trains him to become his crime-fighting partner Robin, he is written by many authors as the first son of Batman. As well as being Batman's crime-fighting partner, Dick establishes himself as the leader of the Teen Titans, a team of teenage superheroes; as a young man, he retires as Robin and takes on his own superhero identity to assert his independence, becoming Nightwing.
As Nightwing, he continues to lead the Teen Titans and the Outsiders. In the first volume of his eponymous series, he becomes the protector of Blüdhaven, Gotham's economically troubled neighboring city, the locale the character is most associated with, he has been depicted as protecting the streets of New York and Gotham City over the years. Dick Grayson has taken on the identity of Batman on a few occasions. In the aftermath of "Batman: Knightfall", Grayson declines taking up the mantle of Batman while the original was recovering from a broken back as he feels Nightwing is a hero in his own right and not Batman's understudy, but after the events of the Zero Hour miniseries that year, he replaces Bruce Wayne as Batman, beginning in Robin #0 and extending throughout the Batman: Prodigal storyline in 1995. Dick again assumes the mantle following the events of "Batman R. I. P." and Final Crisis. As Batman, Dick moves to Gotham City following his mentor's apparent death and partners with the fifth Robin, Damian Wayne.
On Bruce's return, both men maintained the Batman identity until 2011, when Dick returned to the Nightwing identity with DC's The New 52 continuity reboot. In a 2014 comic story, Dick is forced to abandon the Nightwing identity after being unmasked on TV and faking his death, setting up Tim Seeley's Grayson comic book, Dick becomes Agent 37, Batman's mole in the nefarious spy organization Spyral. Following the conclusion of the Grayson series, the restoration of his secret identity in the series' final issue, Dick returns to being Nightwing as part of the DC Rebirth relaunch in 2016. Dick Grayson has appeared as Robin in several other media adaptations: the 1943 serial played by Douglas Croft, the 1949 serial played by Johnny Duncan, the 1966–1968 live action Batman television series and its motion picture portrayed by Burt Ward, played by Chris O'Donnell in the 1995 film Batman Forever and its 1997 sequel Batman & Robin, he stars on the Titans television series for the new DC streaming service played by Brenton Thwaites.
Loren Lester voiced the character as Robin in Batman: The Animated Series and as Nightwing's first screen adaptation in The New Batman Adventures. In May 2011, IGN ranked Dick Grayson #11 on their list of the "Top 100 Super Heroes of All Time". In 2013, ComicsAlliance ranked Grayson as Nightwing as #1 on their list of the "50 Sexiest Male Characters in Comics"; the character was first introduced in Detective Comics #38 by Batman creators Bill Finger and Bob Kane. Robin's debut was an effort to get younger readers to enjoy Batman; the name "Robin, The Boy Wonder" and the medieval look of the original costume are inspired by the legendary hero Robin Hood, as well as the red-breasted American robin, which parallels the "winged" motif of Batman. He was born on the first day of spring, son of John Grayson and Mary Grayson, a young aerialist couple. In his first appearance, Dick Grayson is a circus acrobat, with his parents, one of the "Flying Graysons". While preparing for a performance, Dick overhears two gangsters attempting to extort protection money from the circus owner.
The owner refuses, so the gangsters sabotage the trapeze wires with acid. During the next performance, the trapeze from which Dick's parents are swinging snaps, sending them to their deaths. Before he can go to the police, Batman appears to him and warns him that the two gangsters work for Tony Zucco, a powerful crime boss, that revealing his knowledge could lead to his death; when Batman recounts the murder of his own parents, Dick asks to become his aide. After extensive training, Dick becomes Robin, they start by disrupting Zucco's extortion rackets. They successfully bait the riled Zucco into visiting a construction site, where they capture him. Robin's origin has a thematic connection to Batman's in that both see their parents killed by criminals, creating an urge to battle the criminal element. Bruce sees a chance to direct the anger and rage that Dick feels in a way that he himself cannot, thus creating a father/son bond and understanding between the two. Throughout the 1940s and 1950s, DC Comics portrayed Batman and Robin as a team, deeming them the "Dynamic Duo" publishing a Batman story without his sidekick.
The character history of the Earth-Two Robin accordingly adopts all of the earliest stories featuring the character from the 1940s and 1950s, while the adventures of the mainstream Robin begin in time and with certain elements of his origin retold. Both were depicte
American Broadcasting Company
The American Broadcasting Company is an American commercial broadcast television network, a flagship property of Walt Disney Television, a subsidiary of the Disney Media Networks division of The Walt Disney Company. The network is headquartered in Burbank, California on Riverside Drive, directly across the street from Walt Disney Studios and adjacent to the Roy E. Disney Animation Building, But the network's second corporate headquarters and News headquarters remains in New York City, New York at their broadcast center on 77 West 66th Street in Lincoln Square in Upper West Side Manhattan. Since 2007, when ABC Radio was sold to Citadel Broadcasting, ABC has reduced its broadcasting operations exclusively to television; the fifth-oldest major broadcasting network in the world and the youngest of the Big Three television networks, ABC is nicknamed as "The Alphabet Network", as its initialism represents the first three letters of the English alphabet, in order. ABC launched as a radio network on October 12, 1943, serving as the successor to the NBC Blue Network, purchased by Edward J. Noble.
It extended its operations to television in 1948, following in the footsteps of established broadcast networks CBS and NBC. In the mid-1950s, ABC merged with United Paramount Theatres, a chain of movie theaters that operated as a subsidiary of Paramount Pictures. Leonard Goldenson, the head of UPT, made the new television network profitable by helping develop and greenlight many successful series. In the 1980s, after purchasing an 80 percent interest in cable sports channel ESPN, the network's corporate parent, American Broadcasting Companies, Inc. merged with Capital Cities Communications, owner of several print publications, television and radio stations. In 1996, most of Capital Cities/ABC's assets were purchased by The Walt Disney Company; the television network has eight owned-and-operated and over 232 affiliated television stations throughout the United States and its territories. Some of the ABC-affiliated stations can be seen in Canada via pay-television providers, certain other affiliates can be received over-the-air in areas within the Canada–United States border.
ABC News provides news and features content for select radio stations owned by Citadel Broadcasting, which purchased the ABC Radio properties in 2007. In the 1930s, radio in the United States was dominated by three companies: the Columbia Broadcasting System, the Mutual Broadcasting System, the National Broadcasting Company; the last was owned by electronics manufacturer Radio Corporation of America, which owned two radio networks that each ran different varieties of programming, NBC Blue and NBC Red. The NBC Blue Network was created in 1927 for the primary purpose of testing new programs on markets of lesser importance than those served by NBC Red, which served the major cities, to test drama series. In 1934, Mutual filed a complaint with the Federal Communications Commission regarding its difficulties in establishing new stations, in a radio market, being saturated by NBC and CBS. In 1938, the FCC began a series of investigations into the practices of radio networks and published its report on the broadcasting of network radio programs in 1940.
The report recommended that RCA give up control of either NBC NBC Blue. At that time, the NBC Red Network was the principal radio network in the United States and, according to the FCC, RCA was using NBC Blue to eliminate any hint of competition. Having no power over the networks themselves, the FCC established a regulation forbidding licenses to be issued for radio stations if they were affiliated with a network which owned multiple networks that provided content of public interest. Once Mutual's appeals against the FCC were rejected, RCA decided to sell NBC Blue in 1941, gave the mandate to do so to Mark Woods. RCA converted the NBC Blue Network into an independent subsidiary, formally divorcing the operations of NBC Red and NBC Blue on January 8, 1942, with the Blue Network being referred to on-air as either "Blue" or "Blue Network"; the newly separated NBC Red and NBC Blue divided their respective corporate assets. Between 1942 and 1943, Woods offered to sell the entire NBC Blue Network, a package that included leases on landlines, three pending television licenses, 60 affiliates, four operations facilities, contracts with actors, the brand associated with the Blue Network.
Investment firm Dillon, Read & Co. offered $7.5 million to purchase the network, but the offer was rejected by Woods and RCA president David Sarnoff. Edward J. Noble, the owner of Life Savers candy, drugstore chain Rexall and New York City radio station WMCA, purchased the network for $8 million. Due to FCC ownership rules, the transaction, to include the purchase of three RCA stations by Noble, would require him to resell his station with the FCC's approval; the Commission authorized the transaction on October 12, 1943. Soon afterward, the Blue Network was purchased by the new company Noble founded, the American Broadcasting System. Noble subsequently acquired the rights to the American Broadcasting Company name from George B. Storer in 1944. Meanwhile, in August 1944, the West Coast division of the Blue Network, which owned San Francisco radio station KGO, bought Los Angeles station KECA f
Second Boer War
The Second Boer War was fought between the British Empire and two Boer states, the South African Republic and the Orange Free State, over the Empire's influence in South Africa. It is known variously as the Boer War, Anglo-Boer War, or South African War. Initial Boer attacks were successful, although British reinforcements reversed these, the war continued for years with Boer guerrilla warfare, until harsh British counter-measures brought them to terms; the war under-prepared. The Boers were well armed and struck first, besieging Ladysmith and Mahikeng in early 1900, winning important battles at Colenso and Stormberg. Staggered, the British fought back. General Redvers Buller was replaced by Lord Kitchener, they relieved the three besieged cities, invaded the two Boer republics in late 1900. The onward marches of the British Army, well over 400,000 men, were so overwhelming that the Boers did not fight staged battles in defense of their homeland; the British seized control of all of the Orange Free State and Transvaal, as the civilian leadership went into hiding or exile.
In conventional terms, the war was over. The British annexed the two countries in 1900. Back home, Britain's Conservative government wanted to capitalize on this success and use it to maneuver an early general election, dubbed a "khaki election" to give the government another six years of power in London. British military efforts were aided by Cape Colony, the Colony of Natal and some native African allies, further supported by volunteers from the British Empire, including Southern Africa, the Australian colonies, Canada and New Zealand. All other nations were neutral, but public opinion was hostile to the British. Inside the UK and its Empire there was significant opposition to the Second Boer War; the Boers refused to surrender. They reverted to guerrilla warfare under new generals Louis Botha, Jan Smuts, Christiaan de Wet and Koos de la Rey. Two years of surprise attacks and quick escapes followed; as guerrillas without uniforms, the Boer fighters blended into the farmlands, which provided hiding places and horses.
The UK's response to guerilla warfare was to set up complex nets of block houses, strong points, barbed wire fences, partitioning off the entire conquered territory. In addition, civilian farms and live stock were destroyed in the scorched earth strategy. Survivors were forced into concentration camps. Large proportions of these civilians died of hunger and disease the children. British mounted infantry units systematically tracked down the mobile Boer guerrilla units; the battles at this stage were small operations. Few died during combat, though many of disease; the war ended in surrender and British terms with the Treaty of Vereeniging in May 1902. Both former republics were incorporated into the Union of South Africa in 1910, as part of the British Empire; the conflict is referred to as the Boer War, since the First Boer War was a much smaller conflict. "Boer" is the common term for Afrikaans-speaking white South Africans descended from the Dutch East India Company's original settlers at the Cape of Good Hope.
It is known as the Anglo-Boer War among some South Africans. In Afrikaans it may be called the Anglo-Boereoorlog, Tweede Boereoorlog, Tweede Vryheidsoorlog or Engelse oorlog. In South Africa it is called the South African War; the complex origins of the war resulted from more than a century of conflict between the Boers and Britain, but of particular immediate importance was the question as to who would control and benefit most from the lucrative Witwatersrand gold mines. The first European settlement in South Africa was founded at the Cape of Good Hope in 1652, thereafter administered as part of the Dutch Cape Colony; the Cape was governed by the Dutch East India Company until its bankruptcy in the late 1700s, thereafter directly by the Netherlands. The British occupied the Cape three times during the Napoleonic Wars as a result of political turmoil in the Netherlands, the occupation became permanent after British forces defeated the Dutch at the Battle of Blaauwberg in 1806. At the time, the colony was home to about 26,000 colonists settled under Dutch rule.
A relative majority still represented old Dutch families brought to the Cape during the late seventeenth and early eighteenth centuries. Cleavages were likelier to occur along socio-economic rather than ethnic lines and broadly speaking the colonists included a number of distinct subgroups, namely the Boers; the Boers were itinerant farmers who lived on the colony's frontiers, seeking better pastures for their livestock. Many Boers who were dissatisfied with aspects of British administration, in particular with Britain's abolition of slavery on 1 December 1834, elected to migrate away from British rule in what became known as the Great Trek. Around 15,000 trekking Boers followed the eastern coast towards Natal. After Britain annexed Natal in 1843, they journeyed further northwards into South Africa's vast eastern interior. There they established two independent Boer republics: the South African Republic and the Orange Free State. Britain recognised the two Boer republics in 1852 and 1854, but attempted British annexation of the Transvaal in 1877 led to the First Boer War in 1880–81
The Iliad is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to Homer. Set during the Trojan War, the ten-year siege of the city of Troy by a coalition of Greek states, it tells of the battles and events during the weeks of a quarrel between King Agamemnon and the warrior Achilles. Although the story covers only a few weeks in the final year of the war, the Iliad mentions or alludes to many of the Greek legends about the siege; the epic narrative takes up events prophesied for the future, such as Achilles' imminent death and the fall of Troy, although the narrative ends before these events take place. However, as these events are prefigured and alluded to more and more vividly, when it reaches an end the poem has told a more or less complete tale of the Trojan War; the Iliad is paired with something of a sequel, the Odyssey attributed to Homer. Along with the Odyssey, the Iliad is among the oldest extant works of Western literature, its written version is dated to around the 8th century BC.
In the modern vulgate, the Iliad contains 15,693 lines. According to Michael N. Nagler, the Iliad is a more complicated epic poem than the Odyssey. Note: Book numbers are in parentheses and come before the synopsis of the book. After an invocation to the Muses, the story launches in medias res towards the end of the Trojan War between the Trojans and the besieging Greeks. Chryses, a Trojan priest of Apollo, offers the Greeks wealth for the return of his daughter Chryseis, held captive of Agamemnon, the Greek leader. Although most of the Greek army is in favour of the offer, Agamemnon refuses. Chryses prays for Apollo's help, Apollo causes a plague to afflict the Greek army. After nine days of plague, the leader of the Myrmidon contingent, calls an assembly to deal with the problem. Under pressure, Agamemnon agrees to return Chryseis to her father, but decides to take Achilles' captive, Briseis, as compensation. Achilles furiously will go home. Odysseus takes a ship and returns Chryseis to her father, whereupon Apollo ends the plague.
In the meantime, Agamemnon's messengers take Briseis away. Achilles becomes upset, sits by the seashore, prays to his mother, Thetis. Achilles asks his mother to ask Zeus to bring the Greeks to the breaking point by the Trojans, so Agamemnon will realize how much the Greeks need Achilles. Thetis does so, Zeus agrees. Zeus sends a dream to Agamemnon. Agamemnon heeds the dream but first decides to test the Greek army's morale, by telling them to go home; the plan backfires, only the intervention of Odysseus, inspired by Athena, stops a rout. Odysseus confronts and beats Thersites, a common soldier who voices discontent about fighting Agamemnon's war. After a meal, the Greeks deploy in companies upon the Trojan plain; the poet takes the opportunity to describe the provenance of each Greek contingent. When news of the Greek deployment reaches King Priam, the Trojans respond in a sortie upon the plain. In a list similar to that for the Greeks, the poet describes their allies; the armies approach each other, but before they meet, Paris offers to end the war by fighting a duel with Menelaus, urged by his brother and head of the Trojan army, Hector.
While Helen tells Priam about the Greek commanders from the walls of Troy, both sides swear a truce and promise to abide by the outcome of the duel. Paris is beaten, but Aphrodite rescues him and leads him to bed with Helen before Menelaus can kill him. Pressured by Hera's hatred of Troy, Zeus arranges for the Trojan Pandaros to break the truce by wounding Menelaus with an arrow. Agamemnon rouses the Greeks, battle is joined. In the fighting, Diomedes kills many Trojans, including Pandaros, defeats Aeneas, whom Aphrodite rescues, but Diomedes attacks and wounds the goddess. Apollo warns him against warring with gods. Many heroes and commanders join in, including Hector, the gods supporting each side try to influence the battle. Emboldened by Athena, Diomedes wounds puts him out of action. Hector prevents a rout. Hector enters the city, urges prayers and sacrifices, incites Paris to battle, bids his wife Andromache and son Astyanax farewell on the city walls, rejoins the battle. Hector duels with Ajax, but nightfall interrupts the fight, both sides retire.
The Greeks agree to burn their dead, build a wall to protect their ships and camp, while the Trojans quarrel about returning Helen. Paris offers to return the treasure he took and give further wealth as compensation, but not Helen, the offer is refused. A day's truce is agreed for burning the dead, during which the Greeks build their wall and a trench; the next morning, Zeus prohibits the gods from interfering, fighting begins anew. The Trojans prevail and force the Greeks back to their wall, while Hera and Athena are forbidden to help. Night falls, they camp in the field to attack at first light, their watchfires light the plain like stars. Meanwhile, the Greeks are desperate. Agamemnon admits his error, sends an embassy composed of Odysseus, Ajax and two heralds to offer Briseis and extensive gifts to Achilles, who has be
Action Comics is an American comic book/magazine series that introduced Superman, one of the first major superhero characters. The publisher was known as National Allied Publications, as National Comics Publications and as National Periodical Publications, before taking on its current name of DC Comics, its original incarnation ran from 1938 to 2011 and stands as one of the longest-running comic books with consecutively numbered issues. A second volume of Action Comics beginning with issue #1 ran from 2011 to 2016. Action Comics returned to its original numbering beginning with issue #957. Jerry Siegel and Joe Shuster saw their creation, launched in Action Comics #1 on April 18, 1938, an event which began the Golden Age of Comic Books. Siegel and Shuster had tried for years to find a publisher for their Superman character—originally conceived as a newspaper strip—without success. Superman was a bald madman created by Siegel and Shuster who used his telepathic abilities to wreak havoc on mankind.
He appeared in Shuster's book Science Fiction. Siegel commented, "What if this Superman was a force for good instead of evil?" The writer and artist had worked on several features for National Allied Publications' other titles such as Slam Bradley in Detective Comics and were asked to contribute a feature for National's newest publication. They submitted Superman for consideration and, after re-pasting the sample newspaper strips they had prepared into comic book page format, National decided to make Superman the cover feature of their new magazine. After seeing the published first issue, publisher Harry Donenfeld dismissed the featured strip as ridiculous and ordered it never to be on the cover of the series again. Subsequent reports of the first issue's strong sales and follow up investigations revealed that Superman was the reason, thus the character returned to the covers, becoming a permanent presence in issue 19 onward. Action Comics was an anthology title featuring a number of other stories in addition to the Superman story.
Zatara, a magician, was one of the other characters. There was the hero Tex Thompson, who became Mr. America and the Americommando. Vigilante enjoyed a lengthy run in this series. Sometimes stories of a more humorous nature were included, such as those of Hayfoot Henry, a policeman who talked in rhyme; the series saw the introduction of several characters and themes which would become longstanding elements of the Superman mythos. Lois Lane made her debut in the first issue with Superman. An unnamed "office boy" with a bow tie makes a brief appearance in the story "Superman's Phony Manager" published in Action Comics #6, claimed to be Jimmy Olsen's first appearance by several reference sources. Superman was first depicted as possessing the power of flight in issue #13. Other new superpowers depicted for the first time for the character included X-ray vision in issue #18 and telescopic vision and super-breath in issue #20. Luthor, a villain who would become Superman's archenemy, was introduced in issue #23.
The original Toyman was created by writer Don Cameron and artist Ed Dobrotka in issue #64. By 1942, artist Wayne Boring, one of Shuster's assistants, had become a major artist on Superman. Under editor Mort Weisinger, the Action Comics title saw a further expansion of the Superman mythology. Writer Jerry Coleman and Wayne Boring created the Fortress of Solitude in issue #241 and Otto Binder and Al Plastino debuted the villain Brainiac and the Bottle City of Kandor in the next issue the following month; the size of the issues was decreased as the publisher was reluctant to raise the cover price from the original 10 cents, so there were fewer stories. For a while, Congo Bill and Tommy Tomorrow were the two features in addition to Superman. Writer Robert Bernstein and artist Howard Sherman revamped the "Congo Bill" backup feature in issue #248 in a story wherein the character gained the ability to swap bodies with a gorilla and his strip was renamed Congorilla; the introduction of Supergirl by Otto Binder and Al Plastino occurred in issue #252.
Following this debut appearance, Supergirl adopted the secret identity of an orphan "Linda Lee" and made Midvale Orphanage her base of operations. In Action Comics # 261, her pet cat Streaky was introduced by Jim Mooney. Supergirl joined the Legion of Super-Heroes in issue #276 and acted for three years as Superman's "secret weapon," until her existence was revealed in Action Comics #285. In the view of comics historian Les Daniels, artist Curt Swan became the definitive artist of Superman in the early 1960s with a "new look" to the character that replaced Wayne Boring's version. Bizarro World first appeared in the story "The World of Bizarros!" in issue #262. Writer Jim Shooter created the villain the Parasite in Action Comics #340. Mort Weisinger retired from DC in 1970 and his final issue of Action Comics was issue #392. Murray Boltinoff became the title's editor until issue #418. Metamorpho was the backup feature in issues #413–418 after which the character had a brief run as the backup in World's Finest Comics.
Julius Schwartz became the editor of the series with issue #419 which introduced the Human Target by Len Wein and Carmine Infantino in the back-up feature. Green Arrow and Black Canary became a backup feature in #421 and ran through #458 rotating with the Human Target and the Atom. Between issues #423 and #424 (June 1
Ray Douglas Bradbury was an American author and screenwriter. He worked in a variety of genres, including fantasy, science fiction and mystery fiction. Known for his dystopian novel Fahrenheit 451, his science-fiction and horror-story collections, The Martian Chronicles, The Illustrated Man, I Sing the Body Electric, Bradbury was one of the most celebrated 20th- and 21st-century American writers. While most of his best known work is in speculative fiction, he wrote in other genres, such as the coming-of-age novel Dandelion Wine and the fictionalized memoir Green Shadows, White Whale. Recipient of numerous awards, including a 2007 Pulitzer Citation, Bradbury wrote and consulted on screenplays and television scripts, including Moby Dick and It Came from Outer Space. Many of his works were adapted to comic book and film formats. Upon his death in 2012, The New York Times called Bradbury "the writer most responsible for bringing modern science fiction into the literary mainstream". Bradbury was born on August 22, 1920, in Waukegan, Illinois, to Esther Bradbury, a Swedish immigrant, Leonard Spaulding Bradbury, a power and telephone lineman of English ancestry.
He was given the middle name "Douglas" after the actor Douglas Fairbanks. Bradbury was related to the American Shakespeare scholar Douglas Spaulding and descended from Mary Bradbury, tried at one of the Salem witch trials in 1692. Bradbury was surrounded by an extended family during his early childhood and formative years in Waukegan. An aunt read him short stories; this period provided foundations for his stories. In Bradbury's works of fiction, 1920s Waukegan becomes Illinois; the Bradbury family lived in Tucson, during 1926–1927 and 1932–1933 while their father pursued employment, each time returning to Waukegan. They settled in Los Angeles in 1934 when Bradbury was 14 years old; the family arrived with only US$40, which paid for rent and food until his father found a job making wire at a cable company for $14 a week. This meant that they could stay, Bradbury—who was in love with Hollywood—was ecstatic. Bradbury was active in the drama club, he roller-skated through Hollywood in hopes of meeting celebrities.
Among the creative and talented people Bradbury met were special-effects pioneer Ray Harryhausen and radio star George Burns. Bradbury's first pay as a writer, at age 14, was for a joke he sold to George Burns to use on the Burns and Allen radio show. Throughout his youth, Bradbury was an avid reader and writer and knew at a young age that he was "going into one of the arts." Bradbury began writing his own stories at age 11, during the Great Depression — sometimes writing on the only available paper, butcher paper. In his youth, he spent much time in the Carnegie library in Waukegan, reading such authors as H. G. Wells, Jules Verne, Edgar Allan Poe. At 12, Bradbury began writing traditional horror stories and said he tried to imitate Poe until he was about 18. In addition to comics, he loved Edgar Rice Burroughs, creator of Tarzan of the Apes Burroughs' John Carter of Mars series; the Warlord of Mars impressed him so much. The young Bradbury was a cartoonist and loved to illustrate, he drew his own Sunday panels.
He listened to the radio show Chandu the Magician, every night when the show went off the air, he would sit and write the entire script from memory. As a teen in Beverly Hills, he visited his mentor and friend science-fiction writer Bob Olsen, sharing ideas and maintaining contact. In 1936, at a secondhand bookstore in Hollywood, Bradbury discovered a handbill promoting meetings of the Los Angeles Science Fiction Society. Excited to find there were others sharing his interest, Bradbury joined a weekly Thursday-night conclave at age 16. Bradbury cited H. G. Jules Verne as his primary science-fiction influences. Bradbury identified with Verne, saying, "He believes the human being is in a strange situation in a strange world, he believes that we can triumph by behaving morally". Bradbury admitted that he stopped reading science-fiction books in his 20s and embraced a broad field of literature that included Alexander Pope and poet John Donne. Bradbury had just graduated from high school when he met Robert Heinlein 31 years old.
Bradbury recalled, "He was well known, he wrote humanistic science fiction, which influenced me to dare to be human instead of mechanical."In young adulthood Bradbury read stories published in Astounding Science Fiction, read everything by Robert A. Heinlein, Arthur C. Clarke, the early writings of Theodore Sturgeon and A. E. van Vogt. The family lived about four blocks from the Fox Uptown Theatre on Western Avenue in Los Angeles, the flagship theater for MGM and Fox. There, Bradbury learned how to sneak in and watched previews every week, he rollerskated there, as well as all over town, as he put it, "hell-bent on getting autographs from glamorous stars. It was glorious." Among stars the young Bradbury was thrilled to encounter were Norma Shearer and Hardy, Ronald Colman. Sometimes, he spent all day in front of Paramount Pictures or Columbia Pictures and skated to the Brown Derby to watch the stars who came and went for meals, he recounted seeing Cary Grant, Marlene Dietrich, Mae West, whom he learned made a regular appearance every Friday night, bodyguard in tow.
Bradbury relates the following meeting with Sergei Bondarchuk, director of Soviet epic film series War and Peace, at a Hollywood award ceremony in Bondarchuk's honor: They forme