Crete is the largest and most populous of the Greek islands, the 88th largest island in the world and the fifth largest island in the Mediterranean Sea, after Sicily, Sardinia and Corsica. Crete and a number of surrounding islands and islets constitute the region of Crete, one of the 13 top-level administrative units of Greece; the capital and the largest city is Heraklion. As of 2011, the region had a population of 623,065. Crete forms a significant part of the economy and cultural heritage of Greece, while retaining its own local cultural traits, it was once the centre of the Minoan civilisation, the earliest known civilisation in Europe. The palace of Knossos lies in Crete; the island is first referred to as Kaptara in texts from the Syrian city of Mari dating from the 18th century BC, repeated in Neo-Assyrian records and the Bible. It was known in ancient Egyptian as Keftiu suggesting a similar Minoan name for the island; the current name of Crete is thought to be first attested in Mycenaean Greek texts written in Linear B, through the words ke-re-te, ke-re-si-jo, "Cretan".
In Ancient Greek, the name Crete first appears in Homer's Odyssey. Its etymology is unknown. One proposal derives it from a hypothetical Luwian word, *kursatta. In Latin, it became Creta; the original Arabic name of Crete was Iqrīṭiš, but after the Emirate of Crete's establishment of its new capital at ربض الخندق Rabḍ al-Ḫandaq, both the city and the island became known as Χάνδαξ or Χάνδακας, which gave Latin and Venetian Candia, from which were derived French Candie and English Candy or Candia. Under Ottoman rule, in Ottoman Turkish, Crete was called Girit. Crete is the fifth largest island in the Mediterranean Sea, it is located in the southern part of the Aegean Sea separating the Aegean from the Libyan Sea. The island has an elongated shape: it spans 260 km from east to west, is 60 km at its widest point, narrows to as little as 12 km. Crete covers an area of 8,336 km2, with a coastline of 1,046 km, it lies 160 km south of the Greek mainland. Crete is mountainous, its character is defined by a high mountain range crossing from west to east, formed by three different groups of mountains: The White Mountains or Lefka Ori 2,454 m The Idi Range (Psiloritis 35.18°N 24.82°E / 35.18.
The island has a number of gorges, such as the Samariá Gorge, Imbros Gorge, Kourtaliotiko Gorge, Ha Gorge, Platania Gorge, the Gorge of the Dead and Richtis Gorge and waterfall at Exo Mouliana in Sitia. The rivers of Crete include the Ieropotamos River, the Koiliaris, the Anapodiaris, the Almiros, the Giofyros, Megas Potamos. There are only two freshwater lakes in Crete: Lake Kournas and Lake Agia, which are both in Chania regional unit. Lake Voulismeni at the coast, at Aghios Nikolaos, was a freshwater lake but is now connected to the sea, in Lasithi. Lakes that were created by dams exist in Crete. There are three: the lake of Aposelemis Dam, the lake of Potamos Dam, the lake of Mpramiana Dam. A large number of islands and rocks hug the coast of Crete. Many are visited by tourists, some are only visited by biologists; some are environmentally protected. A small sample of the islands includes: Gramvousa the pirate island opposite the Balo lagoon Elafonisi, which commemorates a shipwreck and an Ottoman massacre Chrysi island, which hosts the largest natural Lebanon cedar forest in Europe Paximadia island where the god Apollo and the goddess Artemis were born The Venetian fort and leper colony at Spinalonga opposite the beach and shallow waters of Elounda Dionysades islands which are in an environmentally protected region together the Palm Beach Forest of Vai in the municipality of Sitia, LasithiOff the south coast, the island of Gavdos is located 26 nautical miles south of Hora Sfakion and is the southernmost point of Europe.
Crete straddles two climatic zones, the Mediterranean and the North African falling within the former. As such, the climate in Crete is Mediterranean; the atmosphere can be quite humid, depending on the proximity to the sea, while winter is mild. Snowfall is rare in the low-lying areas. While some mountain tops are snow-capped for most of the year, near the coast snow only stays on the ground for a few minutes or hours. However, a exceptional cold snap swept the island in February 2004, during which period the whole island was blanketed with snow. During the Cretan summer, average temperatures reach the high 20s-low 30s Celsius, with maxima touching the upper 30s-mid 40s; the south coast, including the Mesara Pla
The Ancient Greek language includes the forms of Greek used in Ancient Greece and the ancient world from around the 9th century BCE to the 6th century CE. It is roughly divided into the Archaic period, Classical period, Hellenistic period, it is succeeded by medieval Greek. Koine is regarded as a separate historical stage of its own, although in its earliest form it resembled Attic Greek and in its latest form it approaches Medieval Greek. Prior to the Koine period, Greek of the classic and earlier periods included several regional dialects. Ancient Greek was the language of Homer and of fifth-century Athenian historians and philosophers, it has contributed many words to English vocabulary and has been a standard subject of study in educational institutions of the Western world since the Renaissance. This article contains information about the Epic and Classical periods of the language. Ancient Greek was a pluricentric language, divided into many dialects; the main dialect groups are Attic and Ionic, Aeolic and Doric, many of them with several subdivisions.
Some dialects are found in standardized literary forms used in literature, while others are attested only in inscriptions. There are several historical forms. Homeric Greek is a literary form of Archaic Greek used in the epic poems, the "Iliad" and "Odyssey", in poems by other authors. Homeric Greek had significant differences in grammar and pronunciation from Classical Attic and other Classical-era dialects; the origins, early form and development of the Hellenic language family are not well understood because of a lack of contemporaneous evidence. Several theories exist about what Hellenic dialect groups may have existed between the divergence of early Greek-like speech from the common Proto-Indo-European language and the Classical period, they differ in some of the detail. The only attested dialect from this period is Mycenaean Greek, but its relationship to the historical dialects and the historical circumstances of the times imply that the overall groups existed in some form. Scholars assume that major Ancient Greek period dialect groups developed not than 1120 BCE, at the time of the Dorian invasion—and that their first appearances as precise alphabetic writing began in the 8th century BCE.
The invasion would not be "Dorian" unless the invaders had some cultural relationship to the historical Dorians. The invasion is known to have displaced population to the Attic-Ionic regions, who regarded themselves as descendants of the population displaced by or contending with the Dorians; the Greeks of this period believed there were three major divisions of all Greek people—Dorians and Ionians, each with their own defining and distinctive dialects. Allowing for their oversight of Arcadian, an obscure mountain dialect, Cypriot, far from the center of Greek scholarship, this division of people and language is quite similar to the results of modern archaeological-linguistic investigation. One standard formulation for the dialects is: West vs. non-west Greek is the strongest marked and earliest division, with non-west in subsets of Ionic-Attic and Aeolic vs. Arcadocypriot, or Aeolic and Arcado-Cypriot vs. Ionic-Attic. Non-west is called East Greek. Arcadocypriot descended more from the Mycenaean Greek of the Bronze Age.
Boeotian had come under a strong Northwest Greek influence, can in some respects be considered a transitional dialect. Thessalian had come under Northwest Greek influence, though to a lesser degree. Pamphylian Greek, spoken in a small area on the southwestern coast of Anatolia and little preserved in inscriptions, may be either a fifth major dialect group, or it is Mycenaean Greek overlaid by Doric, with a non-Greek native influence. Most of the dialect sub-groups listed above had further subdivisions equivalent to a city-state and its surrounding territory, or to an island. Doric notably had several intermediate divisions as well, into Island Doric, Southern Peloponnesus Doric, Northern Peloponnesus Doric; the Lesbian dialect was Aeolic Greek. All the groups were represented by colonies beyond Greece proper as well, these colonies developed local characteristics under the influence of settlers or neighbors speaking different Greek dialects; the dialects outside the Ionic group are known from inscriptions, notable exceptions being: fragments of the works of the poet Sappho from the island of Lesbos, in Aeolian, the poems of the Boeotian poet Pindar and other lyric poets in Doric.
After the conquests of Alexander the Great in the late 4th century BCE, a new international dialect known as Koine or Common Greek developed based on Attic Greek, but with influence from other dialects. This dialect replaced most of the older dialects, although Doric dialect has survived in the Tsakonian language, spoken in the region of modern Sparta. Doric has passed down its aorist terminations into most verbs of Demotic Greek. By about the 6th century CE, the Koine had metamorphosized into Medieval Greek. Ancient Macedonian was an Indo-European language at least related to Greek, but its exact relationship is unclear because of insufficient data: a dialect of Greek; the Macedonian dialect (or l
Greek mythology is the body of myths told by the ancient Greeks. These stories concern the origin and the nature of the world, the lives and activities of deities and mythological creatures, the origins and significance of the ancient Greeks' own cult and ritual practices. Modern scholars study the myths in an attempt to shed light on the religious and political institutions of ancient Greece and its civilization, to gain understanding of the nature of myth-making itself; the Greek myths were propagated in an oral-poetic tradition most by Minoan and Mycenaean singers starting in the 18th century BC. Two poems by Homer's near contemporary Hesiod, the Theogony and the Works and Days, contain accounts of the genesis of the world, the succession of divine rulers, the succession of human ages, the origin of human woes, the origin of sacrificial practices. Myths are preserved in the Homeric Hymns, in fragments of epic poems of the Epic Cycle, in lyric poems, in the works of the tragedians and comedians of the fifth century BC, in writings of scholars and poets of the Hellenistic Age, in texts from the time of the Roman Empire by writers such as Plutarch and Pausanias.
Aside from this narrative deposit in ancient Greek literature, pictorial representations of gods and mythic episodes featured prominently in ancient vase-paintings and the decoration of votive gifts and many other artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Trojan cycle as well as the adventures of Heracles. In the succeeding Archaic and Hellenistic periods and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an extensive influence on the culture and literature of Western civilization and remains part of Western heritage and language. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes. Greek mythology is known today from Greek literature and representations on visual media dating from the Geometric period from c. 900 BC to c. 800 BC onward. In fact and archaeological sources integrate, sometimes mutually supportive and sometimes in conflict.
Mythical narration plays an important role in nearly every genre of Greek literature. The only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus; this work attempts to reconcile the contradictory tales of the poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens wrote on many of these topics, his writings may have formed the basis for the collection. Among the earliest literary sources are the Iliad and the Odyssey. Other poets completed the "epic cycle", but these and lesser poems now are lost entirely. Despite their traditional name, the "Homeric Hymns" have no direct connection with Homer, they are choral hymns from the earlier part of the so-called Lyric age. Hesiod, a possible contemporary with Homer, offers in his Theogony the fullest account of the earliest Greek myths, dealing with the creation of the world. Hesiod's Works and Days, a didactic poem about farming life includes the myths of Prometheus and the Five Ages.
The poet gives advice on the best way to succeed in a dangerous world, rendered yet more dangerous by its gods. Lyrical poets took their subjects from myth, but their treatment became less narrative and more allusive. Greek lyric poets, including Pindar and Simonides, bucolic poets such as Theocritus and Bion, relate individual mythological incidents. Additionally, myth was central to classical Athenian drama; the tragic playwrights Aeschylus and Euripides took most of their plots from myths of the age of heroes and the Trojan War. Many of the great tragic stories took on their classic form in these tragedies; the comic playwright Aristophanes used myths, in The Birds and The Frogs. Historians Herodotus and Diodorus Siculus, geographers Pausanias and Strabo, who traveled throughout the Greek world and noted the stories they heard, supplied numerous local myths and legends giving little-known alternative versions. Herodotus in particular, searched the various traditions presented him and found the historical or mythological roots in the confrontation between Greece and the East.
Herodotus attempted to reconcile the blending of differing cultural concepts. The poetry of the Hellenistic and Roman ages was composed as a literary rather than cultic exercise, it contains many important details that would otherwise be lost. This category includes the works of: The Roman poets Ovid, Valerius Flaccus and Virgil with Servius's commentary; the Greek poets of the Late Antique period: Nonnus, Antoninus Liberalis, Quintus Smyrnaeus. The Greek poets of the Hellenistic period: Apollonius of Rhodes, Pseudo-Eratosthenes, Parthenius. Prose writers from the same periods who make reference to myths includ
In Greek mythology, the Nereids are sea nymphs, the 50 daughters of Nereus and Doris, sisters to Nerites. They accompany Poseidon, the god of the sea, can be friendly and helpful to sailors, like the Argonauts in their search for the Golden Fleece. Nereids are associated with the Aegean Sea, where they dwelt with their father Nereus in the depths within a golden palace; the most notable of them are wife of Peleus and mother of Achilles. They symbolized everything, beautiful and kind about the sea, their melodious voices sang. They are represented as beautiful girls, crowned with branches of red coral and dressed in white silk robes trimmed with gold, but who went barefoot, they carried his trident. In Homer's Iliad XVIII, when Thetis cries out in sympathy for the grief of Achilles for the slain Patroclus, her sisters appear; the Nereid Opis is mentioned in Virgil's Aeneid. She is called by the goddess Diana to avenge the death of the Amazon-like female warrior Camilla. Diana gives Opis magical weapons for revenge on the Etruscan Arruns.
Opis laments Camilla's death and shoots Arruns in revenge as directed by Diana. In modern Greek folklore, the term "nereid" has come to be used for all nymphs, fairies, or mermaids, not nymphs of the sea. Nereid, a moon of the planet Neptune, is named after the Nereids; this list is correlated from four sources: Homer's Iliad, Hesiod's Theogony, the Bibliotheca and Hyginus. Because of this, the total number of names goes beyond fifty. Media related to Nereids at Wikimedia Commons Nereids in classical literature and art Nereid and Triton Mosaic from Ephesus Terrace Home -2 3D stereoview of Nereid and Triton relief from Temple of Apollo in Didim Warburg Institute Iconographic Database