Spin is an American music magazine founded in 1985 by publisher Bob Guccione, Jr. The magazine stopped running in print in 2012 and runs as a webzine, owned by the Billboard-Hollywood Reporter Media Group division of Valence Media. Spin was established in 1985. In its early years, the magazine was known for its broad music coverage with an emphasis on college rock, indie rock, the ongoing emergence of hip-hop; the magazine was bold, if sometimes haphazard. It pointedly provided a national alternative to Rolling Stone's more establishment-oriented style. Spin prominently placed newer artists such as R. E. M. Prince, Run-D. M. C. Eurythmics, Beastie Boys, Talking Heads on its covers and did lengthy features on established figures such as Bob Dylan, Keith Richards, Miles Davis, Lou Reed, Tom Waits, John Lee Hooker—Bart Bull's article on Hooker won the magazine its first major award. On a cultural level, the magazine devoted significant coverage to punk, alternative country, electronica and world music, experimental rock, jazz of the most adventurous sort, burgeoning underground music scenes, a variety of fringe styles.
Artists such as the Ramones, Patti Smith, Blondie, X, Black Flag, the former members of the Sex Pistols, The Clash, the early punk and New Wave movements were featured in Spin's editorial mix. Spin's extensive coverage of hip-hop music and culture that of contributing editor John Leland, was notable at the time. Editorial contributions by musical and cultural figures included Lydia Lunch, Henry Rollins, David Lee Roth and Dwight Yoakam; the magazine reported on cities such as Austin, Texas, or Glasgow, Scotland, as cultural incubators in the independent music scene. A 1990 article on the contemporary country blues scene brought R. L. Burnside to national attention for the first time. Coverage of American cartoonists, Japanese manga, monster trucks, the AIDS crisis, outsider artists, Twin Peaks, other non-mainstream cultural phenomena distinguished the magazine's dynamic early years. In late 1987, publisher Bob Guccione Jr.'s father, Bob Guccione Sr. abruptly shut the magazine down despite the fact that the two-year-old magazine was considered a success, with a newsstand circulation of 150,000.
Guccione Jr. was able to rally much of his staff, partner with former MTV president and David H. Horowitz, locate additional new investors and offices and after missing a month's publication, returned with a combined November–December issue. During this time, it was published by Camouflage Associates. In 1997, Guccione sold Spin to Miller Publishing. In 1994, two journalists working for the magazine were killed by a landmine while reporting on the Bosnian War in Bosnia and Herzegovina. A third, William T. Vollmann, was injured. In February 2006, Miller Publishing sold the magazine to a San Francisco-based company called the McEvoy Group LLC, the owner of Chronicle Books; that company formed Spin Media LLC as a holding company. The new owners replaced editor-in-chief Sia Michel with a former editor at Blender; the first issue to be published under his brief command was the July 2006 issue—sent to the printer in May 2006—which featured Beyoncé on the cover. Pemberton and Spin parted ways the next month, in June 2006.
The following editor, Doug Brod, was executive editor during Michel's tenure. For Spin's 20th anniversary, it published a book chronicling the prior two decades in music; the book has essays on grunge and emo, among other genres of music, as well as pieces on musical acts including Marilyn Manson, Tupac Shakur, R. E. M. Nirvana, Nine Inch Nails, Limp Bizkit, the Smashing Pumpkins. In February 2012, Spin relaunched the magazine in a larger, bi-monthly format and expanded its online presence, which covered reviews, extended editorials and features on up-and-coming talent. In July 2012, Spin was sold to Buzzmedia, which renamed itself SpinMedia; the September/October 2012 issue of Spin was the magazine's last print edition. In December 2016, Eldridge Industries acquired SpinMedia via the Hollywood Reporter-Billboard Media Group for an undisclosed amount. In 1995, Spin produced its first book, entitled Spin Alternative Record Guide, it compiled writings by 64 music critics on recording artists and bands relevant to the alternative music movement, with each artist's entry featuring their discography and albums reviewed and rated a score between one and ten.
According to Pitchfork Media's Matthew Perpetua, the book featured "the best and brightest writers of the 80s and 90s, many of whom started off in zines but have since become major figures in music criticism," including Rob Sheffield, Byron Coley, Ann Powers, Simon Reynolds, Alex Ross. Although the book was not a sales success, "it inspired a disproportionate number of young readers to pursue music criticism." After the book was published, its entry on 1960s folk artist John Fahey, written by Byron Coley, helped renew interest in Fahey's music, leading to interest from record labels and the alternative music scene. Contributors to Spin have included: SPIN began compiling year-end lists in 1990. Note: The 2000 album of the year was awarded to "your hard drive", acknowledging the impact that filesharing had on the music listening experience in 2000. Kid A was listed as the highest ranking given to an actual album. 1994 roadside attack on Spin magazine journalists Anon.. "Bibliography". In Ray, Michael.
Alternative, Hip-Hop and More: Music from the 1980s to Today. Britannica Educational Publishing. ISBN 1615309101. Mazmanian, Adam. "Library Journal". In White, William. Buyer's Guide. Bowker. Johnston, Maura. "Never Mind The Anglophilia, Here's The Queens Brothers". Idolator. Retrieved Jul
Allergic to Water
Allergic to Water is the 18th studio album by singer-songwriter Ani DiFranco, released on November 4, 2014. The album has a score of 71 out of 100 from Metacritic based on "generally favorable reviews"; the album debuted at #155 on the Billboard 200. All tracks written by Ani DiFranco. Adapted from the album credits. Ani DiFranco – guitar, wurli, xylophone, vocals Todd Sickafoose – bass, bilhorn organ, wurli, orchestron Terence Higgins – drums, percussion Ivan Neville – wurli, piano Jenny Scheinman – violins, backing vocals Mike Dillon – triangle Matt Perrine – sousaphoneProduction Recorded by Mike Napolitano – recording Andy Taub - recording Todd Sickafoose – recording Ani DiFranco – producer, recording Brent Lambert– mastering Brian Grunert – art direction Charles Waldorf - portraits Record labels album page
More Joy, Less Shame
More Joy, Less Shame is an EP album by Ani DiFranco. "Joyful Girl" – 4:39 "Joyful Girl" – 4:39 "Joyful Girl" – 6:26 "Joyful Girl" – 6:03 "Shameless" – 4:52 "Both Hands" – 3:05 Ani DiFranco – guitar, producer, director Rob Howard – director Doc Severinsen – conductor
Singer-songwriters are musicians who write and perform their own musical material, including lyrics and melodies. The genre began with the folk-acoustic tradition. Singer-songwriters provide the sole accompaniment to an entire composition or song using a guitar or piano. "Singer-songwriter" is used to define popular music artists who write and perform their own material, self-accompanied on acoustic guitar or piano. Such an artist performs the roles of composer, vocalist, sometimes instrumentalist, self-manager. According to AllMusic, singer-songwriters' lyrics are personal but veiled by elaborate metaphors and vague imagery, their creative concern is to place emphasis on the song rather than their performance of it. Most records by such artists have a straightforward and spare sound that placed emphasis on the song itself; the term has been used to describe songwriters in the rock, folk and pop music genres including Henry Russell, Aristide Bruant, Hank Williams, Buddy Holly. It came into popular usage in the 1960s onwards to describe songwriters who followed particular stylistic and thematic conventions lyrical introspection, confessional songwriting, mild musical arrangements, an understated performing style.
According to writer Larry David Smith, because it merged the roles of composer and singer, the popularity of the singer-songwriter reintroduced the Medieval troubadour tradition of "songs with public personalities" after the Tin Pan Alley era in American popular music. Song topics include political protest, as in the case of the Almanac Singers, Pete Seeger and Woody Guthrie; the concept of a singer-songwriter can be traced to ancient bardic oral tradition, which has existed in various forms throughout the world. Poems would be performed as chant or song, sometimes accompanied by a harp or other similar instrument. After the invention of printing, songs would be performed by ballad sellers; these would be versions of existing tunes and lyrics, which were evolving. This developed into the singer-songwriting traditions of folk culture. Traveling performers existed throughout Europe. Thus, the folklorist Anatole Le Braz gives a detailed account of one ballad singer, Yann Ar Minouz, who wrote and performed songs traveling through Brittany in the late nineteenth century and selling printed versions.
In large towns it was possible to make a living performing in public venues, with the invention of phonographic recording, early singer-songwriters like Théodore Botrel, George M. Cohan and Hank Williams became celebrities. During the period from the 1940s through the 1960s, sparked by the American folk music revival, young performers inspired by traditional folk music and groups like the Almanac Singers and the Weavers began writing and performing their own original material and creating their own musical arrangements; the term "singer-songwriter" in North America can be traced back to singers who developed works in the blues and folk music style. Early to mid-20th century American singer-songwriters include Lead Belly, Jimmie Rodgers, Blind Lemon Jefferson, T-Bone Walker, Blind Willie McTell, Lightnin' Hopkins, Son House, Robert Johnson. In the 1940s and 1950s country singer-songwriters like Hank Williams became well known, as well as Woody Guthrie, Pete Seeger, along with Ronnie Gilbert and Lee Hays and other members of the Weavers who performed their topical works to an ever-growing wider audience.
These proto-singer-songwriters were less concerned than today's singer-songwriters with the unadulterated originality of their music and lyrics, would lift parts from other songs and play covers without hesitation. The tradition of writing topical songs was established by this group of musicians. Singers like Seeger and Guthrie would attend rallies for labor unions, so wrote many songs concerning the life of the working classes, social protest; this focus on social issues has influenced the singer-songwriter genre. Additionally in the 1930s through the 1950s several jazz and blues singer-songwriters emerged like Hoagy Carmichael, Billie Holiday, Ray Charles, Harry Gibson, Nina Simone, as well as in the rock n' roll genre from which emerged influential singer-songwriters Jerry Lee Lewis, Buddy Holly, Chuck Berry, Roy Orbison, Sam Cooke, Ritchie Valens, Paul Anka. In the country music field, singer-songwriters like Hank Williams, Patsy Cline, Tammy Wynette, Loretta Lynn, George Jones, Merle Haggard, Roger Miller, Billy Edd Wheeler, others emerged from the 1940s through the 1960s writing compelling songs about love relationships and other subjects.
The first popular recognition of the singer-songwriter in English-speaking North America and the United Kingdom occurred in the 1960s and early 1970s when a series of blues and country-influenced musicians rose to prominence and popularity. These singer-songwriters included Bob Dylan, Neil Young, John Lennon, Van Morrison, Willie Nelson, Paul Simon, Leonard Cohen, Joni Mitchell. Artists, songwriters, notably Carole King, Townes Van Zandt, Neil Diamond began releasing work as performers. In contrast to the storytelling approach of most prior country and folk music, these performers wrote songs from a personal, introspective point of
A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from musical form and musical style, although in practice these terms are sometimes used interchangeably. Academics have argued that categorizing music by genre is inaccurate and outdated. Music can be divided into different genres in many different ways; the artistic nature of music means that these classifications are subjective and controversial, some genres may overlap. There are varying academic definitions of the term genre itself. In his book Form in Tonal Music, Douglass M. Green distinguishes between form, he lists madrigal, canzona and dance as examples of genres from the Renaissance period. To further clarify the meaning of genre, Green writes, "Beethoven's Op. 61 and Mendelssohn's Op. 64 are identical in genre – both are violin concertos – but different in form. However, Mozart's Rondo for Piano, K. 511, the Agnus Dei from his Mass, K. 317 are quite different in genre but happen to be similar in form."
Some, like Peter van der Merwe, treat the terms genre and style as the same, saying that genre should be defined as pieces of music that share a certain style or "basic musical language." Others, such as Allan F. Moore, state that genre and style are two separate terms, that secondary characteristics such as subject matter can differentiate between genres. A music genre or subgenre may be defined by the musical techniques, the style, the cultural context, the content and spirit of the themes. Geographical origin is sometimes used to identify a music genre, though a single geographical category will include a wide variety of subgenres. Timothy Laurie argues that since the early 1980s, "genre has graduated from being a subset of popular music studies to being an ubiquitous framework for constituting and evaluating musical research objects". Among the criteria used to classify musical genres are the trichotomy of art and traditional musics. Alternatively, music can be divided on three variables: arousal and depth.
Arousal reflects the energy level of the music. These three variables help explain why many people like similar songs from different traditionally segregated genres. Musicologists have sometimes classified music according to a trichotomic distinction such as Philip Tagg's "axiomatic triangle consisting of'folk','art' and'popular' musics", he explains that each of these three is distinguishable from the others according to certain criteria. The term art music refers to classical traditions, including both contemporary and historical classical music forms. Art music exists in many parts of the world, it emphasizes formal styles that invite technical and detailed deconstruction and criticism, demand focused attention from the listener. In Western practice, art music is considered a written musical tradition, preserved in some form of music notation rather than being transmitted orally, by rote, or in recordings, as popular and traditional music are. Most western art music has been written down using the standard forms of music notation that evolved in Europe, beginning well before the Renaissance and reaching its maturity in the Romantic period.
The identity of a "work" or "piece" of art music is defined by the notated version rather than by a particular performance, is associated with the composer rather than the performer. This is so in the case of western classical music. Art music may include certain forms of jazz, though some feel that jazz is a form of popular music. Sacred Christian music forms an important part of the classical music tradition and repertoire, but can be considered to have an identity of its own; the term popular music refers to any musical style accessible to the general public and disseminated by the mass media. Musicologist and popular music specialist Philip Tagg defined the notion in the light of sociocultural and economical aspects: Popular music, unlike art music, is conceived for mass distribution to large and socioculturally heterogeneous groups of listeners and distributed in non-written form, only possible in an industrial monetary economy where it becomes a commodity and in capitalist societies, subject to the laws of'free' enterprise... it should ideally sell as much as possible.
Popular music is found on most commercial and public service radio stations, in most commercial music retailers and department stores, in movie and television soundtracks. It is noted on the Billboard charts and, in addition to singer-songwriters and composers, it involves music producers more than other genres do; the distinction between classical and popular music has sometimes been blurred in marginal areas such as minimalist music and light classics. Background music for films/movies draws on both traditions. In this respect, music is like fiction, which draws a distinction between literary fiction and popular fiction, not always precise. Country music known as country and western, hillbilly music, is a genre of popular music that originated in the southern United States in the early 1920s; the polka is a Czech dance and genre of dance music familiar throughout Europe and the Americas. Rock music is a broad genre of popular music that originated as "rock and roll" in the United States in the early 1950s, developed into a range of different styles in the 1960s and particular
Robert Thomas Christgau is an American essayist and music journalist. One of the earliest professional rock critics, he spent 37 years as the chief music critic and senior editor for The Village Voice, during which time he created and oversaw the annual Pazz & Jop poll, he has covered popular music for Esquire, Newsday, Rolling Stone, Billboard, NPR, MSN Music, was a visiting arts teacher at New York University. Christgau is known for his terse, letter-graded capsule album reviews, first published in his "Consumer Guide" columns during his tenure at The Village Voice from 1969 to 2006, he has authored three books based on those columns, including Christgau's Record Guide: Rock Albums of the Seventies and Christgau's Record Guide: The'80s, along with two collections of essays. He continued writing reviews in this format for MSN Music and Noisey—Vice's music section—where they are published in his "Expert Witness" column. Christgau was born in Greenwich Village and grew up in Queens, the son of a fireman.
He has said he became a rock and roll fan when disc jockey Alan Freed moved to the city in 1954. After attending a public school in New York City, he left New York for four years to attend Dartmouth College, graduating in 1962 with a B. A. in English. While at college his musical interests turned to jazz, but he returned to rock after moving back to New York. Christgau has said that Miles Davis' 1960 album Sketches of Spain initiated in him "one phase of the disillusionment with jazz that resulted in my return to rock and roll", he was influenced by New Journalism writers such as Gay Talese and Tom Wolfe. "My ambitions when I went into journalism were always, to an extent, literary", Christgau said. Christgau wrote short stories, before giving up fiction in 1964 to become a sportswriter, a police reporter for the Newark Star-Ledger, he became a freelance writer after a story he wrote about the death of a woman in New Jersey was published by New York magazine. Christgau was among the first dedicated rock critics.
He was asked to take over the dormant music column at Esquire, which he began writing in June 1967. After Esquire discontinued the column, Christgau moved to The Village Voice in 1969, he worked as a college professor. From early on in his emergence as a critic, Christgau was conscious of his lack of formal knowledge of music. In a 1968 piece he commented: I don't know anything about music, which ought to be a damaging admission but isn't... The fact is that pop writers in general shy away from such arcana as key signature and beats to the measure... I used to confide my worries about this to friends in the record industry, they didn't know anything about music either. The technical stuff didn't matter, I was told. You just gotta dig it. In early 1972, he accepted a full-time job as music critic for Newsday. Christgau returned to the Village Voice in 1974 as music editor, he remained there until August 2006, when he was fired shortly after the paper's acquisition by New Times Media. Two months Christgau became a contributing editor at Rolling Stone.
Late in 2007, Christgau was fired by Rolling Stone, although he continued to work for the magazine for another three months. Starting with the March 2008 issue, he joined Blender, where he was listed as "senior critic" for three issues and "contributing editor". Christgau had been a regular contributor to Blender, he continued to write for Blender until the magazine ceased publication in March 2009. In 1987, he was awarded a Guggenheim Fellowship in the field of "Folklore and Popular Culture" to study the history of popular music. Christgau has written for Playboy and Creem, he appears about the Replacements. He taught during the formative years of the California Institute of the Arts; as of 2007, he was an adjunct professor in the Clive Davis Department of Recorded Music at New York University. In August 2013, Christgau revealed in an article written for Barnes & Noble's website that he is writing a memoir. On July 15, 2014, Christgau debuted a monthly column on Billboard's website. Christgau is best known for his "Consumer Guide" columns, which have been published more-or-less monthly since July 10, 1969, in the Village Voice, as well as a brief period in Creem.
In its original format, the "Consumer Guide" consisted of 18 to 20 single-paragraph album reviews, each of, given a letter grade ranging from A+ to E−. These reviews were collected and extensively revised in a three-volume book series, the first of, published in 1981 as Christgau's Record Guide: Rock Albums of the Seventies. In his original grading system from 1969 to 1990, albums were given a grade ranging from A+ to E-. Under this system, Christgau considered a B+ or higher to be a personal recommendation, he noted. In 1990, Christgau changed the format of the "Consumer Guide" to focus more on the albums. B+ records that Christgau deemed "unworthy of a full review" were given brief comments and star marks ranging from three down to one, denoting an honorable mention", records which Christgau believed may be of interest to their own target audience. Lesser albums were filed under categories such as "Neither" and "Duds" (which indicated bad records and were listed without fur
The United States of America known as the United States or America, is a country composed of 50 states, a federal district, five major self-governing territories, various possessions. At 3.8 million square miles, the United States is the world's third or fourth largest country by total area and is smaller than the entire continent of Europe's 3.9 million square miles. With a population of over 327 million people, the U. S. is the third most populous country. The capital is Washington, D. C. and the largest city by population is New York City. Forty-eight states and the capital's federal district are contiguous in North America between Canada and Mexico; the State of Alaska is in the northwest corner of North America, bordered by Canada to the east and across the Bering Strait from Russia to the west. The State of Hawaii is an archipelago in the mid-Pacific Ocean; the U. S. territories are scattered about the Pacific Ocean and the Caribbean Sea, stretching across nine official time zones. The diverse geography and wildlife of the United States make it one of the world's 17 megadiverse countries.
Paleo-Indians migrated from Siberia to the North American mainland at least 12,000 years ago. European colonization began in the 16th century; the United States emerged from the thirteen British colonies established along the East Coast. Numerous disputes between Great Britain and the colonies following the French and Indian War led to the American Revolution, which began in 1775, the subsequent Declaration of Independence in 1776; the war ended in 1783 with the United States becoming the first country to gain independence from a European power. The current constitution was adopted in 1788, with the first ten amendments, collectively named the Bill of Rights, being ratified in 1791 to guarantee many fundamental civil liberties; the United States embarked on a vigorous expansion across North America throughout the 19th century, acquiring new territories, displacing Native American tribes, admitting new states until it spanned the continent by 1848. During the second half of the 19th century, the Civil War led to the abolition of slavery.
By the end of the century, the United States had extended into the Pacific Ocean, its economy, driven in large part by the Industrial Revolution, began to soar. The Spanish–American War and World War I confirmed the country's status as a global military power; the United States emerged from World War II as a global superpower, the first country to develop nuclear weapons, the only country to use them in warfare, a permanent member of the United Nations Security Council. Sweeping civil rights legislation, notably the Civil Rights Act of 1964, the Voting Rights Act of 1965 and the Fair Housing Act of 1968, outlawed discrimination based on race or color. During the Cold War, the United States and the Soviet Union competed in the Space Race, culminating with the 1969 U. S. Moon landing; the end of the Cold War and the collapse of the Soviet Union in 1991 left the United States as the world's sole superpower. The United States is the world's oldest surviving federation, it is a representative democracy.
The United States is a founding member of the United Nations, World Bank, International Monetary Fund, Organization of American States, other international organizations. The United States is a developed country, with the world's largest economy by nominal GDP and second-largest economy by PPP, accounting for a quarter of global GDP; the U. S. economy is post-industrial, characterized by the dominance of services and knowledge-based activities, although the manufacturing sector remains the second-largest in the world. The United States is the world's largest importer and the second largest exporter of goods, by value. Although its population is only 4.3% of the world total, the U. S. holds 31% of the total wealth in the world, the largest share of global wealth concentrated in a single country. Despite wide income and wealth disparities, the United States continues to rank high in measures of socioeconomic performance, including average wage, human development, per capita GDP, worker productivity.
The United States is the foremost military power in the world, making up a third of global military spending, is a leading political and scientific force internationally. In 1507, the German cartographer Martin Waldseemüller produced a world map on which he named the lands of the Western Hemisphere America in honor of the Italian explorer and cartographer Amerigo Vespucci; the first documentary evidence of the phrase "United States of America" is from a letter dated January 2, 1776, written by Stephen Moylan, Esq. to George Washington's aide-de-camp and Muster-Master General of the Continental Army, Lt. Col. Joseph Reed. Moylan expressed his wish to go "with full and ample powers from the United States of America to Spain" to seek assistance in the revolutionary war effort; the first known publication of the phrase "United States of America" was in an anonymous essay in The Virginia Gazette newspaper in Williamsburg, Virginia, on April 6, 1776. The second draft of the Articles of Confederation, prepared by John Dickinson and completed by June 17, 1776, at the latest, declared "The name of this Confederation shall be the'United States of America'".
The final version of the Articles sent to the states for ratification in late 1777 contains the sentence "The Stile of this Confederacy shall be'The United States of America'". In June 1776, Thomas Jefferson wrote the phrase "UNITED STATES OF AMERICA" in all capitalized letters in the headline of his "original Rough draught" of the Declaration of Independence; this draft of the document did not surface unti