The Dash is a device manufactured by Sony that connected using Wi-Fi to the Internet. It had a touch screen which the user could use to listen to music, it was not a portable device. It was positioned as a personal internet viewer which could act as an alarm clock, Internet radio, digital photo frame and many other uses, it had applications. These were the same as those supported by the Chumby device. Sony announced the Dash at the 2010 Consumer Electronics Show, it was made available for sale in late April 2010. The device was only usable in the United States, with users in other countries being locked out with the message "Error: Missing XAPI Service Mode". On June 25, Sony released a software upgrade allowing Dash to be used in other countries, however subsequently restricted international service again in November 2011; the device does not have international power settings, can only be powered by mains electricity of 120 V 60 Hz. Sony introduced two updated versions of the Dash hardware in September 2011.
The HID-B7 and HID-B70 refreshed the hardware, with the HID-B70 adding a battery backup. This revision of the Dash device removed YouTube streaming support. On March 14, 2015 the Sony Dash stopped supporting all streaming content, including Netflix, Pandora and YouTube, although the device continued to authenticate with Sony and act as an alarm clock. While there has been no public response from the company, such service returned on April 24, 2015; as of March 2016, Sony continued to provide limited support for the Dash, such as promised fixes for a leap year issue and a firmware update to address a problem with the control panel. In April 2017, Sony announced that it "will no longer support dash devices and functionality will terminate" as of July 2017. Chumby.com has initiated a program to try and offer continued support after Sony discontinued service. Chumby.com released their Dash patch on August 6, 2017 to allow Dashes to connect with the Chumby servers. Hands-Off With the Sony Dash Touchscreen Frame Wired CES: Will Sony work well with others?
EETimes Meet the Sony Dash: The Latest Tablet to Debut at CES Network World Dash product home page Dash FAQ
In the context of spaceflight, a satellite is an artificial object, intentionally placed into orbit. Such objects are sometimes called artificial satellites to distinguish them from natural satellites such as Earth's Moon. On 4 October 1957 the Soviet Union launched the world's first artificial satellite, Sputnik 1. Since about 8,100 satellites from more than 40 countries have been launched. According to a 2018 estimate, some 4,900 remain in orbit, of those about 1,900. 500 operational satellites are in low-Earth orbit, 50 are in medium-Earth orbit, the rest are in geostationary orbit. A few large satellites have been assembled in orbit. Over a dozen space probes have been placed into orbit around other bodies and become artificial satellites to the Moon, Venus, Jupiter, Saturn, a few asteroids, a comet and the Sun. Satellites are used for many purposes. Among several other applications, they can be used to make star maps and maps of planetary surfaces, take pictures of planets they are launched into.
Common types include military and civilian Earth observation satellites, communications satellites, navigation satellites, weather satellites, space telescopes. Space stations and human spacecraft in orbit are satellites. Satellite orbits vary depending on the purpose of the satellite, are classified in a number of ways. Well-known classes include low Earth orbit, polar orbit, geostationary orbit. A launch vehicle is a rocket, it lifts off from a launch pad on land. Some are launched at sea aboard a plane. Satellites are semi-independent computer-controlled systems. Satellite subsystems attend many tasks, such as power generation, thermal control, attitude control and orbit control. "Newton's cannonball", presented as a "thought experiment" in A Treatise of the System of the World, by Isaac Newton was the first published mathematical study of the possibility of an artificial satellite. The first fictional depiction of a satellite being launched into orbit was a short story by Edward Everett Hale, The Brick Moon.
The idea surfaced again in Jules Verne's The Begum's Fortune. In 1903, Konstantin Tsiolkovsky published Exploring Space Using Jet Propulsion Devices, the first academic treatise on the use of rocketry to launch spacecraft, he calculated the orbital speed required for a minimal orbit, that a multi-stage rocket fuelled by liquid propellants could achieve this. In 1928, Herman Potočnik published The Problem of Space Travel -- The Rocket Motor, he described the use of orbiting spacecraft for observation of the ground and described how the special conditions of space could be useful for scientific experiments. In a 1945 Wireless World article, the English science fiction writer Arthur C. Clarke described in detail the possible use of communications satellites for mass communications, he suggested. The US military studied the idea of what was referred to as the "earth satellite vehicle" when Secretary of Defense James Forrestal made a public announcement on 29 December 1948, that his office was coordinating that project between the various services.
The first artificial satellite was Sputnik 1, launched by the Soviet Union on 4 October 1957, initiating the Soviet Sputnik program, with Sergei Korolev as chief designer. This in turn triggered the Space Race between the United States. Sputnik 1 helped to identify the density of high atmospheric layers through measurement of its orbital change and provided data on radio-signal distribution in the ionosphere; the unanticipated announcement of Sputnik 1's success precipitated the Sputnik crisis in the United States and ignited the so-called Space Race within the Cold War. Sputnik 2 was launched on 3 November 1957 and carried the first living passenger into orbit, a dog named Laika. In May, 1946, Project RAND had released the Preliminary Design of an Experimental World-Circling Spaceship, which stated, "A satellite vehicle with appropriate instrumentation can be expected to be one of the most potent scientific tools of the Twentieth Century." The United States had been considering launching orbital satellites since 1945 under the Bureau of Aeronautics of the United States Navy.
The United States Air Force's Project RAND released the report, but considered the satellite to be a tool for science and propaganda, rather than a potential military weapon. In 1954, the Secretary of Defense stated, "I know of no American satellite program." In February 1954 Project RAND released "Scientific Uses for a Satellite Vehicle," written by R. R. Carhart; this expanded on potential scientific uses for satellite vehicles and was followed in June 1955 with "The Scientific Use of an Artificial Satellite," by H. K. Kallmann and W. W. Kellogg. In the context of activities planned for the International Geophysical Year, the White House announced on 29 July 1955 that the U. S. intended to launch satellites by the spring of 1958. This became known as Project Vanguard. On 31 July, the Soviets announced that they intended to launch a satellite by the fall of 1957. Following pressure by the American Rocket Society, the National Science Foundation, the International Geophysical Year, military interest picked up and in early 1955 the Army and Navy were worki
DVD is a digital optical disc storage format invented and developed in 1995. The medium can store any kind of digital data and is used for software and other computer files as well as video programs watched using DVD players. DVDs offer higher storage capacity than compact discs. Prerecorded DVDs are mass-produced using molding machines that physically stamp data onto the DVD; such discs are a form of DVD-ROM because data can only be not written or erased. Blank recordable DVD discs can be recorded once using a DVD recorder and function as a DVD-ROM. Rewritable DVDs can be erased many times. DVDs are used in DVD-Video consumer digital video format and in DVD-Audio consumer digital audio format as well as for authoring DVD discs written in a special AVCHD format to hold high definition material. DVDs containing other types of information may be referred to as DVD data discs; the Oxford English Dictionary comments that, "In 1995 rival manufacturers of the product named digital video disc agreed that, in order to emphasize the flexibility of the format for multimedia applications, the preferred abbreviation DVD would be understood to denote digital versatile disc."
The OED states that in 1995, "The companies said the official name of the format will be DVD. Toshiba had been using the name ‘digital video disc’, but, switched to ‘digital versatile disc’ after computer companies complained that it left out their applications.""Digital versatile disc" is the explanation provided in a DVD Forum Primer from 2000 and in the DVD Forum's mission statement. There were several formats developed for recording video on optical discs before the DVD. Optical recording technology was invented by David Paul Gregg and James Russell in 1958 and first patented in 1961. A consumer optical disc data format known as LaserDisc was developed in the United States, first came to market in Atlanta, Georgia in 1978, it used much larger discs than the formats. Due to the high cost of players and discs, consumer adoption of LaserDisc was low in both North America and Europe, was not used anywhere outside Japan and the more affluent areas of Southeast Asia, such as Hong-Kong, Singapore and Taiwan.
CD Video released in 1987 used analog video encoding on optical discs matching the established standard 120 mm size of audio CDs. Video CD became one of the first formats for distributing digitally encoded films in this format, in 1993. In the same year, two new optical disc storage formats were being developed. One was the Multimedia Compact Disc, backed by Philips and Sony, the other was the Super Density disc, supported by Toshiba, Time Warner, Matsushita Electric, Mitsubishi Electric, Thomson, JVC. By the time of the press launches for both formats in January 1995, the MMCD nomenclature had been dropped, Philips and Sony were referring to their format as Digital Video Disc. Representatives from the SD camp asked IBM for advice on the file system to use for their disc, sought support for their format for storing computer data. Alan E. Bell, a researcher from IBM's Almaden Research Center, got that request, learned of the MMCD development project. Wary of being caught in a repeat of the costly videotape format war between VHS and Betamax in the 1980s, he convened a group of computer industry experts, including representatives from Apple, Sun Microsystems and many others.
This group was referred to as the Technical Working Group, or TWG. On August 14, 1995, an ad hoc group formed from five computer companies issued a press release stating that they would only accept a single format; the TWG voted to boycott both formats unless the two camps agreed on a converged standard. They recruited president of IBM, to pressure the executives of the warring factions. In one significant compromise, the MMCD and SD groups agreed to adopt proposal SD 9, which specified that both layers of the dual-layered disc be read from the same side—instead of proposal SD 10, which would have created a two-sided disc that users would have to turn over; as a result, the DVD specification provided a storage capacity of 4.7 GB for a single-layered, single-sided disc and 8.5 GB for a dual-layered, single-sided disc. The DVD specification ended up similar to Toshiba and Matsushita's Super Density Disc, except for the dual-layer option and EFMPlus modulation designed by Kees Schouhamer Immink.
Philips and Sony decided that it was in their best interests to end the format war, agreed to unify with companies backing the Super Density Disc to release a single format, with technologies from both. After other compromises between MMCD and SD, the computer companies through TWG won the day, a single format was agreed upon; the TWG collaborated with the Optical Storage Technology Association on the use of their implementation of the ISO-13346 file system for use on the new DVDs. Movie and home entertainment distributors adopted the DVD format to replace the ubiquitous VHS tape as the primary consumer digital video distribution format, they embraced DVD as it produced higher quality video and sound, provided superior data lifespan, could be interactive. Interactivity on LaserDiscs had proven desirable to consumers collectors; when LaserDisc prices dropped from $100 per
Sony Music Entertainment Japan
Sony Music Entertainment Inc. abbreviated as SMEJ or SME, known as Sony Music Japan for short, is Sony's music arm in Japan. SMEJ is directly owned by Sony Corporation and independent from the United States-based Sony Music Entertainment due to its strength in the Japanese music industry, its subsidiaries including the Japanese animation production enterprise, established in September 1995 as a joint-venture between Sony Music Entertainment Japan and Sony Pictures Entertainment Japan, but which in 2001 became a wholly owned subsidiary of Sony Music Entertainment Japan. It was prominent in the early to mid'90s producing and licensing music for animated series such as Roujin Z from acclaimed Japanese comic artist Katsuhiro Otomo and Capcom's Street Fighter animated series; until March 2007, Sony Music Japan had its own North American sublabel, Tofu Records. Releases of Sony Music Japan now appear on Columbia Records and/or Epic Records in North America. Sony does not have the trademark rights to the Columbia name in Japan, so releases under Columbia Records from another country appears on Sony Records in Japan, but retains the usage of the "walking eye" logo.
The Columbia name and trademark is controlled by Nippon Columbia, which was, in fact, the licensee for the American Columbia Records up until 1968 though relations were severed as far back as World War II. Nippon Columbia does not have direct relations with the British Columbia Graphophone Company, so the licensee for the British Columbia Graphophone Company was Toshiba Musical Industries. With Sony Corporation of America's buyout of Bertelsmann's stake in Sony BMG, Sony Music Entertainment Japan stepped in to acquire outstanding shares of BMG Music Japan from Sony BMG, making it a wholly owned subsidiary of Sony Music Japan. Sony Music Entertainment Japan was incorporated in March 1968 as a Tokyo-based 50/50 joint venture between Sony Corporation and U. S. conglomerate CBS to distribute the latter's music releases in Japan. The company was incorporated with Sony co-founder Akio Morita as president. Norio Ohga was part of the management team from the formation of the company and served as president and representative director since April 1970.
In 1972, when CBS/Sony was generating robust profits, Ohga was named chairman and at the same time gained further responsibility and influence within Sony. He would continue to work for the music company one morning a week. In 1980, Toshio Ozawa succeeded Ohga as president. In 1983, the company was renamed CBS/Sony Group. In January 1988, after more than a year of negotiations, Sony acquired CBS Records and the 50% of CBS/Sony Group that it did not own. In March 1988, four wholly owned subsidiaries were folded into CBS/Sony Group: CBS/Sony Inc. Epic/Sony Records Inc. CBS/Sony Records Inc. and Sony Video Software International. The company was renamed Inc.. Shugo Matsuo was named new president in January 1992, replacing Toshio Ozawa, appointed to the post of chairman. Overall sales for the fiscal year ending March 31, 1991 were 83.8 billion yen with a pretax profit of 9.2 billion yen. In June 1996, Ryokichi Kunugi became the new president. Shugo Matsuo was named chairman. Shigeo Maruyama was appointed to the new post of CEO on October 1, 1997 and replaced Kunugi as president in February 1998.
As of 2007, Naoki Kitagawa is the current CEO of the group. In May 2018, SMEJ acquired a 39% stake in the Peanuts comic strip franchise from DHX Media. Sony Music Entertainment announced the launch of its first video game publishing label, Unties, in October 2017. Unties will publish indie games for the PlayStation 4, PlayStation VR, Nintendo Switch, PC; the name was selected by Sony as representative of helping to "unleash" the power of independent video game development and "unshackle" such developers from the traditional video game publishing process. Unties’ first release was Tiny Metal, a turn-based tactics video game developed by Area 35, for the Nintendo Switch, PS4, PC; the game was first premiered at PAX West Indie Megabooth. Published Azure Reflections, a side-scrolling bullet hell developed by Souvenir Circ. on May 15 2018 for the PS4. Published Touhou Gensou Wanderers Reloaded, a roguelike rpg developed by Aqua Style, for the PS4, Nintendo Switch, PC. Published Necrosphere, a platformer developed by Cat Nigiri, for the PS4, Nintendo Switch, PC, PSVita.
Published Midnight Sanctuary, a VR/3D Novel game developed by CAVYHOUSE, for the PS4, Nintendo Switch and PC. Published Tokyo Dark, a visual novel mystery adventure hybrid developed by Cherrymochi, for the PC. Published Chiki-Chiki Boxy Racers, an arcade racing game developed by Pocket, for the Nintendo Switch on August 30 2018. Scheduled to publish on Last Standard, a 3d action game developed by I From Japan, intended for PC. Scheduled to publish The Good Life, a daily-life rpg developed by White Owls Inc. for the PS4 and PC. Scheduled to publish Merkava Avalanche, a 3d cavalry warfare action game developed by WinterCrownWorks, for the PC. Scheduled to publish Olija, an action adventure game developed by Skeleton Crew Studio, for the PC. Scheduled to publish Deemo Reborn, a music rhythm and urban fantasy game developed by Taiwanese studio Rayak, for the PS4 with PSVR support. Scheduled to publish Giraffe and Anika, a 3d adventure game developed by Atelier Mimina, for the PS4, Nintendo Switch and PC.
Scheduled to publish 3rd Eye, a 2d horror exploration game, based on the Touhou franchise, for the PS4, Nintendo Switch, PC. Scheduled to publish Gensokyo Defenders, a tower-defense game developed by Neetpia, for the PS4 and Nintendo Switch; the company's leading role on the Ja
Sony Corporation is a Japanese multinational conglomerate corporation headquartered in Kōnan, Tokyo. Its diversified business includes consumer and professional electronics, gaming and financial services; the company owns the largest music entertainment business in the world, the largest video game console business and one of the largest video game publishing businesses, is one of the leading manufacturers of electronic products for the consumer and professional markets, a leading player in the film and television entertainment industry. Sony was ranked 97th on the 2018 Fortune Global 500 list. Sony Corporation is the electronics business unit and the parent company of the Sony Group, engaged in business through its four operating components: electronics, motion pictures and financial services; these make Sony one of the most comprehensive entertainment companies in the world. The group consists of Sony Corporation, Sony Pictures, Sony Mobile, Sony Interactive Entertainment, Sony Music, Sony/ATV Music Publishing, Sony Financial Holdings, others.
Sony is among the semiconductor sales leaders and since 2015, the fifth-largest television manufacturer in the world after Samsung Electronics, LG Electronics, TCL and Hisense. The company's current slogan is Be Moved, their former slogans were The One and Only, It's like.no.other and make.believe. Sony has a weak tie to the Sumitomo Mitsui Financial Group corporate group, the successor to the Mitsui group. Sony began in the wake of World War II. In 1946, Masaru Ibuka started an electronics shop in a department store building in Tokyo; the company started with a total of eight employees. In May 1946, Ibuka was joined by Akio Morita to establish a company called Tokyo Tsushin Kogyo; the company built Japan's first tape recorder, called the Type-G. In 1958, the company changed its name to "Sony"; when Tokyo Tsushin Kogyo was looking for a romanized name to use to market themselves, they considered using their initials, TTK. The primary reason they did not is that the railway company Tokyo Kyuko was known as TTK.
The company used the acronym "Totsuko" in Japan, but during his visit to the United States, Morita discovered that Americans had trouble pronouncing that name. Another early name, tried out for a while was "Tokyo Teletech" until Akio Morita discovered that there was an American company using Teletech as a brand name; the name "Sony" was chosen for the brand as a mix of two words: one was the Latin word "sonus", the root of sonic and sound, the other was "sonny", a common slang term used in 1950s America to call a young boy. In 1950s Japan, "sonny boys" was a loan word in Japanese, which connoted smart and presentable young men, which Sony founders Akio Morita and Masaru Ibuka considered themselves to be; the first Sony-branded product, the TR-55 transistor radio, appeared in 1955 but the company name did not change to Sony until January 1958. At the time of the change, it was unusual for a Japanese company to use Roman letters to spell its name instead of writing it in kanji; the move was not without opposition: TTK's principal bank at the time, had strong feelings about the name.
They pushed for a name such as Sony Teletech. Akio Morita was firm, however. Both Ibuka and Mitsui Bank's chairman gave their approval. According to Schiffer, Sony's TR-63 radio "cracked open the U. S. market and launched the new industry of consumer microelectronics." By the mid-1950s, American teens had begun buying portable transistor radios in huge numbers, helping to propel the fledgling industry from an estimated 100,000 units in 1955 to 5 million units by the end of 1968. Sony co-founder Akio Morita founded Sony Corporation of America in 1960. In the process, he was struck by the mobility of employees between American companies, unheard of in Japan at that time; when he returned to Japan, he encouraged experienced, middle-aged employees of other companies to reevaluate their careers and consider joining Sony. The company filled many positions in this manner, inspired other Japanese companies to do the same. Moreover, Sony played a major role in the development of Japan as a powerful exporter during the 1960s, 1970s and 1980s.
It helped to improve American perceptions of "made in Japan" products. Known for its production quality, Sony was able to charge above-market prices for its consumer electronics and resisted lowering prices. In 1971, Masaru Ibuka handed the position of president over to his co-founder Akio Morita. Sony began a life insurance company in one of its many peripheral businesses. Amid a global recession in the early 1980s, electronics sales dropped and the company was forced to cut prices. Sony's profits fell sharply. "It's over for Sony," one analyst concluded. "The company's best days are behind it." Around that time, Norio Ohga took up the role of president. He encouraged the development of the Compact Disc in the 1970s and 1980s, of the PlayStation in the early 1990s. Ohga went on to purchase CBS Records in 1988 and Columbia Pictures in 1989 expanding Sony's media presence. Ohga would succeed Morita as chief executive officer in 1989. Under the vision of co-founder Akio Morita and his successors, the company had aggressively expanded in
Sony Dream Machine
Sony Dream Machine is Sony Electronics' long-running line of clock radios. Models range from basic AM/FM models to more expensive models sporting iPod/iPhone docking, a LCD screen, internet connectivity. Described as an assimilation of an alarm clock with a digital photo frame and an iPod dock, the ICF-CL75iP was released in October 2009. Endgadget knocked the limited codec support, but lauded the attractive design and low announced price tag, they suggested Sony should add Chumby widget support, a wish Sony granted with their Dash alarm clock. CNet Australia felt that although it was missing some features consumers might expect from stand-alone devices, the combination of functionality makes up for the shortcomings of each of its parts. With a round face and slide-in iPod dock, Gizmodo called the ICF-CD3iP "the most attractive iPhone/iPod Clock/Radio Dock I've seen yet." Laptopmag.com called the model's speakers "subpar", but stated that the "unobtrusive design, retro CD tray, ease of use make for a good budget bedside companion."
A practical clock radio with super big display for easy reading. It features one for your partner. Can wake to buzzer; the ICF-C318 has a 0.9" green LED display, viewable from across the room, but takes up little space. Other features include extendable snooze bar, built-in calendar and full power memory back up. Battery Life: Up to 250 Days, built-in lithium battery for full power backup. On top of this, this dream machine features automatic daylight saving adjustment, AM/FM radio, 12 hour system, built-in Ferrite bar antenna for AM, wire antenna for FM, mono 66mm speakers. On Amazon, this products is rated as 4/5 stars. Sony Dream Machine alarm clock radio FM/MW/LW CD player ICF-CD843. 8 cm. Round in shape. Small footprint. Circa 2002. 25 Programmable station memories for easy access. CD player. Headphone Jack for adding an optional stereo headphone. Nap Timer. Triple Alarm - 3 Times/3 Modes. DayLight saving option. Snooze FM, AM radio Headphone jack Boost button for Bass. Sony official site photo of appearance: https://sp.sony-europe.com/da/2/839.jpeg CD853V, CD853L: CD853V has provision for TV & weather stations.
Colours: blue-silver version, Black-silver version, white-silver version. + small footprint. + good for one person basic needs of entertainment. + easy to assign radio stations. + snooze button is bigger with features that can be found by eye closed. - No battery back up. In case of power cut, no alarm. - Retro feature: volumn control with a dial, at the side. - looking for radio stations take times. - antenna is soft wire. It has a surprising form, it look like a sound bar; the alarm sounds are nature records. Https://archive.is/20130130194712/http://nexus404.com/Blog/2009/09/04/sony-icf-cl75ip-dream-machine-7-in-800x480-lcd-screen-1gb-internal-memory-10-second-voice-recording-for-alarm/ http://news.cnet.com/8301-17938_105-10186055-1.html
Sony/ATV Music Publishing
Sony/ATV Music Publishing is an American music publisher owned by Sony Entertainment. The company was formed in 1995 with the merger of Sony Music Publishing and ATV Music, owned by entertainer Michael Jackson. Jackson had purchased ATV Music, which included the Lennon–McCartney song catalog, in 1985. In 2012, an investor consortium led by Sony/ATV Music Publishing acquired EMI Music Publishing to become the largest music publishing administrator in the world, with a library of over three million songs. In 2016, Sony bought the Jackson estate's 50% stake in Sony/ATV. Associated Television was a British television broadcasting company founded in 1955 by Lew Grade. Over the next two decades, ATV expanded through acquisitions to become an entertainment conglomerate with business lines in the record industry, music publishing and film production. ATV entered the music industry in 1958 when it acquired 50% of Pye Records, a British record company. ATV expanded into music publishing in 1966 when it acquired 50% of New World Music and Jubilee Music, subsidiaries of Chappell & Co.
ATV acquired the other 50% of Pye Records, making it a wholly owned subsidiary of ATV, including Pye Record's publishing subsidiary Welbeck Music. ATV acquired Northern Songs, publisher of the Lennon–McCartney song catalogue, in 1969; the catalog featured every song written by John Lennon and Paul McCartney. Northern Songs was co-owned by Lennon, McCartney, Brian Epstein and Dick James, who owned a controlling interest. In 1969, James offered to sell his shares to ATV. Lennon and McCartney attempted to gain a controlling interest in the company, their bid to gain control, part of a long and acrimonious fight, failed. The financial clout of Grade, their adversary in the bidding war, ensured that the songs written by the two Beatles passed into the control of ATV. In 1970, ATV formed a joint publishing venture with Kirshner Entertainment, called ATV-Kirshner Music; the partnership agreement expired at the end of 1972 at which time ATV Music was formed to manage all of ATV's publishing interests, including Northern Songs.
ATV Music remained a successful organization in the music industry throughout the 1970s due to the performance of Northern Songs. ATV Music entered into co-publishing agreements with Lennon and McCartney, whose contract with Northern Songs expired in 1973. While ATV Music was successful, its parent company, now known as Associated Communications Corporation began experiencing financial difficulties. From 1978 to 1981, ACC's profits declined due to losses in its film division, share prices dropped dramatically; the main television arm of ATV lost its government-granted license in its then-current form and was restructured into Central Independent Television. In 1981, Grade entertained offers for Northern Songs. McCartney, with Lennon's widow Yoko Ono, offered £21 million but the offer was declined by Grade who decided not to sell Northern Songs separately after other suitors, including CBS Songs, EMI Music Publishing, Warner Communications, Paramount Pictures and the Entertainment Co. showed interest in buying ATV Music as a whole.
Meanwhile, Australian businessman Robert Holmes à Court had been acquiring shares of ACC and launched a takeover bid in earnest in January 1982. Grade resigned as chairman and was replaced by Holmes à Court who acquired a controlling interest in the company. After Holmes à Court assumed control of ACC, ATV Music was no longer for sale. In 1981, American singer Michael Jackson collaborated with Paul McCartney and recording several songs together. Jackson stayed at the home of McCartney and his wife Linda during the recording sessions, becoming friendly with both. One evening while at the dining table, McCartney brought out a thick, bound notebook displaying all the songs to which he owned the publishing rights. Jackson grew more excited, he inquired about how the songs were used. McCartney explained. Jackson replied by telling McCartney. McCartney laughed. Good joke."Jackson was first informed that the ATV catalog was up for sale in September 1984 by his attorney, John Branca, who had put together Jackson's earlier catalogue acquisitions.
Warned of the competition he would face in buying such popular songs, Jackson remained resolute in his decision to purchase them. Branca approached McCartney's attorney to query; the attorney stated. According to Bert Reuter, who negotiated the sale of ATV Music for Holmes à Court, "We had given Paul McCartney first right of refusal but Paul didn't want it at that time." Lennon's widow, Yoko Ono had been contacted as well but did not enter bidding. The competitors in the 1984 sale of ATV Music included Charles Koppelman and Marty Bandier's New York-based the Entertainment Co. Virgin Records, New York real estate tycoon Samuel J. LeFrak, financier Charles Knapp. On November 20, 1984, Jackson sent a bid of $46 million to Holmes à Court. Branca suggested the amount of the bid after having spent time evaluating the earnings of the catalogue and learning of another bid for $39 million. Jackson was only interested in the music copyrights, but the package included buildings, a recording studio and studio equipment.
The two sides signed a non-binding memorandum of mutual interest in December 1984 and Jackson's team began a four-month process of verifying ATV Music's legal documents, financial reports, every significant composition in the nearly 4000-song catalog. The two sides began drafting contracts in January 1985 and follow-through meetings began on March 16. Jackson's team describ