1.
Film
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A film, also called a movie, motion picture, theatrical film or photoplay, is a series of still images which, when shown on a screen, creates the illusion of moving images due to the phi phenomenon. This optical illusion causes the audience to perceive continuous motion between separate objects viewed rapidly in succession, the process of filmmaking is both an art and an industry. The word cinema, short for cinematography, is used to refer to the industry of films. Films were originally recorded onto plastic film through a photochemical process, the adoption of CGI-based special effects led to the use of digital intermediates. Most contemporary films are now fully digital through the process of production, distribution. Films recorded in a form traditionally included an analogous optical soundtrack. It runs along a portion of the film exclusively reserved for it and is not projected, Films are cultural artifacts created by specific cultures. They reflect those cultures, and, in turn, affect them, Film is considered to be an important art form, a source of popular entertainment, and a powerful medium for educating—or indoctrinating—citizens. The visual basis of film gives it a power of communication. Some films have become popular worldwide attractions by using dubbing or subtitles to translate the dialog into the language of the viewer, some have criticized the film industrys glorification of violence and its potentially negative treatment of women. The individual images that make up a film are called frames, the perception of motion is due to a psychological effect called phi phenomenon. The name film originates from the fact that film has historically been the medium for recording and displaying motion pictures. Many other terms exist for a motion picture, including picture, picture show, moving picture, photoplay. The most common term in the United States is movie, while in Europe film is preferred. Terms for the field, in general, include the big screen, the screen, the movies, and cinema. In early years, the sheet was sometimes used instead of screen. Preceding film in origin by thousands of years, early plays and dances had elements common to film, scripts, sets, costumes, production, direction, actors, audiences, storyboards, much terminology later used in film theory and criticism apply, such as mise en scène. Owing to the lack of any technology for doing so, the moving images, the magic lantern, probably created by Christiaan Huygens in the 1650s, could be used to project animation, which was achieved by various types of mechanical slides
2.
Computer graphics
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Computer graphics are pictures and films created using computers. Usually, the term refers to computer-generated image data created with help from specialized hardware and software. It is a vast and recent area in computer science, the phrase was coined in 1960, by computer graphics researchers Verne Hudson and William Fetter of Boeing. It is often abbreviated as CG, though sometimes referred to as CGI. The overall methodology depends heavily on the sciences of geometry, optics. Computer graphics is responsible for displaying art and image data effectively and meaningfully to the user and it is also used for processing image data received from the physical world. Computer graphic development has had a significant impact on many types of media and has revolutionized animation, movies, advertising, video games, the term computer graphics has been used a broad sense to describe almost everything on computers that is not text or sound. Such imagery is found in and on television, newspapers, weather reports, a well-constructed graph can present complex statistics in a form that is easier to understand and interpret. In the media such graphs are used to illustrate papers, reports, thesis, many tools have been developed to visualize data. Computer generated imagery can be categorized into different types, two dimensional, three dimensional, and animated graphics. As technology has improved, 3D computer graphics have become more common, Computer graphics has emerged as a sub-field of computer science which studies methods for digitally synthesizing and manipulating visual content. Screens could display art since the Lumiere brothers use of mattes to create effects for the earliest films dating from 1895. New kinds of displays were needed to process the wealth of information resulting from such projects, early projects like the Whirlwind and SAGE Projects introduced the CRT as a viable display and interaction interface and introduced the light pen as an input device. Douglas T. Ross of the Whirlwind SAGE system performed an experiment in 1954 in which a small program he wrote captured the movement of his finger. Electronics pioneer Hewlett-Packard went public in 1957 after incorporating the decade prior, and established ties with Stanford University through its founders. This began the transformation of the southern San Francisco Bay Area into the worlds leading computer technology hub - now known as Silicon Valley. The field of computer graphics developed with the emergence of computer graphics hardware, further advances in computing led to greater advancements in interactive computer graphics. In 1959, the TX-2 computer was developed at MITs Lincoln Laboratory, the TX-2 integrated a number of new man-machine interfaces
3.
Visual system
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The visual system is the part of the central nervous system which gives organisms the ability to process visual detail, as well as enabling the formation of several non-image photo response functions. It detects and interprets information from visible light to build a representation of the surrounding environment, the psychological process of visual information is known as visual perception, a lack of which is called blindness. Non-image forming visual functions, independent of perception, include the pupillary light reflex. This article mostly describes the system of mammals, humans in particular. Together the cornea and lens refract light into a small image, the retina transcribes this image into electrical pulses using rods and cones. The optic nerve then carries these pulses through the optic canal, upon reaching the optic chiasm the nerve fibers decussate. The fibers then branch and terminate in three places, most end in the lateral geniculate nucleus. Before the LGN forwards the pulses to V1 of the visual cortex it gauges the range of objects, the LGN also sends some fibers to V2 and V3. V1 performs edge-detection to understand spatial organization, V2 both forwards pulses to V1 and receives them. Pulvinar is responsible for saccade and visual attention, V2 serves much the same function as V1, however, it also handles illusory contours, determining depth by comparing left and right pulses, and foreground distinguishment. V3 helps process ‘global motion’ of objects, V3 connects to V1, V2, and the inferior temporal cortex. V4 recognizes simple shapes, gets input from V1, V2, V3, LGN, v5’s outputs include V4 and its surrounding area, and eye-movement motor cortices. V5’s functionality is similar to that of the other V’s, however, V6 works in conjunction with V5 on motion analysis. V5 analyzes self-motion, whereas V6 analyzes motion of objects relative to the background, v6’s primary input is V1, with V5 additions. V6 houses the topographical map for vision, V6 outputs to the region directly around it. V6A has direct connections to arm-moving cortices, including the premotor cortex, the inferior temporal gyrus recognizes complex shapes, objects, and faces or, in conjunction with the hippocampus, creates new memories. The pretectal area is seven unique nuclei, anterior, posterior and medial pretectal nuclei inhibit pain, aid in REM, and aid the accommodation reflex, respectively. The Edinger-Westphal nucleus moderates pupil dilation and aids in convergence of the eyes, nuclei of the optic tract are involved in smooth pursuit eye movement and the accommodation reflex, as well as REM
4.
Computer monitor
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A computer monitor or a computer display is an electronic visual display for computers. A monitor usually comprises the display device, circuitry, casing, the display device in modern monitors is typically a thin film transistor liquid crystal display or a flat panel LED display, while older monitors used a cathode ray tubes. It can be connected to the computer via VGA, DVI, HDMI, DisplayPort, Thunderbolt, LVDS or other proprietary connectors, originally, computer monitors were used for data processing while television receivers were used for entertainment. From the 1980s onwards, computers have used for both data processing and entertainment, while televisions have implemented some computer functionality. The common aspect ratio of televisions, and computer monitors, has changed from 4,3 to 16,10, to 16,9. Early electronic computers were fitted with a panel of light bulbs where the state of each particular bulb would indicate the state of a particular register bit inside the computer. This allowed the operating the computer to monitor the internal state of the machine. As early monitors were only capable of displaying a limited amount of information. Instead, a printer was the primary output device, while the monitor was limited to keeping track of the programs operation. Multiple technologies have used for computer monitors. Until the 21st century most used cathode ray tubes but they have largely superseded by LCD monitors. The first computer monitors used cathode ray tubes, high-resolution CRT displays were developed for specialized military, industrial and scientific applications but they were far too costly for general use. Either computer could be connected to the terminals of an ordinary color TV set or used with a purpose-made CRT color monitor for optimum resolution. In 1984 IBM introduced the Enhanced Graphics Adapter which was capable of producing 16 colors and had a resolution of 640 x 350, by the end of the 1980s color CRT monitors that could clearly display 1024 x 768 pixels were widely available and increasingly affordable. During the following decade maximum display resolutions gradually increased and prices continued to fall, CRT technology remained dominant in the PC monitor market into the new millennium partly because it was cheaper to produce and offered viewing angles close to 180 degrees. CRTs still offer some image quality advantages over LCDs but improvements to the latter have made much less obvious. There are multiple technologies that have used to implement liquid crystal displays. Commonly, the laptop would be offered with an assortment of display options at increasing price points, monochrome
5.
Silent film
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A silent film is a film with no synchronized recorded sound, especially with no spoken dialogue. The silent film era lasted from 1895 to 1936, in silent films for entertainment, the dialogue is transmitted through muted gestures, mime and title cards which contain a written indication of the plot or key dialogue. During silent films, a pianist, theatre organist, or, in large cities, pianists and organists would either play from sheet music or improvise, an orchestra would play from sheet music. The term silent film is therefore a retronym—that is, a term created to distinguish something retroactively, the early films with sound, starting with The Jazz Singer in 1927, were referred to as talkies, sound films, or talking pictures. A September 2013 report by the United States Library of Congress announced that a total of 70% of American silent feature films are believed to be completely lost, the earliest precursors of film began with image projection through the use of a device known as the magic lantern. This utilized a glass lens, a shutter and a persistent light source, such as a powerful lantern and these slides were originally hand-painted, but still photographs were used later on after the technological advent of photography in the nineteenth century. The invention of a practical photography apparatus preceded cinema by only fifty years, the next significant step towards film creation was the development of an understanding of image movement. Simulations of movement date as far back as to 1828 and only four years after Paul Roget discovered the phenomenon he called Persistence of Vision. This experience was further demonstrated through Rogets introduction of the thaumatrope, the first projected primary proto-movie was made by Eadweard Muybridge between 1877 and 1880. Muybridge set up a row of cameras along a racetrack and timed image exposures to capture the many stages of a horses gallop, the oldest surviving film was created by Louis Le Prince in 1888. It was a film of people walking in Oakwood streets garden. Edison also made a business of selling Kinetograph and Kinetoscope equipment, due to Edisons lack of securing an international patent on his film inventions, similar devices were invented around the world. The Lumière brothers, for example, created the Cinématographe in France, the Cinématographe proved to be a more portable and practical device than both of Edisons as it combined a camera, film processor and projector in one unit. In contrast to Edisons peepshow-style kinetoscope, which one person could watch through a viewer. Their first film, Sortie de lusine Lumière de Lyon, shot in 1894, is considered the first true motion picture, the invention of celluloid film, which was strong and flexible, greatly facilitated the making of motion pictures. This film was 35 mm wide and pulled using four sprocket holes and this doomed the cinematograph, which could only use film with just one sprocket hole. From the very beginnings of film production, the art of motion pictures grew into maturity in the silent era. Silent filmmakers pioneered the art form to the extent that virtually every style, the silent era was also pioneering era from a technical point of view
6.
Potentiometer
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A potentiometer, informally a pot, is a three-terminal resistor with a sliding or rotating contact that forms an adjustable voltage divider. If only two terminals are used, one end and the wiper, it acts as a resistor or rheostat. The measuring instrument called a potentiometer is essentially a voltage divider used for measuring electric potential, potentiometers are commonly used to control electrical devices such as volume controls on audio equipment. Potentiometers operated by a mechanism can be used as transducers, for example. Potentiometers are rarely used to control significant power, since the power dissipated in the potentiometer would be comparable to the power in the controlled load. The resistive element can be flat or angled, each end of the resistive element is connected to a terminal on the case. The wiper is connected to a terminal, usually between the other two. On panel potentiometers, the wiper is usually the terminal of three. For single-turn potentiometers, this wiper typically travels just under one revolution around the contact, the only point of ingress for contamination is the narrow space between the shaft and the housing it rotates in. Another type is the slider potentiometer, which has a wiper which slides along a linear element instead of rotating. Contamination can potentially enter anywhere along the slot the slider moves in, making effective sealing more difficult, an advantage of the slider potentiometer is that the slider position gives a visual indication of its setting. The resistive element of inexpensive potentiometers is often made of graphite, other materials used include resistance wire, carbon particles in plastic, and a ceramic/metal mixture called cermet. Others are enclosed within the equipment and are intended to be adjusted to calibrate equipment during manufacture or repair and they are usually physically much smaller than user-accessible potentiometers, and may need to be operated by a screwdriver rather than having a knob. They are usually called preset potentiometers or trim pots, some presets are accessible by a small screwdriver poked through a hole in the case to allow servicing without dismantling. Multiturn potentiometers are also operated by rotating a shaft, but by several turns rather than less than a full turn, a string potentiometer is a multi-turn potentiometer operated by an attached reel of wire turning against a spring, enabling it to convert linear position to a variable resistance. User-accessible rotary potentiometers can be fitted with a switch which operates usually at the extreme of rotation. Multiple resistance elements can be ganged together with their contacts on the same shaft, for example. The relationship between position and resistance, known as the taper or law, is controlled by the manufacturer
7.
Projector
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A projector or image projector is an optical device that projects an image onto a surface, commonly a projection screen. Most projectors create an image by shining a light through a transparent lens. A virtual retinal display, or retinal projector, is a projector that projects an image directly on the retina instead of using a projection screen. The most common type of projector used today is called a video projector. Video projectors are digital replacements for earlier types of such as slide projectors. These earlier types of projectors were replaced with digital video projectors throughout the 1990s and early 2000s. The newest types of projectors are handheld projectors that use lasers or LEDs to project images and their projections are hard to see if there is too much ambient light. Movie theaters used a type of projector called a movie projector, spectators not always provided the details needed to differentiate between for instance a shadow play and a lantern projection. Many did not understand the nature of what they had seen, projections were often presented or perceived as magic or even as religious experiences, with most projectionists unwilling to share their secrets. Shadow play usually does not involve a projection device, but can be seen as a first step in the development of projectors. It evolved into more refined forms of puppetry in Asia. Projectors share a history with cameras in the camera obscura. The oldest known record of this principle is a description by Han Chinese philosopher Mozi, Mozi correctly asserted that the camera obscura image is inverted because light travels in straight lines from its source. In the 11th century Arab physicist Ibn al-Haytham described experiments with light through an opening in a darkened room. The use of a lens in the opening of a wall or closed window shutter of a room has been traced back to circa 1550. The shared history of camera and projector basically split with the introduction of the lantern in the later half of the 17th century. The camera obscura device would mostly live on as an aid in the form of tents. The oldest known objects that can project images are Chinese magic mirrors, the origins of these mirrors have been traced back to the Chinese Han dynasty and are also found in Japan. The mirrors were cast in bronze with a pattern embossed at the back, the pattern seen on the back of the mirror is seen in a projection when light is reflected from the polished front onto a wall or other surface
8.
Movie projector
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A movie projector is an opto-mechanical device for displaying motion picture film by projecting it onto a screen. Most of the optical and mechanical elements, except for the illumination, the first movie projector was the Zoopraxiscope, invented by British photographer Eadweard Muybridge in 1879. The zoopraxiscope projected images from rotating glass disks in rapid succession to give the impression of motion, the stop-motion images were initially painted onto the glass, as silhouettes. A second series of discs, made in 1892–94, used outline drawings printed onto the discs photographically, a more sophisticated movie projector was invented by Frenchman Louis Le Prince while working in Leeds. In 1888 Le Prince took out a patent for a 16-lens device that combined a motion picture camera with a projector, in 1888, he used an updated version of his camera to film the first ever motion picture, the Roundhay Garden Scene. The pictures were exhibited in Hunslet. The Lumière brothers invented the first successful movie projector and they made their first film, Sortie de lusine Lumière de Lyon, in 1894, which was publicly screened at LEden, La Ciotat a year later. The first commercial, public screening of cinematographic films happened in Paris on 28 December 1895, the cinematograph was also exhibited at the Paris Exhibition of 1900. At the Exhibition, films made by the Lumière Brothers were projected onto a screen measuring 16 by 21 meters. In 1999, digital projectors were being tried out in some movie theatres. These early projectors played the movie stored on a server and played back through the projector, due to their relatively low resolution, the images at the time showed pixelization blocks in some scenes, much like images on early widescreen televisions. By 2006, the advent of much higher 4K resolution digital projection had removed any traces of pixelization, the systems became more compact than the larger machines of four years earlier. By 2009, movie theatres started replacing the film projectors with digital projectors, in 2013, it was estimated that 92% of movie theatres in the United States had converted to digital, with 8% still playing film. In 2015, numerous popular filmmakers—including Quentin Tarantino and Christopher Nolan—lobbied large studios to commit to purchase an amount of 35 mm film from Kodak. The decision ensured that Kodaks 35mm film production would continue for several years, nowadays film projectors are considered obsolete as high-resolution digital projectors offer many advantages over traditional film units. For example, digital projectors contain no moving parts except fans, can be operated remotely and they also allow for much easier, less expensive, and more reliable storage and distribution of content, including the ability to display live broadcasts. According to the theory of the phi phenomenon, the brain constitutes an experience of apparent movement when presented with a sequence of near-identical still images. Persistence of vision should be compared with the phenomena of beta movement
9.
Thomas Edison
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Thomas Alva Edison was an American inventor and businessman, who has been described as Americas greatest inventor. He developed many devices that greatly influenced life around the world, including the phonograph, the motion picture camera, and the long-lasting, practical electric light bulb. Edison was an inventor, holding 1,093 US patents in his name, as well as many patents in the United Kingdom, France. Edisons inventions contributed to mass communication and, in particular, telecommunications and these included a stock ticker, a mechanical vote recorder, a battery for an electric car, electrical power, recorded music and motion pictures. His advanced work in these fields was an outgrowth of his career as a telegraph operator. Edison developed a system of generation and distribution to homes, businesses. His first power station was on Pearl Street in Manhattan, New York, Thomas Edison was born in Milan, Ohio, and grew up in Port Huron, Michigan. He was the seventh and last child of Samuel Ogden Edison, Jr. and Nancy Matthews Elliott. His father, the son of a Loyalist refugee, had moved as a boy with the family from Nova Scotia, settling in southwestern Ontario, in a known as Shewsbury, later Vienna. Samuel Jr. eventually fled Ontario because he took part in the unsuccessful Mackenzie Rebellion of 1837 and his father, Samuel Sr. had earlier fought in the War of 1812 as captain of the First Middlesex Regiment. By contrast, Samuel Jr. s struggle found him on the losing side, once across the border, he found his way to Milan, Ohio. His patrilineal family line was Dutch by way of New Jersey and his mother taught him at home. Much of his education came from reading R. G, parkers School of Natural Philosophy and The Cooper Union for the Advancement of Science and Art. Edison developed hearing problems at an early age, the cause of his deafness has been attributed to a bout of scarlet fever during childhood and recurring untreated middle-ear infections. In his later years, he modified the story to say the injury occurred when the conductor, in helping him onto a moving train, Edisons family moved to Port Huron, Michigan, after the railroad bypassed Milan in 1854 and business declined. Edison sold candy and newspapers on trains running from Port Huron to Detroit and he briefly worked as a telegraph operator in 1863 for the Grand Trunk Railway at Stratford, Ontario railway at age 16. He was held responsible for a near collision and he also studied qualitative analysis and conducted chemical experiments on the train until he left the job. Edison obtained the right to sell newspapers on the road, and, with the aid of four assistants, he set in type and printed the Grand Trunk Herald
10.
Sound film
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A sound film is a motion picture with synchronized sound, or sound technologically coupled to image, as opposed to a silent film. The first known exhibition of projected sound films took place in Paris in 1900. Reliable synchronization was difficult to achieve with the early sound-on-disc systems, innovations in sound-on-film led to the first commercial screening of short motion pictures using the technology, which took place in 1923. The primary steps in the commercialization of sound cinema were taken in the mid- to late 1920s, at first, the sound films which included synchronized dialogue, known as talking pictures, or talkies, were exclusively shorts. The earliest feature-length movies with recorded sound included only music and effects, the first feature film originally presented as a talkie was The Jazz Singer, released in October 1927. A major hit, it was made with Vitaphone, which was at the time the brand of sound-on-disc technology. Sound-on-film, however, would become the standard for talking pictures. By the early 1930s, the talkies were a global phenomenon, in the United States, they helped secure Hollywoods position as one of the worlds most powerful cultural/commercial centers of influence. In Europe, the new development was treated with suspicion by many filmmakers and critics, in Japan, where the popular film tradition integrated silent movie and live vocal performance, talking pictures were slow to take root. In India, sound was the element that led to the rapid expansion of the nations film industry. The idea of combining motion pictures with recorded sound is nearly as old as the concept of cinema itself. On February 27,1888, a couple of days after photographic pioneer Eadweard Muybridge gave a lecture not far from the laboratory of Thomas Edison, the two inventors privately met. No agreement was reached, but within a year Edison commissioned the development of the Kinetoscope, essentially a peep-show system, as a visual complement to his cylinder phonograph. The two devices were brought together as the Kinetophone in 1895, but individual, cabinet viewing of motion pictures was soon to be outmoded by successes in film projection and these appear to be the first publicly exhibited films with projection of both image and recorded sound. Phonorama and yet another sound-film system—Théâtroscope—were also presented at the Exposition, three major problems persisted, leading to motion pictures and sound recording largely taking separate paths for a generation. The primary issue was synchronization, pictures and sound were recorded and played back by separate devices, sufficient playback volume was also hard to achieve. Finally, there was the challenge of recording fidelity, cinematic innovators attempted to cope with the fundamental synchronization problem in a variety of ways. In 1902, Léon Gaumont demonstrated his sound-on-disc Chronophone, involving an electrical connection he had recently patented, four years later, Gaumont introduced the Elgéphone, a compressed-air amplification system based on the Auxetophone, developed by British inventors Horace Short and Charles Parsons
11.
Horse gait
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Horse gaits are the various ways in which a horse can move, either naturally or as a result of specialized training by humans. Special training is required before a horse will perform an ambling gait in respond to a riders command. Another system of classification that applies to quadrupeds uses three categories, walking and ambling gaits, running or trotting gaits, and leaping gaits. The British Horse Society Dressage Rules require competitors to perform four variations of the walk, six forms of the trot, five leaping gaits, halt, and rein back, the British Horse Society Equitation examinations also require proficiency in the gallop as distinct from the canter. The so-called natural gaits, in increasing order of speed, are the walk, trot, canter, and gallop. Some consider these as three gaits, with the canter a variation of the gallop, even though the canter is distinguished by having three beats, whereas the gallop has four beats, all four gaits are seen in wild horse populations. While other intermediate speed gaits may occur naturally to some horses, in some animals the trot is replaced by the pace or an ambling gait. Horses who possess an ambling gait are usually able to trot. The walk is a gait that averages about 4 miles per hour. When walking, a horses legs follow this sequence, left leg, left front leg, right hind leg, right front leg. At the walk, the horse will alternate between having three or two feet on the ground, a horse moves its head and neck in a slight up and down motion that helps maintain balance. In detail, suppose the horse starts by lifting its left front leg and it then lifts its right hind leg. Next, the front foot touches the ground, then the horse lifts its right front leg. Then it lifts its rear leg, puts down the front right, lifts the left front, puts down the rear left. Ideally, the rear hoof oversteps the spot where the previously advancing front hoof touched the ground. The more the rear hoof oversteps, the smoother and more comfortable the walk becomes, individual horses and different breeds vary in the smoothness of their walk. However, a rider will almost always some degree of gentle side-to-side motion in the horses hips as each hind leg reaches forward. The fastest walks with a footfall pattern are actually the lateral forms of ambling gaits such as the running walk, singlefoot
12.
Anime
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Anime is Japanese hand-drawn or computer animation. The word is the pronunciation of animation in Japanese, where this term references all animation. Arguably, the abstract approach to the words meaning may open up the possibility of anime produced in countries other than Japan. For simplicity, many Westerners strictly view anime as a Japanese animation product, some scholars suggest defining anime as specifically or quintessentially Japanese may be related to a new form of orientalism. The earliest commercial Japanese animation dates to 1917, and Japanese anime production has continued to increase steadily. Anime is distributed theatrically, by way of television broadcasts, directly to home media and it is classified into numerous genres targeting diverse broad and niche audiences. Anime is an art form with distinctive production methods and techniques that have been adapted over time in response to emergent technologies. It consists of an ideal story-telling mechanism, combining art, characterization, cinematography. The production of anime focuses less on the animation of movement and more on the realism of settings as well as the use of effects, including panning, zooming. Being hand-drawn, anime is separated from reality by a gap of fiction that provides an ideal path for escapism that audiences can immerse themselves into with relative ease. Diverse art styles are used and character proportions and features can be quite varied, the anime industry consists of over 430 production studios, including major names like Studio Ghibli, Gainax, and Toei Animation. Despite comprising only a fraction of Japans domestic film market, anime makes up a majority of Japanese DVD sales and it has also seen international success after the rise of English-dubbed programming. This rise in popularity has resulted in non-Japanese productions using the anime art style. Anime is an art form, specifically animation, that all genres found in cinema. In Japanese, the term refers to all forms of animation from around the world. In English, anime is more used to denote a Japanese-style animated film or television entertainment or as a style of animation created in Japan. The etymology of the anime is disputed. The English term animation is written in Japanese katakana as アニメーション and is アニメ in its shortened form, in English, anime—when used as a common noun—normally functions as a mass noun
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