1.
Trombone
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The trombone is a musical instrument in the brass family. Like all brass instruments, sound is produced when the players vibrating lips cause the air column inside the instrument to vibrate, nearly all trombones have a telescoping slide mechanism that varies the length of the instrument to change the pitch. Many modern trombone models also utilize a rotary valve as a means to lower pitch of the instrument, variants such as the valve trombone and superbone have three valves like those on the trumpet. The word trombone derives from Italian tromba and -one, so the name means large trumpet, the trombone has a predominantly cylindrical bore like its valved counterpart the baritone and in contrast to its conical valved counterparts, the euphonium and the horn. The most frequently encountered trombones are the trombone and bass trombone. The most common variant, the tenor, is an instrument pitched in B♭, an octave below the B♭ trumpet. A person who plays the trombone is called a trombonist or trombone player, the trombone is a predominantly cylindrical tube bent into an elongated S shape. Rather than being completely cylindrical from end to end, the tube is a series of tapers with the smallest at the mouthpiece receiver. The design of these affects the intonation of the instrument. As with other instruments, sound is produced by blowing air through pursed lips producing a vibration that creates a standing wave in the instrument. The detachable cup-shaped mouthpiece is similar to that of the baritone horn and it has the venturi, a small constriction of the air column that adds resistance greatly affecting the tone of the instrument, and is inserted into the mouthpiece receiver in the slide section. The slide section consists of a leadpipe, the inner and outer tubes. Modern stays are soldered, while sackbuts were made with loose, the slide, the most distinctive feature of the trombone, allows the player to extend the length of the air column, lowering the pitch. To prevent friction from slowing the action of the slide, additional sleeves were developed during the Renaissance, and this part of the slide must be lubricated frequently. Additional tubing connects the slide to the bell of the instrument through a neckpipe, for example, second position A is not in exactly the same place on the slide as second position E. Many types of trombone also include one or more rotary valves used to increase the length of the instrument by directing the air flow through additional tubing. This allows the instrument to reach notes that are not possible without the valve as well as play other notes in alternate positions. Like the trumpet, the trombone is considered a cylindrical bore instrument since it has sections of tubing, principally in the slide section
2.
Composer
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A composer is a person who creates or writes music, which can be vocal music, instrumental music or music which combines both instruments and voices. The core meaning of the term refers to individuals who have contributed to the tradition of Western classical music through creation of works expressed in written musical notation, many composers are also skilled performers, either as singers, instrumentalists, and/or conductors. Examples of composers who are well known for their ability as performers include J. S. Bach, Mozart. In many popular genres, such as rock and country. For a singer or instrumental performer, the process of deciding how to perform music that has previously composed and notated is termed interpretation. Different performers interpretations of the work of music can vary widely, in terms of the tempos that are chosen. Composers and songwriters who present their own music are interpreting, just as much as those who perform the music of others, although a musical composition often has a single author, this is not always the case. A piece of music can also be composed with words, images, or, in the 20th and 21st century, a culture eventually developed whereby faithfulness to the composers written intention came to be highly valued. This musical culture is almost certainly related to the esteem in which the leading classical composers are often held by performers. The movement might be considered a way of creating greater faithfulness to the original in works composed at a time that expected performers to improvise. In Classical music, the composer typically orchestrates her own compositions, in some cases, a pop songwriter may not use notation at all, and instead compose the song in her mind and then play or record it from memory. In jazz and popular music, notable recordings by influential performers are given the weight that written scores play in classical music. The level of distinction between composers and other musicians varies, which issues such as copyright and the deference given to individual interpretations of a particular piece of music. In the development of European classical music, the function of composing music initially did not have greater importance than that of performing it. The preservation of individual compositions did not receive attention and musicians generally had no qualms about modifying compositions for performance. In as much as the role of the composer in western art music has seen continued solidification, for instance, in certain contexts the line between composer and performer, sound designer, arranger, producer, and other roles, can be quite blurred. The term composer is often used to refer to composers of music, such as those found in classical, jazz or other forms of art. In popular and folk music, the composer is usually called a songwriter and this is distinct from a 19th-century conception of instrumental composition, where the work was represented solely by a musical score to be interpreted by performers
3.
Conducting
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Conducting is the art of directing a musical performance, such as an orchestral or choral concert. A conductors directions will almost invariably be supplemented or reinforced by verbal instructions or suggestions to their musicians in rehearsal prior to a performance. The conductor typically stands on a podium with a large music stand for the full score. Conducting while playing a piano or synthesizer may also be done with musical theatre pit orchestras, communication is typically non-verbal during a performance. However, in rehearsals, frequent interruptions allow the conductor to give verbal directions as to how the music should be played or sung, Conductors act as guides to the orchestras or choirs they conduct. They choose the works to be performed and study their scores, to which they may make adjustments, work out their interpretation. They may also attend to matters, such as scheduling rehearsals, planning a concert season, hearing auditions and selecting members. Orchestras, choirs, concert bands and other musical ensembles such as big bands are usually led by conductors. The principal conductor of an orchestra or opera company is referred to as a music director or chief conductor, or by the German words Kapellmeister or Dirigent. Conductors of choirs or choruses are sometimes referred to as director, chorus master, or choirmaster. Conductors of concert bands, military bands, marching bands and other bands may hold the title of director, bandmaster. Respected senior conductors are sometimes referred to by the Italian word, an early form of conducting is cheironomy, the use of hand gestures to indicate melodic shape. This has been practiced at least as far back as the Middle Ages, in the 17th century, other devices to indicate the passing of time came into use. Rolled up sheets of paper, smaller sticks and unadorned hands are all shown in pictures from this period, the large staff was responsible for the death of Jean-Baptiste Lully, who injured his foot with one while conducting a Te Deum for the Kings recovery from illness. The wound became gangrenous and Lully refused amputation, whereupon the gangrene spread to his leg, in instrumental music throughout the 18th century, a member of the ensemble usually acted as the conductor. This was sometimes the concertmaster, who could use his bow as a baton and it was common to conduct from the harpsichord in pieces that had a basso continuo part. In opera performances, there were sometimes two conductors – the keyboard player was in charge of the singers, and the principal violinist or leader was in charge of the orchestra. By the early 19th century, it became the norm to have a dedicated conductor, the size of the usual orchestra expanded during this period, and the use of a baton became more common, as it was easier to see than bare hands or rolled-up paper
4.
The Adventures of Rocky and Bullwinkle and Friends
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The Rocky and Bullwinkle Show is an American animated television series that originally aired from November 19,1959, to June 27,1964, on the ABC and NBC television networks. The main adversaries in most of their adventures are the two Russian-like spies Boris Badenov and Natasha Fatale, supporting segments include Dudley Do-Right, Peabodys Improbable History, and Fractured Fairy Tales, among others. Rocky and Bullwinkle is known for quality writing and wry humor, mixing puns, cultural and topical satire, and self-referential humor, it appealed to adults as well as children. It was also one of the first cartoons whose animation was outsourced, storyboards were shipped to Gamma Productions, the show was shuffled around several times, but was influential to other animated series from The Simpsons to Rockos Modern Life. Segments from the series were recycled in the Hoppity Hooper show. By contrast, a feature film adaptation of the Peabodys Improbable History segment. Mr. Peabody and Sherman are currently starring in a new series picked up for 78 episodes. In 2013, Rocky and His Friends and The Bullwinkle Show were ranked the sixth Greatest TV Cartoon of All Time by TV Guide. The idea for the series came from Jay Ward and Alex Anderson and this original show never got beyond the proposal stage. It featured a group of forest animals running a television station, the group included Rocket J. Squirrel, Oski Bear, Canadian Moose, Sylvester Fox, Blackstone Crow, and Floral Fauna. The show in form was created by Alex Anderson. Bullwinkles name came from the name of a car dealership in Berkeley, California, Anderson changed the spelling of the name and gave it to his moose, and an unforgettable cartoon character was born. Ward wanted to produce the show in Los Angeles, however, Anderson lived in the San Francisco Bay Area, as a result, Ward hired Bill Scott as head writer and co-producer at Jay Ward Productions, and he wrote the Rocky and Bullwinkle features. Ward was joined by writers Chris Hayward and Allan Burns, the latter became head writer for MTM Enterprises. In a 1982 interview, Scott said, I got a call from Jay asking if I’d be interested in writing another series, a script with a moose. I didn’t know if I could write an adventure with a moose and a squirrel, the series began with the pilot, Rocky the Flying Squirrel. Production began in February 1958 with the hiring of voice actors June Foray, Paul Frees, Bill Scott, and William Conrad. Eight months later, General Mills signed a deal to sponsor the program, under the condition that the show be run in a late-afternoon time slot
5.
Adam-12
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The show originally ran from September 21,1968, through May 20,1975, and helped introduce police procedures and jargon to the general public in the United States. Adam-12 featured the year-old LAPD Rampart Division station at 2710 West Temple Street as the setting for the series, however, according to the radio call sign of the unit 1-Adam-12, the patrol area was within the Central Division, which serves Downtown Los Angeles, rather than Rampart. The designation 1-Adam-12 is a combination of three elements, the first element indicates the units LAPD division. The second element indicates the type of unit, the third element identifies the patrol cars number. The one in 1-Adam-12 means the car operates in Division 1. LAPD assigns two-person units the letter A, in the LAPD phonetic alphabet, the letter A is spoken as Adam. The third element is the last two numbers of the cars full unit number. In the program, 1-Adam-12 typically operated in the Rampart Division, Division 2, not the Central Division, Division 1, there was never an actual patrol car with the call sign of 1-Adam-12. In the series first episode, Reed is less than a week out of the prestigious Los Angeles Police Academy, and is eager to begin his career. Three weeks before, Malloys patrol partner had been killed in an attempt to apprehend an armed suspect, Malloy is deeply saddened. On what is to be Malloys last shift, the watch commander Lieutenant Moore assigns Malloy to take the young, raw, Moore was Malloys first training officer seven years earlier. His comment to Reed at the end of their first watch together was, I couldnt turn you loose on the citizens of Los Angeles, reeds probationary period is played out during the first and second seasons, after which he is promoted to a full officer. Reed and Malloy remain beat partners, Malloy displays a Distinguished Expert shooting medal, Reed displays a Sharpshooter medal. Malloy and Reed reported to Shift Supervisor William Mac MacDonald, who took a black-and-white command cruiser with the call sign 1-L-20 into the field. Reed once questioned why Malloy had not taken the sergeants exam, Malloy related he preferred working patrol on the street to supervision. Malloy later showed he could supervise when Mac was ill, several of their fellow officers were recurring characters, the most frequent were Jerry Woods, Ed Wells, Detective Sgt Jerry Miller, and Officer Brinkman. Shaaron Claridge, a real-life LAPD dispatcher, was the dispatcher, over the course of the series, Sergeant Mac MacDonald was promoted to Sergeant 2. Lt Moore was promoted to Captain, and served as the officer of the division
6.
Emmy Award
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An Emmy Award, or simply Emmy, recognizes excellence in the television industry, and corresponds to the Academy Award, the Tony Award, and the Grammy Award. Because Emmy Awards are given in various sectors of the American television industry, Regional Emmy Awards are also presented throughout the country at various times through the year, recognizing excellence in local and statewide television. In addition, International Emmys are awarded for excellence in TV programming produced, each is responsible for administering a particular set of Emmy ceremonies. The Los Angeles-based Academy of Television Arts & Sciences established the Emmy Award as part of an image-building and public relations opportunity. The first Emmy Awards ceremony took place on January 25,1949, at the Hollywood Athletic Club, shirley Dinsdale has the distinction of receiving the very first Emmy Award for Most Outstanding Television Personality, during that first awards ceremony. In the 1950s, the ATAS expanded the Emmys into a national event, in 1955, the National Academy of Television Arts and Sciences was formed in New York City as a sister organization to serve members on the East Coast, and help to also supervise the Emmys. The NATAS also established regional chapters throughout the United States, with each one developing their own local Emmy awards show for local programming, the ATAS still however maintained its separate regional ceremony honoring local programming in the Los Angeles Area. Originally there was only one Emmy Awards ceremony held per year to honor shows nationally broadcast in the United States, in 1974, the first Daytime Emmy Awards ceremony was held to specifically honor achievement in national daytime programming. Other area-specific Emmy Awards ceremonies soon followed, also, the International Emmy Awards, honoring television programs produced and initially aired outside the U. S. was established in the early 1970s. Meanwhile, all Emmys awarded prior to the emergence of these separate, in 1977, due to various conflicts, the ATAS and the NATAS agreed to split ties. However, they agreed to share ownership of the Emmy statue and trademark. With the rise of television in the 1980s, cable programs first became eligible for the Primetime Emmys in 1988. The ATAS also began accepting original online-only web television programs in 2013, the Emmy statuette, depicting a winged woman holding an atom, was designed by television engineer Louis McManus, who used his wife as the model. The TV Academy rejected a total of forty-seven proposals before settling on McManus design in 1948. The statuette has become the symbol of the TV Academys goal of supporting and uplifting the art and science of television, The wings represent the muse of art. When deciding a name for the award, Academy founder Syd Cassyd originally suggested Ike, however, Ike was also the popular nickname of World War II hero and future U. S. President Dwight D. Eisenhower, and the Academy members wanted something unique. Finally, television engineer and the third president, Harry Lubcke, suggested the name Immy. After Immy was chosen, it was feminized to Emmy to match their female statuette
7.
Sonny Dunham
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Elmer Sonny Dunham was an American trumpet player and bandleader. A versatile musician, he was one of the few players who could double on the trombone with equal skill. Born in Brockton, Massachusetts, the son of Elmer and Ethel Dunham, he attended local schools and he changed to the slide trombone at the age of 11, and was playing in local bands by the age of 13. Dunham began his career as a trombone player in the Boston area. In the late 1920s he moved to New York, where he played with Ben Bernie for six months before moving on in 1929 to Paul Tremaines Orchestra and it was while was working with Tremaines group, where he also sang and arranged, that he switched to the trumpet. In 1931, he left Tremaine and for a few months led his own group, calling it Sonny Dunham, in 1931, along with clarinettist Clarence Hutchenrider, trombonist-singer Pee Wee Hunt and singer Kenny Sargent, he was recruited by Glen Gray for Grays Casa Loma Orchestra. During the golden years of Casa Loma from 1931 to 1935, he was a popular soloist and his style, described as spectacular and brash is also evident on Ol Man River, Wild Goose Chase, No Name Jive and Nagasaki. He stayed until March 1936, when he formed another more unusual group, Sonny Lee and The New Yorkers Band and his new band debuted in July 1940 at the Glendale Auditorium in Los Angeles. Sonnys band toured the United States, playing at the top spots, after returning to New York in early 1941, they were on nightly radio broadcasts at the Roseland Ballroom, and at the Meadowbrook at Cedar Grove, New Jersey, in June. The band then left New York in the summer for Hollywood. They played at the Hollywood Palladium in April, and were featured in the Universal picture Behind the Eight Ball with the Ritz Brothers. Dunham served as director for this film. The band also appeared in another Universal film short, Jivin Jam Session, in June 1943 they were part of a vaudeville revue at the Capitol that included a screening of Presenting Lily Mars and a concert. The band then left to play in Chicago, and returned to New York for an appearance at the Paramount Theatre in November 1942, from January to April 1943, his band was on the bandstand of the Hotel New Yorker. They later toured the mid-west and returned to New York late that year where they recorded for Langworth Transcriptions, Dunham briefly experimented with dual female vocalists, Mickie Roy and Dorothy Claire, which did not turn out due to professional temperament. In February 1944, the returned to the Hotel New Yorker. The Hotel New Yorker gigs were the bands longest career engagements, the band headed back to Los Angeles and performed at the Hollywood Palladium in July and August. While there, the band appeared in the Universal film short Jive Busters and then went over to Warner Bros. where they were featured in the film Sonny Dunham, in September, they headed back to the East Coast
8.
Benny Carter
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Bennett Lester Benny Carter was an American jazz alto saxophonist, clarinetist, trumpeter, composer, arranger, and bandleader. He was a figure in jazz from the 1930s to the 1990s. Carter performed with artists from several generations of jazz, and at major festivals. The National Endowment for the Arts honored Benny Carter with its highest honor in jazz, the NEA Jazz Masters Award for 1986. He was awarded the Grammy Lifetime Achievement Award in 1987, in 2000 he was awarded the National Endowment for the Arts, National Medal of Arts, presented by President Bill Clinton. Born in New York City in 1907, the youngest of six children, largely self-taught, by age fifteen, Carter was already sitting in at Harlem night spots. From 1924 to 1928, Carter gained professional experience as a sideman in some of New Yorks most prominent bands, as a youth, Carter lived in Harlem around the corner from Bubber Miley, who was Duke Ellingtons featured trumpeter. Carter was inspired by Miley and bought a trumpet, but when he found he couldnt play like Miley, johnson, Duke Ellington, and their respective groups. He first recorded in 1928 with Charlie Johnsons Orchestra, also arranging the titles recorded, Carters arrangements were sophisticated and very complex, and a number of them became swing standards which were performed by other bands. He also arranged for Duke Ellington during these years, Carter was noted for his arrangements. By the early 1930s he and Johnny Hodges were considered the leading players of the day. Carter also quickly became a leading trumpet soloist, having rediscovered the instrument and he recorded extensively on trumpet in the 1930s. Carters name first appeared on records with a 1932 Crown label release of Tell All Your Day Dreams to Me credited to Bennie Carter, Carters short-lived Orchestra played the Harlem Club in New York but only recorded a handful of records for Columbia, OKeh and Vocalion. The OKeh sides were issued under the name Chocolate Dandies and his trumpet solo on the October 1933 recording of Once Upon A Time by the Chocolate Dandies has long been considered a milestone solo achievement. These 14 sides plus four by Carters big band were only issued in England at the time, originally titled Spike Hughes, the musicians were mainly made up from members of Carters band. Two recordings that typify his sound are 1937s Honeysuckle Rose, recorded with Django Reinhardt and Coleman Hawkins in Europe, returning home in 1938, he quickly formed another orchestra, which spent much of 1939 and 1940 at Harlems famed Savoy Ballroom. His arrangements were much in demand and were featured on recordings by Benny Goodman, Count Basie, Duke Ellington, Lena Horne, Glenn Miller, Gene Krupa and he relocated to Los Angeles in 1943, and moved increasingly into studio work. Beginning with Stormy Weather in 1943, he arranged for dozens of feature films and television productions
9.
Les Brown (bandleader)
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The Band of Renown began in the late 1930s, initially as the group Les Brown and His Blue Devils, led by Brown while he was a student at Duke University. He was the first president of the Los Angeles chapter of the National Academy of Recording Arts, the band now performs under the direction of his son, Les Brown, Jr. Brown was born in Reinerton, Pennsylvania. Brown attended college at Duke University from 1932–1936, there he led the group Les Brown and His Blue Devils, who performed regularly on Dukes campus and up and down the east coast. Brown took the band on a summer tour in 1936. At the end of the tour, while some of the members returned to Duke to continue their education, others stayed on with Brown and continued to tour. In 1942 he and his band concluded work on an RKO picture, Sweet and Hot, played at the Palladium Ballroom, a few years later, in 1945, this band brought Doris Day into prominence with their recording of Sentimental Journey. The songs release coincided with the end of World War II in Europe, the band had nine other number-one hit songs, including Ive Got My Love to Keep Me Warm. Les Brown and the Band of Renown performed with Bob Hope on radio, stage and they did 18 USO Tours for American troops around the world, and entertained over three million people. Before the Super Bowls were televised, the Bob Hope Christmas Specials were the programs in television history. Tony Bennett was discovered by Bob Hope and did his first public performance with Brown, the first film that Brown and the band appeared in was Seven Days Leave starring Victor Mature and Lucille Ball. Rock-A-Billy Baby, a low-budget 1957 film, was the Band of Renowns second and in 1963, Brown and the Band were also the house band for The Steve Allen Show and the Dean Martin Variety Show. Brown and the band performed with every major performer of their time, including Frank Sinatra, Ella Fitzgerald. The annual Les Brown Big Band Festival, started March 2006 in Les hometown, at the 2012 festival celebrating the 100th birthday anniversary, the town of Reinerton renamed the street near Les birthplace to Les Brown Lane. In 2013 the his hometown of Reinerton, PA adopted as the official slogan, Reinerton, The Town of Renown in honor of Les. Les Brown Sr. died of cancer in 2001, and was interred in the Westwood Village Memorial Park Cemetery in Los Angeles. He was survived by his wife Evelyn, son Les Jr. and he was 88 years old at the time of his death. His grandson, Jeff Swampy Marsh, co-created the show Phineas, Brown was inducted into the North Carolina Music Hall of Fame in 2010. In 2001, Les Brown, Jr. born 1940, became the leader of the Band of Renown
10.
World War II
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World War II, also known as the Second World War, was a global war that lasted from 1939 to 1945, although related conflicts began earlier. It involved the vast majority of the worlds countries—including all of the great powers—eventually forming two opposing alliances, the Allies and the Axis. It was the most widespread war in history, and directly involved more than 100 million people from over 30 countries. Marked by mass deaths of civilians, including the Holocaust and the bombing of industrial and population centres. These made World War II the deadliest conflict in human history, from late 1939 to early 1941, in a series of campaigns and treaties, Germany conquered or controlled much of continental Europe, and formed the Axis alliance with Italy and Japan. Under the Molotov–Ribbentrop Pact of August 1939, Germany and the Soviet Union partitioned and annexed territories of their European neighbours, Poland, Finland, Romania and the Baltic states. In December 1941, Japan attacked the United States and European colonies in the Pacific Ocean, and quickly conquered much of the Western Pacific. The Axis advance halted in 1942 when Japan lost the critical Battle of Midway, near Hawaii, in 1944, the Western Allies invaded German-occupied France, while the Soviet Union regained all of its territorial losses and invaded Germany and its allies. During 1944 and 1945 the Japanese suffered major reverses in mainland Asia in South Central China and Burma, while the Allies crippled the Japanese Navy, thus ended the war in Asia, cementing the total victory of the Allies. World War II altered the political alignment and social structure of the world, the United Nations was established to foster international co-operation and prevent future conflicts. The victorious great powers—the United States, the Soviet Union, China, the United Kingdom, the Soviet Union and the United States emerged as rival superpowers, setting the stage for the Cold War, which lasted for the next 46 years. Meanwhile, the influence of European great powers waned, while the decolonisation of Asia, most countries whose industries had been damaged moved towards economic recovery. Political integration, especially in Europe, emerged as an effort to end pre-war enmities, the start of the war in Europe is generally held to be 1 September 1939, beginning with the German invasion of Poland, Britain and France declared war on Germany two days later. The dates for the beginning of war in the Pacific include the start of the Second Sino-Japanese War on 7 July 1937, or even the Japanese invasion of Manchuria on 19 September 1931. Others follow the British historian A. J. P. Taylor, who held that the Sino-Japanese War and war in Europe and its colonies occurred simultaneously and this article uses the conventional dating. Other starting dates sometimes used for World War II include the Italian invasion of Abyssinia on 3 October 1935. The British historian Antony Beevor views the beginning of World War II as the Battles of Khalkhin Gol fought between Japan and the forces of Mongolia and the Soviet Union from May to September 1939, the exact date of the wars end is also not universally agreed upon. It was generally accepted at the time that the war ended with the armistice of 14 August 1945, rather than the formal surrender of Japan
11.
Doris Day
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Doris Day is a retired American actress and singer, and continuing animal welfare activist. After she began her career as a big band singer in 1939, her popularity increased with her first hit recording Sentimental Journey, in 1948, Day was given a key part in the film Romance on the High Seas, despite not having any acting experience. Its director, Michael Curtiz, gave her the part since she looked like the All-American Girl and it led to a 20-year career in film, including a string of musicals and romantic comedies beginning in the 1950s. She starred with leading men such as Clark Gable in Teachers Pet, Rock Hudson in Pillow Talk and Send Me No Flowers, Cary Grant in That Touch of Mink and she was usually one of the top 10 singers between 1951 and 1966. As an actress, she became the biggest female star in the early 1960s. In 2011 – well into her late 80s – she released her 29th studio album, My Heart, among her awards, Day has received the Grammy Lifetime Achievement Award and a Legend Award from the Society of Singers. She has been Oscar nominated six times, and in 1989 was given the Cecil B, deMille Award for lifetime achievement in motion pictures. In 2004, she was awarded the Presidential Medal of Freedom followed in 2011 by the Los Angeles Film Critics Associations Career Achievement Award. Doris Mary Ann Kappelhoff was born on April 3,1922, in Cincinnati, Ohio, the daughter of Alma Sophia, a housewife, and William Joseph Kappelhoff, All of her grandparents were German immigrants. The youngest of three siblings, she had two brothers, Richard and Paul, several years older. Due to her fathers alleged infidelity, her parents separated and she developed an early interest in dance, and in the mid-1930s formed a dance duo with Jerry Doherty that performed locally in Cincinnati. A car accident on October 13,1937, injured her legs, while recovering, Day started to sing along with the radio and discovered a talent she did not know she had. But the one radio voice I listened to above others belonged to Ella Fitzgerald. There was a quality to her voice that fascinated me, and Id sing along with her, trying to catch the subtle ways she shaded her voice, observing her daughter rekindled Almas interest in show business, and she decided to give Doris singing lessons. She engaged a teacher, Grace Raine, after three lessons, Raine told Alma that young Doris had tremendous potential, which led Alma to give her daughter three lessons a week for the price of one. Years later, Day said that Raine had the biggest effect on her singing style, during her radio performances, Day first caught the attention of Barney Rapp, who was looking for a girl vocalist and asked if Day would like to audition for the job. According to Rapp, he had auditioned about 200 singers when Day got the job, while working for Rapp in 1939, she adopted the stage surname Day, at Rapps suggestion. Rapp felt that Kappelhoff was too long for marquees, and he admired her rendition of the song Day After Day, after working with Rapp, Day worked with bandleaders Jimmy James, Bob Crosby, and Les Brown
12.
Warner Bros.
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Entertainment Inc. – colloquially known as Warner Bros. or Warner Bros. It is one of the Big Six major American film studios, Warner Bros. is a member of the Motion Picture Association of America. The companys name originated from the four founding Warner brothers, Harry, Albert, Sam, Jack, the youngest, was born in London, Ontario. The three elder brothers began in the theater business, having acquired a movie projector with which they showed films in the mining towns of Pennsylvania. In the beginning, Sam and Albert Warner invested $150 to present Life of an American Fireman and they opened their first theater, the Cascade, in New Castle, Pennsylvania, in 1903. When the original building was in danger of being demolished, the modern Warner Bros. called the current building owners, the owners noted people across the country had asked them to protect it for its historical significance. In 1904, the Warners founded the Pittsburgh-based Duquesne Amusement & Supply Company, in 1912, Harry Warner hired an auditor named Paul Ashley Chase. By the time of World War I they had begun producing films, in 1918 they opened the first Warner Bros. studio on Sunset Boulevard in Hollywood. Sam and Jack produced the pictures, while Harry and Albert, along with their auditor and now controller Chase, handled finance and distribution in New York City. During World War I their first nationally syndicated film, My Four Years in Germany, on April 4,1923, with help from money loaned to Harry by his banker Motley Flint, they formally incorporated as Warner Brothers Pictures, Incorporated. The first important deal was the acquisition of the rights to Avery Hopwoods 1919 Broadway play, The Gold Diggers, however, Rin Tin Tin, a dog brought from France after World War I by an American soldier, established their reputation. Rin Tin Tin debuted in the feature Where the North Begins, the movie was so successful that Jack signed the dog to star in more films for $1,000 per week. Rin Tin Tin became the top star. Jack nicknamed him The Mortgage Lifter and the success boosted Darryl F. Zanucks career, Zanuck eventually became a top producer and between 1928 and 1933 served as Jacks right-hand man and executive producer, with responsibilities including day-to-day film production. More success came after Ernst Lubitsch was hired as head director, lubitschs film The Marriage Circle was the studios most successful film of 1924, and was on The New York Times best list for that year. Despite the success of Rin Tin Tin and Lubitsch, Warners remained a lesser studio, Sam and Jack decided to offer Broadway actor John Barrymore the lead role in Beau Brummel. The film was so successful that Harry signed Barrymore to a contract, like The Marriage Circle. By the end of 1924, Warner Bros. was arguably Hollywoods most successful independent studio, as the studio prospered, it gained backing from Wall Street, and in 1924 Goldman Sachs arranged a major loan
13.
Your Hit Parade
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Your Hit Parade is an American radio and television music program that was broadcast from 1935 to 1955 on radio, and seen from 1950 to 1959 on television. It was sponsored by American Tobaccos Lucky Strike cigarettes, during this 24-year run, the show had 19 orchestra leaders and 52 singers or groups. Many listeners and viewers casually referred to the show with the incorrect title The Hit Parade, when the show debuted, there was no agreement as to what it should be called. The press referred to it in a variety of ways, with the most common being Hit Parade, The Hit Parade, and even The Lucky Strike Hit Parade. The programs title was not officially changed to Your Hit Parade until November 9,1935 Each Saturday evening, the earliest format involved a presentation of the top 15 songs. Later, a countdown with fanfares led to the top three finalists, with the one song for the finale. Occasional performances of standards and other songs from the past were known as Lucky Strike Extras. However, the procedure of this authentic tabulation remained a secret. Some believe song choices were often due to various performance. The shows ad agencies—initially Lord and Thomas and later Batten, Barton, the origins of the format can be traced back to the Lucky Strike Dance Orchestra, which aired from 1928 to 1931, sponsored by Lucky Strike cigarettes. Led by Benjamin A. Rolfe the show was heard on the NBC Red network for an hour at 10 p. m. on Saturdays, the program introduced the slogan, Reach for a Lucky instead of a sweet. In a cross-promotion, Rolfe made recordings for Edison Records as B. A. Rolfe and your Hit Parade began on NBC April 20,1935, as a 60-minute program with 15 songs played in a random format. Initially, the songs were more important than the singers, so a stable of vocalists went uncredited and were paid only $100 per episode, in 1936-37, it was carried on both NBC and CBS. Script continuity in the late 1930s and early 1940s was written by Alan Jay Lerner before he found fame as a lyricist, the first number one song on the first episode was Soon by Bing Crosby. Some years passed before the format was introduced, with the number of songs varying from seven to 15. Vocalists in the 1930s included Buddy Clark, Lanny Ross, Kay Thompson and Bea Wain, who was married to the shows announcer, French-born André Baruch. Frank Sinatra joined the show in 1943, and was fired for messing up the No.1 song, Dont Fence Me In by interjecting a mumble to the effect that the song had too many words, an AFRS transcription survives of this show. One source says his contract was not renewed due to demanding a raise, as he zoomed in popularity he was rehired, returning to co-star with Doris Day
14.
James C. Christensen
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Christensen was an American artist of religious and fantasy art and formerly an instructor at Brigham Young University. Christensen said his inspirations were myths, fables, fantasies, Christensen was born and raised in Culver City, California. Christensen began his studies at Santa Monica City College and he later went on to attend UCLA. He then moved to Utah to finish his education at Brigham Young University. Christensen only started oil painting after he began studying at BYU and he would eventually earn a master of arts degree from BYU. After college Christensen began his career as a free-lance illustrator and he was also a junior high school art instuctor in California for a time. Christensen taught art for over BYU from 1976 until 1997 and he has had numerous showings of his work throughout the US and has been commissioned by media companies to create artwork for their publications, such as Time-Life Books and Omni. His artwork has featured on the cover of Leading Edge issue #41. Christensens work has appeared in the American Illustration Annual and Japans Outstanding American Illustrators and he also won all the professional art honors the World Science Fiction Convention offers, and multiple Chesley Awards from the Association of Science Fiction and Fantasy Artists. Christensen appeared in an episode of ABCs show Extreme Makeover, Home Edition in 2005 and he created a picture featuring a member of the family as a fairy. The design team filmed a segment at his studio, the Greenwich Workshop donated a framed Court of the Faeries that Christensen presented to the family for the room as well. Christensen has published more than three books, with many of his works appearing in many more and his first book, A Journey of the Imagination, The Art of James Christensen, was printed in 1994 to great acclaim. His second, Voyage of the Basset, contains a story for a great deal of original work. His third book, Rhymes & Reasons, was published in May 1997, Christensen also illustrated A Shakespeare Sketchbook with text by Renwick St. James. While not employed in all his paintings, his trademarks were flying or floating fish, Christensen was married with five children including two notable artist daughters, Cassandra Christensen Barney and Emily Christensen McPhie. He was a member of The Church of Jesus Christ of Latter-day Saints, Christensen co-chaired the Mormon Arts Foundation with his wife Carole. Among other callings in the LDS Church he served for a time as a bishop of a ward and he resided in Orem, Utah in a house he designed filled with secret passages and sculptures inspired by his paintings. The book features fantasy artwork such as depictions of trolls, dragons, two images of mermaids and one of a sphinx-like creature feature partially or fully exposed breasts
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Mr. Magoo
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Quincy Magoo is a cartoon character created at the UPA animation studio in 1949. However, through uncanny streaks of luck, the situation seems to work itself out for him. Affected people consequently tend to think that he is a lunatic, in later cartoons he is also an actor, and generally a competent one except for his visual impairment. Magoo has won 2 Oscars for Academy Award for Best Short Subject and it, along with Tom and Jerry, The Pink Panther, Mickey Mouse, Donald Duck, Silly Symphonies and Looney Tunes, are notable for their Oscar achievements. In 2002, TV Guide ranked Mr. Magoo number 29 on its 50 Greatest Cartoon Characters of All Time list, Mr. Magoos first appearance was in the theatrical short cartoon The Ragtime Bear, scripted by Millard Kaufman. His creation was an effort, animation director John Hubley is said to have partly based the character on his uncle Harry Woodruff. Fields was another source of inspiration, in a legend circulating among medievalists, Harvard professor Francis P. Magoun is also said to have been the model for the character. However, there is no evidence that artist Hubley knew the scholar, columbia was reluctant to release the short, but did so, only because it included a bear. However, audiences quickly realized that the star was Magoo. The short became a box-office success, the Magoo character was originally conceived as a mean-spirited McCarthy-like reactionary whose mumbling would include as much outrageous misanthropic ranting as the animators could get away with. Kaufman had actually been blacklisted, and Magoo was a form of protest, Hubley was an ex-communist who had participated in the Disney animators strike in 1941. Under Burness, Magoo would win two Oscars for the studio with When Magoo Flew and Magoos Puddle Jumper, Burness scrubbed Magoo of his politicized meanness and left only a few strange unempathic comments that made him appear senile or somewhat mad. Magoo was frequently accompanied in his escapades with his nephew Waldo. On talk shows, Backus often told the tale of how he originally discovered Magoos voice when he put on a fake rubber nose that pinched his nose slightly, giving it the nasal sound. He was only able to perform the voice with the help of the nose for some time. He would usually pull out the nose and put it on, in 1957, the record album Magoo in Hi-Fi was released. Side 1 consisted of a dialog between Magoo and Waldo taking place while Magoo was attempting to set up his new sound system, music on the album was composed and conducted by Dennis Farnon and his orchestra. Side 2, The Mother Magoo Suite, was a series of pieces which included two solos by Marni Nixon
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Frankie Laine
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Often billed as Americas Number One Song Stylist, his other nicknames include Mr. Rhythm, Old Leather Lungs, and Mr. Steel Tonsils. His hits included Thats My Desire, That Lucky Old Sun, Mule Train, Cry of the Wild Goose, A Woman In Love, Jezebel, High Noon, I Believe, Hey Joe. The Kids Last Fight, Cool Water, Moonlight Gambler, Love Is a Golden Ring, Rawhide, and Lord, You Gave Me a Mountain. He sang well-known theme songs for many movie Western soundtracks, including 3,10 To Yuma, Gunfight at the O. K. Corral, and Blazing Saddles, although he was not a country & western singer. Laine sang a variety of song styles and genres, stretching from big band crooning to pop, western-themed songs, gospel, rock, folk, jazz. Laines enduring popularity was illustrated in June 2011, when a TV-advertised compilation called Hits reached No.16 on the British chart. The accomplishment was achieved nearly 60 years after his debut on the UK chart,64 years after his first major U. S. hit and he was also known as Mr. Rhythm for his driving jazzy style. Laine was the first and biggest of a new breed of singers who rose to prominence in the post–World War II era. This new, raw, emotionally charged style seemed at the time to signal the end of the previous eras singing styles and was, indeed, a harbinger of the rock n roll music that was to come. In the words of Jazz critic Richard Grudens, Franks style was very innovative and his 1946 recording of Thats My Desire remains a landmark record signaling the end of both the dominance of the big bands and the crooning styles favored by contemporary Dick Haymes and others. Often called the first of the soul singers, Laines style cleared the way for many artists who arose in the late 1940s and early 1950s, including Kay Starr, Tony Bennett. I think that Frank probably was one of the forerunner of…blues, a lot of singers who sing with a passionate demeanor—Frank was and is definitely that. I always used to love to him with Thats…my…desire. And then later Johnnie Ray came along that made all of those kind of movements, hes one of those singers thats not in one track. And yet and still I think that his records had more excitement, and I think that was his big selling point, that he was so full of energy. You know when you hear his records it was dynamite energy, — Herb Jeffries Frankie Laine was born Francesco Paolo LoVecchio on March 30,1913, to Giovanni and Cresenzia LoVecchio. His parents had emigrated from Monreale, Sicily, to Chicagos Near West Side, in Little Italy, Laines family appears to have had several organized crime connections, and young Francesco was living with his grandfather when the latter was killed by rival gangsters. He later attended Lane Technical High School, where he helped to develop his power and breath control by joining the track and field
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Herb Jeffries
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Herb Jeffries was an American actor of film and television and popular music and jazz singer-songwriter, known of his baritone voice. He was of African descent and Hollywoods first singing black cowboy, in the 1940s and 1950s Jeffries recorded for a number of labels, including RCA Victor, Exclusive, Coral, Decca, Bethlehem, Columbia, Mercury and Trend. His album Jamaica, recorded by RKO, is an album of self-composed calypso songs. He starred in several low-budget race Western feature films aimed at audiences, Harlem on the Prairie, Two-Gun Man from Harlem, Rhythm Rodeo, The Bronze Buckaroo. He also acted in other films and television shows. During his acting career he was billed as Herbert Jeffrey. Jeffries was born Umberto Alexander Valentino in Detroit to a white Irish mother who ran a rooming house and his father, whom he never knew, was of mixed Sicilian, French, Italian and Moorish roots. He also claimed that his paternal great-grandmother was an Ethiopian with the surname of Carey, firm evidence of Jeffries’s race and age is hard to come by, but census documents from 1920 described him as mulatto and listed his father as a black man named Howard Jeffrey. Jeffries himself, late in life, said that Howard Jeffrey was his stepfather, and his father was Domenico Balentino. In marked contrast, Jeffries used make-up to darken his skin in order to pursue a career in jazz, much later in his career, Jeffries identified as white for economic or highly personal reasons. Jet reported that Jeffries identified as White and stated his name as Herbert Jeffrey Ball on an application in order to marry Tempest Storm in 1959. Jeffries told the reporter for Jet, im not passing, I never have, I never will. For all these years Ive been wavering about the question on the blanks. Suddenly I decided to fill in the blank the way I look, look at my blue eyes, look at my brown hair, look at my color. My mother was 100 per cent white, Jeffries said, his blue eyes glinting in the New York sun and my father is Portuguese, Spanish, American Indian, and Negro. How in the hell can I identify myself as one race or another, raised in Detroit, Jeffries grew up a ghetto baby in a mixed neighborhood without encountering severe racism as a child. In the aftermath of the Wall Street Crash of 1929, he dropped out of school to earn a living as a singer. He showed great interest in singing during his teenage years and was often found hanging out with the Howard Buntz Orchestra at various Detroit ballrooms
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Connie Haines
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Connie Haines was an American singer. Her 200 recordings were frequently up-tempo big band songs with the Harry James and Tommy Dorsey orchestras, born Yvonne Marie Antoinette Jasme in Savannah, Georgia, Haines was of French-Irish descent. Her mother Mildred JaMais survived her daughter by about sixteen months and she began performing at age 4 as a singer in Pick Malones Saucy Baby Show in Savannah, and by age 9 had a regular radio show performing as Baby Yvonne Marie, the Little Princess of the Air. Her professional debut in New York came at the Roxy Theatre when she was 14, after a number of regional successes and winning the Major Bowes contest, she was hired by Harry James, who asked her to change her name. In 1981, she recalled, He said you dont look like Yvonne Marie Antonette Jasme, and there would be no room on the marquee for me. You look like a Connie to me and she became the lead singer on The Abbott and Costello Show from 1942 to 1946. She later joined Tommy Dorsey, and Haines credited Dorsey with developing her style further, Haines performed in a number of films, including Duchess of Idaho. In the early 1950s, Haines had a program, Connie Haines Entertains and she later did a television show with Frankie Laine. On February 7,1960, she became hostess of Faith of Our Children, beginning June 18,1961, Haines had her own TV program, the Connie Haines Show, which also featured Ziggie Elman, Frankie Carle and the Steiner Brothers. Haines gave command performances before three presidents of the United States, Dwight Eisenhower, John Kennedy and Lyndon Johnson, in the early 1950s, Haines joined with Jane Russell, Beryl Davis and Della Russell to do an impromptu performance at a charity night for Hollywood Episcopal Church. Their version of the spiritual Do Lord not only entertained the audience, with a recording contract in hand, the group recorded several gospel songs, donating all of their royalties to the churches to which each belonged. The group also appeared on The Colgate Comedy Hour and the Arthur Murray program on television and she was married and divorced twice. Her first marriage, on September 7,1951, was to World War II flying ace Robert DeHaven and that marriage produced a son and a daughter. Haines and DeHaven were divorced February 19,1962 and her subsequent marriage to popular bandleader Del Courtney lasted from 1966 to 1972. In the late 1950s, Haines struggled with problems that left her paralyzed for more than a year. She was pregnant with her child and performing at the Biltmore Bowl in Los Angeles when she began to have trouble walking. She had to cancel the show and enter a hospital, a newspaper article said, X-rays showed that her hip bones had separated and one was dangling, twisting the spinal cord. A hormone imbalance aggravated her condition and she was ordered to bed, even after her son was born, she was paralyzed for 13 additional months
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Wayback Machine
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The Internet Archive launched the Wayback Machine in October 2001. It was set up by Brewster Kahle and Bruce Gilliat, and is maintained with content from Alexa Internet, the service enables users to see archived versions of web pages across time, which the archive calls a three dimensional index. Since 1996, the Wayback Machine has been archiving cached pages of websites onto its large cluster of Linux nodes and it revisits sites every few weeks or months and archives a new version. Sites can also be captured on the fly by visitors who enter the sites URL into a search box, the intent is to capture and archive content that otherwise would be lost whenever a site is changed or closed down. The overall vision of the machines creators is to archive the entire Internet, the name Wayback Machine was chosen as a reference to the WABAC machine, a time-traveling device used by the characters Mr. Peabody and Sherman in The Rocky and Bullwinkle Show, an animated cartoon. These crawlers also respect the robots exclusion standard for websites whose owners opt for them not to appear in search results or be cached, to overcome inconsistencies in partially cached websites, Archive-It. Information had been kept on digital tape for five years, with Kahle occasionally allowing researchers, when the archive reached its fifth anniversary, it was unveiled and opened to the public in a ceremony at the University of California, Berkeley. Snapshots usually become more than six months after they are archived or, in some cases, even later. The frequency of snapshots is variable, so not all tracked website updates are recorded, Sometimes there are intervals of several weeks or years between snapshots. After August 2008 sites had to be listed on the Open Directory in order to be included. As of 2009, the Wayback Machine contained approximately three petabytes of data and was growing at a rate of 100 terabytes each month, the growth rate reported in 2003 was 12 terabytes/month, the data is stored on PetaBox rack systems manufactured by Capricorn Technologies. In 2009, the Internet Archive migrated its customized storage architecture to Sun Open Storage, in 2011 a new, improved version of the Wayback Machine, with an updated interface and fresher index of archived content, was made available for public testing. The index driving the classic Wayback Machine only has a bit of material past 2008. In January 2013, the company announced a ground-breaking milestone of 240 billion URLs, in October 2013, the company announced the Save a Page feature which allows any Internet user to archive the contents of a URL. This became a threat of abuse by the service for hosting malicious binaries, as of December 2014, the Wayback Machine contained almost nine petabytes of data and was growing at a rate of about 20 terabytes each week. Between October 2013 and March 2015 the websites global Alexa rank changed from 162 to 208, in a 2009 case, Netbula, LLC v. Chordiant Software Inc. defendant Chordiant filed a motion to compel Netbula to disable the robots. Netbula objected to the motion on the ground that defendants were asking to alter Netbulas website, in an October 2004 case, Telewizja Polska USA, Inc. v. Echostar Satellite, No.02 C3293,65 Fed. 673, a litigant attempted to use the Wayback Machine archives as a source of admissible evidence, Telewizja Polska is the provider of TVP Polonia and EchoStar operates the Dish Network
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IMDb
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In 1998 it became a subsidiary of Amazon Inc, who were then able to use it as an advertising resource for selling DVDs and videotapes. As of January 2017, IMDb has approximately 4.1 million titles and 7.7 million personalities in its database, the site enables registered users to submit new material and edits to existing entries. Although all data is checked before going live, the system has open to abuse. The site also featured message boards which stimulate regular debates and dialogue among authenticated users, IMDb shutdown the message boards permanently on February 20,2017. Anyone with a connection can read the movie and talent pages of IMDb. A registration process is however, to contribute info to the site. A registered user chooses a name for themselves, and is given a profile page. These badges range from total contributions made, to independent categories such as photos, trivia, bios, if a registered user or visitor happens to be in the entertainment industry, and has an IMDb page, that user/visitor can add photos to that page by enrolling in IMDbPRO. Actors, crew, and industry executives can post their own resume and this fee enrolls them in a membership called IMDbPro. PRO can be accessed by anyone willing to pay the fee, which is $19.99 USD per month, or if paid annually, $149.99, which comes to approximately $12.50 per month USD. Membership enables a user to access the rank order of each industry personality, as well as agent contact information for any actor, producer, director etc. that has an IMDb page. Enrolling in PRO for industry personnel, enables those members the ability to upload a head shot to open their page, as well as the ability to upload hundreds of photos to accompany their page. Anyone can register as a user, and contribute to the site as well as enjoy its content, however those users enrolled in PRO have greater access and privileges. IMDb originated with a Usenet posting by British film fan and computer programmer Col Needham entitled Those Eyes, others with similar interests soon responded with additions or different lists of their own. Needham subsequently started an Actors List, while Dave Knight began a Directors List, and Andy Krieg took over THE LIST from Hank Driskill, which would later be renamed the Actress List. Both lists had been restricted to people who were alive and working, the goal of the participants now was to make the lists as inclusive as possible. By late 1990, the lists included almost 10,000 movies and television series correlated with actors and actresses appearing therein. On October 17,1990, Needham developed and posted a collection of Unix shell scripts which could be used to search the four lists, at the time, it was known as the rec. arts. movies movie database
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Virtual International Authority File
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The Virtual International Authority File is an international authority file. It is a joint project of national libraries and operated by the Online Computer Library Center. The project was initiated by the US Library of Congress, the German National Library, the National Library of France joined the project on October 5,2007. The project transitions to a service of the OCLC on April 4,2012, the aim is to link the national authority files to a single virtual authority file. In this file, identical records from the different data sets are linked together, a VIAF record receives a standard data number, contains the primary see and see also records from the original records, and refers to the original authority records. The data are available online and are available for research and data exchange. Reciprocal updating uses the Open Archives Initiative Protocol for Metadata Harvesting protocol, the file numbers are also being added to Wikipedia biographical articles and are incorporated into Wikidata. VIAFs clustering algorithm is run every month, as more data are added from participating libraries, clusters of authority records may coalesce or split, leading to some fluctuation in the VIAF identifier of certain authority records
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MusicBrainz
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MusicBrainz is a project that aims to create an open data music database that is similar to the freedb project. MusicBrainz was founded in response to the placed on the Compact Disc Database. MusicBrainz has expanded its goals to reach beyond a compact disc metadata storehouse to become an open online database for music. MusicBrainz captures information about artists, their works, and the relationships between them. Recorded works entries capture at a minimum the album title, track titles, and these entries are maintained by volunteer editors who follow community written style guidelines. Recorded works can also store information about the date and country. As of 26 July 2016, MusicBrainz contained information about roughly 1.1 million artists,1.6 million releases, end-users can use software that communicates with MusicBrainz to add metadata tags to their digital media files, such as MP3, Ogg Vorbis or AAC. As with other contributions, the MusicBrainz community is in charge for maintaining and reviewing the data, besides collecting metadata about music, MusicBrainz also allows looking up recordings by their acoustic fingerprint. A separate application, such as MusicBrainz Picard, must be used for this, in 2000, MusicBrainz started using Relatables patented TRM for acoustic fingerprint matching. This feature attracted many users and allowed the database to grow quickly, however, by 2005 TRM was showing scalability issues as the number of tracks in the database had reached into the millions. This issue was resolved in May 2006 when MusicBrainz partnered with MusicIP, tRMs were phased out and replaced by MusicDNS in November 2008. In October 2009 MusicIP was acquired by AmpliFIND, some time after the acquisition, the MusicDNS service began having intermittent problems. Since the future of the free service was uncertain, a replacement for it was sought. The Chromaprint acoustic fingerprinting algorithm, the basis for AcoustID identification service, was started in February 2010 by a long-time MusicBrainz contributor Lukáš Lalinský, while AcoustID and Chromaprint are not officially MusicBrainz projects, they are closely tied with each other and both are open source. Chromaprint works by analyzing the first two minutes of a track, detecting the strength in each of 12 pitch classes, storing these 8 times per second, additional post-processing is then applied to compress this fingerprint while retaining patterns. The AcoustID search server then searches from the database of fingerprints by similarity, since 2003, MusicBrainzs core data are in the public domain, and additional content, including moderation data, is placed under the Creative Commons CC-BY-NC-SA-2.0 license. The relational database management system is PostgreSQL, the server software is covered by the GNU General Public License. The MusicBrainz client software library, libmusicbrainz, is licensed under the GNU Lesser General Public License, in December 2004, the MusicBrainz project was turned over to the MetaBrainz Foundation, a non-profit group, by its creator Robert Kaye
