Sächsisches Landesgymnasium Sankt Afra zu Meißen
Sächsisches Landesgymnasium Sankt Afra zu Meißen is a boarding school for gifted students in the German city of Meissen, Saxony. Founded in 1543 as Fürstliche Landesschule and re-established in 2001, the stated aim of the school is to promote the intellectual and social development of gifted students; the costs for attending the school comply with the maxim of social balance. It is the first publicly funded school for gifted students in Germany and is a role model for similar schools; the school has no official English name. Its German name translates to "Saxon State Gymnasium Saint Afra in Meissen", is derived from the former Augustinian monastery of the Canons Regular, built around the local Saint Afra church. Petrus Albinus Karl Salomo Zachariae von Lingenthal Christian Fürchtegott Gellert Gottlieb Wilhelm Rabener Gotthold Ephraim Lessing Samuel Hahnemann Friedrich Naumann Ernst Schnabel Georg Fabricius - Rector Landesgymnasium für Hochbegabte Schwäbisch Gmünd in Baden-Württemberg Internatsschule Schloss Hansenberg in Hesse Landesschule Pforta in Saxony-Anhalt Gymnasium St. Augustine in Grimma, Saxony Schnepfenthal Salzmann School in Thuringia Opening Speech by Dr. Matthias Rößler in Meißen Portrait in the Neue Zürcher Zeitung Article in the Berliner Zeitung Alumni Association
Archaeology, or archeology, is the study of human activity through the recovery and analysis of material culture. The archaeological record consists of artifacts, biofacts or ecofacts and cultural landscapes. Archaeology can be considered a branch of the humanities. In North America archaeology is a sub-field of anthropology, while in Europe it is viewed as either a discipline in its own right or a sub-field of other disciplines. Archaeologists study human prehistory and history, from the development of the first stone tools at Lomekwi in East Africa 3.3 million years ago up until recent decades. Archaeology is distinct from palaeontology, the study of fossil remains, it is important for learning about prehistoric societies, for whom there may be no written records to study. Prehistory includes over 99% of the human past, from the Paleolithic until the advent of literacy in societies across the world. Archaeology has various goals, which range from understanding culture history to reconstructing past lifeways to documenting and explaining changes in human societies through time.
The discipline involves surveying and analysis of data collected to learn more about the past. In broad scope, archaeology relies on cross-disciplinary research, it draws upon anthropology, art history, ethnology, geology, literary history, semiology, textual criticism, information sciences, statistics, paleography, paleontology and paleobotany. Archaeology developed out of antiquarianism in Europe during the 19th century, has since become a discipline practiced across the world. Archaeology has been used by nation-states to create particular visions of the past. Since its early development, various specific sub-disciplines of archaeology have developed, including maritime archaeology, feminist archaeology and archaeoastronomy, numerous different scientific techniques have been developed to aid archaeological investigation. Nonetheless, archaeologists face many problems, such as dealing with pseudoarchaeology, the looting of artifacts, a lack of public interest, opposition to the excavation of human remains.
The science of archaeology grew out of the older multi-disciplinary study known as antiquarianism. Antiquarians studied history with particular attention to ancient artifacts and manuscripts, as well as historical sites. Antiquarianism focused on the empirical evidence that existed for the understanding of the past, encapsulated in the motto of the 18th-century antiquary, Sir Richard Colt Hoare, "We speak from facts not theory". Tentative steps towards the systematization of archaeology as a science took place during the Enlightenment era in Europe in the 17th and 18th centuries. In Europe, philosophical interest in the remains of Greco-Roman civilization and the rediscovery of classical culture began in the late Middle Age. Flavio Biondo, an Italian Renaissance humanist historian, created a systematic guide to the ruins and topography of ancient Rome in the early 15th century, for which he has been called an early founder of archaeology. Antiquarians of the 16th century, including John Leland and William Camden, conducted surveys of the English countryside, drawing and interpreting the monuments that they encountered.
One of the first sites to undergo archaeological excavation was Stonehenge and other megalithic monuments in England. John Aubrey was a pioneer archaeologist who recorded numerous megalithic and other field monuments in southern England, he was ahead of his time in the analysis of his findings. He attempted to chart the chronological stylistic evolution of handwriting, medieval architecture and shield-shapes. Excavations were carried out by the Spanish military engineer Roque Joaquín de Alcubierre in the ancient towns of Pompeii and Herculaneum, both of, covered by ash during the Eruption of Mount Vesuvius in AD 79; these excavations began in 1748 in Pompeii, while in Herculaneum they began in 1738. The discovery of entire towns, complete with utensils and human shapes, as well the unearthing of frescos, had a big impact throughout Europe. However, prior to the development of modern techniques, excavations tended to be haphazard; the father of archaeological excavation was William Cunnington. He undertook excavations in Wiltshire from around 1798.
Cunnington made meticulous recordings of Neolithic and Bronze Age barrows, the terms he used to categorize and describe them are still used by archaeologists today. One of the major achievements of 19th-century archaeology was the development of stratigraphy; the idea of overlapping strata tracing back to successive periods was borrowed from the new geological and paleontological work of scholars like William Smith, James Hutton and Charles Lyell. The application of stratigraphy to archaeology first took place with the excavations of prehistorical and Bronze Age sites. In the third and fourth decades of the 19th-century, archaeologists like Jacques Boucher de Perthes and Christian Jürgensen Thomsen began to put the artifacts they had found in chronological order. A major figure in the development of archaeology into a rigorous science was the army officer and ethnologist, Augustus Pitt Rivers, who began excavations on his land in England in the 1880s, his approach was methodical by the standards of the time, he is regarded as the first scientific archaeologist.
He arranged his artifacts by type or "typologically, within types by date or "chronologically"
Virtual International Authority File
The Virtual International Authority File is an international authority file. It is a joint project of several national libraries and operated by the Online Computer Library Center. Discussion about having a common international authority started in the late 1990s. After a series of failed attempts to come up with a unique common authority file, the new idea was to link existing national authorities; this would present all the benefits of a common file without requiring a large investment of time and expense in the process. The project was initiated by the US Library of Congress, the German National Library and the OCLC on August 6, 2003; the Bibliothèque nationale de France joined the project on October 5, 2007. The project transitioned to being a service of the OCLC on April 4, 2012; the aim is to link the national authority files to a single virtual authority file. In this file, identical records from the different data sets are linked together. A VIAF record receives a standard data number, contains the primary "see" and "see also" records from the original records, refers to the original authority records.
The data are available for research and data exchange and sharing. Reciprocal updating uses the Open Archives Initiative Protocol for Metadata Harvesting protocol; the file numbers are being added to Wikipedia biographical articles and are incorporated into Wikidata. VIAF's clustering algorithm is run every month; as more data are added from participating libraries, clusters of authority records may coalesce or split, leading to some fluctuation in the VIAF identifier of certain authority records. Authority control Faceted Application of Subject Terminology Integrated Authority File International Standard Authority Data Number International Standard Name Identifier Wikipedia's authority control template for articles Official website VIAF at OCLC
Rome is the capital city and a special comune of Italy. Rome serves as the capital of the Lazio region. With 2,872,800 residents in 1,285 km2, it is the country's most populated comune, it is the fourth most populous city in the European Union by population within city limits. It is the centre of the Metropolitan City of Rome, which has a population of 4,355,725 residents, thus making it the most populous metropolitan city in Italy. Rome is located in the central-western portion of the Italian Peninsula, within Lazio, along the shores of the Tiber; the Vatican City is an independent country inside the city boundaries of Rome, the only existing example of a country within a city: for this reason Rome has been defined as capital of two states. Rome's history spans 28 centuries. While Roman mythology dates the founding of Rome at around 753 BC, the site has been inhabited for much longer, making it one of the oldest continuously occupied sites in Europe; the city's early population originated from a mix of Latins and Sabines.
The city successively became the capital of the Roman Kingdom, the Roman Republic and the Roman Empire, is regarded by some as the first metropolis. It was first called The Eternal City by the Roman poet Tibullus in the 1st century BC, the expression was taken up by Ovid and Livy. Rome is called the "Caput Mundi". After the fall of the Western Empire, which marked the beginning of the Middle Ages, Rome fell under the political control of the Papacy, in the 8th century it became the capital of the Papal States, which lasted until 1870. Beginning with the Renaissance all the popes since Nicholas V pursued over four hundred years a coherent architectural and urban programme aimed at making the city the artistic and cultural centre of the world. In this way, Rome became first one of the major centres of the Italian Renaissance, the birthplace of both the Baroque style and Neoclassicism. Famous artists, painters and architects made Rome the centre of their activity, creating masterpieces throughout the city.
In 1871, Rome became the capital of the Kingdom of Italy, which, in 1946, became the Italian Republic. Rome has the status of a global city. In 2016, Rome ranked as the 14th-most-visited city in the world, 3rd most visited in the European Union, the most popular tourist attraction in Italy, its historic centre is listed by UNESCO as a World Heritage Site. The famous Vatican Museums are among the world's most visited museums while the Colosseum was the most popular tourist attraction in world with 7.4 million visitors in 2018. Host city for the 1960 Summer Olympics, Rome is the seat of several specialized agencies of the United Nations, such as the Food and Agriculture Organization, the World Food Programme and the International Fund for Agricultural Development; the city hosts the Secretariat of the Parliamentary Assembly of the Union for the Mediterranean as well as the headquarters of many international business companies such as Eni, Enel, TIM, Leonardo S.p. A. and national and international banks such as Unicredit and BNL.
Its business district, called EUR, is the base of many companies involved in the oil industry, the pharmaceutical industry, financial services. Rome is an important fashion and design centre thanks to renowned international brands centered in the city. Rome's Cinecittà Studios have been the set of many Academy Award–winning movies. According to the founding myth of the city by the Ancient Romans themselves, the long-held tradition of the origin of the name Roma is believed to have come from the city's founder and first king, Romulus. However, it is a possibility that the name Romulus was derived from Rome itself; as early as the 4th century, there have been alternative theories proposed on the origin of the name Roma. Several hypotheses have been advanced focusing on its linguistic roots which however remain uncertain: from Rumon or Rumen, archaic name of the Tiber, which in turn has the same root as the Greek verb ῥέω and the Latin verb ruo, which both mean "flow". There is archaeological evidence of human occupation of the Rome area from 14,000 years ago, but the dense layer of much younger debris obscures Palaeolithic and Neolithic sites.
Evidence of stone tools and stone weapons attest to about 10,000 years of human presence. Several excavations support the view that Rome grew from pastoral settlements on the Palatine Hill built above the area of the future Roman Forum. Between the end of the bronze age and the beginning of the Iron age, each hill between the sea and the Capitol was topped by a village. However, none of them had yet an urban quality. Nowadays, there is a wide consensus that the city developed through the aggregation of several villages around the largest one, placed above the Palatine; this aggregation was facilitated by the increase of agricultural productivity above the subsistence level, which allowed the establishment of secondary and tertiary activities. These in turn boosted the development of trade with the Greek colonies of southern Italy; these developments, which according to archaeological ev
The German Renaissance, part of the Northern Renaissance, was a cultural and artistic movement that spread among German thinkers in the 15th and 16th centuries, which developed from the Italian Renaissance. Many areas of the arts and sciences were influenced, notably by the spread of Renaissance humanism to the various German states and principalities. There were many advances made in the fields of architecture, the arts, the sciences. Germany produced two developments that were to dominate the 16th century all over Europe: printing and the Protestant Reformation. One of the most important German humanists was Konrad Celtis. Celtis studied at Cologne and Heidelberg, travelled throughout Italy collecting Latin and Greek manuscripts. Influenced by Tacitus, he used the Germania to introduce German history and geography, he devoted his time to poetry, in which he praised Germany in Latin. Another important figure was Johann Reuchlin who studied in various places in Italy and taught Greek, he studied the Hebrew language, aiming to purify Christianity, but encountered resistance from the church.
The most significant German Renaissance artist is Albrecht Dürer known for his printmaking in woodcut and engraving, which spread all over Europe and painted portraits. Important architecture of this period includes the Landshut Residence, Heidelberg Castle, the Augsburg Town Hall as well as the Antiquarium of the Munich Residenz in Munich, the largest Renaissance hall north of the Alps; the Renaissance was driven by the renewed interest in classical learning, was the result of rapid economic development. At the beginning of the 16th century, Germany was one of the most prosperous areas in Europe despite a low level of urbanization compared to Italy or the Netherlands, it benefited from the wealth of certain sectors such as metallurgy, mining and textiles. More book-printing developed in Germany, German printers dominated the new book-trade in most other countries until well into the 16th century; the concept of the Northern Renaissance or German Renaissance is somewhat confused by the continuation of the use of elaborate Gothic ornament until well into the 16th century in works that are undoubtedly Renaissance in their treatment of the human figure and other respects.
Classical ornament had little historical resonance in much of Germany, but in other respects Germany was quick to follow developments in adopting printing with movable type, a German invention that remained a German monopoly for some decades, was first brought to most of Europe, including France and Italy, by Germans. Printmaking by woodcut and engraving was more developed in Germany and the Low Countries than anywhere else, the Germans took the lead in developing book illustrations of a low artistic standard, but seen all over Europe, with the woodblocks being lent to printers of editions in other cities or languages; the greatest artist of the German Renaissance, Albrecht Dürer, began his career as an apprentice to a leading workshop in Nuremberg, that of Michael Wolgemut, who had abandoned his painting to exploit the new medium. Dürer worked on the most extravagantly illustrated book of the period, the Nuremberg Chronicle, published by his godfather Anton Koberger, Europe's largest printer-publisher at the time.
After completing his apprenticeship in 1490, Dürer travelled in Germany for four years, Italy for a few months, before establishing his own workshop in Nuremberg. He became famous all over Europe for his energetic and balanced woodcuts and engravings, while painting. Though retaining a distinctively German style, his work shows strong Italian influence, is taken to represent the start of the German Renaissance in visual art, which for the next forty years replaced the Netherlands and France as the area producing the greatest innovation in Northern European art. Dürer supported Martin Luther but continued to create Madonnas and other Catholic imagery, paint portraits of leaders on both sides of the emerging split of the Protestant Reformation. Dürer died in 1528, before it was clear that the split of the Reformation had become permanent, but his pupils of the following generation were unable to avoid taking sides. Most leading German artists became Protestants, but this deprived them of painting most religious works the mainstay of artists' revenue.
Martin Luther had objected to much Catholic imagery, but not to imagery itself, Lucas Cranach the Elder, a close friend of Luther, had painted a number of "Lutheran altarpieces" showing the Last Supper, some with portraits of the leading Protestant divines as the Twelve Apostles. This phase of Lutheran art was over before 1550 under the more fiercely aniconic influence of Calvinism, religious works for public display ceased to be produced in Protestant areas; because of this, the development of German art had ceased by about 1550, but in the preceding decades German artists had been fertile in developing alternative subjects to replace the gap in their order books. Cranach, apart from portraits, developed a format of thin vertical portraits of provocative nudes, given classical or Biblical titles. Lying somewhat outside these developments is Matthias Grünewald, who left few works, but whose masterpiece, his Isenheim Altarpiece, has been regarded as the greatest German Renaissance painting since it was restored to critical attention in the 19th century.
It is an intensely emotional work that continues the
The public domain consists of all the creative works to which no exclusive intellectual property rights apply. Those rights may have been forfeited, expressly waived, or may be inapplicable; the works of William Shakespeare and Beethoven, most early silent films, are in the public domain either by virtue of their having been created before copyright existed, or by their copyright term having expired. Some works are not covered by copyright, are therefore in the public domain—among them the formulae of Newtonian physics, cooking recipes, all computer software created prior to 1974. Other works are dedicated by their authors to the public domain; the term public domain is not applied to situations where the creator of a work retains residual rights, in which case use of the work is referred to as "under license" or "with permission". As rights vary by country and jurisdiction, a work may be subject to rights in one country and be in the public domain in another; some rights depend on registrations on a country-by-country basis, the absence of registration in a particular country, if required, gives rise to public-domain status for a work in that country.
The term public domain may be interchangeably used with other imprecise or undefined terms such as the "public sphere" or "commons", including concepts such as the "commons of the mind", the "intellectual commons", the "information commons". Although the term "domain" did not come into use until the mid-18th century, the concept "can be traced back to the ancient Roman Law, as a preset system included in the property right system." The Romans had a large proprietary rights system where they defined "many things that cannot be owned" as res nullius, res communes, res publicae and res universitatis. The term res nullius was defined as things not yet appropriated; the term res communes was defined as "things that could be enjoyed by mankind, such as air and ocean." The term res publicae referred to things that were shared by all citizens, the term res universitatis meant things that were owned by the municipalities of Rome. When looking at it from a historical perspective, one could say the construction of the idea of "public domain" sprouted from the concepts of res communes, res publicae, res universitatis in early Roman law.
When the first early copyright law was first established in Britain with the Statute of Anne in 1710, public domain did not appear. However, similar concepts were developed by French jurists in the 18th century. Instead of "public domain", they used terms such as publici juris or propriété publique to describe works that were not covered by copyright law; the phrase "fall in the public domain" can be traced to mid-19th century France to describe the end of copyright term. The French poet Alfred de Vigny equated the expiration of copyright with a work falling "into the sink hole of public domain" and if the public domain receives any attention from intellectual property lawyers it is still treated as little more than that, left when intellectual property rights, such as copyright and trademarks, expire or are abandoned. In this historical context Paul Torremans describes copyright as a, "little coral reef of private right jutting up from the ocean of the public domain." Copyright law differs by country, the American legal scholar Pamela Samuelson has described the public domain as being "different sizes at different times in different countries".
Definitions of the boundaries of the public domain in relation to copyright, or intellectual property more regard the public domain as a negative space. According to James Boyle this definition underlines common usage of the term public domain and equates the public domain to public property and works in copyright to private property. However, the usage of the term public domain can be more granular, including for example uses of works in copyright permitted by copyright exceptions; such a definition regards work in copyright as private property subject to fair-use rights and limitation on ownership. A conceptual definition comes from Lange, who focused on what the public domain should be: "it should be a place of sanctuary for individual creative expression, a sanctuary conferring affirmative protection against the forces of private appropriation that threatened such expression". Patterson and Lindberg described the public domain not as a "territory", but rather as a concept: "here are certain materials – the air we breathe, rain, life, thoughts, ideas, numbers – not subject to private ownership.
The materials that compose our cultural heritage must be free for all living to use no less than matter necessary for biological survival." The term public domain may be interchangeably used with other imprecise or undefined terms such as the "public sphere" or "commons", including concepts such as the "commons of the mind", the "intellectual commons", the "information commons". A public-domain book is a book with no copyright, a book, created without a license, or a book where its copyrights expired or have been forfeited. In most countries the term of protection of copyright lasts until January first, 70 years after the death of the latest living author; the longest copyright term is in Mexico, which has life plus 100 years for all deaths since July 1928. A notable exception is the United States, where every book and tale published prior to 1924 is in the public domain.