1.
Italy
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Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal climate and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
2.
Composer
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A composer is a person who creates or writes music, which can be vocal music, instrumental music or music which combines both instruments and voices. The core meaning of the term refers to individuals who have contributed to the tradition of Western classical music through creation of works expressed in written musical notation, many composers are also skilled performers, either as singers, instrumentalists, and/or conductors. Examples of composers who are well known for their ability as performers include J. S. Bach, Mozart. In many popular genres, such as rock and country. For a singer or instrumental performer, the process of deciding how to perform music that has previously composed and notated is termed interpretation. Different performers interpretations of the work of music can vary widely, in terms of the tempos that are chosen. Composers and songwriters who present their own music are interpreting, just as much as those who perform the music of others, although a musical composition often has a single author, this is not always the case. A piece of music can also be composed with words, images, or, in the 20th and 21st century, a culture eventually developed whereby faithfulness to the composers written intention came to be highly valued. This musical culture is almost certainly related to the esteem in which the leading classical composers are often held by performers. The movement might be considered a way of creating greater faithfulness to the original in works composed at a time that expected performers to improvise. In Classical music, the composer typically orchestrates her own compositions, in some cases, a pop songwriter may not use notation at all, and instead compose the song in her mind and then play or record it from memory. In jazz and popular music, notable recordings by influential performers are given the weight that written scores play in classical music. The level of distinction between composers and other musicians varies, which issues such as copyright and the deference given to individual interpretations of a particular piece of music. In the development of European classical music, the function of composing music initially did not have greater importance than that of performing it. The preservation of individual compositions did not receive attention and musicians generally had no qualms about modifying compositions for performance. In as much as the role of the composer in western art music has seen continued solidification, for instance, in certain contexts the line between composer and performer, sound designer, arranger, producer, and other roles, can be quite blurred. The term composer is often used to refer to composers of music, such as those found in classical, jazz or other forms of art. In popular and folk music, the composer is usually called a songwriter and this is distinct from a 19th-century conception of instrumental composition, where the work was represented solely by a musical score to be interpreted by performers
3.
Baroque music
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Baroque music is a style of Western art music composed from approximately 1600 to 1750. This era followed the Renaissance music era, and was followed in turn by the Classical era, Baroque music forms a major portion of the classical music canon, being widely studied, performed, and listened to. The Baroque period saw the creation of tonality, an approach to writing music in which a song or piece is written in a particular key, during the Baroque era, professional musicians were expected to be accomplished improvisers of both solo melodic lines and accompaniment parts. A characteristic Baroque form was the dance suite, while the pieces in a dance suite were inspired by actual dance music, dance suites were designed for listening, not for accompanying dancers. During the period, composers and performers used more elaborate ornamentation, made changes in musical notation. Many musical terms and concepts from this era, such as toccata, fugue, dense, complex polyphonic music, in which multiple independent melody lines were performed simultaneously, was an important part of many Baroque choral and instrumental works. The word baroque comes from the Portuguese word barroco, meaning misshapen pearl, the term Baroque is generally used by music historians to describe a broad range of styles from a wide geographic region, mostly in Europe, composed over a period of approximately 150 years. The systematic application by historians of the baroque to music of this period is a relatively recent development. In 1919, Curt Sachs became the first to apply the five characteristics of Heinrich Wölfflins theory of the Baroque systematically to music, all of these efforts resulted in appreciable disagreement about time boundaries of the period, especially concerning when it began. In English the term acquired currency only in the 1940s, in the writings of Bukofzer, nevertheless, the term has become widely used and accepted for this broad range of music. It may be helpful to distinguish the Baroque from both the preceding and following periods of musical history, the Baroque period is divided into three major phases, early, middle, and late. Although they overlap in time, they are dated from 1580 to 1630, from 1630 to 1680. In reference to music, they based their ideals on a perception of Classical musical drama that valued discourse, the early realizations of these ideas, including Jacopo Peris Dafne and LEuridice, marked the beginning of opera, which were a catalyst for Baroque music. Concerning music theory, the widespread use of figured bass represents the developing importance of harmony as the linear underpinnings of polyphony. Harmony is the end result of counterpoint, and figured bass is a representation of those harmonies commonly employed in musical performance. With figured bass, numbers, accidentals or symbols were placed above the bassline that was read by keyboard instrument players such as players or pipe organists. The numbers, accidentals or symbols indicated to the player what intervals she should play above each bass note. The keyboard player would improvise a chord voicing for each bass note and this led to the idea that certain sequences of chords, rather than just notes, could provide a sense of closure at the end of a piece—one of the fundamental ideas that became known as tonality
4.
Marino, Lazio
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Marino is an Italian city and comune in Lazio, on the Alban Hills, Italy,21 kilometres southeast of Rome, with a population of 37,684 and a territory of 26.10 square kilometres. It is bounded by communes, Castel Gandolfo, Albano Laziale, Rocca di Papa, Grottaferrata. Marino is famous for its wine, and for its Grape Festival. The territory of Marino was inhabited by Latin tribes from the 1st millennium BC, the ancient cities of Bovillae, Mugilla and Ferentum were part of the Latin League. Under the Roman Republic it was a resort for Roman patricians. From 1090 it was a dominium of the Counts of Tusculum, and later a fief of the Frangipane and, beginning in 1266, in 1272, San Bonaventura founded the first confraternity of Italy there. In 1347 it was besieged in vain by Cola di Rienzo, fifty years later, it was the site of the battle between Alberico da Barbiano and the French troops supporting Antipope Clement VII. In 1419 it was bought by the Colonna, who maintained it until 1914, Marino hosted famous historical figures, from Charles VIII of France to Alfonso II dEste and many others. Vittoria Colonna was born in Marino in 1492 and lived there for part of her life, in 1571, Marinos people welcomed Marcantonio Colonna, a protagonist of the Battle of Lepanto, with a triumph, remembered yearly by a festival. It became part of Italy in 1870, on 14 March 1880 the railway Rome-Ciampino-Marino was opened for service. On 1 April 1906 an electric tram replaced the former. In 1954 the electric line was replaced by buses. On 2 February 1944, during World War II, Marino was heavily bombed by USAAF B-25 aircraft from the US XII Air Force and it is in Baroque style, with an imposing façade dating to 1653, and a Latin-cross plan with a nave and two aisles. Among other works of art, it houses the Martyrdom of St. Bartholomew by Guercino and it houses a Mystery of the Holy Trinity, now recognized as from a pupil of Guido Reni. It has a nave with side chapels. It is home to a painting of St. Roch attributed to Domenichino and, in a niche at the high altar, rosario, an example of Rococo art. Palazzo Colonna Fontana dei Mori, depicting prisoners from the aforementioned Battle of Lepanto, mithraeum, with an important fresco portraying the God Mithras slaughtering the bull. Grape Festival, Every 1st Sunday of October, doughnut Festival, Every 2nd Sunday of October
5.
Rome
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Rome is a special comune and the capital of Italy. Rome also serves as the capital of the Lazio region, with 2,873,598 residents in 1,285 km2, it is also the countrys largest and most populated comune and fourth-most populous city in the European Union by population within city limits. It is the center of the Metropolitan City of Rome, which has a population of 4.3 million residents, the city is located in the central-western portion of the Italian Peninsula, within Lazio, along the shores of the Tiber. Romes history spans more than 2,500 years, while Roman mythology dates the founding of Rome at only around 753 BC, the site has been inhabited for much longer, making it one of the oldest continuously occupied sites in Europe. The citys early population originated from a mix of Latins, Etruscans and it was first called The Eternal City by the Roman poet Tibullus in the 1st century BC, and the expression was also taken up by Ovid, Virgil, and Livy. Rome is also called the Caput Mundi, due to that, Rome became first one of the major centres of the Italian Renaissance, and then the birthplace of both the Baroque style and Neoclassicism. Famous artists, painters, sculptors and architects made Rome the centre of their activity, in 1871 Rome became the capital of the Kingdom of Italy, and in 1946 that of the Italian Republic. Rome has the status of a global city, Rome ranked in 2014 as the 14th-most-visited city in the world, 3rd most visited in the European Union, and the most popular tourist attraction in Italy. Its historic centre is listed by UNESCO as a World Heritage Site, monuments and museums such as the Vatican Museums and the Colosseum are among the worlds most visited tourist destinations with both locations receiving millions of tourists a year. Rome hosted the 1960 Summer Olympics and is the seat of United Nations Food, however, it is a possibility that the name Romulus was actually derived from Rome itself. As early as the 4th century, there have been alternate theories proposed on the origin of the name Roma. There is archaeological evidence of occupation of the Rome area from approximately 14,000 years ago. Evidence of stone tools, pottery and stone weapons attest to about 10,000 years of human presence, several excavations support the view that Rome grew from pastoral settlements on the Palatine Hill built above the area of the future Roman Forum. Between the end of the age and the beginning of the Iron age. However, none of them had yet an urban quality, nowadays, there is a wide consensus that the city was gradually born through the aggregation of several villages around the largest one, placed above the Palatine. All these happenings, which according to the excavations took place more or less around the mid of the 8th century BC. Despite recent excavations at the Palatine hill, the view that Rome has been indeed founded with an act of will as the legend suggests in the middle of the 8th century BC remains a fringe hypothesis. Traditional stories handed down by the ancient Romans themselves explain the earliest history of their city in terms of legend and myth
6.
Assisi
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Assisi is a town and comune of Italy in the Province of Perugia in the Umbria region, on the western flank of Monte Subasio. The 19th-century Saint Gabriel of Our Lady of Sorrows was also born in Assisi, around 1000 BC a wave of immigrants settled in the upper Tiber valley as far as the Adriatic Sea, and also in the neighborhood of Assisi. These were the Umbrians, living in fortified settlements on high ground. From 450 BC these settlements were taken over by the Etruscans. The Romans took control of central Italy after the Battle of Sentinum in 295 BC and they built the flourishing municipium Asisium on a series of terraces on Monte Subasio. Roman remains can still be found in Assisi, city walls, the forum, a theatre, an amphitheatre, in 1997, the remains of a Roman villa were also discovered containing several well-preserved rooms with frescoes and mosaics in a condition rarely found outside sites such as Pompei. In 238 AD Assisi was converted to Christianity by bishop Rufino, according to tradition, his remains rest in the Cathedral Church of San Rufino in Assisi. The Ostrogoths of king Totila destroyed most of the town in 545, Assisi then came under the rule of the Lombards as part of the Lombard and then Frankish Duchy of Spoleto. The thriving commune became an independent Ghibelline commune in the 11th century, the city, which had remained within the confines of the Roman walls, began to expand outside these walls in the 13th century. In this period the city was under papal jurisdiction, the city went into a deep decline through the plague of the Black Death in 1348. The city came again under papal jurisdiction under the rule of Pope Pius II, in 1569 construction was started of the Basilica of Santa Maria degli Angeli. During the Renaissance and in later centuries, the city continued to develop peacefully, as the 17th-century palazzi of the Bernabei, now the site of many a pilgrimage, Assisi is linked in legend with its native son, St. Francis. The gentle saint founded the Franciscan order and shares honors with St. Catherine of Siena as the saint of Italy. He is remembered by many, even non-Christians, as a lover of nature, Assisi was hit by two devastating earthquakes, that shook Umbria in September 1997. But the recovery and restoration have been remarkable, although much remains to be done, massive damage was caused to many historical sites, but the major attraction, the Basilica di San Francesco, reopened less than 2 years later. UNESCO collectively designated the Franciscan structures of Assisi as a World Heritage Site in 2000, the Basilica of San Francesco dAssisi. The Franciscan monastery, il Sacro Convento, and the lower and upper church of St Francis were begun immediately after his canonization in 1228, and completed in 1253. The Basilica was badly damaged by an earthquake on 26 September 1997, during part of the vault collapsed, killing four people inside the church
7.
Collegio Teutonico
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The Collegio Teutonico, historically often referred to by its Latin name Collegium Germanicum, is one of the Pontifical Colleges of Rome. It was established in 1399 and maintained at the Vatican for the education of future ecclesiastics of the Roman Catholic Church of German nationality, the German College is now divided into two separate colleges. The Pontificio Collegio Teutonico di S. Maria dell’ Anima was created in 1399 when Theodoric of Niem founded a hospice for German pilgrims. They devote themselves chiefly to canon law with a view to employing their knowledge in the service of their respective dioceses, other priests also are admitted who come to Rome at their own expense for the purpose of study. At present there are 8 chaplains and about 10 other priests residing there, the college continues to assist poor Germans who come to Rome, either to visit the holy places or in search of occupation. The revenues of the Campo Santo and the chaplaincies that have been founded devote themselves to the study of Christian archeology or Church history, the site of the Campo Santo dei Tedeschi goes back to the days of Charlemagne and was then called the Schola Francorum. In the course of time the German residents in Rome were buried in the church of the Schola, in 1454 a confraternity was established, and in addition the guilds of German bakers and cobblers had their quarters there. In 1876, owing to the conditions of modern times. The collegio is located in Italy and is one of the properties which form part of the territory of Holy See and it is one of the properties of the Holy See which are regulated by the 1929 Lateran Treaty signed with the Kingdom of Italy. As such, it has extraterritorial status, bishop Alois Hudal was rector of the Pontificio Istituto Teutonico Santa Maria dellAnima. After the end of the war in Italy, Hudal became active in ministering to German-speaking prisoners of war, in December 1944 the Vatican Secretariat of State received permission to appoint a representative to visit the German-speaking civil internees in Italy, a job assigned to Hudal. Hudal used this position to aid the escape of wanted Nazi war criminals, Alois Hudal Franz Joseph Dölger Prince Georg of Bavaria – is buried there. Duchess Charlotte Frederica of Mecklenburg-Schwerin – is buried there, Roman Colleges Media related to Santa Maria dellAnima at Wikimedia Commons Media related to Santa Maria della Pietà at Wikimedia Commons Roman institute of the Society of Görres
8.
Claudio Monteverdi
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Claudio Giovanni Antonio Monteverdi was an Italian composer, gambist, singer, and Catholic priest. Monteverdi is considered a transitional figure between the Renaissance and the Baroque periods of music history. Monteverdi wrote one of the earliest operas, LOrfeo, which is the earliest surviving opera still regularly performed, Claudio Monteverdi was born in 1567 in Cremona, Duchy of Milan. His father was Baldassare Monteverdi, a doctor, apothecary and amateur surgeon and he was the oldest of five children. During his childhood, he was taught by MarcAntonio Ingegneri, the maestro di cappella at the Cathedral of Cremona, the Maestro’s job was to conduct important worship services in accordance with the liturgy of the Catholic Church. Monteverdi learned about music as a member of the cathedral choir and he also studied at the University of Cremona. His first music was written for publication, including some motets and sacred madrigals, in 1582 and 1583. His first five publications were, Sacrae cantiunculae,1582, Madrigali Spirituali,1583, Canzonette a tre voci,1584, and the five-part madrigals Book I,1587, and Book II,1590. He worked at the court of Vincenzo I of Gonzaga in Mantua as a vocalist and viol player, in 1602, he was working as the court conductor and Vincenzo appointed him master of music on the death of Benedetto Pallavicino. In 1599 Monteverdi married the court singer Claudia Cattaneo, who died in September 1607 and they had two sons and a daughter. Another daughter died shortly after birth, in 1610 he moved to Rome, arriving in secret, hoping to present his music to Pope Paul V. His Vespers were printed the year, but his planned meeting with the Pope never took place. In 1612 Vincenzo died and was succeeded by his eldest son Francesco, heavily in debt, due to the profligacy of his father, Francesco sacked Monteverdi and he spent a year in Mantua without any paid employment. His 1607 opera LOrfeo was dedicated to Francesco, the title page of the opera bears the dedication Al serenissimo signor D. Francesco Gonzaga, Prencipe di Mantoua, & di Monferato, &c. By 1613, he had moved to San Marco in Venice where and he quickly restored the musical standard of both the choir and the instrumentalists. The musical standard had declined due to the mismanagement of his predecessor. The managers of the basilica were relieved to have such a musician in charge. In 1632, he became a priest, Lincoronazione especially is considered a culminating point of Monteverdis work
9.
St Mark's Basilica
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The Patriarchal Cathedral Basilica of Saint Mark, commonly known as Saint Marks Basilica, is the cathedral church of the Roman Catholic Archdiocese of Venice, northern Italy. It is the most famous of the churches and one of the best known examples of Italo-Byzantine architecture. It lies at the end of the Piazza San Marco, adjacent. For its opulent design, gold mosaics, and its status as a symbol of Venetian wealth and power. The church was burned in a rebellion in 976, when the populace locked Pietro IV Candiano inside to kill him, nothing certain is known of the form of these early churches. From perhaps 1063 the present basilica was constructed, the consecration is variously recorded as being in 1084-5,1093,1102 and 1117, probably reflecting a series of consecrations of different parts. In 1094 the supposed body of Saint Mark was rediscovered in a pillar by Vitale Faliero, the building also incorporates a low tower, believed by some to have been part of the original Doges Palace. The Pala dOro ordered from Constantinople was installed on the altar in 1105. The main features of the present structure were all in place by then, except for the narthex or porch, and the facade. — The basic structure of the building has not been much altered. Its decoration has changed greatly over time, though the impression of the interior with a dazzling display of gold ground mosaics on all ceilings. Gradually, the exterior brickwork became covered with marble cladding and carvings, some older than the building itself. The latest structural additions include the closing-off of the Baptistery and St Isidors Chapel, the carvings on the facade and the Sacristy. During the 13th century the emphasis of the churchs function seems to have changed from being the chapel of the Doge to that of a state church. The transfer of the see was ordered by Napoleon during his period of control of Venice, before this, Venices cathedral from 1451 was the much less grand San Pietro di Castello. The procurators, an important organ of the Republic of Venice, were in charge of administration, their seats were the Procuratie, all building and restoring works were directed by the protos, great architects such as Jacopo Sansovino and Baldassarre Longhena held the office. The doge himself appointed a group of clergy led by the primicerio. Procurators and protos still exist and perform the tasks for the Patriarchate. The exterior of the west facade of the basilica is divided in three registers, lower, upper, and domes, in the lower register of the façade, five round-arched portals, enveloped by polychrome marble columns, open into the narthex through bronze-fashioned doors
10.
Venice
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Venice is a city in northeastern Italy and the capital of the Veneto region. It is situated across a group of 118 small islands that are separated by canals and these are located in the shallow Venetian Lagoon, an enclosed bay that lies between the mouths of the Po and the Piave Rivers. Parts of Venice are renowned for the beauty of their settings, their architecture, the lagoon and a part of the city are listed as a World Heritage Site. In 2014,264,579 people resided in Comune di Venezia, together with Padua and Treviso, the city is included in the Padua-Treviso-Venice Metropolitan Area, with a total population of 2.6 million. PATREVE is a metropolitan area without any degree of autonomy. The name is derived from the ancient Veneti people who inhabited the region by the 10th century BC, the city was historically the capital of the Republic of Venice. Venice has been known as the La Dominante, Serenissima, Queen of the Adriatic, City of Water, City of Masks, City of Bridges, The Floating City, and City of Canals. The City State of Venice is considered to have been the first real international financial center which gradually emerged from the 9th century to its peak in the 14th century and this made Venice a wealthy city throughout most of its history. It is also known for its several important artistic movements, especially the Renaissance period, Venice has played an important role in the history of symphonic and operatic music, and it is the birthplace of Antonio Vivaldi. Venice has been ranked the most beautiful city in the world as of 2016, the name Venetia, however, derives from the Roman name for the people known as the Veneti, and called by the Greeks Eneti. The meaning of the word is uncertain, although there are other Indo-European tribes with similar-sounding names, such as the Celtic Veneti, Baltic Veneti, and the Slavic Wends. Linguists suggest that the name is based on an Indo-European root *wen, so that *wenetoi would mean beloved, lovable, a connection with the Latin word venetus, meaning the color sea-blue, is also possible. The alternative obsolete form is Vinegia, some late Roman sources reveal the existence of fishermen on the islands in the original marshy lagoons. They were referred to as incolae lacunae, the traditional founding is identified with the dedication of the first church, that of San Giacomo on the islet of Rialto — said to have taken place at the stroke of noon on 25 March 421. Beginning as early as AD166 to 168, the Quadi and Marcomanni destroyed the center in the area. The Roman defences were again overthrown in the early 5th century by the Visigoths and, some 50 years later, New ports were built, including those at Malamocco and Torcello in the Venetian lagoon. The tribuni maiores, the earliest central standing governing committee of the islands in the Lagoon, the traditional first doge of Venice, Paolo Lucio Anafesto, was actually Exarch Paul, and his successor, Marcello Tegalliano, was Pauls magister militum. In 726 the soldiers and citizens of the Exarchate rose in a rebellion over the controversy at the urging of Pope Gregory II
11.
Chamber music
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Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a number of performers. However, by convention, it usually does not include solo instrument performances, because of its intimate nature, chamber music has been described as the music of friends. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works, Johann Wolfgang von Goethe described chamber music as four rational people conversing. The analogy to conversation recurs in descriptions and analyses of chamber music compositions, from its earliest beginnings in the Medieval period to the present, chamber music has been a reflection of the changes in the technology and the society that produced it. During the Middle Ages and the early Renaissance, instruments were used primarily as accompaniment for singers, String players would play along with the melody line sung by the singer. There were also purely instrumental ensembles, often of stringed precursors of the violin family, some analysts consider the origin of classical instrumental ensembles to be the sonata da camera and the sonata da chiesa. These were compositions for one to five or more instruments, the sonata da camera was a suite of slow and fast movements, interspersed with dance tunes, the sonata da chiesa was the same, but the dances were omitted. These forms gradually developed into the trio sonata of the Baroque – two treble instruments and an instrument, often with a keyboard or other chording instrument filling in the harmony. Both the bass instrument and the instrument would play the basso continuo part. During the Baroque period, chamber music as a genre was not clearly defined, often, works could be played on any variety of instruments, in orchestral or chamber ensembles. The Art of Fugue by Johann Sebastian Bach, for example, sometimes composers mixed movements for chamber ensembles with orchestral movements. Telemanns Tafelmusik, for example, has five sets of movements for various combinations of instruments, Baroque chamber music was often contrapuntal, that is, each instrument played the same melodic materials at different times, creating a complex, interwoven fabric of sound. Because each instrument was playing essentially the same melodies, all the instruments were equal, in the trio sonata, there is often no ascendent or solo instrument, but all three instruments share equal importance. In the second half of the 18th century, tastes began to change, many preferred a new, lighter Galant style. And clearly defined melody and bass to the complexities of counterpoint, now a new custom arose that gave birth to a new form of chamber music, the serenade. Patrons invited street musicians to play evening concerts below the balconies of their homes, their friends, patrons and musicians commissioned composers to write suitable suites of dances and tunes, for groups of two to five or six players. These works were called serenades, nocturnes, divertimenti, or cassations, the young Joseph Haydn was commissioned to write several of these
12.
Cantata
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A cantata is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata, several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Johann Sebastian Bach composed cycles of cantatas for the occasions of the liturgical year. The term originated in the early 17th century simultaneously with opera, prior to that, all cultured music was vocal. With the rise of music the term appeared, while the instrumental art became sufficiently developed to be embodied in sonatas. From the beginning of the 17th century until late in the 18th, a cantata consisted first of a declamatory narrative or scene in recitative, held together by a primitive aria repeated at intervals. Fine examples may be found in the music of Giacomo Carissimi. With the rise of the da capo aria, the became a group of two or three arias joined by recitative. George Frideric Handels numerous Italian duets and trios are examples on a large scale. His Latin motet Silete Venti, for solo, shows the use of this form in church music. This is equally evident whether we examine the church cantatas of Bach, of which nearly 200 are extant. Cantatas were in demand for the services of the Lutheran church. Many secular cantatas were composed for events in the nobility and they were so similar in form to the sacred ones that many of them were parodied to sacred cantatas, for example in Bachs Christmas Oratorio. The term cantata came to be applied almost exclusively to choral works, Anton Bruckner composed several Name-day cantatas, a Festive Cantata and two secular cantatas. Brucknerss Psalm 146 is also in cantata form, mendelssohns Symphony Cantata, the Lobgesang, is a hybrid work, partly in the oratorio style. Robert Schumann wrote the cantata Paradise and the Peri, the full lyric possibilities of a string of choral songs were realized by Johannes Brahms in his Rinaldo, that—like the Walpurgisnacht—was set to a text by Goethe. The competition for the French Prix de Rome prescribed that each candidate submit a cantata, hector Berlioz failed in three attempts before finally winning in 1830 with Sardanapale. While almost all of the Prix de Rome cantatas have long since been forgotten, cantatas, both of the chamber variety and on a grand scale, were composed after 1900 as well
13.
Madrigal
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A madrigal is a secular vocal music composition, usually a partsong, of the Renaissance and early Baroque eras. Traditionally, polyphonic madrigals are unaccompanied, the number of voices varies from two to eight, and most frequently from three to six and it is quite distinct from the Italian Trecento madrigal of the late 13th and 14th centuries, with which it shares only the name. Madrigals originated in Italy during the 1520s, unlike many strophic forms of the time, most madrigals were through-composed. In the madrigal, the composer attempted to express the emotion contained in each line, a frottola generally would consist of music set to stanzas of text, while madrigals were through-composed. However, some of the poems were used for both frottola and madrigals. The poetry of Petrarch in particular shows up in a variety of genres. In Italy, the madrigal was the most important secular form of music of its time, the madrigal reached its formal and historical zenith by the second half of the 16th century. English and German composers, too, took up the madrigal in its heyday, after the 1630s, the madrigal began to merge with the cantata and the dialogue. With the rise of opera in the early 17th century, the aria gradually displaced the madrigal, in the early 16th century, several humanistic trends converged which allowed the madrigal to form. First, there was a reawakened interest in use of Italian as a vernacular language, third, printed secular music had become widely available in Italy due to the recent invention of moveable type and the printing press. The music being written and sung, principally the frottola but also the ballata, canzonetta, and mascherata, was light and these popular music styles used repetition and soprano-dominated chordal textures, styles considerably more simple than those used by most of the resident composers of the Franco-Flemish school. Literary tastes were changing, and the more serious verse of Bembo and his school needed a means of expression more flexible and open than was available in the frottola. The first madrigals were written in Florence, either by native Florentines or by Franco-Flemish musicians in the employment of the Medici family, the madrigal did not replace the frottola right away, during the transitional decade of the 1520s, both frottole and madrigals were written and published. The first book of madrigals labeled as such was the Madrigali de diversi musici, libro de la Serena of Philippe Verdelot. Verdelot, a French composer, had written the pieces in the late 1520s and he included music by both Sebastiano and Costanzo Festa, as well as Maistre Jhan of Ferrara, in addition to his own music. They sold so well that Adrian Willaert made arrangements of some of works for single voice. Verdelot published madrigals for five and six voices as well, with the collection for six voices appearing in 1541, particularly popular was the first collection of madrigals by Jacques Arcadelt. Originally published in Venice, in 1539, it was reprinted throughout Europe for many years after, becoming the most often reprinted madrigal book of the entire era
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Renaissance music
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Renaissance music is vocal and instrumental music written and performed in Europe during the Renaissance era. From this changing society emerged a common, unifying musical language, in particular the style of the Franco-Flemish school. The invention of the press in 1440 made it cheaper and easier to distribute music and musical theory texts on a wider geographic scale. Prior to the invention of printing, songs and music that were written down and music theory texts had to be hand-copied, demand for music as entertainment and as a leisure activity for educated amateurs increased with the emergence of a bourgeois class. These musicians were sought throughout Europe, particularly in Italy, where churches and aristocratic courts hired them as composers, performers. This reversed the situation from a hundred years earlier, opera, a dramatic staged genre in which singers are accompanied by instruments, arose at this time in Florence. Opera was developed as an attempt to resurrect the music of ancient Greece. Music was increasingly freed from constraints, and more variety was permitted in range, rhythm, harmony, form. In the Renaissance, music became a vehicle for personal expression, composers found ways to make vocal music more expressive of the texts they were setting. Secular music absorbed techniques from sacred music, and vice versa, popular secular forms such as the chanson and madrigal spread throughout Europe. Courts employed virtuoso performers, both singers and instrumentalists, Music also became more self-sufficient with its availability in printed form, existing for its own sake. Precursor versions of familiar modern instruments developed into new forms during the Renaissance. These instruments were modified to responding to the evolution of musical ideas, Early forms of modern woodwind and brass instruments like the bassoon and trombone also appeared, extending the range of sonic color and increasing the sound of instrumental ensembles. From the Renaissance era, notated secular and sacred music survives in quantity, including vocal and instrumental works, an enormous diversity of musical styles and genres flourished during the Renaissance. These can be heard on recordings made in the 20th and 21st century, including masses, motets, madrigals, chansons, accompanied songs, instrumental dances, beginning in the late 20th century, numerous early music ensembles were formed. One of the most pronounced features of early Renaissance European art music was the reliance on the interval of the third. Polyphony – the use of multiple, independent melodic lines, performed simultaneously – became increasingly elaborate throughout the 14th century, the beginning of the 15th century showed simplification, with the composers often striving for smoothness in the melodic parts. The modal characteristics of Renaissance music began to break down towards the end of the period with the use of root motions of fifths or fourths
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Church music
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Church music is music written for performance in church, or any musical setting of ecclesiastical liturgy, or music set to words expressing propositions of a sacred nature, such as a hymn. Christianity began as a small, persecuted Jewish sect, the only record of communal song in the Gospels is the last meeting of the disciples before the Crucifixion. Outside the Gospels, there is a reference to St. Paul encouraging the Ephesians and Colossians to use psalms, hymns, antiphonal psalmody is the singing or musical playing of psalms by alternating groups of performers. The peculiar mirror structure of the Hebrew psalms makes it likely that the method originated in the services of the ancient Israelites. According to the historian Socrates of Constantinople, its introduction into Christian worship was due to Ignatius of Antioch, the use of instruments in early Christian music seems to have been frowned upon. In the late 4th or early 5th century St. Jerome wrote that a Christian maiden ought not even to know what a lyre or flute is like, or to what use it is put. The introduction of church music is traditionally believed to date from the time of the papacy of Pope Vitalian in the 7th century. Gregorian chant is the tradition of Western plainchant, a form of monophonic liturgical chant of Western Christianity that accompanied the celebration of Mass. This musical form originated in Monastic life, in singing the Divine Service nine times a day at the proper hours was upheld according to the Rule of Saint Benedict. Singing psalms made up a part of the life in a monastic community, while a smaller group. In its long history Gregorian Chant has been subjected to many gradual changes and this practice continued into the lifetime of François Couperin, whose Organ Masses were meant to be performed with alternating homophonic Chant. Although it had fallen into disuse after the Baroque period, Chant experienced a revival in the 19th century in the Roman Catholic Church. The mass is a form of music that sets out the parts of the Eucharistic liturgy to music, for example, there are many Masses written in English for the Church of England. Music is an part of mass, it accompanies various rituals acts. Many Masses, especially later ones, were never intended to be performed during the celebration of an actual mass, generally, for a composition to be a full Mass, it must contain the following invariable five sections, which together constitute the Ordinary of the Mass. Kyrie Gloria Credo, the Nicene Creed Sanctus, the part of which, beginning with the word Benedictus, was often sung separately after the consecration. Agnus Dei The Requiem Mass is a version of the ordinary mass. Musical settings of the Requiem mass have a tradition in Western music
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Vocal
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The human voice consists of sound made by a human being using the vocal folds for talking, singing, laughing, crying, screaming, etc. The human voice frequency is specifically a part of sound production in which the vocal folds are the primary sound source. Generally speaking, the mechanism for generating the human voice can be subdivided into three parts, the lungs, the vocal folds within the larynx, and the articulators, the lung must produce adequate airflow and air pressure to vibrate vocal folds. The vocal folds are a vibrating valve that chops up the airflow from the lungs into audible pulses that form the sound source. The muscles of the larynx adjust the length and tension of the folds to ‘fine-tune’ pitch. The articulators articulate and filter the sound emanating from the larynx, the vocal folds, in combination with the articulators, are capable of producing highly intricate arrays of sound. The tone of voice may be modulated to suggest emotions such as anger, surprise, singers use the human voice as an instrument for creating music. Adult men and women typically have different sizes of vocal fold, adult male voices are usually lower-pitched and have larger folds. The male vocal folds, are between 17 mm and 25 mm in length, the female vocal folds are between 12.5 mm and 17.5 mm in length. The folds are within the larynx and they are attached at the back to the arytenoids cartilages, and at the front to the thyroid cartilage. They have no outer edge as they blend into the side of the tube while their inner edges or margins are free to vibrate. They have a three layer construction of an epithelium, vocal ligament, then muscle, which can shorten and they are flat triangular bands and are pearly white in color. Above both sides of the cord is the vestibular fold or false vocal cord, which has a small sac between its two folds. The difference in vocal folds size between men and women means that they have differently pitched voices, additionally, genetics also causes variances amongst the same sex, with mens and womens singing voices being categorized into types. For example, among men, there are bass, baritone, tenor and countertenor, there are additional categories for operatic voices, see voice type. This is not the source of difference between male and female voice. Men, generally speaking, have a vocal tract, which essentially gives the resultant voice a lower-sounding timbre. This is mostly independent of the folds themselves
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Francesco Cavalli
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Francesco Cavalli was an Italian composer of the early Baroque period. His real name was Pietro Francesco Caletti-Bruni, but he is known by that of Cavalli, the name of his patron Federico Cavalli. Cavalli was born at Crema, Lombardy and he became a singer at St Marks Basilica in Venice in 1616, where he had the opportunity to work under the tutorship of Claudio Monteverdi. He became second organist in 1639, first organist in 1665 and he is chiefly remembered for his operas. He began to write for the stage in 1639 soon after the first public house opened in Venice. He established so great a reputation that he was summoned to Paris from 1660 until 1662 and he died in Venice at the age of 73. Cavalli was the most influential composer in the genre of public opera in mid-17th-century Venice. Cavalli introduced melodious arias into his music and popular types into his libretti, Cavalli wrote forty-one operas, twenty-seven of which are still extant, being preserved in the Biblioteca Nazionale Marciana in Venice. Copies of some of the operas also exist in other locations, cavallis music was revived in the twentieth century. The Glyndebourne production of La Calisto is an example, the discography is extensive and Cavalli has featured in BBC Radio 3s Composer of the Week series. Music of Venice Notes Further reading Bukofzer, Manfred, Music in the Baroque Era, new York, W. W. Norton & Company,1947. ISBN 0-393-09745-5 Glixon, Beth L. and Jonathan E. Inventing the Business of Opera, The Impresario, ISBN 0-312-12546-1 Rosand, Ellen, Opera in Seventeenth-Century Venice. ISBN 0-520-06808-4 Selfridge-Field, Eleanor, Venetian Instrumental Music, from Gabrieli to Vivaldi, ISBN 0-486-28151-5 This article incorporates text from a publication now in the public domain, Chisholm, Hugh, ed. Cavalli, Francesco. Free scores by Francesco Cavalli in the Choral Public Domain Library Rodrigo, free scores by Francesco Cavalli at the International Music Score Library Project
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Opera
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Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. In traditional opera, singers do two types of singing, recitative, a style and arias, a more melodic style. Opera incorporates many of the elements of theatre, such as acting, scenery. The performance is given in an opera house, accompanied by an orchestra or smaller musical ensemble. Opera is a key part of the Western classical music tradition, in the 18th century, Italian opera continued to dominate most of Europe, attracting foreign composers such as George Frideric Handel. Opera seria was the most prestigious form of Italian opera, until Christoph Willibald Gluck reacted against its artificiality with his operas in the 1760s. The first third of the 19th century saw the point of the bel canto style, with Gioachino Rossini, Gaetano Donizetti. It also saw the advent of Grand Opera typified by the works of Auber and Meyerbeer, the mid-to-late 19th century was a golden age of opera, led and dominated by Richard Wagner in Germany and Giuseppe Verdi in Italy. The popularity of opera continued through the era in Italy and contemporary French opera through to Giacomo Puccini. During the 19th century, parallel operatic traditions emerged in central and eastern Europe, the 20th century saw many experiments with modern styles, such as atonality and serialism, Neoclassicism, and Minimalism. With the rise of recording technology, singers such as Enrico Caruso, since the invention of radio and television, operas were also performed on these mediums. Beginning in 2006, a number of opera houses began to present live high-definition video transmissions of their performances in cinemas all over the world. In 2009, an opera company offered a download of a complete performance. The words of an opera are known as the libretto, some composers, notably Wagner, have written their own libretti, others have worked in close collaboration with their librettists, e. g. Mozart with Lorenzo Da Ponte. Vocal duets, trios and other ensembles often occur, and choruses are used to comment on the action, in some forms of opera, such as singspiel, opéra comique, operetta, and semi-opera, the recitative is mostly replaced by spoken dialogue. Melodic or semi-melodic passages occurring in the midst of, or instead of, the terminology of the various kinds of operatic voices is described in detail below. Over the 18th century, arias were accompanied by the orchestra. Subsequent composers have tended to follow Wagners example, though some, the changing role of the orchestra in opera is described in more detail below
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Alessandro Scarlatti
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Alessandro Scarlatti was an Italian Baroque composer, especially famous for his operas and chamber cantatas. He is considered the founder of the Neapolitan school of opera and he was the father of two other composers, Domenico Scarlatti and Pietro Filippo Scarlatti. Scarlatti was born in Palermo, then part of the Kingdom of Sicily, the production at Rome of his opera Gli Equivoci nell sembiante gained him the support of Queen Christina of Sweden, and he became her Maestro di Cappella. Here he produced a series of operas, remarkable chiefly for their fluency and expressiveness. In 1702 Scarlatti left Naples and did not return until the Spanish domination had been superseded by that of the Austrians, after visiting Venice and Urbino in 1707, Scarlatti took up his duties in Naples again in 1708, and remained there until 1717. His last work on a large scale appears to have been the unfinished serenata for the marriage of the prince of Stigliano in 1723 and he died in Naples in 1725. By 1686 he had established the Italian overture form, and had abandoned the ground bass. His best operas of this period are La Rosaura, and Pirro e Demetrio, in which occur the arias Le Violette, in his opera Teodora he originated the use of the orchestral ritornello. Besides the operas, oratorios and serenatas, which all exhibit a similar style and his instrumental music, though not without interest, is curiously antiquated as compared with his vocal works. Diana Moore, Suzana Ograjensek, Nicholas Phan, Clint van der Linde, Douglas Williams, Akademie für alte Musik Berlin, René Jacobs. Dorothea Röschmann, Lawrence Zazzo, Veronica Cangemi, Bernarda Fink, Silvia Tro Santafe, ligia digital, 0202176-07 Le parlement de musique. Ambronay editions, AMY004 Ensemble Europa Galante, virgin Classics,5456662 Academia Bizantina. Harmonia Mundi, HMI987045.46 Seattle Baroque, agora, AG249.1 Akademie für alten Musik Berlin, René Jacobs. Dorothea Röschmann, Graciela Oddone, Richard Croft, René Jacobs, Bernarda Fink, opus 111, OPS 30–129 Ensemble Europa Galante. Opus 111, OPS 30–96 Allesandro Stradella Consort, cantata natalizia Abramo, il tuo sembiante. Philips Classics Productions,434 160-2 I Musici, william Bennett, Lenore Smith, Bernard Soustrot, Hans Elhorst. 12 Sinfonie di Concerto Grosso Philips Box 6769066 Emma Kirkby, soprano and Daniel Taylor, countertenor, ATMA Classique, ACD22237 Francis Colpron, recorder, with Les Boréades. ATMA Classique, ACD22521 Nederlands Kamerkoor, with Harry van der Kamp, vespro della Beata Vergine for 5 voices and continuo
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Benedetto Marcello
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Benedetto Giacomo Marcello was an Italian composer, writer, advocate, magistrate, and teacher. Born in Venice, Benedetto Marcello was a member of a noble family, although he was a music student of Antonio Lotti and Francesco Gasparini, his father wanted Benedetto to devote himself to law. Benedetto managed to combine a life in law and public service with one in music, in 1711 he was appointed a member of the Council of Forty, and in 1730 he went to Pola as Provveditore. Due to his health having been impaired by the climate of Istria, Benedetto Marcello was the brother of Alessandro Marcello, also a notable composer. On 20 May 1728 Benedetto Marcello married his singing student Rosanna Scalfi in a secret ceremony, however, as a nobleman his marriage to a commoner was unlawful and after Marcellos death the marriage was declared null by the state. Rosanna was unable to inherit his estate, and filed suit in 1742 against Benedettos brother Alessandro Marcello, Marcello composed a variety of music including considerable church music, oratorios, hundreds of solo cantatas, duets, sonatas, concertos and sinfonias. Marcello was a contemporary of Antonio Vivaldi in Venice and his instrumental music enjoys a Vivaldian flavor. They were much admired by Charles Avison, who with John Garth brought out an edition with English words, the library of the Brussels Conservatoire possesses some interesting volumes of chamber cantatas composed by Marcello for his mistress. Although Benedetto Marcello wrote an opera called La Fede riconosciuta and produced it in Vicenza in 1702, he had sympathy with this form of composition. Benedetto Marcellos music is characterized by imagination and a fine technique, Marcello vented his opinions on the state of musical drama at the time in the satirical pamphlet Il teatro alla moda, published anonymously in Venice in 1720. This little work, which was reprinted, is not only extremely amusing. He directed his satire not against the opera as such but only against the slovenly routine and he spared nobody and attacked composers, singers, directors alike, down to the last stage hand. The vivid picture he draws would in many ways apply also to the operatic tradition which according to Gustav Mahler is identical with Schlamperei. Marcello presented his vitriolic suggestions in a serious tone and revealed by implication more about the musical and social aspects of opera than other authors did by factual reports. The bitterest attacks were leveled against the castrati who visibly embodied the most abusive side of opera and their singing was derisively called capons laughter. Outside of Italy they were beaten up in the streets, not because of their singing but because of economic jealousy. The composer Joachim Raff wrote an opera entitled Benedetto Marcello, based loosely on the life of Marcello, the Conservatorio di Musica Benedetto Marcello di Venezia was named after him. A street in Rome, Largo Benedetto Marcello, is named after him, dio, Sonetti … con altre rime, d’argomento sacro e morale Il divino Verbo fatto Uomo, o sia L’universale redenzione Solo cantata Cassandra Kai Wessel, David Blunden, Aeon Classics 2010
21.
Oratory of Santissimo Crocifisso
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The Oratorio del Santissimo Crocifisso or the Oratory of the Most Holy Crucifix is a building in central Rome, Italy. Located next to the church of San Marcello al Corso, it served as a prayer hall and it is best known, like the Oratorio del Gonfalone, which shares the same artists, for its Mannerist decorations. The structure was built by Giacomo Della Porta in 1568, near the church of San Marcello, for the Confraternity of Crucifix, the confraternity was composed of some of the richest men in Rome, including the cardinals Ranuccio and Alessandro Farnese, nephews of the Pope. The theme of the decoration is the Triumph of the Cross. It employed Giovanni de Vecchi, Cesare Nebbia, Niccolò Circignani and it was also host of musical concerts, starting in 1639, when the first performances of fifteen musical oratorios by Giacomo Carissimi and Emilio de Cavalieri occurred here. Http, //www. italycyberguide. com/Geography/cities/rome2000/E105b. htm Page at Rome Art Lover website
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Charles Burney
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Charles Burney FRS was an English music historian, composer and musician. He was father of the writers Frances Burney and Sarah Burney, the explorer James Burney, Charles Burney was born at Raven Street in Shrewsbury, fourth of six children of James Macburney, a musician, dancer and portrait painter, and his second wife Ann. In childhood he and a brother, Richard were for unknown reasons sent to the care of a Nurse Ball at nearby Condover, where they lived until 1739. He began formal education at Shrewsbury School in 1737 and was sent in 1739 to The Kings School in Chester. His first music master was a Mr Baker, organist of the cathedral, Burney wrote some music for Thomsons Alfred, which was produced at Drury Lane theatre on 30 March 1745. It was for his health that he went in 1751 to Lynn Regis in Norfolk, where he was elected organist, with a salary of £100. During that time he began to entertain the idea of writing a history of music. The concertos for harpsichord which Burney published soon after his return to London were much admired, in 1766 he produced, at Drury Lane, a translation and adaptation of Jean-Jacques Rousseaus opera Le devin du village, under the title of The Cunning Man. In 1749, while working as an organist and harpsichordist in London, the couple had six children, Esther or Hetty, the explorer James Burney, the celebrated writer Fanny Burney, Susan, Charlotte, and Charles Burney. Charless first wife Esther died in 1761, in 1769 he was married a second time, to Elizabeth Allen of Lynn. From this union he had a son, Richard, and a daughter, Sarah Burney, the University of Oxford honoured Burney, on 23 June 1769, with the degrees of Bachelor and Doctor of Music, and his own work was performed. This consisted of an anthem, with an overture, solos, recitatives and choruses, accompanied by instruments, besides a vocal anthem in eight parts, in 1769 he published An Essay towards a History of Comets. Amidst his various professional avocations, Burney never lost sight of his main project — his History of Music — and decided to travel abroad and collect materials that could not be found in Britain. He left London in June 1770, carrying letters of introduction. The results of his observations were published in a book, The Present State of Music in France. In 1773 he was elected a fellow of the Royal Society, in 1776 appeared the first volume of Burneys long-projected History of Music. In 1782 Burney published his volume, and in 1789 the third. The fourth volume covers the birth and development of opera and the scene in England in Burneys time
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John Hawkins (author)
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Sir John Hawkins was an English author and friend of Dr Samuel Johnson and Horace Walpole. He was part of Johnsons various clubs but later left The Literary Club after a disagreement with some of Johnsons other friends and his friendship with Johnson continued and he was made one of the executors of Johnsons will. He married the heiress Sidney Storer and was the father of the novelist Laetitia Hawkins, during his life, he wrote many works, including A General History of the Science and Practice of Music and his Life of Samuel Johnson in memory of his friend. He was appointed as a magistrate and later became Chairman of the Quarter Session for Middlesex and he was knighted in 1772 for his services. Hawkins first was brought up to follow in the footsteps of his father to become an architect, however, before the age of 30 he established a successful business as a solicitor. He married Sidney Storer in 1753 and retired from all professional vocations in 1759 after his wife had received an inheritance due to the death of her brother. In 1763, he published a document on the state of the Highways which has considered to be the basis for the Highway Act 1835. Following the commission of the peace in 1771 he acted as a magistrate for the county of Middlesex, Hawkins was knighted in 1772, and served as Chairman of the Middlesex Quarter Session. In 1773, he provided the notes for a new Shakespeare edition and it took Hawkins 16 years to write A General History of the Science and Practice of Music which was published in 1776. However, in years to come Hawkinss music history was considered to be superior to Burneys music history, Burneys discourse on Handel and Bach was viewed as being particularly inadequate. Within hours of Johnsons death, Thomas Cadell and William Strahan asked Hawkins to write a biography and he soon produced the first full-length biography of Johnson, the Life of Samuel Johnson. This has been eclipsed, except for specialists, by the far longer. But Hawkins had known Johnson about twice as long as Boswell, since the 1740s, Hawkins was more attuned to Johnsons strongly religious nature, and was with Johnson when he died, unlike Boswell who had been in Scotland for some months. Introduction in The Life of Samuel Johnson, LL. D. ed. Betram H. Davis, pp. vii-xxx
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Henry Aldrich
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Henry Aldrich was an English theologian, philosopher, and composer. Aldrich was educated at Westminster School under Dr Richard Busby, in 1662, he entered Christ Church, Oxford, and in 1689 was made Dean in succession to the Roman Catholic John Massey, who had fled to the Continent. In 1692, he became Vice-Chancellor of the University of Oxford until 1695, in 1702, he was appointed Rector of Wem in Shropshire, but continued to reside at Oxford, where he died on 14 December 1710. He was buried in Christ Church Cathedral without any memorial, at his own request, Henry Aldrich was a man of unusually varied gifts. A classical scholar of fair merits, he is best known as the author of a book on logic. Aldrich also composed a number of anthems and church services of high merit, to him we owe the well-known catch, Hark, the bonny Christ Church bells. He bore a great reputation for conviviality, and wrote a humorous Latin version of the popular ballad A soldier and a sailor, A tinker and a tailor, etc. The translation runs, If on my theme I rightly think, There are five reasons why men drink, — Good wine and this article incorporates text from a publication now in the public domain, Chisholm, Hugh, ed. Aldrich, Henry. OConnor, John J. Robertson, Edmund F. Henry Aldrich, MacTutor History of Mathematics archive, free scores by Henry Aldrich in the Choral Public Domain Library
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Christ Church, Oxford
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Christ Church is a constituent college of the University of Oxford in England. The college is associated with Christ Church Cathedral, Oxford, which serves as the college chapel and it is the second wealthiest Oxford college by financial endowment with an endowment of £436m as of 2015. Christ Church has produced thirteen British prime ministers, more than any other Oxbridge college, the college was the setting for parts of Evelyn Waughs Brideshead Revisited, as well as a small part of Lewis Carrolls Alices Adventures in Wonderland. More recently it has used in the filming of the movies of J. K. Rowlings Harry Potter series. Distinctive features of the architecture have been used as models by a number of other academic institutions, including the National University of Ireland, Galway. The University of Chicago and Cornell University both have reproductions of Christ Churchs dining hall, christChurch Cathedral in New Zealand, after which the City of Christchurch is named, is itself named after Christ Church, Oxford. Stained glass windows in the cathedral and other buildings are by the Pre-Raphaelite William Morris group with designs by Edward Burne-Jones, Christ Church is also partly responsible for the creation of University College Reading, which later gained its own Royal Charter and became the University of Reading. The first female undergraduates matriculated at Christ Church in 1980 and he planned the establishment on a magnificent scale, but fell from grace in 1529, with the buildings only three-quarters complete, as they were to remain for 140 years. In 1531 the college was suppressed, but it was refounded in 1532 as King Henry VIIIs College by Henry VIII. Since the time of Queen Elizabeth I the college has also associated with Westminster School. The dean remains to this day an ex member of the schools governing body. Major additions have made to the buildings through the centuries. To this day the bell in the tower, Great Tom, is rung 101 times at 9 pm at the former Oxford time every night, in former times this was done at midnight, signalling the close of all college gates throughout Oxford. Since it took 20 minutes to ring the 101, Christ Church gates, unlike those of other colleges, when the ringing was moved back to 9,00 pm, Christ Church gates still remained open until 12.20,20 minutes later than any other college. Although the clock itself now shows GMT/BST, Christ Church still follows Oxford time in the timings of services in the cathedral, King Charles I made the Deanery his palace and held his Parliament in the Great Hall during the English Civil War. In the evening of 29 May 1645, during the siege of Oxford. During the Commonwealth, John Owen attained considerable eminence, the Visitor of Christ Church is the reigning British sovereign, and the Bishop of Oxford is unique among English bishops in not being the Visitor of his own cathedral. The head of the college is the Dean of Christ Church, There are a senior and a junior censor the former of whom is responsible for academic matters, the latter for undergraduate discipline
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British Museum
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The British Museum is dedicated to human history, art and culture, and is located in the Bloomsbury area of London. The British Museum was established in 1753, largely based on the collections of the physician, the museum first opened to the public on 15 January 1759, in Montagu House, on the site of the current building. Although today principally a museum of art objects and antiquities. Its foundations lie in the will of the Irish-born British physician, on 7 June 1753, King George II gave his formal assent to the Act of Parliament which established the British Museum. They were joined in 1757 by the Old Royal Library, now the Royal manuscripts, together these four foundation collections included many of the most treasured books now in the British Library including the Lindisfarne Gospels and the sole surviving copy of Beowulf. The British Museum was the first of a new kind of museum – national, belonging to neither church nor king, freely open to the public, sloanes collection, while including a vast miscellany of objects, tended to reflect his scientific interests. The addition of the Cotton and Harley manuscripts introduced a literary, the body of trustees decided on a converted 17th-century mansion, Montagu House, as a location for the museum, which it bought from the Montagu family for £20,000. The Trustees rejected Buckingham House, on the now occupied by Buckingham Palace, on the grounds of cost. With the acquisition of Montagu House the first exhibition galleries and reading room for scholars opened on 15 January 1759. During the few years after its foundation the British Museum received several gifts, including the Thomason Collection of Civil War Tracts. A list of donations to the Museum, dated 31 January 1784, in the early 19th century the foundations for the extensive collection of sculpture began to be laid and Greek, Roman and Egyptian artefacts dominated the antiquities displays. Gifts and purchases from Henry Salt, British consul general in Egypt, beginning with the Colossal bust of Ramesses II in 1818, many Greek sculptures followed, notably the first purpose-built exhibition space, the Charles Towneley collection, much of it Roman Sculpture, in 1805. In 1816 these masterpieces of art, were acquired by The British Museum by Act of Parliament. The collections were supplemented by the Bassae frieze from Phigaleia, Greece in 1815, the Ancient Near Eastern collection also had its beginnings in 1825 with the purchase of Assyrian and Babylonian antiquities from the widow of Claudius James Rich. The neoclassical architect, Sir Robert Smirke, was asked to draw up plans for an extension to the Museum. For the reception of the Royal Library, and a Picture Gallery over it, and put forward plans for todays quadrangular building, much of which can be seen today. The dilapidated Old Montagu House was demolished and work on the Kings Library Gallery began in 1823, the extension, the East Wing, was completed by 1831. The Museum became a site as Sir Robert Smirkes grand neo-classical building gradually arose
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Paris
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Paris is the capital and most populous city of France. It has an area of 105 square kilometres and a population of 2,229,621 in 2013 within its administrative limits, the agglomeration has grown well beyond the citys administrative limits. By the 17th century, Paris was one of Europes major centres of finance, commerce, fashion, science, and the arts, and it retains that position still today. The aire urbaine de Paris, a measure of area, spans most of the Île-de-France region and has a population of 12,405,426. It is therefore the second largest metropolitan area in the European Union after London, the Metropole of Grand Paris was created in 2016, combining the commune and its nearest suburbs into a single area for economic and environmental co-operation. Grand Paris covers 814 square kilometres and has a population of 7 million persons, the Paris Region had a GDP of €624 billion in 2012, accounting for 30.0 percent of the GDP of France and ranking it as one of the wealthiest regions in Europe. The city is also a rail, highway, and air-transport hub served by two international airports, Paris-Charles de Gaulle and Paris-Orly. Opened in 1900, the subway system, the Paris Métro. It is the second busiest metro system in Europe after Moscow Metro, notably, Paris Gare du Nord is the busiest railway station in the world outside of Japan, with 262 millions passengers in 2015. In 2015, Paris received 22.2 million visitors, making it one of the top tourist destinations. The association football club Paris Saint-Germain and the rugby union club Stade Français are based in Paris, the 80, 000-seat Stade de France, built for the 1998 FIFA World Cup, is located just north of Paris in the neighbouring commune of Saint-Denis. Paris hosts the annual French Open Grand Slam tennis tournament on the red clay of Roland Garros, Paris hosted the 1900 and 1924 Summer Olympics and is bidding to host the 2024 Summer Olympics. The name Paris is derived from its inhabitants, the Celtic Parisii tribe. Thus, though written the same, the name is not related to the Paris of Greek mythology. In the 1860s, the boulevards and streets of Paris were illuminated by 56,000 gas lamps, since the late 19th century, Paris has also been known as Panam in French slang. Inhabitants are known in English as Parisians and in French as Parisiens and they are also pejoratively called Parigots. The Parisii, a sub-tribe of the Celtic Senones, inhabited the Paris area from around the middle of the 3rd century BC. One of the areas major north-south trade routes crossed the Seine on the île de la Cité, this place of land and water trade routes gradually became a town
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Giovanni Pierluigi da Palestrina
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Giovanni Pierluigi da Palestrina was an Italian Renaissance composer of sacred music and the best-known 16th-century representative of the Roman School of musical composition. He had a influence on the development of church music. Palestrina was born in the town of Palestrina, near Rome, documents suggest that he first visited Rome in 1537, when he is listed as a chorister at the Santa Maria Maggiore basilica. He studied with Robin Mallapert and Firmin Lebel and he spent most of his career in the city. Italy itself had yet to produce anyone of comparable fame or skill in polyphony, from 1544 to 1551, Palestrina was the organist of the Cathedral of St. Agapito, the principal church of his native city. This book of Masses was the first by a composer, since in the Italian states of Palestrinas day, most composers of sacred music were from the Low Countries, France, Portugal. In fact the book was modeled on one by Cristóbal de Morales, during the next decade, Palestrina held positions similar to his Julian Chapel appointment at other chapels and churches in Rome, notably St John Lateran, and St Mary Major. In 1571 he returned to the Julian Chapel and remained at St Peters for the rest of his life, the decade of the 1570s was difficult for him personally, he lost his brother, two of his sons, and his wife in three separate outbreaks of the plague. He seems to have considered becoming a priest at this time, but instead he remarried and this finally gave him financial independence and he was able to compose prolifically until his death. He died in Rome of pleurisy in 1594, as was usual, Palestrina was buried on the same day he died, in a plain coffin with a lead plate on which was inscribed Libera me Domine. A five-part psalm for three choirs was sung at the funeral, Palestrinas funeral was held at St. Peters, and he was buried beneath the floor of the basilica. His tomb was covered by new construction and attempts to locate the site have been unsuccessful. Palestrina left hundreds of compositions, including 105 masses,68 offertories, at least 140 madrigals, in addition, there are at least 72 hymns,35 magnificats,11 litanies, and four or five sets of lamentations. The Gloria melody from a Palestrina magnificat is widely used today in the hymn tune. He published just two collections of madrigals with profane texts, one in 1555 and another in 1586, the other two collections were spiritual madrigals, a genre beloved by the proponents of the Counter-Reformation. Palestrinas masses show how his style developed over time. His Missa sine nomine seems to have been attractive to Johann Sebastian Bach. Most of Palestrinas masses appeared in thirteen volumes printed between 1554 and 1601, the last seven published after his death, one of his most important works, the Missa Papae Marcelli, has been historically associated with erroneous information involving the Council of Trent
29.
Secularity
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Secularity is the state of being separate from religion, or of not being exclusively allied with or against any particular religion. Historically, the secular was not related or linked to religion. The idea of a dichotomy between religion and the secular originated in the 18th century European Enlightenment, one can regard eating and bathing as examples of secular activities, because there may not be anything inherently religious about them. Nevertheless, some religious traditions see both eating and bathing as sacraments, therefore making them religious activities within those world views, saying a prayer derived from religious text or doctrine, worshipping through the context of a religion, and attending a religious school are examples of religious activities. The secular is experienced in diverse ways ranging from separation of religion and state to being anti-religion or even pro-religion, a related term, secularism, involves the principle that government institutions and their representatives should remain separate from religious institutions, their beliefs, and their dignitaries. Many businesses and corporations, and some operate on secular lines. This stands in contrast to theocracy, government with deity as its highest authority, Secular and secularity derive from the Latin word saeculum which meant of a generation, belonging to an age or denoted a period of about one hundred years. In the ancient world, saeculum was not defined in contrast to any sacred concerns and had a usage in Latin. It was in Christian Latin of medieval times, that saeculum was used for distinguishing this temporal age of the world from the realm of God. The Christian doctrine that God exists outside time led medieval Western culture to use secular to indicate separation from specifically religious affairs and involvement in temporal ones. This does not necessarily imply hostility to God or religion, though some use the term this way, routinization — institutionalizing through integration into the society. Differentiation — a redefined place such as when accepting its status as one religion in a plural religious field or morphing into a more generic, disengagement — the detachment of certain facets of social life from religion. Transformation — gradual change over time in a sense that Protestantism became for Christianity. Generalization — a particular kind of change in which it becomes less specific, more abstract, has moderation of controversial and divisive claims. Desacralization — culture and rationality guide people while leaving out religious beings, segmentation — the development of specialized religious institutions, which take their place beside other specialized social institutions. Secularism — the only form that leads to rejection of religion. Examples of secular used in this way include, Secular authority, which involves legal, police, and military authority, as distinct from clerical authority, or matters under church control. Secular clergy in the Roman Catholic Church, who, traditionally, do not live the lives of the regular clergy and are therefore, in a sense
30.
Germany
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Germany, officially the Federal Republic of Germany, is a federal parliamentary republic in central-western Europe. It includes 16 constituent states, covers an area of 357,021 square kilometres, with about 82 million inhabitants, Germany is the most populous member state of the European Union. After the United States, it is the second most popular destination in the world. Germanys capital and largest metropolis is Berlin, while its largest conurbation is the Ruhr, other major cities include Hamburg, Munich, Cologne, Frankfurt, Stuttgart, Düsseldorf and Leipzig. Various Germanic tribes have inhabited the northern parts of modern Germany since classical antiquity, a region named Germania was documented before 100 AD. During the Migration Period the Germanic tribes expanded southward, beginning in the 10th century, German territories formed a central part of the Holy Roman Empire. During the 16th century, northern German regions became the centre of the Protestant Reformation, in 1871, Germany became a nation state when most of the German states unified into the Prussian-dominated German Empire. After World War I and the German Revolution of 1918–1919, the Empire was replaced by the parliamentary Weimar Republic, the establishment of the national socialist dictatorship in 1933 led to World War II and the Holocaust. After a period of Allied occupation, two German states were founded, the Federal Republic of Germany and the German Democratic Republic, in 1990, the country was reunified. In the 21st century, Germany is a power and has the worlds fourth-largest economy by nominal GDP. As a global leader in industrial and technological sectors, it is both the worlds third-largest exporter and importer of goods. Germany is a country with a very high standard of living sustained by a skilled. It upholds a social security and universal health system, environmental protection. Germany was a member of the European Economic Community in 1957. It is part of the Schengen Area, and became a co-founder of the Eurozone in 1999, Germany is a member of the United Nations, NATO, the G8, the G20, and the OECD. The national military expenditure is the 9th highest in the world, the English word Germany derives from the Latin Germania, which came into use after Julius Caesar adopted it for the peoples east of the Rhine. This in turn descends from Proto-Germanic *þiudiskaz popular, derived from *þeudō, descended from Proto-Indo-European *tewtéh₂- people, the discovery of the Mauer 1 mandible shows that ancient humans were present in Germany at least 600,000 years ago. The oldest complete hunting weapons found anywhere in the world were discovered in a mine in Schöningen where three 380, 000-year-old wooden javelins were unearthed
31.
France
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France, officially the French Republic, is a country with territory in western Europe and several overseas regions and territories. The European, or metropolitan, area of France extends from the Mediterranean Sea to the English Channel and the North Sea, Overseas France include French Guiana on the South American continent and several island territories in the Atlantic, Pacific and Indian oceans. France spans 643,801 square kilometres and had a population of almost 67 million people as of January 2017. It is a unitary republic with the capital in Paris. Other major urban centres include Marseille, Lyon, Lille, Nice, Toulouse, during the Iron Age, what is now metropolitan France was inhabited by the Gauls, a Celtic people. The area was annexed in 51 BC by Rome, which held Gaul until 486, France emerged as a major European power in the Late Middle Ages, with its victory in the Hundred Years War strengthening state-building and political centralisation. During the Renaissance, French culture flourished and a colonial empire was established. The 16th century was dominated by civil wars between Catholics and Protestants. France became Europes dominant cultural, political, and military power under Louis XIV, in the 19th century Napoleon took power and established the First French Empire, whose subsequent Napoleonic Wars shaped the course of continental Europe. Following the collapse of the Empire, France endured a succession of governments culminating with the establishment of the French Third Republic in 1870. Following liberation in 1944, a Fourth Republic was established and later dissolved in the course of the Algerian War, the Fifth Republic, led by Charles de Gaulle, was formed in 1958 and remains to this day. Algeria and nearly all the colonies became independent in the 1960s with minimal controversy and typically retained close economic. France has long been a centre of art, science. It hosts Europes fourth-largest number of cultural UNESCO World Heritage Sites and receives around 83 million foreign tourists annually, France is a developed country with the worlds sixth-largest economy by nominal GDP and ninth-largest by purchasing power parity. In terms of household wealth, it ranks fourth in the world. France performs well in international rankings of education, health care, life expectancy, France remains a great power in the world, being one of the five permanent members of the United Nations Security Council with the power to veto and an official nuclear-weapon state. It is a member state of the European Union and the Eurozone. It is also a member of the Group of 7, North Atlantic Treaty Organization, Organisation for Economic Co-operation and Development, the World Trade Organization, originally applied to the whole Frankish Empire, the name France comes from the Latin Francia, or country of the Franks
32.
Marc-Antoine Charpentier
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Marc-Antoine Charpentier was a French composer of the Baroque era. Exceptionally prolific and versatile, Charpentier produced compositions of the highest quality in several genres and his mastery in writing sacred vocal music, above all, was recognized and hailed by his contemporaries. Any family relationship between him and Gustave Charpentier, the late-nineteenth and early-twentieth century French opera composer, is highly unlikely, Charpentier was born in or near Paris, the son of a master scribe who had very good connections to influential families in the Parlement of Paris. Marc-Antoine received a good education, perhaps with the help of the Jesuits. He spent two or three years in Rome, probably between 1667 and 1669, and studied with Giacomo Carissimi and he is also known to have been in contact with poet-musician Charles Coypeau dAssoucy, who was composing for the French Embassy in Rome. A legend claims that Charpentier initially traveled to Rome to study painting before he was discovered by Carissimi, regardless, he acquired a solid knowledge of contemporary Italian musical practice and brought it back to France. Immediately on his return to France, Charpentier probably began working as composer to Marie de Lorraine, duchesse de Guise. Throughout the 1670s, the bulk of works were for trios. Then, about 1680, Mlle de Guise increased the size of the ensemble, until it included 13 performers, in the pieces written from 1684 until late 1687, the names of the Guise musicians appear as marginalia in Charpentiers manuscripts – including Charp beside the haute-contre line. Étienne Loulié, the senior instrumentalist who played keyboard, recorder and viole, despite what is often asserted, during his seventeen years in the service of Mlle de Guise, Charpentier was not the director of the Guise ensemble. The director was a gentleman of Mlle de Guises court, a musician, Italophile. During his years of service to Mlle de Guise, Charpentier also composed for Mme de Guise and it was in large part owing to Mme de Guises protection that the Guise musicians were permitted to perform Charpentiers chamber operas in defiance of the monopoly held by Jean Baptiste Lully. By late 1687, Mlle de Guise was dying, around that time, Charpentier entered the employ of the Jesuits. Indeed, he is not named in the princesss will of March 1688, nor in the papers of her estate, during his seventeen-odd years at the Hôtel de Guise, Charpentier had written almost as many pages of music for outside commissions as he had for Mlle de Guise. For example, after Molières falling out with Jean-Baptiste Lully in 1672, after Molières death in 1673, Charpentier continued to write for the playwrights successors, Thomas Corneille and Jean Donneau de Visé. Play after play, he would compose pieces that demanded more musicians than the number authorized by Lullys monopoly over theatrical music, by 1685, the troop ceased flouting these restrictions. Their capitulation ended Charpentiers career as a composer for the spoken theater, in 1679, Charpentier had been singled out to compose for Louis XIVs son, the Dauphin. In short, an ensemble that, with Mlle de Guises permission, by early 1683, when he was awarded a royal pension, Charpentier was being commissioned to write for court events such as the annual Corpus Christi procession
33.
Samuel Pepys
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Samuel Pepys FRS was an administrator of the navy of England and Member of Parliament who is most famous for the diary that he kept for a decade while still a relatively young man. Pepys had no experience, but he rose to be the Chief Secretary to the Admiralty under both King Charles II and King James II through patronage, hard work, and his talent for administration. His influence and reforms at the Admiralty were important in the early professionalisation of the Royal Navy, the detailed private diary that Pepys kept from 1660 until 1669 was first published in the 19th century and is one of the most important primary sources for the English Restoration period. It provides a combination of personal revelation and eyewitness accounts of events, such as the Great Plague of London, the Second Dutch War. Pepys was born in Salisbury Court, Fleet Street, London on 23 February 1633, the son of John Pepys, a tailor and his great uncle Talbot Pepys was Recorder and briefly Member of Parliament for Cambridge in 1625. His fathers first cousin Sir Richard Pepys was elected MP for Sudbury in 1640, appointed Baron of the Exchequer on 30 May 1654, Pepys was the fifth of eleven children, but child mortality was high and he was soon the oldest survivor. He was baptised at St Brides Church on 3 March, Pepys did not spend all of his infancy in London, for a while, he was sent to live with nurse Goody Lawrence at Kingsland, just north of the city. In about 1644, Pepys attended Huntingdon Grammar School before being educated at St Pauls School, London and he attended the execution of Charles I in 1649. In 1650, he went to Cambridge University, having received two exhibitions from St Pauls School and a grant from the Mercers Company. In October, he was admitted as a sizar to Magdalene College, he moved there in March 1651, later in 1654 or early in 1655, he entered the household of another of his fathers cousins, Sir Edward Montagu, who was later created 1st Earl of Sandwich. From a young age, Pepys suffered from stones in his urinary tract – a condition from which his mother and brother John also later suffered. He was almost never without pain, as well as other symptoms, by the time of his marriage, the condition was very severe. In 1657 Pepys decided to undergo surgery, not an option, as the operation was known to be especially painful. Nevertheless, Pepys consulted surgeon Thomas Hollier and, on 26 March 1658, Pepys stone was successfully removed and he resolved to hold a celebration on every anniversary of the operation, which he did for several years. However, there were long-term effects from the operation, the incision on his bladder broke open again late in his life. The procedure may have left him sterile, though there is no evidence for this. In mid-1658 Pepys moved to Axe Yard, near the modern Downing Street and he worked as a teller in the Exchequer under George Downing. On 1 January 1660, Pepys began to keep a diary and he recorded his daily life for almost ten years
34.
Theorbo
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For his 1607 opera LOrfeo, Claudio Monteverdi lists duoi chitaroni among the instruments required for performing the work. The round-backed chitarra was still in use, often referred to as chitarra Italiana to distinguish it from chitarra alla spagnola in its new flat-backed Spanish incarnation. The etymology of tiorba is still obscure, it is hypothesized the origin may be in Slavic or Turkish torba, according to Athanasius Kircher, tiorba was a nickname in Neapolitan dialect for a grinding board used by perfumers for grinding essences and herbs. It is possible the appearance of new large instrument resulted in jokes. Robert Spencer has noted the confusion the two names were leading to in 1600, Chitarone, ò Tiorba che si dica. In the performance of basso continuo, theorboes were often paired with a pipe organ. The most prominent early composers and players in Italy were Giovanni Girolamo Kapsberger, little solo music survives from England, but William Lawes and others used theorbos in chamber ensembles and opera orchestras. In France, theorbos were appreciated and used in orchestral or chamber music until the half of the 18th century. Court orchestras at Vienna, Bayreuth and Berlin still employed theorbo players after 1750, the tuning of large theorboes is characterized by the octave displacement, or re-entrant tuning, of the two uppermost strings. Piccinini and Michael Praetorius mention the use of metal strings. The Lang Romanische Theorba, Chitarron also appears to have strings attached to the bridge. The string courses, unlike those of a Renaissance lute or archlute, were often single, typically, theorboes have 14 courses, though some used 15 or even 19 courses. This is theorbo tuning in A, modern theorbo players usually play 14-course instruments. Some players have used a theorbo tuned a step lower in G. Most of the repertoire is in the A tuning. The Italians Kapsberger, Castaldi, Piccinini, Viviani, Melli, Pittoni and Bartolotti, in the French treatises, chords in which a lower note sounds after the bass were also used when the bass goes high. The English theorbo had just the first string at the lower octave, diego Cantalupi, La tiorba ed il suo uso in Italia come strumento per il basso continuo, pre-press version of the dissertation discussed in 1996 at the Faculty of Musicology, University of Pavia. Davide Rebuffa, Il liuto, LEpos, Pelermo 2012, ekkehard Schulze-Kurz, Die Laute und ihre Stimmungen in der ersten Hälfte des 17
35.
1632 series
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As of 2015, the series has five published novels propelling the main plot and over ten published novels moving several subplots and threads forward. The 1632 series began with Flints stand alone novel 1632 and it is, excepting the lead novel and the serialized e-novel The Anaconda Project, virtually all collaboratively written, including some main works with multiple co-authors. However, Flint has mentioned contracts with the publisher for at least two additional solo novels he has in planning on his website. As stated in the first Grantville Gazette and on his site,1632 occurs in the midst of the Thirty Years War. The series was continued with two collaborative works that were more or less written concurrently,1633 and an anthology called Ring of Fire. By late in 1632, the New United States-led coalition of the Confederated Principalities of Europe had become the arsenal and this leads the scheming Cardinal Richelieu, whod been previously financing him to spite and weaken the Habsburgs, to turn on the Swedes. Various books from up-time Grantville, especially books, had found avid readers amongst Europes ruling elites, changing the plans. The readers, not understanding the nature of events, often believe that these histories give them a strong idea of how they can guide events in a different direction. Richelieu forms an alliance, the League of Ostend, to oppose the New United States, Gustavus expeditionary army. After the first book, the series begins multiple plot lines or story threads reflecting this independence of action by a multitude of characters, the sequel 1633 spreads the Americans out geographically over Central Europe. Next, the novel 1634, The Galileo Affair, and the first of the called the Grantville Gazettes introduced new strong characters. The former begins what is called the South European thread, and some of the stories in the latter,1632 plot threads refers to the overall story arcs or sequences within the 1632 series. Flint has pointed out that he thinks in terms of plot threads, but most web chatter revolves around geographical spheres of influence, locations, or where protagonists have a general effect. That some persons of that mold have existed is not disputed, the Central European thread or more correctly, the Central and Southwest Central European thread, is the main plot thread of the series. Bavaria proper, Switzerland, Austria, Bohemia, and points easterly, Novel,1634, The Ram Rebellion with Virginia DeMarce, crafted as a collection of related key developmental events. Novel,1634, The Baltic War with David Weber, the main thread novel sequel to 1633. Novel,1634, The Bavarian Crisis with Virginia DeMarce, chronological sequel to 1632, the main characters are, in part, Lackeys The Stone Family, combined with Flints Sharon Nichols and Larry Mazzare. Novel,1634, The Galileo Affair with Andrew Dennis Novel,1635, The Cannon Law, Novel,1635, The Papal Stakes with Charles E. Gannon, sequel to The Cannon Law
36.
Eric Flint
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Eric Flint is an American author, editor, and e-publisher. The majority of his works are alternate history science fiction. His works has been listed on the New York Times, Wall Street Journal, Washington Post and he was born in 1947 in Burbank, California, Flint worked on a Ph. D. in history specializing in southern African history. A long-time leftist political activist, Flint worked as a member of the Socialist Workers Party, after winning the 1993 Writers of the Future contest, he published his first novel in 1997 and moved to full-time writing in 1999. Shortly afterwards, he became the first librarian of the Baen Free Library and he has edited the works of several classic SF authors, repackaging their short stories into collections and fix-up novels. This project has met commercial success, and has returned several out-of-print authors to print, subsequently, Flint became editor of the new Jim Baens Universe science-fiction e-zine while concurrently remaining a creative writer bringing out three to five titles per year. After the death of Jim Baen due to a stroke and after completing the contract for the tenth Grantville Gazette, as of October 2007 he lives with his wife Lucille in East Chicago, Indiana. In 2008, he donated his archive to the department of Rare Books, Flint was the author guest of honor for the 2010 NASFiC, ReConStruction. He is also participating in The Stellar Guild series published by Phoenix Pick, the series pairs bestselling authors such as Flint with lesser known authors in science fiction and fantasy to help provide additional visibility to them. One early goal was to see if the release of free electronic content would increase the sales of their traditional print or electronic editions. As part of the phase, Flint has published a series of essays that in form have been part blog and part letters to the editor tracking the experiment. Financially, it seems to be working out for publisher Baen Books, usually eighty to a hundred titles are available in the Baen Free Library at any given time. In most cases, the involved are the early volumes in continuing series, appetite whetters. All new Baen Books can also be purchased as e-books in the same unencrypted formats as the library through Baen WebScriptions. As an added wrinkle one can purchase a collection of five bundled works in the release stage of publication at Baens. Once the bundle reaches four months from its release date in print, about half of the work is serialized. A month later, the quarter, followed by the last quarter. The last delivery contains the copyedited e-book version of the book, one can also purchase electronic Advanced Reader Copies which are not a part of the foregoing monthly bundle, but are individually available for purchase
37.
The New Grove Dictionary of Music and Musicians
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The New Grove Dictionary of Music and Musicians is an encyclopedic dictionary of music and musicians. Along with the German-language Musik in Geschichte und Gegenwart, it is one of the largest reference works on Western music, in recent years it has been made available as an electronic resource called Grove Music Online, which is now an important part of Oxford Music Online. A Dictionary of Music and Musicians was first published in four volumes edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume, an Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In 1900, minor corrections were made to the plates and the series was reissued in four volumes. The original edition and the reprint are now available online. Grove limited the chronological span of his work to begin at 1450 while continuing up to the present day, the second edition, in five volumes, was edited by Fuller Maitland and published from 1904 to 1910, this time as Groves Dictionary of Music and Musicians. The individual volumes of the edition were reprinted many times. An American Supplement edited by Waldo Selden Pratt and Charles N. Boyd was added in 1920 and this edition removed the first editions beginning date of 1450, though important earlier composers and theorists are still missing from this edition. These volumes are now freely available online. The third edition, also in five volumes, was a revision of the 2nd edition. The fourth edition, also edited by Colles, was published in 1940 in five volumes, in addition to the American Supplement, MacMillan also published a Supplementary Volume edited by Colles. The fifth edition, in nine volumes, was edited by Eric Blom and this was the most thoroughgoing revision of the work since its inception, with many articles rewritten in a more modern style and a large number of entirely new articles. Many of the articles were written by Blom personally, or translated by him, an additional Supplementary Volume, prepared for the most part by Eric Blom, followed in 1961. Blom died in 1959, and the Supplementary Volume was completed by Denis Stevens, the fifth edition was reprinted in 1966,1968,1970,1973, and 1975. The next edition was published in 1980 under the name The New Grove Dictionary of Music and its senior editor was Stanley Sadie with Nigel Fortune also serving as one of the main editors for the publication. It was reprinted with minor corrections each subsequent year until 1995, in the mid-1990s, the hardback set sold for about $2,300. A paperback edition was reprinted in 1995 which sold for $500, the second edition under this title was published in 2001, in 29 volumes. It was also available by subscription on the internet in a service called Grove Music Online
Chisholm, Hugh, ed. (1911). "Carissimi, Giacomo". Encyclopædia Britannica. 5 (11th ed.). Cambridge University Press. p. 338.
Chisholm, Hugh, ed. (1911). "