Biagio Martini was an Italian painter, active mainly in Parma in a Neoclassical style. Born at Parma, he was a pupil at the Parmesan Academy of Fine Arts under Gaetano Callani and he became a professor at the Academy. He married Costanza, who was a painter and the daughter of Giuseppe Baldrighi, who died in 1803, was court painter in Parma for the Bourbon Duke
Marie Louise, Duchess of Parma
Marie Louise was an Austrian archduchess who reigned as Duchess of Parma from 1814 until her death. She was Napoleons second wife and, as such, Empress of the French from 1810 to 1814, a series of military defeats at the hands of Napoleon Bonaparte had inflicted a heavy human toll on Austria and led Francis to dissolve the Holy Roman Empire. The end of the War of the Fifth Coalition resulted in the marriage of Napoleon and Marie Louise in 1810, Marie Louise dutifully agreed to the marriage despite being raised to despise France. She was an obedient wife and was adored by Napoleon, who had been eager to marry a member of one of Europes leading royal houses to cement his relatively young Empire. With Napoleon, she bore a son, styled the King of Rome at birth, Duke of Reichstadt, Napoleons fortunes changed dramatically in 1812 after his failed invasion of Russia. The European powers, including Austria, resumed hostilities towards France in the War of the Sixth Coalition, the 1814 Treaty of Fontainebleau handed over the Duchies of Parma and Guastalla to Empress Marie Louise.
She ruled the duchies until her death, Marie Louise married morganatically twice after Napoleons death in 1821. Her second husband was Count Adam Albert von Neipperg, an equerry she met in 1814 and she and Neipperg had three children. After Neippergs death, she married Count Charles-René de Bombelles, her chamberlain, in 1834, Marie Louise died in Parma in 1847. Archduchess Marie Louise of Austria was born at the Hofburg Palace in Vienna on 12 December 1791 to Archduke Francis of Austria and his wife, Maria Theresa of Naples. Her father became Holy Roman Emperor a year as Francis II, Marie Louise was a great granddaughter of Empress Maria Theresa through both her parents, as they were first cousins. She was a granddaughter of Queen Maria Carolina of Naples. Marie Louises formative years were during a period of conflict between France and her family and she was brought up to detest France and French ideas. Marie Louise was influenced by her grandmother Maria Carolina, who despised the French Revolution which ultimately caused the death of her sister, Maria Carolinas Kingdom of Naples had come into direct conflict with French forces led by Napoleon Bonaparte.
The War of the Third Coalition brought Austria to the brink of ruin, the Imperial family was forced to flee Vienna in 1805. Marie Louise took refuge in Hungary and Galicia before returning to Vienna in 1806 and her father relinquished the title of Holy Roman Emperor but remained Emperor of Austria. To make her more marriageable, her parents had her tutored in many languages, in addition to her native German, she became fluent in English, Italian and Spanish. In 1807, when Marie Louise was 15, her mother died after suffering a miscarriage, less than a year later, Emperor Francis married his first cousin Maria Ludovika Beatrix of Austria-Este, who was four years older than Marie Louise
Italians are a nation and ethnic group native to Italy who share a common culture and speak the Italian language as a native tongue. The majority of Italian nationals are speakers of Standard Italian. Italians have greatly influenced and contributed to the arts and music, technology, sports, jurisprudence, Italian people are generally known for their localism and their attention to clothing and family values. The term Italian is at least 3,000 years old and has a history that goes back to pre-Roman Italy. According to one of the common explanations, the term Italia, from Latin, was borrowed through Greek from the Oscan Víteliú. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned by Aristotle and Thucydides. The Etruscan civilization reached its peak about the 7th century BC, but by 509 BC, when the Romans overthrew their Etruscan monarchs, its control in Italy was on the wane.
By 350 BC, after a series of wars between Greeks and Etruscans, the Latins, with Rome as their capital, gained the ascendancy by 272 BC, and they managed to unite the entire Italian peninsula. This period of unification was followed by one of conquest in the Mediterranean, in the course of the century-long struggle against Carthage, the Romans conquered Sicily and Corsica. Finally, in 146 BC, at the conclusion of the Third Punic War, with Carthage completely destroyed and its inhabitants enslaved, the final victor, was accorded the title of Augustus by the Senate and thereby became the first Roman emperor. After two centuries of rule, in the 3rd century AD, Rome was threatened by internal discord and menaced by Germanic and Asian invaders. Emperor Diocletians administrative division of the empire into two parts in 285 provided only temporary relief, it became permanent in 395, in 313, Emperor Constantine accepted Christianity, and churches thereafter rose throughout the empire. However, he moved his capital from Rome to Constantinople.
The last Western emperor, Romulus Augustulus, was deposed in 476 by a Germanic foederati general in Italy and his defeat marked the end of the western part of the Roman Empire. During most of the period from the fall of Rome until the Kingdom of Italy was established in 1861, Odoacer ruled well for 13 years after gaining control of Italy in 476. Then he was attacked and defeated by Theodoric, the king of another Germanic tribe and Odoacer ruled jointly until 493, when Theodoric murdered Odoacer. Theodoric continued to rule Italy with an army of Ostrogoths and a government that was mostly Italian, after the death of Theodoric in 526, the kingdom began to grow weak
Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Austria, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal climate and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, exploration, Italian culture flourished at this time, producing famous scholars and polymaths such as Leonardo da Vinci, Galileo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France and Austria.
Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned by Aristotle and Thucydides.
The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
Netherlands Institute for Art History
The Netherlands Institute for Art History or RKD is located in The Hague and is home to the largest art history center in the world. The center specializes in documentation and books on Western art from the late Middle Ages until modern times, all of this is open to the public, and much of it has been digitized and is available on their website. The main goal of the bureau is to collect, via the available databases, the visitor can gain insight into archival evidence on the lives of many artists of past centuries. The library owns approximately 450,000 titles, of which ca.150,000 are auction catalogs, there are ca.3,000 magazines, of which 600 are currently running subscriptions. Though most of the text is in Dutch, the record format includes a link to library entries and images of known works. The RKD manages the Dutch version of the Art and Architecture Thesaurus, the original version is an initiative of the Getty Research Institute in Los Angeles, California. Their bequest formed the basis for both the art collection and the library, which is now housed in the Koninklijke Bibliotheek.
Though not all of the holdings have been digitised, much of its metadata is accessible online. The website itself is available in both a Dutch and an English user interface, in the artist database RKDartists, each artist is assigned a record number. To reference an artist page directly, use the code listed at the bottom of the record, usually of the form, for example, the artist record number for Salvador Dalí is 19752, so his RKD artist page can be referenced. In the images database RKDimages, each artwork is assigned a record number, to reference an artwork page directly, use the code listed at the bottom of the record, usually of the form, https, //rkd. nl/en/explore/images/ followed by the artworks record number. For example, the record number for The Night Watch is 3063. The Art and Architecture Thesaurus assigns a record for each term, they are used in the databases and the databases can be searched for terms. For example, the painting called The Night Watch is a militia painting, the thesaurus is a set of general terms, but the RKD contains a database for an alternate form of describing artworks, that today is mostly filled with biblical references.
To see all images that depict Miriams dance, the associated iconclass code 71E1232 can be used as a search term. Official website Direct link to the databases The Dutch version of the Art and Architecture Thesaurus
The Rocca Sanvitale, or Sanvitale Castle, is a fortress residence in the centre of the town of Fontanellato, near Parma, northern Italy. Construction of the block, accessible through a drawbridge, was begun in the 13th century, mostly completed by the 15th century. It is prototypical of the urban castle-houses of the turbulent medieval communes of Northern Italy, until the 1930s it was the home of the descendants of the Count of Sanvitale. The crenelated walls and asymmetric towers are surrounded by an arcaded town, adjacent to the castle are gardens and a courtyard. The optical chamber has a system that projects to an inside wall a view of the town through mirrors. Rocca Sanvitale is now partly a museum and partly offices and conference hall for the town administration, inside are the frescoes of Diane and Acteon painted in 1523-24 by Parmigianino for the Count Galeazzo Sanvitale and his wife, Paola Gonzaga. Castelli del Ducato di Parma e Piacenza
The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th, European Neoclassicism in the visual arts began c.1760 in opposition to the then-dominant Baroque and Rococo styles. Each neo-classicism selects some models among the range of classics that are available to it. They ignored both Archaic Greek art and the works of Late Antiquity, the Rococo art of ancient Palmyra came as a revelation, through engravings in Woods The Ruins of Palmyra. While the movement is described as the opposed counterpart of Romanticism. The case of the main champion of late Neoclassicism, demonstrates this especially well. The revival can be traced to the establishment of formal archaeology, the writings of Johann Joachim Winckelmann were important in shaping this movement in both architecture and the visual arts. With the advent of the Grand Tour, a fad of collecting antiquities began that laid the foundations of many great collections spreading a Neoclassical revival throughout Europe, Neoclassicism in each art implies a particular canon of a classical model.
In English, the term Neoclassicism is used primarily of the arts, the similar movement in English literature. This, which had been dominant for decades, was beginning to decline by the time Neoclassicism in the visual arts became fashionable. Though terms differ, the situation in French literature was similar, in music, the period saw the rise of classical music, and Neoclassicism is used of 20th-century developments. Ingress coronation portrait of Napoleon even borrowed from Late Antique consular diptychs and their Carolingian revival, much Neoclassical painting is more classicizing in subject matter than in anything else. A fierce, but often very badly informed, dispute raged for decades over the merits of Greek and Roman art, with Winckelmann. The work of artists, who could not easily be described as insipid, combined aspects of Romanticism with a generally Neoclassical style. Unlike Carstens unrealized schemes, the etchings of Giovanni Battista Piranesi were numerous and profitable and his main subject matter was the buildings and ruins of Rome, and he was more stimulated by the ancient than the modern.
Neoclassicism in painting gained a new sense of direction with the success of Jacques-Louis Davids Oath of the Horatii at the Paris Salon of 1785. Despite its evocation of republican virtues, this was a commission by the royal government, David managed to combine an idealist style with drama and forcefulness. David rapidly became the leader of French art, and after the French Revolution became a politician with control of government patronage in art
Integrated Authority File
The Integrated Authority File or GND is an international authority file for the organisation of personal names, subject headings and corporate bodies from catalogues. It is used mainly for documentation in libraries and increasingly by archives, the GND is managed by the German National Library in cooperation with various regional library networks in German-speaking Europe and other partners. The GND falls under the Creative Commons Zero license, the GND specification provides a hierarchy of high-level entities and sub-classes, useful in library classification, and an approach to unambiguous identification of single elements. It comprises an ontology intended for knowledge representation in the semantic web, available in the RDF format
Biblioteca Palatina, Parma
The Biblioteca Palatina or Palatina Library was established in 1761 in the city of Parma by Philip Bourbon, Duke of Parma. It is one of the institutions located in the Palazzo della Pilotta complex in the center of Parma. The Palatina Library was named after Apollus Palatinus, the first librarian was the Theatine priest Paolo Maria Paciaudi, who was assigned as Antiquario e Bibliotecario. The goal was to form a library as part of a project by Duke Filippos prime minister. Paciaudi failed to acquire the collections of Cardinal Domenico Passionei in Roma and of the Pertusati family of Milan and he catalogued his purchases under six main classes, Nomology, History and Liberal and Mechanic Arts. The books required the importation of Louis Antoine Laferté, a book binder. The collection was kept in a gallery refurbished for the purpose by the architect, Ennemond Alexandre Petitot. In 1771, both Du Tillot and Paciaudi fell out of favor, and the library fell under the supervision of the Benedictine Andrea Mazza, Paciaudi was recalled from 1778 till his death in 1785 to his former office.
Paciaudi was replaced by the polymath cleric Ireneo Affò, he presided over expansion into the Galleria dellIncoronata, when Affò died in 1797, he was replaced by former Jesuit priest Matteo Luigi Canonici, until 1805. In 1804, the Napoleonic administration of the Duchy named Angelo Pezzana as director, Pezzana catalogued the books under five classes, Jurisprudence, Science & arts, Belle-Lettere, and History. The ceiling of the Sala Dante was frescoed by Francesco Scaramuzza, the next librarians included Federico Odorici and Luigi Rossi. The library was shelled in 1944, today the Librarys collection contains more than 708,000 printed works, about 6620 manuscripts, and 3042 incunabula,52,470 stamps. There is a musical section of 93,000 books. The music section was established in 1889, the electronic catalogue of the Palatina was started in 1994. The library holds mediaeval manuscripts, among them the biblical manuscripts 360 and 361. Official Website Biblioteca Palatina at the Consortium of European Research Libraries
The church of SantUldarico is located on Farini Street in Parma. The church of SantUldarico was built on the site of ancient Roman theater, the present façade was completed in 1762 by Gaetano Ghidetti. The frescoes of the cupola and nave are by Antonio Bresciani, the church contains paintings by Lionello Spada, Clemente Ruta, Giovanni Battista Borghesi, Girolamo Donini, and Giovanni Tebaldi. The choir stalls for the monks were commissioned in 1505 from Gian Giacomo Baruffi