1.
Piacenza
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Piacenza listen is a city and comune in the Emilia-Romagna region of northern Italy. It is the capital of the province of Piacenza, modern forms of the name descend from Latin Placentia. The etymology is long-standing, tracing an origin from the Latin verb placēre, in French, and occasionally in English, it is called Plaisance. The name means a pleasant abode, or as James Boswell reported some of the etymologists of his time to have translated it and this was a name of good omen. Piacenza is located at a crossroads at the intersection of Route E35/A1 between Bologna and Milan, and Route E70/A21 between Brescia and Tortona. Piacenza is also at the confluence of the Trebbia, draining the northern Apennine Mountains, Piacenza also hosts two universities, Università Cattolica del Sacro Cuore and Polytechnic University of Milan. Before then, says Polybius, These plains were anciently inhabited by Etruscans before the Gauls took the entire Po Valley from them, Piacenza and Cremona were founded as Roman military colonies in May 218 BC. The Romans had planned to them after the successful conclusion of the latest war with the Gauls ending in 219 BC. In the spring of 218 BC, after declaring war on Carthage, the reaction of the regions Gauls was swift, they drove the colonists off the lands. Taking refuge in Mutina, the latter sent for military assistance, a small force under Lucius Manlius was prevented from reaching the area. The Senate then sent two legions under Gaius Atelius, collecting Manlius and the colonists, they descended on Piacenza and Cremona and successfully placed castra there of 480 square metres to support the building of the city. Piacenza must have been walled immediately, as the walls were in place when the Battle of the Trebia was fought around the city in December. There is no evidence either textual or archaeological of a settlement at that exact location, however. Piacenza was the 53rd colony to be placed by Rome since its foundation and it was the first among the Gauls of the Po valley. It had to be supplied by boat after the Battle of Trebbia, in 209 BC, Hasdrubal Barca crossed the Alps and laid siege to the city, but he was unable to take it and withdrew. In 200 BC, the Gauls sacked and burned it, selling the population into slavery, subsequently, the victorious Romans restored the city and managed to recover 2000 citizens. In 198 BC, a force of Gauls and Ligurians plundered the whole region. As the people had never recovered from being sold into slavery, in 190 BC they complained to Senate of underpopulation, the construction of the Via Aemilia in the 180s made the city easily accessible from the Adriatic ports, which improved trade and the prospects for timely defense
2.
Holy Roman Empire
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The Holy Roman Empire was a multi-ethnic complex of territories in central Europe that developed during the Early Middle Ages and continued until its dissolution in 1806. On 25 December 800, Pope Leo III crowned the Frankish king Charlemagne as Emperor, reviving the title in Western Europe, more than three centuries after the fall of the Western Roman Empire. The title was revived in 962 when Otto I was crowned emperor, fashioning himself as the successor of Charlemagne, some historians refer to the coronation of Charlemagne as the origin of the empire, while others prefer the coronation of Otto I as its beginning. Scholars generally concur, however, in relating an evolution of the institutions and principles constituting the empire, the office of Holy Roman Emperor was traditionally elective, although frequently controlled by dynasties. Emperor Francis II dissolved the empire on 6 August 1806, after the creation of the Confederation of the Rhine by Napoleon, before 1157, the realm was merely referred to as the Roman Empire. In a decree following the 1512 Diet of Cologne, the name was changed to Holy Roman Empire of the German Nation, by the end of the 18th century, the term Holy Roman Empire of the German Nation had fallen out of official use. As Roman power in Gaul declined during the 5th century, local Germanic tribes assumed control, by the middle of the 8th century, however, the Merovingians had been reduced to figureheads, and the Carolingians, led by Charles Martel, had become the de facto rulers. In 751, Martel’s son Pepin became King of the Franks, the Carolingians would maintain a close alliance with the Papacy. In 768 Pepin’s son Charlemagne became King of the Franks and began an expansion of the realm. He eventually incorporated the territories of present-day France, Germany, northern Italy, on Christmas Day of 800, Pope Leo III crowned Charlemagne emperor, restoring the title in the west for the first time in over three centuries. After the death of Charles the Fat in 888, however, the Carolingian Empire broke apart, according to Regino of Prüm, the parts of the realm spewed forth kinglets, and each part elected a kinglet from its own bowels. After the death of Charles the Fat, those crowned emperor by the pope controlled only territories in Italy, the last such emperor was Berengar I of Italy, who died in 924. Around 900, autonomous stem duchies reemerged in East Francia, on his deathbed, Conrad yielded the crown to his main rival, Henry the Fowler of Saxony, who was elected king at the Diet of Fritzlar in 919. Henry reached a truce with the raiding Magyars, and in 933 he won a first victory against them in the Battle of Riade, Henry died in 936, but his descendants, the Liudolfing dynasty, would continue to rule the Eastern kingdom for roughly a century. Upon Henry the Fowlers death, Otto, his son and designated successor, was elected King in Aachen in 936 and he overcame a series of revolts from an elder brother and from several dukes. After that, the managed to control the appointment of dukes. In 951, Otto came to the aid of Adelaide, the queen of Italy, defeating her enemies, marrying her. In 955, Otto won a victory over the Magyars in the Battle of Lechfeld
3.
Papal States
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The Papal States, officially the State of the Church, were territories in the Italian Peninsula under the sovereign direct rule of the pope, from the 8th century until 1870. They were among the states of Italy from roughly the 8th century until the Italian Peninsula was unified in 1861 by the Kingdom of Piedmont-Sardinia. At their zenith, they covered most of the modern Italian regions of Lazio, Marche, Umbria and Romagna and these holdings were considered to be a manifestation of the temporal power of the pope, as opposed to his ecclesiastical primacy. By 1861, much of the Papal States territory had been conquered by the Kingdom of Italy, only Lazio, including Rome, remained under the Popes temporal control. In 1870, the pope lost Lazio and Rome and had no physical territory at all, Italian Fascist leader Benito Mussolini ended the crisis between unified Italy and the Vatican by signing the Lateran Treaty, granting the Vatican City State sovereignty. The Papal States were also known as the Papal State, the territories were also referred to variously as the State of the Church, the Pontifical States, the Ecclesiastical States, or the Roman States. For its first 300 years the Catholic Church was persecuted and unrecognized and this system began to change during the reign of the emperor Constantine I, who made Christianity legal within the Roman Empire, and restoring to it any properties that had been confiscated. The Lateran Palace was the first significant new donation to the Church, other donations followed, primarily in mainland Italy but also in the provinces of the Roman Empire. But the Church held all of these lands as a private landowner, the seeds of the Papal States as a sovereign political entity were planted in the 6th century. Beginning In 535, the Byzantine Empire, under emperor Justinian I, launched a reconquest of Italy that took decades and devastated Italys political, just as these wars wound down, the Lombards entered the peninsula from the north and conquered much of the countryside. While the popes remained Byzantine subjects, in practice the Duchy of Rome, nevertheless, the pope and the exarch still worked together to control the rising power of the Lombards in Italy. As Byzantine power weakened, though, the took a ever larger role in defending Rome from the Lombards. In practice, the papal efforts served to focus Lombard aggrandizement on the exarch, a climactic moment in the founding of the Papal States was the agreement over boundaries embodied in the Lombard king Liutprands Donation of Sutri to Pope Gregory II. When the Exarchate of Ravenna finally fell to the Lombards in 751, the popes renewed earlier attempts to secure the support of the Franks. In 751, Pope Zachary had Pepin the Younger crowned king in place of the powerless Merovingian figurehead king Childeric III, zacharys successor, Pope Stephen II, later granted Pepin the title Patrician of the Romans. Pepin led a Frankish army into Italy in 754 and 756, Pepin defeated the Lombards – taking control of northern Italy – and made a gift of the properties formerly constituting the Exarchate of Ravenna to the pope. The cooperation between the papacy and the Carolingian dynasty climaxed in 800, when Pope Leo III crowned Charlemagne Emperor, the precise nature of the relationship between the popes and emperors – and between the Papal States and the Empire – is disputed. Events in the 9th century postponed the conflict, the Holy Roman Empire in its Frankish form collapsed as it was subdivided among Charlemagnes grandchildren
4.
Italy
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Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal climate and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
5.
Painting
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Painting is the practice of applying paint, pigment, color or other medium to a solid surface. The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture, composition, narration, or abstraction, among other aesthetic modes, may serve to manifest the expressive, Paintings can be naturalistic and representational, photographic, abstract, narrative, symbolistic, emotive, or political in nature. A portion of the history of painting in both Eastern and Western art is dominated by motifs and ideas. In art, the term painting describes both the act and the result of the action, the term painting is also used outside of art as a common trade among craftsmen and builders. What enables painting is the perception and representation of intensity, every point in space has different intensity, which can be represented in painting by black and white and all the gray shades between. In practice, painters can articulate shapes by juxtaposing surfaces of different intensity, thus, the basic means of painting are distinct from ideological means, such as geometrical figures, various points of view and organization, and symbols. In technical drawing, thickness of line is ideal, demarcating ideal outlines of an object within a perceptual frame different from the one used by painters. Color and tone are the essence of painting as pitch and rhythm are the essence of music, color is highly subjective, but has observable psychological effects, although these can differ from one culture to the next. Black is associated with mourning in the West, but in the East, some painters, theoreticians, writers and scientists, including Goethe, Kandinsky, and Newton, have written their own color theory. Moreover, the use of language is only an abstraction for a color equivalent, the word red, for example, can cover a wide range of variations from the pure red of the visible spectrum of light. There is not a register of different colors in the way that there is agreement on different notes in music. For a painter, color is not simply divided into basic, painters deal practically with pigments, so blue for a painter can be any of the blues, phthalocyanine blue, Prussian blue, indigo, cobalt, ultramarine, and so on. Psychological and symbolical meanings of color are not, strictly speaking, colors only add to the potential, derived context of meanings, and because of this, the perception of a painting is highly subjective. The analogy with music is quite clear—sound in music is analogous to light in painting, shades to dynamics and these elements do not necessarily form a melody of themselves, rather, they can add different contexts to it. Modern artists have extended the practice of painting considerably to include, as one example, collage, some modern painters incorporate different materials such as sand, cement, straw or wood for their texture. Examples of this are the works of Jean Dubuffet and Anselm Kiefer, there is a growing community of artists who use computers to paint color onto a digital canvas using programs such as Adobe Photoshop, Corel Painter, and many others. These images can be printed onto traditional canvas if required, rhythm is important in painting as it is in music
6.
Pantheon, Rome
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The Pantheon is a former Roman temple, now a church, in Rome, Italy, on the site of an earlier temple commissioned by Marcus Agrippa during the reign of Augustus. The present building was completed by the emperor Hadrian and probably dedicated about 126 AD and he retained Agrippas original inscription, which has confused its date of construction as the original Pantheon burnt down so it is not certain when the present one was built. The building is circular with a portico of large granite Corinthian columns under a pediment, a rectangular vestibule links the porch to the rotunda, which is under a coffered concrete dome, with a central opening to the sky. Almost two thousand years after it was built, the Pantheons dome is still the worlds largest unreinforced concrete dome, the height to the oculus and the diameter of the interior circle are the same,43.3 metres. Mary and the Martyrs but informally known as Santa Maria Rotonda, the square in front of the Pantheon is called Piazza della Rotonda. The Pantheon is a property, ruled by Italys Ministry of Cultural Heritage and Activities and Tourism through the Polo Museale del Lazio. The Pantheons large circular domed cella, with a temple portico front, is unique in Roman architecture. Nevertheless, it became a standard exemplar when classical styles were revived, Pantheon is derived from the Ancient Greek Pantheion meaning of, relating to, or common to all the gods. His uncertainty strongly suggests that Pantheon was merely a nickname, not the name of the building. In fact, the concept of a dedicated to all the gods is questionable. The only definite pantheon recorded earlier than Agrippas was at Antioch in Syria and it seems highly significant that Dio does not quote the simplest explanation for the name—that the Pantheon was dedicated to all the gods. Godfrey and Hemsoll maintain that the word Pantheon need not denote a group of gods, or, indeed, even all the gods. Certainly the word pantheus or pantheos, could be applicable to individual deities…, bearing in mind also that the Greek word θεῖος need not mean of a god but could mean superhuman, or even excellent. It seems likely that the Pantheon and the Basilica of Neptune were Agrippas sacra privata and this less solemn designation would help explain how the building could have so easily lost its original name and purpose in such a relatively short period of time. However, archaeological excavations have shown that the Pantheon of Agrippa had been destroyed except for the façade. Lise Hetland argues that the present construction began in 114, under Trajan and her argument is particularly interesting in light of Heilmeyers argument that, based on stylistic evidence, Apollodorus of Damascus, Trajans architect, was the obvious architect. The form of Agrippas Pantheon is debated and this description was widely accepted until the late 20th century. The only passages referring to the decoration of the Agrippan Pantheon written by an eyewitness are in Plinys Natural History, from him we know that the capitals, too, of the pillars, which were placed by M
7.
Francesco Algarotti
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Count Francesco Algarotti was an Venetian polymath, philosopher, poet, essayist, anglophile, art critic and art collector. His father and uncle were art collectors, unlike his older brother Bonomo he did not step into the company, but decided to become an author. Francesco studied natural sciences and mathematics in Bologna under Francesco Maria Zanotti, first he travelled in the North of Italy, but moved to Florence, and Rome. At the age of twenty, he went to Cirey and Paris, two years later he was in London, where he was made a fellow of the Royal Society. He became embroiled in a lively bisexual love-triangle with the politician John Hervey, Algarotti left for Italy and finished his Neutonianismo per le dame, a work on optics, dedicated to Bernard le Bovier de Fontenelle. In the meantime Algarotti had made acquaintance with Antiochus Kantemir, a Moldavian diplomat, poet and he was invited to visit Russia for the wedding of Duke Anthony Ulrich of Brunswick. In 1739 he left with Lord Baltimore from Sheerness to Newcastle upon Tyne, because of a heavy storm the ship sheltered in Harlingen. Algarotti was discovering this new city, returning from Saint Petersburg, they visited Frederick the Great in Rheinsberg. Algarotti had obligations in England and came back the year after, then Algarotti went together with Frederick to Königsberg where he was crowned. Frederick, who was impressed with this walking encyclopedia, made him, Algarotti accompanied Frederick to Bayreuth, Kehl, Strasbourg and Moyland Castle where they met with Voltaire, who was taking baths in Kleve for his health. In 1741 Algarotti went to Turin as his diplomat, Frederick had offered him a salary, but Algarotti refused. First he went to Dresden and Venice, where he bought 21 paintings, Algarotti did not succeed to have the Kingdom of Sardinia attack Austria in the back. He wantedsuggetti graziosi e leggeri from Balestra, Boucher, and Donato Creti, other artist he protected were Giuseppe Nogari, Bernardo Bellotto, and Francesco Pavona. In 1747 Algarotti went back to Potsdam and became court chamberlain, in 1749 he moved to Berlin. Algarotti was involved in finishing the architectural designs of Georg Wenzeslaus von Knobelsdorff who had fallen ill, in February 1753, after several years residing in Prussia he returned to Italy, living most of the time in Bologna. In 1759 Algarotti was involved in a new opera-style in the city of Parma and he influencing Guillaume du Tillot and the Duke of Parma. Algarottis Essay on the Opera was an influence on the librettist Carlo Innocenzo Frugoni and the composer Tommaso Traetta. Algarotti proposed a simplified model of opera seria, with the drama pre-eminent, instead of the music
8.
Pope Benedict XIV
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Pope Benedict XIV, born Prospero Lorenzo Lambertini, served as the Pope of the Catholic Church from 17 August 1740 to his death in 1758. Perhaps one of the greatest scholars in Christendom, yet overlooked, he promoted scientific learning, the baroque arts, reinvigoration of Thomism. In terms of the governance of the Papal States, he reduced taxation, a scholar, he laid the groundwork for the present Vatican Museum. Horace Walpole described him as a priest without insolence or interest, a prince without favorites, Lambertini was born into a noble family of Bologna to Marcello Lambertini and Lucrezia Bulgarini, the third of five children. At the time of his birth, Bologna was the second largest city in the Papal States, at the age of thirteen, he began attending the Collegium Clementianum in Rome, where he studied rhetoric, Latin, philosophy, and theology. During his studies as a man, he often studied the works of St. Thomas Aquinas. While he enjoyed studying at Collegium Clementianum, the bent of his mind was well towards ecclesiastical and civil law, soon after, in 1694 at the age of nineteen, he received the degree of Doctor of Sacred Theology and Doctor Utriusque Juris. On the death of Innocent XII, he was made an advocate by Clement XI. Lambertini was consecrated a bishop in Rome, in the Pauline Chapel of the Vatican Palace, on 16 July 1724, the co-consecrators were Giovanni Francesco Nicolai, titular Archbishop of Myra, and Nicola Maria Lercari, titular Archbishop of Nazianzus. He was made Bishop of Ancona in 1727 and he was created a cardinal in pectore, his name being published on 30 April 1728, and was subsequently made the Cardinal-Priest of Santa Croce in Gerusalemme on 10 May 1728. He also served as the Archbishop of Bologna, after the death of Pope Clement XII, Lambertini attended the papal conclave to choose a successor. It would last for six months, at first Cardinal Ottoboni, dean of the Sacred College, was favored to be elected, but a number of cardinals were opposed to this on account of the cardinal being protector of France. This appears to have assisted his cause for winning the election, which benefited from his reputation for deep learning, gentleness, wisdom. On 17 August 1740 he was elected in the evening and took his new name of Benedict XIV in honour of Pope Benedict XIII. He managed to overcome most of these problems — the Holy Sees disputes with the Kingdom of Naples, Sardinia, Spain, Venice and he had a very active papacy, reforming the education of priests, the calendar of feasts of the Church, and many papal institutions. Perhaps the most important act of Benedict XIVs pontificate was the promulgation of his famous laws about missions in the two bulls, Ex quo singulari and Omnium solicitudinum and this question was especially pressing in the case of an ancestor known not to have been a Christian. The choice of a Chinese translation for the name of God had also been debated since the early 17th century, Benedict XIV denounced these practices in these two bulls. The consequence of this was many of these converts left the Church
9.
Benedetto Luti
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Benedetto Luti was an Italian painter. Luti was born in Florence on 17 November 1666, in 1691, he moved to Rome, where he was patronized by Cosimo III de Medici, Grand Duke of Tuscany, an enthusiast of Lutis pastel portraiture. Luti was one of the first artists to work in pastels as the composition as opposed to initial studies for paintings or frescoes. He also worked in oils and painted frescoes, including for the Basilica di San Giovanni in Laterano, in 1720, he was knighted in the Academy of St Luke of Rome and elected Principe. The appointment was not without controversy, since some, could not find anything worthy of memory for the benefit of the arts, pascolis of account Luti, found him a deep intellect, and even more knowledgeable of the works that he draws, although. The next year he dedicated himself to painting frescoes the cupola of the Church of Santi Luca e Martina in Rome, art in Rome in the Eighteenth Century
10.
Roman Colleges
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Note, This article is based on the Catholic Encyclopedia 1913 and contains a large amount of out-dated information throughout, including the numbers of students. Specifically, many of the practices and forms of dress described changed dramatically during the 1960s, the Roman Colleges, also referred to as the Pontifical Colleges in Rome, are institutions established and maintained in Rome for the education of future ecclesiastics of the Roman Catholic Church. Traditionally many were for students of a particular nationality, the colleges are halls of residence in which the students follow the usual seminary exercises of piety, study in private, and review the subjects treated in class. The rector of the Kraków seminary, in bidding Karol Wojtyla farewell, said that theology can be learned elsewhere, each national college has as its head a rector designated by the episcopate of the country to which the college belongs and appointed by the pope. He is assisted by a vice-rector and a spiritual director, the scholastic year begins in the first week of November and ends in June. In most of the courses the lecture system is followed and at stated times formal disputations are held in accordance with scholastic methods. The course of studies, whether leading to a degree or not, is prescribed and it extends, generally speaking, through six years, to philosophy in the stricter sense are added courses in mathematics, languages, and natural sciences. Theology includes, besides dogmatic and moral theology, courses in liturgy, archaeology, Church history, canon law, an oral examination is held in the middle of the year and a written examination at the close. The usual degrees are conferred in philosophy, theology, and canon law, Capranica himself drew up their rules and presented the college with his own library, the more valuable portion of which was later transferred to the Vatican. Students living at the Capranica pursued theological studies at the nearby Sapienza, as of 2016, the college had about fifty students, primarily from dioceses in Italy. The Pontificio Collegio Urbano De Propaganda Fide was established in Rome in 1622 in order to train missionaries to be sent around the world, all students of the Urban College have a full scholarship, lodging, accommodation and academic fees. After completion of studies the newly ordained priests would return to their homeland, as of 2016 the Urban College had about 165 students, most from Asia and Africa. Besides students from the dioceses of different continents, there are also seminarians of various Churches sui iuris such as the Syro Malabar, Syro Malankara, Coptic, originally, the College occupied a premises adjacent to the Spanish Steps. If there were not enough pupils from a country to constitute a national college. The Pontifical Ecclesiastical Academy is one of the Roman Colleges of the Roman Catholic Church, the academy is dedicated to training priests to serve in the diplomatic corps and the Secretariat of State of the Holy See. The Lay Centre at Foyer Unitas is a college and house of formation for the lay vocation and laity pursuing a vocation through study. The Centre is dedicated to ecumenical and interreligious hospitality as part of its mission in forming Catholic laity, traditionally, most of the colleges were divided among the regions from which the seminarians came. Nowadays, most colleges have opened up to seminarians from other regions of the world with cultural or linguistic ties to their own, the Roman Seminary is the major seminary of the diocese of Rome
11.
Hubert Robert
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Hubert Robert was a French painter, noted for his landscape paintings and capriccio, or semi-fictitious picturesque depictions of ruins in Italy and of France. Hubert Robert was born in Paris in 1733 and his father, Nicolas Robert, was in the service of François-Joseph de Choiseul, marquis de Stainville a leading diplomat from Lorraine. The contrast between the ruins of ancient Rome and the life of his time excited his keenest interest and he worked for a time in the studio of Pannini, whose influence can be seen in the Vue imaginaire de la galerie du Louvre en ruine. The albums of sketches and drawings he assembled in Rome supplied him with motifs that he worked into paintings throughout his career. Roberts first exhibition at the Salon of 1767, consisting of thirteen paintings, Robert subsequently showed work at every Salon until 1802. He was successively appointed Designer of the Kings Gardens, Keeper of the Kings Pictures and Keeper of the Museum, Robert was arrested in October 1793, during the French Revolution. During the ten months of his detention at Sainte-Pélagie and Saint-Lazare he made drawings, painted at least 53 canvases. He was freed one week after the fall of Robespierre, Robert narrowly escaped the guillotine when through error another prisoner died in his place. Subsequently he was placed on the committee of five in charge of the new museum at the Palais du Louvre. The Revolution also resulted in the destruction of some of Roberts work, Robert had designed the decorations for a little theatre in the new wing at the location of the current staircase Gabriel in the Palace of Versailles. Designed to seat about 500, this theatre was built from the summer of 1785 and it was intended to serve as an ordinary court theatre, replacing the Theatre of the Princes Court which was too old and too small, but was destroyed during the time of Louis Philippe. A watercolour of Roberts design is in the National Archives in Paris, Robert died of a stroke on 15 April 1808. The quantity of his work is immense, comprising one thousand paintings. The Louvre alone contains nine paintings by his hand and specimens are frequently to be met with in provincial museums, Roberts work has more or less of that scenic character which justified his selection by Voltaire to paint the decorations of his theatre at Ferney. He is noted for the liveliness and point with which he treated the subjects he painted, along with this incessant activity as an artist, his daring character and many adventures attracted general admiration and sympathy. In the fourth canto of his LImagination Jacques Delille celebrated Roberts miraculous escape when lost in the catacombs, Roberts contribution to garden design was not in making practical ground plans for improvements but in providing atmospheric inspiration for the proposed effect. Huberts paintings of the Moulin Joly of his friend Claude-Henri Watelet render the fully-grown atmosphere of a garden that had been under way since 1754, references and notes Sources Adams, William Howard, The French Garden 1500–18001979. Huisman, Philippe, French Watercolours of the 18th Century London, Thames and Hudson ISBN 978-0-500-23105-0 Wiebenson and this article incorporates text from a publication now in the public domain, Chisholm, Hugh, ed. article name needed
Media related to Giovanni Paolo Pannini at Wikimedia Commons
